Aṅguttara Nikāya · Discourse 6.15

Regret

Anutappiyasutta — Sāraṇīyavagga — the second chapter of the Sixes

Setting
None stated in the source
Speakers
Sāriputta, addressing the mendicants
Form
The same two matched formulas as AN 6.14, framed with the proverb-like image of ‘as you make your bed, so you must lie in it’
Length
~2 minutes to read
Northern parallel
As with AN 6.14, this theme recurs in related forms across the Chinese Āgamas; this reading guide does not assert a specific matching sutra number
Difficulty
★★☆☆☆ — a direct companion to AN 6.14, sharing its central term papañca

Why this discourse

AN 6.15 restates AN 6.14 almost exactly — the same six things, the same two outcomes, the same closing verses — wrapped in a different opening image: “as a mendicant makes their bed, so they must lie in it.” Where AN 6.14 asked whether death is good or not, AN 6.15 asks whether it comes with regret or without. The two questions turn out, in this pairing, to be the same question asked twice.

Reading guide

The teaching in one sentence

A mendicant who relishes work, talk, sleep, company, closeness, and proliferation makes a bed they must lie in, dying tormented by regret; one who does not relish these six things dies free of regret.

A proverb doing the work of an argument

“As you make your bed, so you must lie in it” is a piece of ordinary proverbial wisdom, not a specialized Buddhist formula — its force depends on being instantly recognizable. Placed at the head of this discourse, it reframes AN 6.14's abstract terms (substantial reality, extinguishment) as something more immediate: the plain, almost folk-wisdom observation that how one lives determines how one ends up, without needing technical vocabulary to make the point land.

What changes from AN 6.14, and what does not

Every one of the six items, both closing labels (“enjoys substantial reality” and “delights in extinguishment”), and all four lines of closing verse are shared word for word with AN 6.14. Only the frame differs: “good death” becomes “free of regret,” and the discourse opens on the bed-image rather than announcing its topic directly.

Regret as the felt texture of an unexamined life

Where “good death” names a technical, almost clinical distinction — has substantial reality been given up or not — “regret” names how that same distinction is actually experienced by the person living, and dying, through it. The pairing suggests these are not two different consequences of relishing proliferation, but one consequence described twice: once from the outside, in terms of what has or has not been relinquished, and once from within, in terms of how it feels.

Why the canon keeps two such close discourses

As with the thoroughbred triad at AN 6.5–6.7, restating near-identical material under a different frame is itself a technique this series has met repeatedly, not a redundancy to smooth over. A reader who has just absorbed AN 6.14's more abstract framing meets the identical content again here in an immediately graspable proverb — two doors into the same room.

Key terms

anutappiya — “to be regretted,” “causing remorse” — the discourse's own title, naming the felt consequence AN 6.14 described more abstractly.
yathā kataṁ tathā seyyaṁ — “as one has made [the bed], so one must lie [in it]” — the proverbial image opening the discourse, reframing AN 6.14's teaching.
papañca — “proliferation” — unchanged from AN 6.14, still the culminating and decisive item among the six.
sakkāya — “substantial reality,” “identity” — unchanged from AN 6.14, what one who relishes the six things is said to enjoy.
nibbāna — “extinguishment” — unchanged from AN 6.14, named again in the shared closing verses as the supreme sanctuary from the yoke.

The text

The discourse in full: Sāriputta's bed-image companion to AN 6.14, sharing its closing verses. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

Sāriputta addresses the mendicants

§1There Sāriputta addressed the mendicants: “As a mendicant makes their bed, so they must lie in it, and die tormented by regrets. And how do they die tormented by regrets?

Making a bed that leads to regret

§2Take a mendicant who relishes work, talk, sleep, company, closeness, and proliferation. They love these things and like to relish them. A mendicant who makes their bed like this must lie in it, and die tormented by regrets. This is called a mendicant who enjoys substantial reality, who hasn’t given up substantial reality to rightly make an end of suffering.

Making a bed that leads to no regret

§3As a mendicant makes their bed, so they must lie in it, and die free of regrets. And how do they die free of regrets? Take a mendicant who doesn’t relish work, talk, sleep, company, closeness, and proliferation. They don’t love these things or like to relish them. A mendicant who makes their bed like this must lie in it, and die free of regrets. This is called a mendicant who delights in extinguishment, who has given up substantial reality to rightly make an end of suffering.

The closing verses

§4A beast who likes to proliferate, enjoying proliferation, fails to win extinguishment, the supreme sanctuary from the yoke. But one who gives up proliferation, enjoying the state of non-proliferation, wins extinguishment, the supreme sanctuary from the yoke.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What proverbial image opens AN 6.15?
Correct: B. An instantly recognizable piece of ordinary proverbial wisdom, not a specialized formula.
Question 2 of 10
How much of AN 6.14's content is shared word for word with AN 6.15?
Correct: B. A near-total restatement with a changed frame: 'good death' becomes 'free of regret.'
Question 3 of 10
According to the guide, what is the relationship between 'good death' (AN 6.14) and 'free of regret' (AN 6.15)?
Correct: B. A technical distinction and its felt, experiential texture, given as one teaching in two frames.
Question 4 of 10
What does the guide compare this AN 6.14/6.15 pairing to elsewhere in the chapter?
Correct: B. A recurring compositional device: the same content through more than one door.
Question 5 of 10
Who speaks AN 6.15?
Correct: B. Matching AN 6.14, its immediate companion.
Question 6 of 10
What does anutappiya mean?
Correct: B. The discourse's own title, naming the felt consequence of an unexamined life.
Question 7 of 10
What remains the culminating, decisive item among the six things named, as in AN 6.14?
Correct: C. Unchanged between the two companion discourses.
Question 8 of 10
Is a setting stated for AN 6.15?
Correct: B. Matching AN 6.14, Sāriputta 'addresses the mendicants' with no location given.
Question 9 of 10
What comes immediately after AN 6.15 in the chapter's sequence?
Correct: A. An-6.16.html, 'Nakula's Father', was published in this series' earlier eighteen-page selection and is not rebuilt here.
Question 10 of 10
What does the guide say about reading these two discourses as separate teachings?
Correct: B. A close companion pair, not a contradiction or redundancy to resolve.
Answered 0 of 10 · Correct 0