Theragatha · 6.5

Māluṅkyaputta (1st)

Māluṅkyaputta (1st) — The Book of the Sixes · Chapter One · Poem 5 of 14

Setting
An assembly, addressed directly ('all those who have gathered here')
Speaker
Māluṅkyaputta (1st), teaching on craving
Form
Six verses, the fourth extended to six lines rather than four
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★☆☆☆☆ — vivid similes, straightforward teaching structure

Why this text

A creeper strangling its host, a langur leaping restlessly from branch to branch chasing fruit, sorrow spreading like grass in the rain — Māluṅkyaputta piles up similes for craving before turning, in his fourth verse, to direct address: ‘I say this to you, good people, all those who have gathered here: dig up the root of craving.’ This is the same elder whose famous refusal to accept the Buddha's teaching until his metaphysical questions were answered — and the parable of the poisoned arrow that answered him — is already translated on this site as MN 63.

Reading guide

Craving as creeper, as langur, as rain-soaked grass

The first three verses build a sequence of similes: craving grows ‘like a camel's foot creeper’ in the heedless; the restless mind, chasing after sense-objects, ‘jumps from one thing to the next, like a langur greedy for fruit in a forest grove’; sorrow spreading from craving is ‘like grass in the rain’. Each simile is then answered by its own reversal — sorrows ‘fall away like a drop from a lotus-leaf’ once craving is overcome.

A langur simile shared with this book's closing poem

The image of a langur (vānara), a type of human-like monkey identified with the langur per Sujato's comment (citing Ja 57), recurs at the very close of this book, in Thag 6.14 (Sabbakāmi), where the same creature appears trapped ‘by tar’. Two poems near the start and end of one chapter reach for the identical animal to make related points about being caught by desire.

A turn to direct address: 'dig up the root'

The fourth verse departs from simile into imperative, addressing an assembly directly: ‘taṅ vo vadāmi bhaddaṅ vo’, ‘I say this to you, good people’. This verse is also the one that runs to six lines rather than four, extending to warn against Māra ‘breaking you again and again, like a stream breaking a reed’ — the poem's structural weight falls on this central, extended imperative.

The same elder as the poisoned-arrow parable

Māluṅkyaputta (1st) is the monk whose demand for answers to unanswered questions — is the universe eternal, is the soul the same as the body, and so on — before he would continue practicing, prompted the Buddha's parable of a man shot with a poisoned arrow who refuses treatment until he learns the archer's name, clan, and bow-wood: already translated on this site as MN 63, The Shorter Discourse with Māluṅkya. This poem shows the same figure afterward, teaching craving's uprooting to an assembly rather than demanding answers for himself.

Negligence as dust, diligence as its opposite

The closing verse names pamāda (negligence) directly as ‘rajo’, dust, and appamāda (diligence) as the means ‘to pluck out the dart from yourself’ — the poem's own closing image of a dart recalling, without repeating, the poisoned arrow of MN 63's famous parable.

Key terms

taṇhā vaḍḍhati māluvā viya — “craving grows like a camel's foot creeper” — the poem's opening simile.
vānaro — “langur” — a type of monkey, an image shared with Thag 6.14 at the close of this book.
taṅ vo vadāmi bhaddaṅ vo — “I say this to you, good people” — the poem's turn from simile to direct address.
appamādena vijjāya — “through diligence and knowledge” — the means named in the closing verse for uprooting craving.
sallam attano — “the dart from yourself” — the poem's closing image, echoing without repeating MN 63's parable of the poisoned arrow.

The text

The text in full: six verses, the fourth extended to six lines, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1When a man lives heedlessly, craving grows in them like a camel’s foot creeper. They jump from one thing to the next, like a langur greedy for fruit in a forest grove.

§2Whoever is beaten by this wretched craving, this attachment to the world, their sorrow grows, like grass in the rain.

§3But whoever prevails over this wretched craving, so hard to get over in the world, their sorrows fall from them, like a drop from a lotus-leaf.

§4I say this to you, good people, all those who have gathered here: dig up the root of craving, as you’d dig up the grass in search of roots. Don’t let Māra break you again and again, like a stream breaking a reed.

§5Act on the Buddha’s words, don’t let the moment pass you by. For if you miss your moment you’ll grieve when sent to hell.

§6Negligence is always dust; dust follows right behind negligence. Through diligence and knowledge, pluck out the dart from yourself.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does the opening verse compare craving to?
Correct: A. 'Craving grows in them like a camel's foot creeper.'
Question 2 of 10
What animal does the poem compare the restless, craving mind to?
Correct: B. Per Sujato's comment (citing Ja 57), a type of human-like monkey.
Question 3 of 10
Where does this same langur image recur later in this book?
Correct: C. Two poems near the start and end of the same chapter reach for the identical animal.
Question 4 of 10
What happens structurally in the fourth verse, unlike the verses before it?
Correct: D. 'I say this to you, good people, all those who have gathered here.'
Question 5 of 10
What well-known episode is Māluṅkyaputta (1st) associated with, already translated on this site?
Correct: A. MN 63, The Shorter Discourse with Māluṅkya, where he demanded answers to unanswered questions.
Question 6 of 10
What does MN 63's parable involve?
Correct: B. The Buddha's answer to Māluṅkyaputta's demand for metaphysical answers before continuing practice.
Question 7 of 10
What does this poem show Māluṅkyaputta doing, in contrast to MN 63's episode?
Correct: C. A shift from demanding questioner to teacher addressing a gathered crowd.
Question 8 of 10
What image closes the poem's final verse?
Correct: D. Echoing, without repeating, MN 63's parable of the poisoned arrow.
Question 9 of 10
What does the poem compare sorrow's growth from craving to?
Correct: A. Answered by its own reversal — sorrows falling away 'like a drop from a lotus-leaf' once craving is overcome.
Question 10 of 10
What is Māra warned to not do, in the extended fourth verse?
Correct: B. A warning against repeated moments of missed opportunity.
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