Aṅguttara Nikāya · Discourse 3.132

Etchings

Lekhasutta — Kusināravagga — the thirteenth chapter of the Threes

Setting
None stated; the discourse continues from AN 3.1, whose setting at Sāvatthī is understood to hold
Speakers
The Buddha alone, addressing the mendicants
Form
Three matched similes, each naming a type of person and the natural image that explains it
Length
≈1 minute to read
Northern parallel
The three-part simile of anger etched in stone, earth, and water is preserved in the Chinese Āgamas; this reading guide does not assert a specific matching sutra number
Difficulty
★☆☆☆☆ — immediately clear, and a natural self-diagnostic

Why this discourse

Three people, three etchings: a line drawn in stone, which lasts; a line drawn in earth, which wears away quickly; a line drawn in water, which is gone before it is finished. All three get angry. What distinguishes them is not whether anger arises but how long it stays — closing the Kusināravagga on an image simple enough to use the same day it is read.

Reading guide

The teaching in one sentence

Three types of person are told apart not by whether they get angry, which all three do, but by how long the anger lasts once it has arisen.

Three etchings, three durations

A line in stone resists wind and water and lasts a long time. A line in earth is worn away quickly. A line in water vanishes as it is drawn, gone before it can be seen. Applied to anger: the first person’s resentment lingers for a long time; the second’s does not; the third, remarkably, is described differently again.

A quiet shift in the third case

The first two types are defined identically — both are “often angry,” abhiṇhaṁ kujjhati, differing only in how long the anger lasts once it has arisen. The third type is not described as someone whose anger vanishes quickly. It is described by conduct under provocation: spoken to roughly, harshly, and disagreeably, this person still stays in touch, interacts, and greets warmly. The discourse never actually says the third type feels no anger at all — only that whatever arises does not interrupt the relationship.

Why the discourse doesn't promise anger-free

It would have been easy to describe the best of the three as someone in whom anger simply does not arise. The discourse doesn't say that, for any of the three. Reading it carefully is a corrective for a reader who expects spiritual progress to mean the absence of a feeling: what is actually offered here is a scale of how much power the feeling, once present, is allowed to have over duration and over relationship.

A self-diagnostic, not a permanent label

The discourse names three puggalā, individuals, as though sorting people into fixed types. It reads better as a mirror than a filing system: worth asking, of a specific recent flash of anger, which etching it resembled, rather than deciding once which of the three a person permanently is.

Closing the chapter on anger

Dhammapada 17, the chapter on anger, gathers a full set of verses on the same theme elsewhere in this collection's sibling texts — a natural next stop for a class that wants more material on the same fault before moving into the fourteenth chapter, which turns to an entirely different subject.

Key terms

lekhā — “a line, an etching, a mark” — the image organizing all three comparisons.
kodha — “anger” — present in all three types; what differs is its staying power.
anuseti — “lingers, lies dormant” — the verb for anger that persists, sharing its root with anusaya, the underlying tendencies.
āgāḷhena, pharusena, amanāpena vuccamāna — “spoken to in a severe, harsh, and disagreeable way” — the provocation the third type withstands without breaking contact.
sandhiyati, saṁsandati, sammodati — “stays in touch, interacts, greets warmly” — the third type’s actual, observable response.

The text

The discourse in full: the three etchings and the three people they describe, closing the Kusināravagga. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

A line drawn in stone

§1“Mendicants, these three individuals are found in the world. What three? An individual like a line drawn in stone, an individual like a line drawn in sand, and an individual like a line drawn in water. And who is the individual like a line drawn in stone? It’s an individual who is often angry, and their anger lingers for a long time. It’s like a line drawn in stone, which isn’t quickly worn away by wind and water, but lasts for a long time. In the same way, an individual is often angry, and their anger lingers for a long time. This is called an individual like a line drawn in stone.

A line drawn in earth

§2And who is the individual like a line drawn in sand? It’s an individual who is often angry, but their anger doesn’t linger long. It’s like a line drawn in sand, which is quickly worn away by wind and water, and doesn’t last long. In the same way, an individual is often angry, but their anger doesn’t linger long. This is called an individual like a line drawn in sand.

A line drawn in water

§3And who is the individual like a line drawn in water? It’s an individual who, though spoken to by someone in a rough, harsh, and disagreeable manner, still stays in touch, interacts with, and greets them. It’s like a line drawn in water, which vanishes right away, and doesn’t last long. In the same way, an individual, though spoken to by someone in a rough, harsh, and disagreeable manner, still stays in touch, interacts with, and greets them. This is called an individual like a line drawn in water. These are the three individuals found in the world.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What three images does the discourse use?
Correct: A. Each image explains one of three types of person by how long it lasts.
Question 2 of 10
What actually distinguishes the three types of person?
Correct: B. All three types get angry; duration is the variable.
Question 3 of 10
How are the first two types defined?
Correct: B. Abhiṇhaṁ kujjhati, the same phrase, for both.
Question 4 of 10
How is the third type defined instead?
Correct: B. The discourse shifts from describing anger's duration to describing behavior under provocation.
Question 5 of 10
Does the discourse say the third type feels no anger at all?
Correct: B. A careful reading finds no claim of anger-free equanimity, even for the best of the three.
Question 6 of 10
What corrective does the guide draw from this?
Correct: B. A corrective for readers who expect progress to mean the absence of a feeling.
Question 7 of 10
How does the guide suggest using the three types?
Correct: B. A self-diagnostic for a moment, not a filing system for a person.
Question 8 of 10
What does "anuseti" share its root with?
Correct: B. The verb for lingering anger shares its root with the technical term for dormant tendencies.
Question 9 of 10
What discourse does the chapter close, and what related material does the guide point to?
Correct: B. The tenth and final discourse of the thirteenth chapter.
Question 10 of 10
What image explains the second type of person?
Correct: A. Worn away quickly, unlike the first type’s line in stone.
Answered 0 of 10 · Correct 0