Therigatha · 8.1

Sīsūpacālā

Sīsūpacālā — The Book of the Eights · Poem 1 of 1

Setting
No narrative setting beyond what the verses state; the addressee is named only as Māra, the Wicked One
Speaker
Two voices: Sīsūpacālā's own opening declaration, then Māra's tempting reply, then her extended response
Form
Eight verses, mostly four lines, the entire Book of the Eights
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★★★☆ — a third distinct strategy from Māra, answered with a vision of a world on fire

Why this text

The Book of the Eights holds only one poem, and it completes a third distinct approach from Māra across these two short books. Sīsūpacālā opens by declaring the peace she has already realized; Māra's reply, not a taunt but a temptation, names five specific heavenly realms and urges her, ‘set your heart on such places, where you used to live’. Her extended answer meets nostalgia not with argument alone, but with a vision of the entire world ablaze.

Reading guide

An opening declaration, then a third strategy from Māra

‘A nun accomplished in ethics... would realize the peaceful state’ is Sīsūpacālā's own opening statement, not Māra's. His reply — ‘there are the gods of the thirty-three, and those of Yama... set your heart on such places, where you used to live’ — is his most specific temptation across this pair of books, naming five realms and appealing to her own prior existence in them.

Her reply, repeating his own list back at him

Sīsūpacālā's extended response opens by restating the identical five realms Māra just named, before dismissing them together: ‘time after time, life after life, are governed by substantial reality... those who transmigrate through birth and death’ — even the most exalted heavens remain within the same cycle.

A world on fire, not an argument alone

‘All the world is on fire, all the world is alight, all the world is ablaze, all the world is rocking’ answers nostalgia with a cosmic image rather than further reasoning — one of the most vivid pictures of instability anywhere in this collection.

The Dhamma named against that image directly

‘The Buddha taught me the Dhamma, unshakable, incomparable, not frequented by ordinary people’ sets the teaching's stability directly against the burning, rocking world just described — closing both this poem and, with it, the Book of the Eights.

Key terms

Sīsūpacālā — this poem's speaker, whose reply to Māra's nostalgia closes the Book of the Eights.
Tāvatiṅsā — “the gods of the thirty-three”, the first of five heavenly realms Māra names, urging her to set her heart on them.
sakkāya — “substantial reality” or personal existence — what Sīsūpacālā says even these heavenly beings have not passed beyond.
ādīpita loka — “the world on fire” — this poem's central cosmic image, describing all existence as ablaze and rocking.
akampiya atuliya — “unshakable, incomparable” — Sīsūpacālā's own description of the Dhamma, set directly against that burning world.

The text

The text in full: Sīsūpacālā's opening declaration, Māra's temptation, and her extended reply, the entire Book of the Eights. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1“A nun accomplished in ethics, her sense faculties well-restrained, would realize the peaceful state, so delectable and nutritious.”

§2“There are the gods of the thirty-three, and those of Yama; also the Joyful Deities, the gods who love to create, and the gods who control that imagined by others. Set your heart on such places, where you used to live.”

§3“The gods of the thirty-three, and those of Yama; also the Joyful Deities, the gods who love to create, and the gods who control what is imagined by others—time after time, life after life, are governed by substantial reality. They haven’t passed beyond substantial reality, those who transmigrate through birth and death.

§4All the world is on fire, all the world is alight, all the world is ablaze, all the world is rocking.

§5The Buddha taught me the Dhamma, unshakable, incomparable, not frequented by ordinary people; my mind adores that place.

§6After hearing his words, I happily did his bidding. I’ve attained the three knowledges, and fulfilled the Buddha’s instructions.

§7Relishing is banished in every respect, and the mass of darkness is shattered. So know this, Wicked One: you’re beaten, terminator!”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does Māra urge Sīsūpacālā to do, naming five heavenly realms?
Correct: A. An appeal to nostalgia for her own prior existence in these realms.
Question 2 of 10
How does Sīsūpacālā's reply begin?
Correct: B. Restating his own list before dismissing it.
Question 3 of 10
What does Sīsūpacālā say about even these heavenly beings?
Correct: A. Even the most exalted heavens remain within the same cycle.
Question 4 of 10
What image does this poem use to answer Māra's nostalgia?
Correct: C. One of the most vivid pictures of instability in this collection.
Question 5 of 10
How does Sīsūpacālā describe the Dhamma, in contrast to that image?
Correct: C. Stability set directly against a burning, rocking world.
Question 6 of 10
How does Māra's approach to Sīsūpacālā differ from his approach to Cālā and Upacālā?
Correct: D. A third distinct strategy across this pair of short books.
Question 7 of 10
How many poems does the Book of the Eights contain?
Correct: D. The shortest book in the Therigatha, alongside the single-poem Book of the Fours.
Question 8 of 10
What does 'sakkāya' mean?
Correct: A. Named as what governs beings 'time after time, life after life'.
Question 9 of 10
What does this poem's title suggest about its speaker's relationship to Cālā and Upacālā?
Correct: B. A striking naming pattern this guide notes without asserting a specific family claim.
Question 10 of 10
What does 'Tāvatiṁsā' name?
Correct: C. Part of Māra's specific, named temptation.
Answered 0 of 10 · Correct 0