Saṃyutta Nikāya · Discourse 3.10

Shackles

Bandhanasutta

Setting
At Sāvatthī, with the shackling itself taking place elsewhere in the kingdom
Speakers
Several mendicants, reporting what they observed, and the Buddha
Form
A brief prose report, followed by two stanzas of unprompted verse
Length
~1 minute to read
Northern parallel
A rough counterpart may exist in the Chinese Saṃyukta-āgama (T99), though this reading guide does not assert a specific matching sutra number
Difficulty
★★★☆☆ — a compact discourse whose title supplies this vagga's own name

Why this discourse

Like SN 3.9, this discourse begins with mendicants reporting an observation rather than the king asking a question: a large group of people has been placed in ropes, manacles, and chains by King Pasenadi's order. The Buddha's unprompted response redefines the very word this discourse is named for: the attentive, he says, do not consider iron, wood, or rope the strongest shackle at all — the truly binding shackle is obsession with jeweled earrings and concern for one's partners and children, which the wise cut when they go forth.

Reading guide

A second consecutive report without the king present

Like SN 3.9, this discourse is occasioned by mendicants' report rather than direct royal dialogue, this vagga's final two discourses both turning from conversation with Pasenadi to unprompted commentary on what his kingdom's governance has produced.

Ropes, manacles, chains, and their prisoners

The setting note is brief but specific, naming three distinct kinds of physical restraint — ropes, manacles, chains — applied to ‘a large group of people’ under the king's authority, establishing the literal shackle the verse will immediately redefine against.

A shackle judged weak, against expectation

The verse's opening move inverts what its audience would expect: physical restraint made of iron, wood, or knots — exactly what the setting has just described — is declared ‘not strong’ by ‘the attentive’, immediately undercutting the discourse's own opening image.

Jeweled earrings and family as the true bond

What the verse names instead as the strong shackle is domestic and personal: obsession with fine possessions and concern for one's partners and children, ‘hard to escape’ precisely because it does not feel like a restraint from the inside, unlike visible chains.

The vagga's own name, drawn from its closing discourse

This discourse gives the Bandhanavagga (‘the Chapter on Shackles’) its name, following the same pattern already seen in the Devaputtasaṃyutta, where the second and third vaggas were likewise named for their closing discourses rather than their opening ones.

Key terms

bandhana — “shackle” — the word this discourse redefines, and the name it gives this vagga.
rajju andu saṅkhalika — “ropes, manacles, chains” — the three specific physical restraints named in the setting note.
nāyaṁ daḷhaṁ bandhanamāhu dhīrā — “the attentive say that shackle is not strong” — the verse's opening line, inverting the expected judgment of physical restraint.
maṇikuṇḍalesu — “jeweled earrings” — part of the obsession the verse names as the truly strong shackle.
nikkhamma — “having gone forth” — what the wise are said to do only after cutting this deeper bond of family and possessions.

The text

The discourse in full: the mendicants' report of a mass shackling, and the Buddha's unprompted redefining verses. The closing uddāna is left blank in the source and not quoted here. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Now at that time a large group of people had been put in shackles by King Pasenadi of Kosala—some in ropes, some in manacles, some in chains.

§2Then several mendicants robed up in the morning and, taking their bowls and robes, entered Sāvatthī for alms. Then, after the meal, when they returned from almsround, they went up to the Buddha, bowed, sat down to one side, and told him what was happening.

§3Then, understanding this matter, on that occasion the Buddha recited these verses:

§4“The attentive say that shackle is not strong that’s made of iron, wood, or knots. But obsession with jeweled earrings, concern for your partners and children: this, say the attentive, is a strong shackle dragging the indulgent down, hard to escape. Having cut this one too they go forth, unconcerned, having given up sensual pleasures.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does this discourse report at its opening?
Correct: A. Ropes, manacles, and chains applied to a large group under the king's authority.
Question 2 of 10
How does this discourse's structure compare to SN 3.9's?
Correct: A. Both of this vagga's final two discourses turn from conversation to unprompted commentary.
Question 3 of 10
What does the verse say about shackles made of iron, wood, or knots?
Correct: A. Inverting the expectation set up by the discourse's own opening image.
Question 4 of 10
What does the verse name as the truly strong shackle instead?
Correct: A. Domestic and personal attachment, judged harder to escape than visible chains.
Question 5 of 10
Why is this attachment-based shackle harder to escape, according to the reading guide?
Correct: A. A restraint that goes unrecognized as such by the person bound by it.
Question 6 of 10
What do the wise do, according to the verse's closing lines?
Correct: A. The verse's own description of genuine renunciation.
Question 7 of 10
What name does this discourse give to the vagga it closes?
Correct: A. Following this discourse's own central image and title.
Question 8 of 10
What pattern does this naming follow, seen earlier in the Devaputtasaṃyutta?
Correct: A. The same pattern already seen in SN 2's second and third vaggas.
Question 9 of 10
Where is this discourse's opening scene, relative to where the shackling occurs?
Correct: A. A secondhand report, like SN 3.9's, structures this discourse.
Question 10 of 10
What is left untranslated at the very close of this discourse in the source?
Correct: A. Blank in the source, consistent with how such closings are handled elsewhere in this collection.
Answered 0 of 10 · Correct 0