Sutta Nipāta · Discourse 4.15

Taking Up Arms

Attadaṇḍasutta

Setting
Not stated in the verse itself; no location or occasion is named
Speakers
A single continuous voice throughout, traditionally understood as the Buddha, reflecting on his own past experience and then giving direct guidance — no interlocutor is named in the text
Form
Continuous philosophical verse, minimal narrative frame — autobiographical reflection giving way to direct address, with no dialogue at all
Length
~5 minutes to read
Northern parallel
A version of much of the Aṭṭhakavagga survives in the Chinese Yizu Jing (義足經, T198), translated in the 3rd century CE, though exact correspondence to this individual sutta is not asserted here
Difficulty
★★★★☆ — vivid, image-driven verse; demanding chiefly in the density of its metaphors rather than in argument

Why this discourse, the fifteenth

Every other discourse in this set is built from dialogue — a question, an answer, a debate. This one is not. From its first line to its last, a single voice speaks without interruption, opening in the first person (“I saw this population flounder… fear came upon me”) before shifting, partway through, into direct instruction (“don’t pursue them… train yourself”). The shift is marked in the translation itself by a short bracketed line — “(On that topic, the trainings are recited.)” — that reads like an old editorial seam, a note left by whoever first joined this discourse’s autobiographical opening to its instructional close. The title, Attadaṇḍa, literally “one who has taken up the rod” or armed themselves, names the self-protective fear from which all the violence the opening verses describe is said to spring.

Reading guide

The teaching in one sentence

Watching a whole population turn on itself out of anxious self-protection, the speaker discovers a hidden dart — craving — stuck in the heart of the world, hard to see and driving people to run frantically in every direction, and describes both the moment the dart is removed and the settled way of living that follows.

Fish in a puddle

The opening verses read as raw testimony: “peril stems from those who take up arms — just look how people conflict!” The speaker recalls seeing the population “flounder, like a fish in a little puddle,” at odds with each other, and being struck with fear at the sight. Looking for somewhere stable to call home, they find the entire world “volatile,” every direction “in turmoil” — and even within an apparently settled community, people were still at odds with one another. It is this deeper discovery, that conflict persists even where things look calm on the surface, that provokes the discourse’s central image.

The dart in the heart

“Then I saw a dart there, so hard to see, stuck in the heart” — a wound so deeply embedded it isn’t even recognized as a wound. Struck by this dart, people “run around in all directions,” frantic and scattered; but once it is plucked out, “you neither run around nor sink down” — settled, without either the old frantic seeking or a collapse into apathy as its opposite extreme. This dart image recurs elsewhere in the canon as a figure for craving specifically, the sharp point around which restless, self-protective activity organizes itself without the person even knowing why they are running.

From testimony to training

A short bracketed note marks the pivot — “(On that topic, the trainings are recited.)” — and the verses shift from recollection to direct address: don’t pursue whatever attachments exist in the world; pierce through sensual pleasure entirely; train for extinguishment. What follows reads almost like the practical list of Snp 4.14, compressed: be truthful, not rude, free of deceit and slander; cross over greed and avarice without anger; prevail over sleepiness and sloth; don’t lie, don’t get caught up in affection for outward form, understand conceit completely. Two verses supply the discourse’s second major image: greed is “the great flood,” longing its current, and the whole of sensuality “the swamp… so hard to get past” — a landscape of water to match the earlier dart stuck in the heart.

Neither bitter nor fawning

The closing verses describe the state on the far side of the swamp. One who has crossed sensuality “grieves not, nor hopes” — having “cut the strings,” no longer bound in either direction. “What came before, let wither away, and after, let there be nothing”: not grasping at past, future, or even “the middle,” the present moment treated as one more thing to hold onto. One with no sense of ownership over the whole realm of name-and-form doesn’t grieve for what isn’t there, and “suffers no loss in the world” — loss requiring, first, something claimed as one’s own to lose. The discourse’s closing description names the benefit directly: “not bitter, not fawning, unstirred, everywhere even” — and for one this settled, there is “no performance of deeds,” no compulsive, anxious activity, only sanctuary seen everywhere rather than sought in any one particular place.

Key terms

attadaṇḍa — literally “one who has taken up the rod” — self-armed, the discourse’s title, naming the self-protective fear from which the opening verses’ violence is said to spring.
the dart — the discourse’s central image for craving — a wound so deeply embedded in the heart that it goes unrecognized, driving frantic, directionless activity until it is removed.
“(On that topic, the trainings are recited.)” — a short bracketed line marking the discourse’s shift from autobiographical recollection to direct instruction, read here as an old editorial seam rather than part of the poem’s original voice.
the flood, the current, the swamp — a cluster of water images for greed, longing, and sensuality respectively — a second major metaphor running alongside the dart, describing the same craving as something to cross rather than extract.
“neither ditching nor taking up” — the discourse’s closing description of the settled sage, echoed in nearly identical language at the end of Snp 4.10, describing a state beyond both grasping and its opposite, rejection.

The text

The discourse in full, all twenty verses — autobiographical opening, editorial pivot, and instructional close. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

Verse 1Peril stems from those who take up arms—
just look how people conflict!
I shall extol how I came to be
stirred with a sense of urgency.

Verse 2I saw this population flounder,
like a fish in a little puddle.
Seeing them at odds with each other,
fear came upon me.

Verse 3The world around was volatile,
all directions were in turmoil.
Wanting a home for myself,
I saw nowhere unsettled.

Verse 4Yet even in their settlement they were at odds—
seeing that, I grew uneasy.
Then I saw a dart there,
so hard to see, stuck in the heart.

Verse 5When struck by that dart,
you run around in all directions.
But when that same dart has been plucked out,
you neither run around nor sink down.

Verse 6(On that topic, the trainings are recited.)
Whatever attachments there are in the world,
don’t pursue them.
Having pierced through sensual pleasures in every way,
train yourself for extinguishment.

Verse 7Be truthful, not rude,
free of deceit, and rid of slander;
without anger, a sage would cross over
the evils of greed and avarice.

Verse 8Prevail over sleepiness, sloth, and drowsiness,
don’t abide in negligence,
A person intent on quenching
would not stand for arrogance.

Verse 9Don’t be led into lying,
or get caught up in affection for form.
Completely understand conceit,
and desist from hasty conduct.

Verse 10Don’t relish the old,
or welcome the new.
Don’t grieve for what is running out,
or get attached to things that pull you in.

Verse 11Greed, I say, is the great flood,
and longing is the current—
the basis, the compulsion,
the swamp of sensuality so hard to get past.

Verse 12The sage never strays from the truth;
the brahmin stands on solid ground.
Having given up everything,
they are said to be at peace.

Verse 13They have truly known, they’re a knowledge master,
understanding the teaching, they are independent.
They rightly proceed in the world,
not coveting anything here.

Verse 14One who has crossed over sensuality here,
the chain in the world so hard to get past,
grieves not, nor hopes;
they’ve cut the strings, they’re no longer bound.

Verse 15What came before, let wither away,
and after, let there be nothing.
If you don’t grasp at the middle,
you will live at peace.

Verse 16One who has no sense of ownership
in the whole realm of name and form,
does not grieve for that which is not,
they suffer no loss in the world.

Verse 17If you don’t think of anything
as belonging to yourself or others,
not finding anything to be “mine”,
you won’t grieve, thinking “I don’t have it”.

Verse 18Not bitter, not fawning,
unstirred, everywhere even;
when asked about one who is unwavering,
I declare that that is the benefit.

Verse 19For the unstirred who understand,
there’s no performance of deeds.
Desisting from instigation,
they see sanctuary everywhere.

Verse 20A sage doesn’t speak of themselves as being
among superiors, inferiors, or equals.
Peaceful, rid of stinginess,
they are neither ditching nor taking up.

· · ·

Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
How does the reading guide describe this discourse’s form compared to the others in this set?
Correct: C. The voice shifts from autobiographical recollection to direct instruction, but no interlocutor ever speaks.
Question 2 of 10
What does the speaker recall seeing that struck fear into them?
Correct: A. This image opens the discourse’s autobiographical section.
Question 3 of 10
What did the speaker discover even within an apparently settled community?
Correct: D. This deeper discovery, that conflict persists even where things look calm, sets up the dart image.
Question 4 of 10
What is the discourse’s central image for the hidden cause of this restless conflict?
Correct: B. This image recurs elsewhere in the canon as a figure for craving specifically.
Question 5 of 10
What happens once the dart has been “plucked out”?
Correct: A. This describes a middle state between two extremes, not simply the absence of activity.
Question 6 of 10
What marks the discourse’s shift from autobiographical recollection to direct instruction?
Correct: C. This reads like an old editorial seam joining two originally separate sections.
Question 7 of 10
What three images does the discourse use together for greed, longing, and sensuality?
Correct: B. This water-based cluster of images runs alongside the dart as a second major metaphor in the discourse.
Question 8 of 10
How does the discourse describe someone with “no sense of ownership” over name-and-form?
Correct: D. Without a prior sense of ownership, the category of loss simply does not apply.
Question 9 of 10
What phrase closes the discourse, describing the settled sage’s stance toward superiority and inferiority?
Correct: A. This phrase is echoed in nearly identical language at the close of Snp 4.10.
Question 10 of 10
According to the reading guide, what does the title “Attadaṇḍa” literally mean?
Correct: C. This self-protective fear, not external aggression alone, is what the opening verses trace the world’s conflict to.
Answered 0 of 10 · Correct 0