Saṃyutta Nikāya · Discourse 5.5

With Uppalavaṇṇā

Uppalavaṇṇāsutta

Setting
At Sāvatthī, at the root of a flowering sal tree
Speakers
The nun Uppalavaṇṇā and Māra the Wicked
Form
A warning framed as concern for her safety, met by a confident three-stanza display of mastery
Length
~1.5 minutes to read
Northern parallel
A rough counterpart may exist in the Chinese Saṃyukta-āgama (T99), though this reading guide does not assert a specific matching sutra number
Difficulty
★★★☆☆ — the most vividly imaginative reply anywhere in this saṃyutta

Why this discourse

Māra's approach here disguises itself as concern: standing alone beneath a sal tree in full flower, her beauty unmatched, isn't this ‘silly girl’ afraid of rascals who might take advantage? Uppalavaṇṇā — traditionally recognized as one of the two chief female disciples, foremost in psychic power — answers not with a denial of danger but with an escalating demonstration of exactly how unreachable she actually is: unbothered by a hundred thousand rascals, able to vanish entirely, or to hide standing between his own eyebrows without being seen.

Reading guide

A warning that assumes vulnerability as the default

Unlike SN 5.4's open seduction, this discourse's tactic poses as protective concern — naming her beauty and isolation as reasons for fear — a subtler approach that frames Māra as looking out for her rather than propositioning her directly.

A reply that escalates rather than merely reassures

Uppalavaṇṇā doesn't simply state she isn't afraid; her verse builds through increasingly extreme scenarios — not one rascal but a hundred thousand, not merely unbothered but able to vanish entirely — each line outdoing the last in demonstrating how far beyond concern she actually stands.

Hiding inside Māra's own belly

The verse's most striking image turns the threat back on its source directly: rather than merely evading danger, she could enter Māra's own belly or stand invisible between his eyebrows — not escaping his domain but occupying it undetected, a claim of mastery over perception itself rather than mere physical safety.

Psychic power named as the specific basis for fearlessness

Unlike other discourses in this saṃyutta that ground fearlessness in ethical or meditative attainment broadly, Uppalavaṇṇā's closing stanza names a specific skill set — mastery of her own mind and well-developed bases of psychic power — consistent with her traditional reputation as foremost among the Buddha's female disciples in this particular capacity.

A discourse whose imagery outstrips its brevity

Despite being no longer than this saṃyutta's other discourses, the sheer inventiveness of Uppalavaṇṇā's imagery — a hundred thousand rascals, vanishing, hiding in Māra's belly, standing unseen between his eyebrows — gives this exchange a memorable, almost playful register distinct from the graver tone of discourses like SN 5.3.

Key terms

Uppalavaṇṇā — “Uppalavaṇṇā” — the nun this discourse follows, traditionally recognized as foremost among the Buddha's female disciples in psychic power.
sāla — “sal tree” — the flowering tree at whose root she stands, part of Māra's framing of her as vulnerable.
dhutta — “rascals” — the vague danger Māra invokes as reason for fear.
pakhumantarikā — “between your eyebrows” (literally, between the eyelashes) — the verse's most striking image, standing hidden within Māra's own perceptual range.
iddhipādā — “the bases of psychic power” — the specific attainment Uppalavaṇṇā names as the basis for her fearlessness, consistent with her traditional specialty.

The text

The discourse in full: Māra's protective-sounding warning and Uppalavaṇṇā's escalating three-stanza display of mastery. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1At Sāvatthī. Then the nun Uppalavaṇṇā robed up in the morning … and stood at the root of a sal tree in full flower. Then Māra the Wicked, wanting to make the nun Uppalavaṇṇā feel fear, terror, and goosebumps, wanting to make her fall away from immersion, went up to her and addressed her in verse:

§2“You’ve come to this sal tree all crowned with flowers, and stand at its root all alone, O nun. Your beauty is second to none— silly girl, aren’t you afraid of rascals?”

§3Then the nun Uppalavaṇṇā thought, “Who’s speaking this verse, a human or a non-human?” Then she thought, “This is Māra the Wicked, wanting to make me feel fear, terror, and goosebumps, wanting to make me fall away from immersion!” Then Uppalavaṇṇā, knowing that this was Māra the Wicked, replied to him in verse:

§4“Even if 100,000 rascals like you were to come here, I’d stir not a hair nor panic. I’m not scared of you, Māra, even alone. I’ll vanish, or I’ll enter your belly; I could stand between your eyebrows and you still wouldn’t see me. I’m the master of my own mind, I’ve developed the bases of psychic power well. I’m free from all bonds, and I’m not afraid of you, sir!”

§5Then Māra the Wicked, thinking, “The nun Uppalavaṇṇā knows me!” miserable and sad, vanished right there.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
How does Māra's tactic in this discourse differ from SN 5.4's open seduction?
Correct: A. Framing Māra as looking out for her rather than propositioning her.
Question 2 of 10
What reason does Māra give for why she should be afraid?
Correct: A. Naming her circumstances as inherently dangerous.
Question 3 of 10
How does Uppalavaṇṇā's reply develop across its stanzas?
Correct: A. From unbothered by a hundred thousand rascals to vanishing entirely to hiding undetected.
Question 4 of 10
What is the verse's most striking image?
Correct: A. Not escaping Māra's domain but occupying it undetected, a claim about mastery of perception itself.
Question 5 of 10
What specific basis does Uppalavaṇṇā name for her fearlessness?
Correct: A. Consistent with her traditional reputation as foremost among the Buddha's female disciples in this capacity.
Question 6 of 10
What is Uppalavaṇṇā traditionally recognized as, according to the reading guide?
Correct: A. A traditional reputation the discourse's closing claim is consistent with.
Question 7 of 10
How does the reading guide characterize this discourse's tone?
Correct: A. The sheer inventiveness of her imagery giving this exchange a distinct register.
Question 8 of 10
Where is this discourse set?
Correct: A. A specific tree named as the setting, distinct from the more generic locations elsewhere.
Question 9 of 10
How many rascals does Uppalavaṇṇā say wouldn't disturb her?
Correct: A. An extreme figure emphasizing the scale of her claimed fearlessness.
Question 10 of 10
How does Māra's closing thought in this discourse read?
Correct: A. Following this saṃyutta's pattern of crediting the specific nun by name.
Answered 0 of 10 · Correct 0