Theragatha · 6.2

Tekicchakāri

Tekicchakāri — The Book of the Sixes · Chapter One · Poem 2 of 14

Setting
Winter, in the open air, without further attribution
Speaker
Two voices in dialogue: Tekicchakāri, hungry and unsheltered, and an unnamed encourager
Form
Six verses of irregular length (4, 2, 2, 2, 4, 4 lines) — the shortest total line count of any poem in this collection so far
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★☆☆☆ — simple dialogue, but an irregular verse structure worth noticing

Why this text

‘The rice has been harvested... but I don't get any almsfood! How will I get by?’ Tekicchakāri asks — and receives, in answer, three matched couplets urging recollection of the Buddha, the teaching, and the Saṅgha in turn, each closing on the identical promise of unfailing joy. Sujato's own note on this poem observes that its metre is one of the very few in the entire Pali Canon that has never been identified.

Reading guide

A hungry question, a threefold answer

The opening verse is a plain complaint: the harvest is in, but the speaker has found no almsfood. What follows isn't practical advice about where to beg, but three short couplets, each recollecting one of the three refuges in turn — Buddha, Dhamma, Saṅgha — closing on the identical line, ‘your body soaked with rapture, you'll always be full of joy’. The anaphora (repeated structure across the three) mirrors the standard order of the three refuges themselves.

An irregular verse structure, unlike this book's norm

Where Thag 6.1 ran a clean six verses of four lines each, this poem's middle three verses (on the Buddha, the teaching, and the Saṅgha) are two-line couplets, not four-line verses — giving a total of eighteen translated lines rather than the book's baseline twenty-four. This is the first poem in the Book of the Sixes to depart from the standard form, and a reminder not to assume every poem in a book matches its opening poem's shape.

A metre that has never been identified

Sujato's comment on this poem's very first line notes: ‘This is one of the very few verses in the Pali Canon whose metre has not been identified.’ This echoes a similar note on Thag 1.111 (Jenta), elsewhere in this collection — a small, recurring reminder that even after centuries of philological study, some corners of this literature still resist full technical description.

Winter cold met with an appeal to happiness, not endurance

The fifth verse voices a second concern — cold winter nights spent in the open — and urges the speaker to come inside. The sixth verse answers not with agreement but with a different appeal entirely: the four immeasurable states (mettā, karuṇā, muditā, upekkhā), practiced so thoroughly that neither hunger nor cold can disturb the meditator's dwelling, whether indoors or out.

Two poems in, a book already showing real variety

Between Thag 6.1's clean, single-voice narration and this poem's dialogue-and-refrain structure, the Book of the Sixes is already demonstrating the same poem-to-poem variety seen across every earlier book in this collection — a reminder that ‘the Sixes’ describes a typical verse count, not a rigid template.

Key terms

Buddhamappameyyaṅ — “the immeasurable Buddha” — the first of three objects of recollection urged on the speaker.
pītiyā phuṭasarīro — “your body soaked with rapture” — the shared closing image of all three couplets.
catasso appamaññāyo — “the four immeasurable states” — loving-kindness, compassion, joy, and equanimity, named in the final verse.
phusitaggaḷaṅ — “door shut fast” — the sheltered dwelling the speaker is urged, and declines, to retreat into.
aniñjito — “unperturbed” — the poem's closing self-description, dwelling in the open, undisturbed by cold.

The text

The text in full: six verses of uneven length, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1“The rice has been harvested and gathered on the threshing-floor—but I don’t get any almsfood! How will I get by?”

§2“In faith, recollect the immeasurable Buddha! Your body soaked with rapture, you’ll always be full of joy.

§3In faith, recollect the immeasurable teaching! Your body soaked with rapture, you’ll always be full of joy.

§4In faith, recollect the immeasurable Saṅgha! Your body soaked with rapture, you’ll always be full of joy.”

§5“You stay in the open, though these winter nights are cold. Don’t perish, overcome with cold; enter your dwelling, with door shut fast.”

§6“I’ll realize the four immeasurable states, and meditate happily in them. I won’t perish, overcome with cold; I’ll dwell unperturbed.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What problem does Tekicchakāri raise in the opening verse?
Correct: B. 'The rice has been harvested... but I don't get any almsfood!'
Question 2 of 10
What does the encouraging voice urge in the three middle couplets?
Correct: C. Each couplet closes on the identical promise of rapture and joy.
Question 3 of 10
How is this poem's verse structure unusual within the Book of the Sixes?
Correct: D. Eighteen translated lines total, rather than the book's baseline twenty-four.
Question 4 of 10
What does Sujato's comment on this poem note about its metre?
Correct: A. Echoing a similar note on Thag 1.111 (Jenta), elsewhere in this collection.
Question 5 of 10
What second concern does the fifth verse raise?
Correct: B. 'You stay in the open, though these winter nights are cold.'
Question 6 of 10
How does the speaker answer the concern about cold?
Correct: C. Mettā, karuṇā, muditā, upekkhā — practiced thoroughly enough that neither cold nor hunger disturbs him.
Question 7 of 10
What image closes all three of the middle couplets?
Correct: D. The anaphora across Buddha, Dhamma, and Saṅgha mirrors the standard order of the three refuges.
Question 8 of 10
How does this poem's structure compare to Thag 6.1, the poem immediately before it?
Correct: A. A reminder that 'the Sixes' describes a typical verse count, not a rigid template.
Question 9 of 10
What does the poem's final self-description call the speaker's state, dwelling in the open?
Correct: B. Undisturbed by cold, having realized the four immeasurable states.
Question 10 of 10
What phrase in the second, third, and fourth verses signals they are refuge-recollections rather than ordinary description?
Correct: C. Each couplet opens by naming its own object of recollection: the Buddha, the teaching, then the Saṅgha.
Answered 0 of 10 · Correct 0