Saṃyutta Nikāya · Discourse 1.38

A Splinter

Sakalikasutta

Setting
Near Rājagaha, at the Maddakucchi deer park — a new setting for this vagga, prompted by a physical injury to the Buddha himself
Speakers
The narrator describing the Buddha's own conduct, then seven deities in turn, the last introducing closing verses
Form
A narrated account of physical endurance, six brief similes from six deities, a seventh deity's fuller reflection, and closing verses
Length
~3 minutes to read
Difficulty
★★★☆☆ — direct in form, with a psychologically precise closing description of freedom
An injury, not explained here
This discourse doesn't say how the splinter came to wound the Buddha's foot; later tradition elsewhere in the canon associates a similar injury with Devadatta's attempt on his life by rolling a boulder

Why this discourse

This discourse opens not with a deity's question but with an injury: the Buddha's foot has been cut by a wooden splinter, and he is described as stricken by sharp, severe pain — which he endures unbothered, mindful and aware, before lying down deliberately in the lion's posture. Seven hundred deities arrive and, one after another, compare him to an elephant, a lion, a thoroughbred, a boss bull, and a behemoth, before a seventh deity describes his freedom directly: not leaning forward, not pulling back, and not held in place by forceful suppression. Closing verses then contrast a century of futile ascetic mortification with the same two verses on conceit and diligence already met earlier in this collection, at SN 1.9.

Reading guide

Pain endured, not denied

The narration is specific about the pain's intensity — ‘painful, sharp, severe, acute, unpleasant, and disagreeable’ — rather than minimizing it. What distinguishes the Buddha's response is not an absence of pain but enduring it ‘unbothered, with mindfulness and situational awareness,’ a description of composure under real discomfort rather than an absence of discomfort altogether.

Six similes, one refrain, six animals

Six deities in turn compare the Buddha to an elephant, a lion, a thoroughbred, a boss bull, a behemoth, and finally someone simply ‘truly tamed’ — each repeating an identical description of enduring painful feelings unbothered, changing only the single noun naming what kind of formidable being he resembles. This is the densest instance yet in this collection of the ‘same refrain, different single word’ pattern already met with pairs of discourses; here it spans six speakers in one.

A seventh deity names the freedom directly

Where the first six deities reach for comparison, the seventh describes the Buddha's actual inner state: immersion well developed, mind well freed — ‘not leaning forward or pulling back, and not held in place by forceful suppression.’ Three distinct ways of failing to achieve real balance are named and set aside together: grasping forward toward what is wanted, recoiling from what is not, and merely forcing stillness through suppression rather than genuine release.

A closing verse this collection has already used

The two verses that close this discourse — on conceit preventing taming, and on giving up conceit to cross beyond Death's dominion — are word for word the same two verses that closed SN 1.9, much earlier in this collection. There, they answered a deity's challenge about conceit and solitary wilderness practice; here, the identical verses instead cap a reflection on enduring severe physical pain without complaint — the same teaching applied to a different circumstance entirely.

Key terms

sakalika — “a splinter, a chip” — this discourse's title, naming the cause of the Buddha's physical pain.
sato sampajāno adhivāsesi — “he endured unbothered, with mindfulness and situational awareness” — the description this discourse repeats for how the Buddha met his pain.
purisanāgaṁ purisasīhaṁ — “an elephant of a man, a lion of a man” — two of the six animal-comparisons the seven hundred deities offer in turn.
na cābhinataṁ na cāpanataṁ — “not leaning forward, not pulling back” — the seventh deity's precise description of the Buddha's freed mind, naming two failure modes rather than describing the freedom only in positive terms.
na ca sasaṅkhāraniggayhavāritagataṁ — “not held in place by forceful suppression” — the third failure mode named, distinguishing genuine release from mere forced stillness.

The text

The discourse in full: an injury endured with mindfulness, six animal similes, a direct description of freedom, and closing verses shared with SN 1.9. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

The Buddha, wounded and unshaken

§1So I have heard. At one time the Buddha was staying near Rājagaha in the Maddakucchi deer park. Now at that time the Buddha’s foot had been cut by a wooden splinter. The Buddha was stricken by harrowing pains; physical feelings that were painful, sharp, severe, acute, unpleasant, and disagreeable. But he endured unbothered, with mindfulness and situational awareness. And then he spread out his outer robe folded in four and laid down in the lion’s posture—on the right side, placing one foot on top of the other—mindful and aware.

Seven hundred deities, six similes

§2Then, late at night, seven hundred glorious deities of the host of a hundred felicities, lighting up the entire Maddakucchi, went up to the Buddha, bowed, and stood to one side. Standing to one side, one deity expressed this heartfelt sentiment in the Buddha’s presence: “The ascetic Gotama is such an elephant, sir! And as an elephant, he endures painful physical feelings that have come up—sharp, severe, acute, unpleasant, and disagreeable—unbothered, with mindfulness and situational awareness.” Then another deity expressed this heartfelt sentiment in the Buddha’s presence: “The ascetic Gotama is such a lion, sir! And as a lion, he endures painful physical feelings … unbothered.” Then another deity expressed this heartfelt sentiment in the Buddha’s presence: “The ascetic Gotama is such a thoroughbred, sir! And as a thoroughbred, he endures painful physical feelings … unbothered.” Then another deity expressed this heartfelt sentiment in the Buddha’s presence: “The ascetic Gotama is such a boss bull, sir! And as a boss bull, he endures painful physical feelings … unbothered.” Then another deity expressed this heartfelt sentiment in the Buddha’s presence: “The ascetic Gotama is such a behemoth, sir! And as a behemoth, he endures painful physical feelings … unbothered.” Then another deity expressed this heartfelt sentiment in the Buddha’s presence: “The ascetic Gotama is truly tamed, sir! And as someone tamed, he endures painful physical feelings … unbothered.”

A seventh deity names the freedom directly

§3Then another deity expressed this heartfelt sentiment in the Buddha’s presence: “See, his immersion is so well developed, and his mind is so well freed—not leaning forward or pulling back, and not held in place by forceful suppression. If anyone imagines that they can overcome such an elephant of a man, a lion of a man, a thoroughbred of a man, a boss bull of a man, a behemoth of a man, a tamed man—what is that but a failure to see?”

Closing verses, shared with SN 1.9

§4“Learned in the five branches of Vedic lore, brahmins practice fervent mortification for a full century. But their minds are not properly freed, for those of base character don’t cross to the far shore. Seized by craving, attached to precept and observance, they practice rough and fervent mortification for a hundred years. But their minds are not properly freed, for those of base character don’t cross to the far shore.

§5Someone who’s fond of conceit can’t be tamed, and someone without immersion can’t be a sage. Living negligent alone in the wilderness, they can’t cross beyond Death’s dominion.” “Having given up conceit, serene within oneself, with a good heart, everywhere free; living diligent alone in the wilderness, they cross beyond Death’s dominion.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
How was the Buddha's foot injured in this discourse?
Correct: A. The immediate cause given; later tradition elsewhere links a similar injury to Devadatta.
Question 2 of 10
How is the Buddha's response to the pain described?
Correct: A. Composure under real discomfort, not an absence of discomfort.
Question 3 of 10
What pattern do the first six deities' verses follow?
Correct: A. The densest instance in this collection of the 'same refrain, different word' pattern.
Question 4 of 10
What does the seventh deity describe, distinct from the first six?
Correct: A. Naming three specific failure modes of imbalance the Buddha's mind is free from.
Question 5 of 10
What three failure modes does the seventh deity's verse name and set aside?
Correct: A. Grasping toward what is wanted, recoiling from what is not, and merely forcing stillness.
Question 6 of 10
What earlier discourse in this collection do this discourse's closing two verses repeat word for word?
Correct: A. The identical verses applied to a new circumstance, physical pain endured.
Question 7 of 10
What does the closing teaching say about a century of Vedic-learned brahmins' austerity?
Correct: A. A critique preceding the repeated verses on conceit and diligence.
Question 8 of 10
How many deities are said to have gathered in this discourse?
Correct: A. One of the largest explicitly named deity-counts in this collection.
Question 9 of 10
What posture does the Buddha adopt after enduring the pain?
Correct: A. A deliberate, composed posture rather than a collapse from pain.
Question 10 of 10
What is the setting of this discourse?
Correct: A. A new setting for this vagga, distinct from its recurring Sāvatthī frame.
Answered 0 of 10 · Correct 0