Aṅguttara Nikāya · Discourse 4.246

Lying Postures

Seyyāsutta — Āpattibhayavagga — the twenty-fifth chapter of the Fours

Setting
None stated; the Āpattibhayavagga gives no location for this discourse, and it is addressed to the mendicants directly
Speakers
The Buddha alone, addressing the mendicants
Form
Four vivid images, three physical and specific, the fourth a reversal
Length
~1 minute to read
Northern parallel
The lion's posture as a model for mindful sleep is a recurring image across the Nikāyas and later monastic literature; this reading guide does not assert a specific matching sutra number
Difficulty
★☆☆☆☆ — simple and memorable, with a genuine twist at the end

Why this discourse

How does a corpse lie down? On its back. A pleasure seeker? On the left side. A lion, king of beasts? On the right, precisely, checking its own body on waking. And a Realized One? The discourse builds three concrete, physical answers and then breaks its own pattern: the Buddha’s way of ‘lying down’ is not a posture of the body at all, but absorption in the four jhānas.

Reading guide

The teaching in one sentence

There are four ways of lying down — the corpse's, the pleasure seeker's, the lion's, and the Realized One's — and the fourth turns out not to be about the body's position.

Three postures, precisely observed

A corpse lies flat on its back, the discourse’s baseline image of complete passivity. A pleasure seeker lies on the left side — a posture the tradition elsewhere associates with indulgence and a lack of discipline in how one takes rest. A lion lies on its right side, one foot placed precisely over the other, tail tucked between its thighs, and — the detail that makes the image memorable — checks its own body on waking, displeased if anything is disordered, pleased if nothing is.

The lion’s posture is not incidental description. It is the posture the monastic tradition prescribes for a mendicant’s own rest, still known as the ‘lion’s posture’, sīhaseyya, lying on the right side with one leg over the other, practised with mindfulness of when to rise. The simile is not abstract; it describes the discipline a listener may already be attempting to embody.

The pattern broken

Having built a sequence of three real, physical postures, each more disciplined than the last, the discourse’s fourth answer does not complete the sequence with an even more disciplined posture. It abandons the category of posture altogether: a Realized One, quite secluded from sensual pleasures… enters and remains in the first absorption… second… third… fourth. This is a description of meditative attainment, not of how a body is arranged.

The effect depends on the break. A listener led through three postures naturally expects a fourth posture, and receives instead an account of jhāna. The discourse is, in a sense, using the frame of ‘lying down’ ironically: the Realized One’s true repose is not physical rest at all, but a state of mind.

Why call absorption a way of ‘lying down’

Read generously, the final image is not simply a joke at the pattern’s expense. Lying down is, across the first three images, associated with vulnerability, indulgence, or vigilant self-maintenance. Naming the four jhānas as the fourth kind of ‘lying down’ suggests that meditative absorption is where a Realized One is most fully at rest — not defenseless like a corpse, not indulgent like a pleasure seeker, and not merely vigilant like a lion, but genuinely, completely settled.

Key terms

sīhaseyya — “the lion's posture” — lying on the right side with one leg over the other, the posture the monastic tradition prescribes for a mendicant's own rest.
kāmabhogī — “pleasure seeker” — associated in this discourse with lying on the left side, a posture linked elsewhere to indulgence.
jhāna — “absorption” — the four states the Realized One is described as entering, standing in for physical posture entirely in this discourse's fourth image.
paṭhamaṁ jhānaṁ…catutthaṁ jhānaṁ — “the first absorption…the fourth absorption” — the four progressively refined states named as the Realized One's way of ‘lying down’.
tathāgata — “the Realized One” — the fourth figure in this discourse's sequence, whose repose is described as meditative rather than physical.

The text

The discourse in full: the four ways of lying down. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

The corpse

§1“Mendicants, there are these four ways of lying down. What four? The ways a corpse, a pleasure seeker, a lion, and a Realized One lie down. And how does a corpse lie down? Corpses usually lie flat on their backs. This is called the way a corpse lies down.

The pleasure seeker

§2And how does a pleasure seeker lie down? Pleasure seekers usually lie down on their left side. This is called the way a pleasure seeker lies down.

The lion

§3And how does a lion lie down? The lion, king of beasts, lies down on the right side, placing one foot on top of the other, with his tail tucked between his thighs. When he wakes, he lifts his front quarters and checks his hind quarters. If he sees that any part of his body is disordered or displaced, he is displeased. But if he sees that no part of his body is disordered or displaced, he is pleased. This is called the way a lion lies down.

The Realized One

§4And how does a Realized One lie down? It’s when a Realized One, quite secluded from sensual pleasures, secluded from unskillful qualities, enters and remains in the first absorption … second absorption … third absorption … fourth absorption. This is called the way a Realized One lies down. These are the four ways of lying down.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What four ways of lying down does this discourse name?
Correct: B. Three physical postures, then a fourth that breaks the pattern.
Question 2 of 10
How does a lion lie down, according to this discourse?
Correct: B. Still known in the monastic tradition as sīhaseyya, the lion's posture.
Question 3 of 10
What is sīhaseyya?
Correct: B. Not abstract description; the actual discipline a listener may be attempting to embody.
Question 4 of 10
How does the discourse's fourth answer break the pattern of the first three?
Correct: B. A listener expecting a fourth posture receives an account of jhāna instead.
Question 5 of 10
What does the guide suggest is the effect of this broken pattern?
Correct: B. Not defenseless like a corpse, not indulgent like a pleasure seeker, not merely vigilant like a lion.
Question 6 of 10
What posture is associated with a pleasure seeker in this discourse?
Correct: B. The second of the three physical postures, before the lion's more disciplined one.
Question 7 of 10
What detail makes the lion's posture memorable, per the guide?
Correct: B. A vigilant self-maintenance distinguishing it from the corpse's passivity and the pleasure seeker's indulgence.
Question 8 of 10
How many absorptions are named for the Realized One's "lying down"?
Correct: B. The four progressively refined jhānas.
Question 9 of 10
What does the guide say about reading the fourth image as ironic?
Correct: B. A generous reading that takes the reversal seriously as content, not just as wordplay.
Question 10 of 10
What baseline image does the discourse use to open its sequence?
Correct: B. Complete passivity, the starting point the other three images progressively depart from.
Answered 0 of 10 · Correct 0