Dhammapada · Chapter 7

The Perfected Ones

Arahantavagga

Attribution
One chapter of a compiled verse anthology traditionally attributed to the Buddha; there is no narrative setting, speaker, or occasion given for these verses
Verses
90–99 (10 verses)
Form
Short descriptive verses portraying the arahant from the outside — how such a person appears, moves through the world, and is perceived by others
Length
~2 minutes to read
Northern parallel
A broad counterpart exists in the Chinese Faju Jing (法句經, T210) and related Dharmapada collections, though exact verse-by-verse correspondence is not asserted here
Difficulty
★★★☆☆ — mostly plain, but one verse (97) deliberately uses words that sound like insults

Why this chapter

Arahantavagga is the shortest chapter covered so far, and by far the most tightly focused: ten verses, almost none of them longer than four lines, each one a different angle on a single completed life. Where Paṇḍitavagga described the astute person still developing toward the goal, this chapter simply describes someone who has arrived — “at journey’s end, rid of sorrow,” in the very first line. There is no argument to follow and no instruction to obey; it reads more like a series of snapshots, each testing a different aspect of what a person with nothing left to complete actually looks like from the outside.

Reading guide

Free of fever, everywhere at home

The opening verse states the chapter's premise directly: someone “at journey’s end, rid of sorrow; everywhere free, all ties given up, no fever is found in them” (v.90). “Fever” here stands for the restlessness and burning of unresolved craving — its complete absence is the chapter's basic claim about the arahant. Verse 91 gives this freedom a moving image: “The mindful apply themselves; they delight in no abode. Like a swan gone from the marsh, they leave home after home behind.” A swan does not cling to any one body of water; it simply moves on. The verse uses that same lightness to describe someone who has stopped needing anywhere — or anything — to settle into.

A track hard to trace

Verses 92 and 93 are a striking case of near-repetition, restating essentially the same claim about two slightly different subjects. Verse 92 speaks of “those with nothing stored up, who have understood their food, whose domain is the liberation of the signless and the empty,” concluding that “their path is hard to trace, like birds in the sky.” Verse 93 says almost the same thing of “one whose defilements have ended,” concluding that “their track is hard to trace, like birds in the sky.” The deliberate echo — plural, then singular; “path,” then “track” — reinforces the point through repetition rather than elaboration: someone who has let go of accumulation leaves nothing behind to follow, the way a bird's flight leaves no mark in open air.

Tamed like a horse, steady as a mountain

The chapter then shifts to a run of similes describing composure. Verse 94 compares serene faculties to “horses tamed by a charioteer” — someone “the unaffected one” who has “abandoned conceit and defilements,” said to be “envied by even the gods.” Verse 95 stacks three further similes on top of one another: “undisturbed like the earth, true to their vows, steady as Indra’s pillar, like a lake clear of mud; such a one does not transmigrate.” And verse 96 turns from simile to a simple, threefold description: “their mind is peaceful, peaceful are their speech and deeds. Such a one is at peace, rightly freed through enlightenment.” Mind, speech, and deed together — the chapter is careful to describe peace as running through all three, not just an inner state kept private.

The verse that sounds like an insult

Verse 97 is the chapter's most striking moment, and one of the most quoted verses in the entire Dhammapada, precisely because of how it is built: “Lacking faith, a house-breaker, one who acknowledges nothing, purged of hope, they’ve wasted their chance: that is indeed the supreme person!” Read at face value in English, every phrase before the final line sounds like a string of insults. The traditional reading turns each one around: someone who no longer needs to rely on faith or belief because they have seen the truth directly is not lacking anything worth having; someone with nothing left to accomplish or accumulate has, in a sense, finished the business that made hope necessary in the first place; and “wasting one's chance” at further rounds of rebirth is exactly the point. The verse's shock value is deliberate — it forces the reader to notice that the arahant cannot be praised in the vocabulary normally used for admirable people, because that vocabulary assumes exactly the kind of clinging the arahant has set down.

Any place they live becomes delightful

The closing pair returns to something more concrete. “Whether in village or wilderness, in a valley or the uplands, wherever the perfected ones live is a delightful place” (v.98) — the claim is not that the place itself changes, but that the presence of someone free of craving transforms how it is experienced. Verse 99 then adds a pointed twist: “Delightful are the wildernesses where no people delight. Those free of greed will delight there, not those who seek sensual pleasures.” What ordinary people avoid as empty or unrewarding — a bare wilderness with nothing to acquire — is exactly where someone no longer driven by acquisition finds ease. The chapter's portrait, built across nine short verses, closes on this quiet inversion of ordinary values.

Key terms

arahant — “perfected one,” the chapter's title term, describing someone who has completed the path and ended all defilement.
the swan simile — (v.91) a bird that leaves each body of water without clinging to it, used for someone who “delights in no abode.”
“signless and empty” — (v.92–93) terms for a mode of liberation free of the mental “signs” ordinarily projected onto experience.
verse 97's paradox — a verse built from words that sound like insults (“lacking faith,” “acknowledges nothing,” “wasted their chance”) but are read, in context, as praise for someone who no longer needs what those words assume.
“does not transmigrate” — (v.95) the claim that the arahant's steadiness ends the cycle of rebirth, rather than merely describing a calm temperament.

The text

All ten verses of Arahantavagga, complete. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

Free of fever, everywhere at home

Verse 90At journey’s end, rid of sorrow; everywhere free, all ties given up, no fever is found in them.

Verse 91The mindful apply themselves; they delight in no abode. Like a swan gone from the marsh, they leave home after home behind.

A track hard to trace

Verse 92Those with nothing stored up, who have understood their food, whose domain is the liberation of the signless and the empty: their path is hard to trace, like birds in the sky.

Verse 93One whose defilements have ended; who’s not attached to food; whose domain is the liberation of the signless and the empty: their track is hard to trace, like birds in the sky.

Tamed like a horse, steady as a mountain

Verse 94Whose faculties have become serene, like horses tamed by a charioteer, who has abandoned conceit and defilements; the unaffected one is envied by even the gods.

Verse 95Undisturbed like the earth, true to their vows, steady as Indra’s pillar, like a lake clear of mud; such a one does not transmigrate.

Verse 96Their mind is peaceful, peaceful are their speech and deeds. Such a one is at peace, rightly freed through enlightenment.

The verse that sounds like an insult

Verse 97Lacking faith, a house-breaker, one who acknowledges nothing, purged of hope, they’ve wasted their chance: that is indeed the supreme person!

Any place they live becomes delightful

Verse 98Whether in village or wilderness, in a valley or the uplands, wherever the perfected ones live is a delightful place.

Verse 99Delightful are the wildernesses where no people delight. Those free of greed will delight there, not those who seek sensual pleasures.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
How does the chapter's opening verse (90) describe the arahant?
Correct: D. "Fever" here stands for the restlessness of unresolved craving.
Question 2 of 10
What simile does verse 91 use for someone who "delights in no abode"?
Correct: B. The swan moves on without clinging to any single body of water.
Question 3 of 10
What do verses 92 and 93 say the arahant's path or track is like?
Correct: C. The deliberate near-repetition between the two verses reinforces the point about leaving nothing behind to follow.
Question 4 of 10
According to verse 94, what happens to someone whose faculties "have become serene, like horses tamed by a charioteer"?
Correct: A. The taming simile describes composure achieved through discipline, not suppression.
Question 5 of 10
What three similes are stacked together in verse 95?
Correct: D. The verse concludes that "such a one does not transmigrate."
Question 6 of 10
According to verse 96, across how many "doors" is the arahant's peace said to extend?
Correct: B. The chapter is careful to describe peace running through mind, speech, and deed together.
Question 7 of 10
What makes verse 97 unusual among the chapter's verses?
Correct: C. Read at face value the phrases sound like criticism; the verse deliberately reverses their sense as praise for someone who no longer needs what those words assume.
Question 8 of 10
What does verse 98 say about where "the perfected ones" live?
Correct: A. The claim is that their presence, not the place itself, makes it delightful.
Question 9 of 10
What contrast does the closing verse (99) draw about "wildernesses where no people delight"?
Correct: D. The verse inverts ordinary values: an empty place with nothing to acquire suits someone no longer driven by acquisition.
Question 10 of 10
How does this chapter's approach differ from Chapter 6 (The Astute)?
Correct: B. Chapter 6's closing verse (89) already anticipates this chapter's portrait of someone "quenched in this world."
Answered 0 of 10 · Correct 0