The Chapter Beginning With Sumedhā
This page carries Ru-Yi's complete translation of the Therī-apadāna's first chapter, the Sumedhāvagga — ten senior nuns, each recounting in her own verses the single act of generosity or devotion, offered to a Buddha of a distant past age, that set her on the long road through fortunate rebirths to final awakening. Translated in full, with the Pāli alongside our English.
Translation Method
The Pāli source is the Mahāsaṅgīti Tipiṭaka (Buddhavasse 2500 edition), the standard modern critical text, checked against the textual variants it records from the Burmese (bj), Sinhalese (sya), Pali Text Society (pts-vp-pli1), and other editions for internal consistency. Where those editions genuinely diverge on a word's reading, this page follows the Mahāsaṅgīti base text and notes the variant only where it changes the sense.
The English translation is Ru-Yi's own, made directly from the Pāli. No existing English translation of the Apadāna was consulted, paraphrased, or used as a guide for wording or structure — including Jonathan S. Walters' complete 2017 translation, the standard modern edition of this text, which remains in copyright. Bhikkhu Sujato's freely-licensed translation of the Pāli Canon, used elsewhere on this site, does not extend to the Apadāna, which is the occasion for this page.
Several stanzas in this chapter carry genuinely contested readings across the manuscript tradition — most notably the closing lines of the opening poem, and a line early in the eighth. Where a reading is uncertain enough that confidence would be misleading, the reading note for that poem says so directly, rather than presenting one resolution as settled.
1. Sumedhā
Sumedhātherīapadāna — the chapter's namesake and longest poem: three friends, a monastery given to a Buddha of the distant past, and an unbroken chain of fortunate rebirths ending in arahantship.
Namo tassa Bhagavato Arahato Sammāsambuddhassa.
Atha therikāpadānāni suṇātha—
"Bhagavati koṇāgamane, saṅghārāmamhi navanivesanamhi;
sakhiyo tisso janiyo, vihāradānaṁ adāsimha.
Dasakkhattuṁ satakkhattuṁ, dasasatakkhattuṁ satānañca satakkhattuṁ;
devesu upapajjimha, ko vādo mānuse bhave.
Deve mahiddhikā ahumha, mānusakamhi ko vādo;
sattaratanamahesī, itthiratanaṁ ahaṁ bhaviṁ.
Idha sañcitakusalā, susamiddhakulappajā;
Dhanañjānī ca khemā ca, ahampi ca tayo janā.
Ārāmaṁ sukataṁ katvā, sabbāvayavamaṇḍitaṁ;
Buddhappamukhasaṅghassa, niyyādetvā samoditā.
Yattha yatthūpapajjāmi, tassa kammassa vāhasā;
devesu aggataṁ pattā, manussesu tatheva ca.
Imasmiṁyeva kappamhi, brahmabandhu mahāyaso;
Kassapo nāma gottena, uppajji vadataṁ varo.
Upaṭṭhāko mahesissa, tadā āsi narissaro;
Kāsirājā Kikī nāma, Bārāṇasipuruttame.
Tassāsuṁ satta dhītaro, rājakaññā sukhedhitā;
Buddhopaṭṭhānaniratā, brahmacariyaṁ cariṁsu tā.
Tāsaṁ sahāyikā hutvā, sīlesu susamāhitā;
datvā dānāni sakkaccaṁ, agāreva vataṁ cariṁ.
Tena kammena sukatena, cetanāpaṇidhīhi ca;
jahitvā mānusaṁ dehaṁ, tāvatiṁsūpagā ahaṁ.
Tato cutā yāmamagaṁ, tatohaṁ tusitaṁ gatā;
tato ca nimmānaratiṁ, vasavattipuraṁ tato.
Yattha yatthūpapajjāmi, puññakammasamohitā;
tattha tattheva rājūnaṁ, mahesittamakārayiṁ.
Tato cutā manussatte, rājūnaṁ cakkavattinaṁ;
maṇḍalīnañca rājūnaṁ, mahesittamakārayiṁ.
Sampattimanubhotvāna, devesu mānusesu ca;
sabbattha sukhitā hutvā, nekajātīsu saṁsariṁ.
So hetu ca so pabhavo, tammūlaṁ sāsane khamaṁ;
paṭhamaṁ taṁ samodhānaṁ, taṁ dhammaratāya nibbānaṁ.
Kilesā jhāpitā mayhaṁ, bhavā sabbe samūhatā;
nāgīva bandhanaṁ chetvā, viharāmi anāsavā.
Svāgataṁ vata me āsi, buddhaseṭṭhassa santike;
tisso vijjā anuppattā, kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, vimokkhāpi ca aṭṭhime;
chaḷabhiññā sacchikatā, kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Sumedhā bhikkhunī imā gāthāyo abhāsitthāti.
Sumedhātheriyāpadānaṁ paṭhamaṁ.
Homage to the Blessed One, the Arahant, the Fully Awakened One.
Now hear the past-life accounts of the senior nuns —
"While the Blessed One Koṇāgamana was in a newly-founded monastery, we three girl companions gave the gift of a dwelling.
Ten times, a hundred times, a thousand times, a hundred thousand times, we were reborn among the gods — what need to speak of the human state?
Among the gods we had great power — what need to speak of the human world? Chief queen of the seven treasures, I became the treasure of womanhood.
Having stored up merit there, we were born into thriving, prosperous families — Dhanañjānī, and Khemā, and I myself: three companions.
Having built a well-made monastery, adorned in every part, we made it over to the Sangha headed by the Buddha, and rejoiced.
Wherever I was reborn, carried along by the power of that deed, I attained the foremost place among gods, and just the same among humans.
In this very eon, one of Brahmin lineage, of great renown, arose — named Kassapa by clan, the best of those who teach.
At that time the great sage's attendant was a ruler of men — the king of Kāsi named Kikī, in the excellent city of Bārāṇasī.
He had seven daughters, royal maidens raised in comfort, devoted to attending the Buddha; they lived the holy life.
Becoming their companion, well established in virtue, having given gifts respectfully, I kept my vow while still a laywoman.
By that well-done deed, and by my intention and resolve, having left the human body, I went to the Thirty-Three.
Passing from there I went to Yāma; from there to Tusita; then to the Nimmānarati gods; from there to the realm of the Paranimmitavasavatti.
Wherever I was reborn, endowed with meritorious deeds, there, in each place, I became chief queen of kings.
Passing from there into the human state, I became chief queen of wheel-turning monarchs, and of regional kings.
Having experienced such fortune, among gods and among humans, happy everywhere, I wandered on through many births.
That was the cause, and that the origin — the root of my capacity within this teaching; that was the first coming-together, [leading] through delight in the Dhamma to Nibbāna. (A genuinely difficult line — see the reading note below.)
My defilements are burned away; every state of existence is demolished; having cut the bond like a great tusker breaking free, I dwell without defilements.
It was truly a good arrival for me, into the presence of the best of Buddhas; the three true knowledges have been attained; the Buddha's teaching has been carried out.
The four discriminations, and these eight liberations too — the six direct knowledges have been realized; the Buddha's teaching has been carried out."
Thus indeed did the nun Sumedhā speak these verses.
The past-life account of the Therī Sumedhā, the first.
a recounted deed, an exploit — here specifically the past-life narrative that gives this whole collection its name.
the fifth of the seven Buddhas of this and the preceding eon in the standard list — not the Koṇḍañña of the Vipassī lineage; one of the more distant of the past Buddhas this collection reaches back to.
"the Thirty-Three" — the second of the six sensuous heavens, ruled by Sakka, named for its thirty-three chief deities; the first rebirth-destination in the chain of heavens this poem climbs through.
the four discriminations (of meaning, of principle, of language, and of eloquence) — a standard mark, alongside the eight liberations and six direct knowledges, of the fullest attainment an arahant can reach.
This is the longest poem in the chapter and sets the pattern every poem after it will compress: a devotional act (here, three friends jointly funding a monastery for a Buddha of the deep past), an unbroken run of fortunate rebirths — cycling upward through the sense-sphere heavens, then back down through human royalty — and a closing declaration of arahantship in a fixed, formulaic language shared across the whole Apadāna and Therīgāthā literature.
The stanza rendered above as "that was the cause, and that the origin" is genuinely one of the hardest single lines in the chapter. The manuscript traditions diverge significantly here — some editions read essentially "that was the root, and that was my forbearance in the teaching" rather than the base text's "the root of my capacity." Both readings gesture at the same idea (this early act of merit was the seed of everything that followed, down to the final breakthrough), but neither is secure enough to translate with full confidence, and this page has chosen not to paper over that uncertainty.
2. The Girdle-Giver
Mekhalādāyikātherīapadāna — a waist-girdle given twice: once for the builders raising a stupa, once for the finished monument itself.
"Siddhatthassa bhagavato, thūpakārāpikā ahuṁ;
mekhalikā mayā dinnā, navakammāya satthuno.
Niṭṭhite ca mahāthūpe, mekhalaṁ punadāsahaṁ;
lokanāthassa munino, pasannā sehi pāṇibhi.
Catunnavutito kappe, yaṁ mekhalamadaṁ tadā;
duggatiṁ nābhijānāmi, thūpakārassidaṁ phalaṁ.
Kilesā jhāpitā mayhaṁ, …pe… viharāmi anāsavā.
Svāgataṁ vata me āsi, …pe… kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, …pe… kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Mekhalādāyikā bhikkhunī imā gāthāyo abhāsitthāti.
Mekhalādāyikātheriyāpadānaṁ dutiyaṁ.
"I had a stupa built for the Blessed One Siddhattha; a waist-girdle was given by me for the Teacher's construction-work.
And when the great stupa was finished, I gave a girdle again to the sage, protector of the world, with my own hands, in devotion.
Ninety-four eons ago, when I gave that girdle then — I have not known a bad rebirth; this is the fruit of building the stupa.
My defilements are burned away… I dwell without defilements. It was truly a good arrival for me… the Buddha's teaching has been carried out. The four discriminations… the Buddha's teaching has been carried out." (closing formula as in Poem 1)
Thus indeed did the nun Mekhalādāyikā speak these verses.
The past-life account of the Therī Mekhalādāyikā, the second.
the standard Pāli abbreviation mark ("peyyāla," "etc.") — the scribal shorthand for a formula already given in full earlier in the collection; here it stands for the same three closing stanzas spelled out completely in Poem 1, and this page expands it in full wherever it occurs.
the fourth of the seven Buddhas of this and the preceding eon in the standard list — not to be confused with Siddhattha Gotama, the personal name of the historical Buddha of the present age.
3. The Pavilion-Giver
Maṇḍapadāyikātherīapadāna — a pavilion built, and robes regularly given, for the Buddha Koṇāgamana.
"Koṇāgamanabuddhassa, maṇḍapo kārito mayā;
dhuvaṁ ticīvaraṁdāsiṁ, buddhassa lokabandhuno.
Yaṁ yaṁ janapadaṁ yāmi, nigame rājadhāniyo;
sabbattha pūjitā homi, puññakammassidaṁ phalaṁ.
Kilesā jhāpitā mayhaṁ, …pe… viharāmi anāsavā.
Svāgataṁ vata me āsi, …pe… kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, …pe… kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Maṇḍapadāyikā bhikkhunī imā gāthāyo abhāsitthāti.
Maṇḍapadāyikātheriyāpadānaṁ tatiyaṁ.
"A pavilion was built by me for the Buddha Koṇāgamana; I regularly gave the triple robe to the Buddha, kinsman of the world.
Whatever country I go to — market towns, royal capitals — everywhere I am honored; this is the fruit of meritorious deeds."
My defilements are burned away… the Buddha's teaching has been carried out. (closing formula as in Poem 1)
Thus indeed did the nun Maṇḍapadāyikā speak these verses.
The past-life account of the Therī Maṇḍapadāyikā, the third.
the "triple robe" — the three-part robe-set (the outer, upper, and inner robes) that make up a monastic's basic allowed clothing; giving it is a standard, high-value act of lay generosity throughout the canon.
4. Made a Crossing
Saṅkamanatthātherīapadāna — the shortest poem in the chapter, and the most physically vivid: a woman lies face-down in the road so the Buddha Vipassī can walk across her.
"Vipassissa bhagavato, lokajeṭṭhassa tādino;
rathiyaṁ paṭipannassa, tārayantassa pāṇino.
Gharato nikkhamitvāna, avakujjā nipajjahaṁ;
anukampako lokanātho, sirasi akkamī mama.
Akkamitvāna sirasi, agamā lokanāyako;
tena cittappasādena, tusitaṁ agamāsahaṁ.
Kilesā jhāpitā mayhaṁ, …pe… viharāmi anāsavā.
Svāgataṁ vata me āsi, …pe… kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, …pe… kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Saṅkamanatthā bhikkhunī imā gāthāyo abhāsitthāti.
Saṅkamanatthātheriyāpadānaṁ catutthaṁ.
"Of the Blessed One Vipassī, eldest of the world, the unshaken one, as he walked along the road, ferrying living beings across —
coming out from my house, I lay down face-down; the compassionate protector of the world stepped upon my head.
Having stepped upon my head, the leader of the world went on his way; by that clarity of mind, I went to the Tusita heaven."
My defilements are burned away… the Buddha's teaching has been carried out. (closing formula as in Poem 1)
Thus indeed did the nun Saṅkamanatthā speak these verses.
The past-life account of the Therī Saṅkamanatthā, the fourth.
a crossing, a passage, a bridge — the act that gives this poem its name: becoming, bodily, the ground the Buddha crosses.
the first of the seven Buddhas of this and the preceding eon in the standard list — the most distant past Buddha named anywhere in this chapter.
Readers who know the Buddhavaṃsa's famous account of the ascetic Sumedha lying down in the mud so the Buddha Dīpaṅkara would not have to step in it — the story that marks the future Buddha Gotama's first resolution to become a Buddha himself — will recognize the same devotional gesture here, offered by an otherwise unnamed woman to an even earlier Buddha, Vipassī. The two accounts are independent; this poem borrows the gesture, not the story.
5. The Reed-Garland-Giver
Naḷamālikātherīapadāna — offered while still a kinnarī, a mythical half-human, half-bird being.
"Candabhāgānadītīre, ahosiṁ kinnarī tadā;
addasaṁ virajaṁ buddhaṁ, sayambhuṁ aparājitaṁ.
Pasannacittā sumanā, vedajātā katañjalī;
naḷamālaṁ gahetvāna, sayambhuṁ abhipūjayiṁ.
Tena kammena sukatena, cetanāpaṇidhīhi ca;
jahitvā kinnarīdehaṁ, agacchiṁ tidasaṅgatiṁ.
Chattiṁsadevarājūnaṁ, mahesittamakārayiṁ;
dasannaṁ cakkavattīnaṁ, mahesittamakārayiṁ;
saṁvejetvāna me cittaṁ, pabbajiṁ anagāriyaṁ.
Kilesā jhāpitā mayhaṁ, bhavā sabbe samūhatā;
sabbāsavā parikkhīṇā, natthi dāni punabbhavo.
Catunnavutito kappe, yaṁ pupphamabhipūjayiṁ;
duggatiṁ nābhijānāmi, pupphapūjāyidaṁ phalaṁ.
Kilesā jhāpitā mayhaṁ, …pe… viharāmi anāsavā.
Svāgataṁ vata me āsi, …pe… kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, …pe… kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Naḷamālikā therī imā gāthāyo abhāsitthāti.
Naḷamālikātheriyāpadānaṁ pañcamaṁ.
"On the bank of the river Candabhāgā, I was then a kinnarī; I saw the stainless Buddha, the self-existent one, the unconquered.
With a mind full of confidence, glad-hearted, filled with joy, hands raised in reverence, I took a garland of reeds and honored the self-existent one.
By that well-done deed, and by my intention and resolve, having left the kinnarī body, I went to the company of the Thirty gods.
I became chief queen of thirty-six god-kings; I became chief queen of ten wheel-turning monarchs; then, stirring my own mind to a sense of urgency, I went forth into homelessness.
My defilements are burned away; every state of existence is demolished; all defilements are exhausted; there is now no further existence.
Ninety-four eons ago, when I honored the Buddha with that flower — I have not known a bad rebirth; this is the fruit of honoring him with flowers."
My defilements are burned away… the Buddha's teaching has been carried out. (closing formula repeated in full here)
Thus indeed did the therī Naḷamālikā speak these verses.
The past-life account of the Therī Naḷamālikā, the fifth.
a mythical being, half human and half bird, of Himalayan folklore — one of the non-human classes of rebirth this collection treats as fully capable of merit and, eventually, of the human rebirth needed for awakening.
to stir to a sense of urgency, to move to spiritual agitation (saṁvega) — the specific feeling, closer to a shock at the stakes involved than to fear, that this text presents as the trigger for going forth.
6. Gave a Single Almsfood
Ekapiṇḍapātadāyikātherīapadāna — a queen, facing her own mortality with nothing to show for it, begs her husband for a single monk to feed.
"Nagare Bandhumatiyā, Bandhumā nāma khattiyo;
tassa rañño ahuṁ bhariyā, ekajjhaṁ cārayāmahaṁ.
Rahogatā nisīditvā, evaṁ cintesahaṁ tadā;
'ādāya gamanīyaṁ hi, kusalaṁ natthi me kataṁ.
Mahābhitāpaṁ kaṭukaṁ, ghorarūpaṁ sudāruṇaṁ;
nirayaṁ nūna gacchāmi, ettha me natthi saṁsayo'.
Rājānaṁ upasaṅkamma, idaṁ vacanamabraviṁ;
'ekaṁ me samaṇaṁ dehi, bhojayissāmi khattiya'.
Adāsi me mahārājā, samaṇaṁ bhāvitindriyaṁ;
tassa pattaṁ gahetvāna, paramannena pūrayiṁ.
Pūrayitvā paramannaṁ, gandhālepaṁ akāsahaṁ;
jālena pidahitvāna, vatthayugena chādayiṁ.
Ārammaṇaṁ mamaṁ etaṁ, sarāmi yāvajīvihaṁ;
tattha cittaṁ pasādetvā, tāvatiṁsamagacchahaṁ.
Tiṁsānaṁ devarājūnaṁ, mahesittamakārayiṁ;
manasā patthitaṁ mayhaṁ, nibbattati yathicchitaṁ.
Vīsānaṁ cakkavattīnaṁ, mahesittamakārayiṁ;
ocitattāva hutvāna, saṁsarāmi bhavesvahaṁ.
Sabbabandhanamuttāhaṁ, apetā me upādikā;
sabbāsavā parikkhīṇā, natthi dāni punabbhavo.
Ekanavutito kappe, yaṁ dānamadadiṁ tadā;
duggatiṁ nābhijānāmi, piṇḍapātassidaṁ phalaṁ".
Itthaṁ sudaṁ Ekapiṇḍapātadāyikā bhikkhunī imā gāthāyo abhāsitthāti.
Ekapiṇḍapātadāyikātheriyāpadānaṁ chaṭṭhaṁ.
"In the city of Bandhumatī, there was a noble named Bandhumā; I was that king's wife.
Going apart and sitting alone, I thought thus: 'For what I must carry with me when I go, no good deed has been done by me.
Surely I am going to a hell of intense, bitter burning, of terrible and truly dreadful form — in this I have no doubt.'
Approaching the king, I said this: 'Give me one ascetic, my lord; I will feed him.'
The great king gave me an ascetic of well-developed faculties; taking his bowl, I filled it with the finest food.
Having filled it with the finest food, I applied fragrant perfume to it; covering it with a net-cloth, I wrapped it in a pair of garments.
This has stayed with me as an object of recollection for as long as I have lived; gaining confidence of mind in it, I went to the Thirty-Three.
I became chief queen of thirty god-kings; whatever I wished for in my mind arose just as I desired.
I became chief queen of twenty wheel-turning monarchs; having thoroughly accumulated merit, I wandered on through states of existence.
I am released from every bond; every trace of clinging is gone from me; all defilements are exhausted; there is now no further existence.
Ninety-one eons ago, when I gave that gift then — I have not known a bad rebirth; this is the fruit of that almsfood."
Thus indeed did the nun Ekapiṇḍapātadāyikā speak these verses.
The past-life account of the Therī Ekapiṇḍapātadāyikā, the sixth.
almsfood, literally "what falls into the [bowl]" — the food a monastic receives on the daily alms-round; giving even a single monk's single meal is the whole merit-act this poem turns on.
object [of mind], support, basis — here specifically an object of recollection the queen deliberately returns her mind to for the rest of her life, an ordinary meditative technique applied to a single remembered good deed.
This poem gives no Buddha's name and no miraculous sign — its whole force comes from an ordinary woman's honest, almost panicked self-assessment ("no good deed has been done by me") and the single concrete, describable act she takes in response. It reads less like the other poems in this chapter and more like a short parable about what "nothing to show for it" actually calls for: not despair, but one specific, well-done thing.
7. Gave a Ladleful of Food
Kaṭacchubhikkhādāyikātherīapadāna — the only poem in this chapter where the Buddha himself speaks, predicting her entire future on the spot.
"Piṇḍacāraṁ carantassa, Tissanāmassa satthuno;
kaṭacchubhikkhaṁ paggayha, buddhaseṭṭhassa dāsahaṁ.
Paṭiggahetvā sambuddho, Tisso lokagganāyako;
vīthiyā saṇṭhito satthā, akā me anumodanaṁ.
'Kaṭacchubhikkhaṁ datvāna, tāvatiṁsaṁ gamissasi;
chattiṁsadevarājūnaṁ, mahesittaṁ karissasi.
Paññāsaṁ cakkavattīnaṁ, mahesittaṁ karissasi;
manasā patthitaṁ sabbaṁ, paṭilacchasi sabbadā.
Sampattiṁ anubhotvāna, pabbajissasikiñcanā;
sabbāsave pariññāya, nibbāyissasināsavā'.
Idaṁ vatvāna sambuddho, Tisso lokagganāyako;
nabhaṁ abbhuggamī vīro, haṁsarājāva ambare.
Sudinnaṁ me dānavaraṁ, suyiṭṭhā yāgasampadā;
kaṭacchubhikkhaṁ datvāna, pattāhaṁ acalaṁ padaṁ.
Dvenavute ito kappe, yaṁ dānamadadiṁ tadā;
duggatiṁ nābhijānāmi, bhikkhādānassidaṁ phalaṁ.
Kilesā jhāpitā mayhaṁ, …pe… viharāmi anāsavā.
Svāgataṁ vata me āsi, …pe… kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, …pe… kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Kaṭacchubhikkhādāyikā bhikkhunī imā gāthāyo abhāsitthāti.
Kaṭacchubhikkhādāyikātheriyāpadānaṁ sattamaṁ.
"To the Teacher named Tissa, as he walked on his alms-round, I raised up a ladleful of food and gave it to the best of Buddhas.
Having received it, the Fully Awakened One Tissa, foremost guide of the world, the Teacher standing there in the street, made this rejoicing-utterance for me:
'Having given a ladleful of food, you will go to the Thirty-Three; you will become chief queen of thirty-six god-kings.
You will become chief queen of fifty wheel-turning monarchs; whatever you wish for in your mind, you will always obtain.
Having experienced such fortune, owning nothing, you will go forth; having fully understood every defilement, free of them, you will reach final extinguishment.'
Having said this, the Fully Awakened One Tissa, foremost guide of the world, the hero, rose up into the sky, like a royal swan aloft.
Well given was my excellent gift; well offered, that act of giving; having given a ladleful of food, I attained the unshakeable state.
Ninety-two eons ago, when I gave that gift then — I have not known a bad rebirth; this is the fruit of that gift of food."
My defilements are burned away… the Buddha's teaching has been carried out. (closing formula as in Poem 1)
Thus indeed did the nun Kaṭacchubhikkhādāyikā speak these verses.
The past-life account of the Therī Kaṭacchubhikkhādāyikā, the seventh.
a rejoicing-utterance — the words a monastic speaks after receiving a gift, expressing shared joy in the giver's merit; here it takes the unusual form of a full biographical prediction, spoken directly by a Buddha.
one of the twenty-four Buddhas of the standard list preceding Gotama; not to be confused with any of several monks and laypeople named Tissa elsewhere in the canon.
Every other poem in this chapter narrates its own outcome in the giver's own retrospective voice. This one alone breaks that pattern: the Buddha Tissa speaks in direct quotation, predicting — accurately, and in detail — the entire arc the other nine poems each describe after the fact. It functions almost as a key to the whole chapter's structure, stated once, in advance, by the one figure in a position to know.
8. The Seven-Lotus Garland-Giver
Sattuppalamālikātherīapadāna — the technically richest poem in the chapter, closing with a survey of the very faculties this site's own Abhidhamma translation catalogues in full.
"Nagare Aruṇavatiyā, Aruṇo nāma khattiyo;
tassa rañño ahuṁ bhariyā, cārikaṁ cārayāmahaṁ.
Satta mālā gahetvāna, uppalā devagandhikā;
nisajja pāsādavare, evaṁ cintesi tāvade.
'Kiṁ me imāhi mālāhi, sirasāropitāhi me;
varaṁ me buddhaseṭṭhassa, ñāṇamhi abhiropitaṁ'.
Sambuddhaṁ paṭimānentī, dvārāsanne nisīdahaṁ;
'yadā ehiti sambuddho, pūjayissaṁ mahāmuniṁ'.
Kakudho vilasantova, migarājāva kesarī;
bhikkhusaṅghena sahito, āgacchi vīthiyā jino.
Buddhassa raṁsiṁ disvāna, haṭṭhā saṁviggamānasā;
dvāraṁ avāpuritvāna, buddhaseṭṭhamapūjayiṁ.
Satta uppalapupphāni, parikiṇṇāni ambare;
chadiṁ karonto buddhassa, matthake dhārayanti te.
Udaggacittā sumanā, vedajātā katañjalī;
tattha cittaṁ pasādetvā, tāvatiṁsamagacchahaṁ.
Mahānelassa chādanaṁ, dhārenti mama muddhani;
dibbagandhaṁ pavāyāmi, sattuppalassidaṁ phalaṁ.
Kadāci nīyamānāya, ñātisaṅghena me tadā;
yāvatā parisā mayhaṁ, mahānelaṁ dharīyati.
Sattatidevarājūnaṁ, mahesittamakārayiṁ;
sabbattha issarā hutvā, saṁsarāmi bhavābhave.
Tesaṭṭhi cakkavattīnaṁ, mahesittamakārayiṁ;
sabbe mamanuvattanti, ādeyyavacanā ahuṁ.
Uppalasseva me vaṇṇo, gandho ceva pavāyati;
duggatiṁ nābhijānāmi, buddhapūjāyidaṁ phalaṁ.
Iddhipādesu kusalā, bojjhaṅgabhāvanāratā;
abhiññāpāramippattā, buddhapūjāyidaṁ phalaṁ.
Satipaṭṭhānakusalā, samādhijhānagocarā;
sammappadhānamanuyuttā, buddhapūjāyidaṁ phalaṁ.
Vīriyaṁ me dhuradhorayhaṁ, yogakkhemādhivāhanaṁ;
sabbāsavā parikkhīṇā, natthi dāni punabbhavo.
Ekatiṁse ito kappe, yaṁ pupphamabhipūjayiṁ;
duggatiṁ nābhijānāmi, buddhapūjāyidaṁ phalaṁ.
Kilesā jhāpitā mayhaṁ, …pe… viharāmi anāsavā.
Svāgataṁ vata me āsi, …pe… kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, …pe… kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Sattuppalamālikā bhikkhunī imā gāthāyo abhāsitthāti.
Sattuppalamālikātheriyāpadānaṁ aṭṭhamaṁ.
"In the city of Aruṇavatī, there was a noble named Aruṇa; I was that king's wife. (A line of genuinely uncertain reading opens this poem — see the note below.)
Taking seven garlands of blue lotus with a heavenly fragrance, sitting in a fine palace, I thought this at that moment:
'What use to me are these garlands, placed on my own head? Better that they be placed upon the knowledge of the best of Buddhas.'
Waiting for the Fully Awakened One, I sat near the gate: 'When the Fully Awakened One comes, I will honor the great sage.'
Radiant like a flowering kakudha tree, like a maned lion, king of beasts, accompanied by the community of monks, the Conqueror came along the street.
Seeing the Buddha's radiance, joyful, my mind stirred with wonder, I opened the gate and honored the best of Buddhas.
The seven blue-lotus flowers, scattered through the sky, formed a canopy, holding themselves above the Buddha's head.
With elated mind, glad-hearted, filled with joy, hands raised in reverence, gaining confidence of mind there, I went to the Thirty-Three.
A canopy of great blue lotus is held over my head; I give off a heavenly fragrance — this is the fruit of the seven blue lotuses.
Whenever I am escorted by my company of relatives, for as far as my retinue extends, that great blue canopy is held.
I became chief queen of seventy-three god-kings; sovereign everywhere, I wandered on from one existence to another.
I became chief queen of sixty-three wheel-turning monarchs; all followed my lead; my word was always heeded.
My complexion is just like the blue lotus, and fragrance streams from me too; I have not known a bad rebirth — this is the fruit of honoring the Buddha.
Skilled in the bases of spiritual power, delighting in developing the awakening-factors, having reached the very peak of the direct-knowledges — this is the fruit of honoring the Buddha.
Skilled in the foundations of mindfulness, at home in concentration and absorption, devoted to right striving — this is the fruit of honoring the Buddha.
My energy is a yoke I bear steadily, carrying me toward security from bondage; all defilements are exhausted; there is now no further existence.
Thirty-one eons ago, when I honored the Buddha with that flower — I have not known a bad rebirth; this is the fruit of honoring him."
My defilements are burned away… the Buddha's teaching has been carried out. (closing formula as in Poem 1)
Thus indeed did the nun Sattuppalamālikā speak these verses.
The past-life account of the Therī Sattuppalamālikā, the eighth.
the four bases of spiritual power (desire, energy, mind, and investigation) — one of the seven sets making up the thirty-seven requisites of awakening, the same catalogue this site's Abhidhamma translation covers in full in its seventh chapter.
the seven awakening-factors (mindfulness, investigation, energy, joy, tranquility, concentration, equanimity) — another of the seven sets in the same catalogue.
the four foundations of mindfulness (body, feeling, mind, and mental qualities) — a third of the seven sets, and the framework behind the single best-known meditation instruction in the canon.
The opening line of this poem is one of the genuinely uncertain readings in this chapter. The base text's own phrase is obscure enough that the manuscript traditions diverge sharply — one records something like "I used to travel/go about," another "I did not give a garland," and others differ further still. This translation follows the reading that yields the clearest sense in context, but the line should be read as reconstructed rather than secure.
Where the earlier poems in this chapter stay close to the concrete act and its direct reward, this one closes by naming, in quick succession, three of the seven sets that make up the thirty-seven requisites of awakening (bodhipakkhiyā dhammā) — material this site's Abhidhamma translation treats in full technical detail. Read together, the two pages give the same list from opposite directions: the Abhidhamma names and defines it; this poem shows what it looks like from inside a single nun's own declaration of what she has actually attained.
9. The Five-Lamp-Giver
Pañcadīpikātherīapadāna — the chapter's most vivid poem: a blazing bodhi tree, a heavenly mansion lit by a hundred thousand lamps, and arahantship attained at the age of seven.
"Nagare Haṁsavatiyā, cārikī āsahaṁ tadā;
ārāmena ca ārāmaṁ, carāmi kusalatthikā.
Kāḷapakkhamhi divase, addasaṁ bodhimuttamaṁ;
tattha cittaṁ pasādetvā, bodhimūle nisīdahaṁ.
Garucittaṁ upaṭṭhetvā, sire katvāna añjaliṁ;
somanassaṁ pavedetvā, evaṁ cintesi tāvade.
'Yadi buddho amitaguṇo, asamappaṭipuggalo;
dassetu pāṭihīraṁ me, bodhi obhāsatu ayaṁ'.
Saha āvajjite mayhaṁ, bodhi pajjali tāvade;
sabbasoṇṇamayā āsi, disā sabbā virocati.
Sattarattindivaṁ tattha, bodhimūle nisīdahaṁ;
sattame divase patte, dīpapūjaṁ akāsahaṁ.
Āsanaṁ parivāretvā, pañca dīpāni pajjaluṁ;
yāva udeti sūriyo, dīpā me pajjaluṁ tadā.
Tena kammena sukatena, cetanāpaṇidhīhi ca;
jahitvā mānusaṁ dehaṁ, tāvatiṁsamagacchahaṁ.
Tattha me sukataṁ byamhaṁ, pañcadīpāti vuccati;
saṭṭhiyojanamubbedhaṁ, tiṁsayojanavitthataṁ.
Asaṅkhiyāni dīpāni, parivāre jalanti me;
yāvatā devabhavanaṁ, dīpālokena jotati.
Parammukhā nisīditvā, yadi icchāmi passituṁ;
uddhaṁ adho ca tiriyaṁ, sabbaṁ passāmi cakkhunā.
Yāvatā abhikaṅkhāmi, daṭṭhuṁ sugataduggate;
tattha āvaraṇaṁ natthi, rukkhesu pabbatesu vā.
Asīti devarājūnaṁ, mahesittamakārayiṁ;
satānaṁ cakkavattīnaṁ, mahesittamakārayiṁ.
Yaṁ yaṁ yonupapajjāmi, devattaṁ atha mānusaṁ;
dīpasatasahassāni, parivāre jalanti me.
Devalokā cavitvāna, uppajjiṁ mātukucchiyaṁ;
mātukucchigatā santī, akkhi me na nimīlati.
Dīpasatasahassāni, puññakammasamaṅgitā;
jalanti sūtikāgehe, pañcadīpānidaṁ phalaṁ.
Pacchime bhave sampatte, mānasaṁ vinivattayiṁ;
ajarāmataṁ sītibhāvaṁ, nibbānaṁ phassayiṁ ahaṁ.
Jātiyā sattavassāhaṁ, arahattamapāpuṇiṁ;
upasampādayī buddho, guṇamaññāya Gotamo.
Maṇḍape rukkhamūle vā, pāsādesu guhāsu vā;
suññāgāre vasantiyā, pañcadīpā jalanti me.
Dibbacakkhuvisuddhaṁ me, samādhikusalā ahaṁ;
abhiññāpāramippattā, pañcadīpānidaṁ phalaṁ.
Sabbavositavosānā, katakiccā anāsavā;
Pañcadīpā mahāvīra, pāde vandāmi cakkhuma.
Satasahassito kappe, yaṁ dīpamadadiṁ tadā;
duggatiṁ nābhijānāmi, pañcadīpānidaṁ phalaṁ.
Kilesā jhāpitā mayhaṁ, …pe… viharāmi anāsavā.
Svāgataṁ vata me āsi, …pe… kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, …pe… kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Pañcadīpikā bhikkhunī imā gāthāyo abhāsitthāti.
Pañcadīpikātheriyāpadānaṁ navamaṁ.
"In the city of Haṁsavatī, I was then a wanderer; from one park to another I roamed, in search of what is wholesome.
On a day of the waning moon, I saw the supreme Bodhi tree; gaining confidence of mind there, I sat down at its foot.
Settling into a reverent mind, raising my joined palms to my head, giving voice to my joy, I thought this at that moment:
'If the Buddha, of immeasurable virtue, the peerless person — let him show me a wonder: let this Bodhi tree shine forth.'
As soon as I had reflected this, the Bodhi tree blazed up at that very moment; it became entirely made of gold; every direction shone with its light.
For seven days and nights I sat there at the foot of the Bodhi tree; when the seventh day came, I made an offering of lamps.
Surrounding my seat, five lamps blazed; until the sun rose, my lamps went on blazing.
By that well-done deed, and by my intention and resolve, having left the human body, I went to the Thirty-Three.
There, a well-made mansion of mine is called "Five Lamps" — sixty leagues in height, thirty leagues across.
Countless lamps burn around me there; as far as the god-realm extends, it shines with the light of lamps.
Sitting facing away, if I wish to see, I see everything with my own eye — above, below, and across.
As far as I wish to see beings in their good and bad destinations, nothing obstructs it — not trees, not mountains.
I became chief queen of eighty god-kings; I became chief queen of a hundred wheel-turning monarchs.
Whatever womb I was reborn into, whether divine or human, a hundred thousand lamps burned around me.
Passing from the god-world, I was conceived in a mother's womb; and while I lay in that womb, my eyes never closed.
A hundred thousand lamps, in keeping with my store of merit, blazed in the very room where I was born — this is the fruit of the five lamps.
Having arrived at my final existence, I turned my mind away from craving; I touched Nibbāna — the ageless, the deathless, the state of coolness.
At seven years of age I attained arahantship; the Buddha Gotama, recognizing my qualities, gave me full ordination.
In a pavilion, at the foot of a tree, in a mansion or a cave, wherever I dwell in an empty place, five lamps blaze for me.
My divine eye is purified; I am skilled in concentration; having reached the very peak of the direct-knowledges — this is the fruit of the five lamps.
Every task completed, my work done, free of defilements — "Five Lamps," great hero, I bow to your feet, you who have vision.
A hundred thousand eons ago, when I made that lamp-offering — I have not known a bad rebirth; this is the fruit of the five lamps."
My defilements are burned away… the Buddha's teaching has been carried out. (closing formula as in Poem 1)
Thus indeed did the nun Pañcadīpikā speak these verses.
The past-life account of the Therī Pañcadīpikā, the ninth.
a wonder, a marvel, a display of power — what she explicitly asks the Bodhi tree (standing in, at this point in the story, for the Buddha it will one day shade) to produce, as a sign confirming his qualities.
the divine eye — one of the six direct knowledges, the ability to see beings passing away and being reborn according to their deeds; her lamp-mansion's uncanny, unobstructed vision in the heavens is presented as a preview of this same faculty.
This is the chapter's centerpiece, and the only poem in it where the deity herself, in the god realm, addresses her own former offering directly by name ("Five Lamps, great hero, I bow to your feet") — collapsing, for one line, the distance between the past-life narrator and the being she is narrating. Two details are worth pausing on: her eyes not closing in the womb, a striking image of merit persisting even before birth, and her attaining arahantship at seven — among the youngest ages recorded anywhere in this literature.
10. The Water-Giver
Udakadāyikātherīapadāna — a poor water-carrier gives the one thing she has: water itself.
"Nagare Bandhumatiyā, ahosiṁ udahārikā;
udahārena jīvāmi, tena posemi dārake.
Deyyadhammo ca me natthi, puññakkhette anuttare;
koṭṭhakaṁ upasaṅkamma, udakaṁ paṭṭhapesahaṁ.
Tena kammena sukatena, tāvatiṁsamagacchahaṁ;
tattha me sukataṁ byamhaṁ, udahārena nimmitaṁ.
Accharānaṁ sahassassa, ahañhi pavarā tadā;
dasaṭṭhānehi tā sabbā, abhibhomi sadā ahaṁ.
Paññāsaṁ devarājūnaṁ, mahesittamakārayiṁ;
vīsaticakkavattīnaṁ, mahesittamakārayiṁ.
Duve bhave saṁsarāmi, devatte atha mānuse;
duggatiṁ nābhijānāmi, dakadānassidaṁ phalaṁ.
Pabbatagge dumagge vā, antalikkhe ca bhūmiyaṁ;
yadā udakamicchāmi, khippaṁ paṭilabhāmahaṁ.
Avuṭṭhikā disā natthi, santattā kuthitāpi ca;
mama saṅkappamaññāya, mahāmegho pavassati.
Kadāci nīyamānāya, ñātisaṅghena me tadā;
yadā icchāmahaṁ vassaṁ, mahāmegho ajāyatha.
Uṇhaṁ vā pariḷāho vā, sarīre me na vijjati;
kāye ca me rajo natthi, dakadānassidaṁ phalaṁ.
Visuddhamanasā ajja, apetamanapāpikā;
sabbāsavaparikkhīṇā, natthi dāni punabbhavo.
Ekanavutito kappe, yaṁ dakaṁ adadiṁ tadā;
duggatiṁ nābhijānāmi, dakadānassidaṁ phalaṁ.
Kilesā jhāpitā mayhaṁ, …pe… viharāmi anāsavā.
Svāgataṁ vata me āsi, …pe… kataṁ buddhassa sāsanaṁ.
Paṭisambhidā catasso, …pe… kataṁ buddhassa sāsanaṁ".
Itthaṁ sudaṁ Udakadāyikā bhikkhunī imā gāthāyo abhāsitthāti.
Udakadāyikātheriyāpadānaṁ dasamaṁ.
Sumedhāvaggo paṭhamo.
"In the city of Bandhumatī, I was a water-carrier; I lived by carrying water, and with it I supported my children.
I had nothing to give in that unsurpassed field of merit; so going to the gate-house, I set water out there.
By that well-done deed, I went to the Thirty-Three; there, a well-made mansion of mine was fashioned from the merit of carrying water.
Among a thousand nymphs, I was indeed the foremost then; in ten respects I always outshine all of them.
I became chief queen of fifty god-kings; I became chief queen of twenty wheel-turning monarchs.
I wander on through only two states of existence, the divine and the human; I have not known a bad rebirth — this is the fruit of the gift of water.
On a mountaintop or a treetop, in the sky or on the ground, whenever I want water, I obtain it at once.
There is no direction without rain for me, however scorched or burning hot; knowing my intention, a great cloud pours down.
Whenever I was being escorted by my company of relatives, and I wished for rain, a great cloud would arise.
Neither heat nor fever exists anywhere in my body; nor is there any dust on me — this is the fruit of the gift of water.
Today, with a purified mind, my mind free of anything evil, every defilement exhausted, there is now no further existence.
Ninety-one eons ago, when I gave that water then — I have not known a bad rebirth; this is the fruit of the gift of water."
My defilements are burned away… the Buddha's teaching has been carried out. (closing formula as in Poem 1)
Thus indeed did the nun Udakadāyikā speak these verses.
The past-life account of the Therī Udakadāyikā, the tenth.
The first vagga, the Sumedhāvagga, is complete.
"field of merit" — the Sangha, imagined as fertile ground in which even a small gift, properly planted, yields a disproportionate harvest; her problem is not lack of will but lack of any conventional gift to plant in it.
a heavenly nymph — the female attendants of the sense-sphere heavens; her later rebirth "foremost among a thousand" of them is the direct heavenly counterpart of her humble human trade.
The chapter closes on its most modest offering: not a monastery, not a jeweled garland, not even a full meal — simply water, set out at the gate for anyone who needed it, by a woman with nothing else to give. That the collection chooses to end its opening vagga here, after monarchs and mansions and a blazing Bodhi tree, is itself a kind of argument: the size of the gift was never really the point.
Summary Verse and Tally
The chapter closes, as each vagga in this collection does, with a mnemonic summary verse (uddāna) naming all ten poems in order, followed by a verse count.
Tassuddānaṁ
Sumedhā mekhalādāyī, maṇḍapaṁ saṅkamaṁ dadā;
naḷamālī piṇḍadadā, kaṭacchu uppalappadā.
Dīpadā dakadā ceva, gāthāyo gaṇitā iha;
ekagāthāsatañceva, tiṁsati ca taduttari.
Its summary verse:
Sumedhā, the girdle-giver, the pavilion-, the crossing-giver; the reed-garland-giver, the almsfood-giver, the ladleful-, the lotus-giver;
the lamp-giver, and the water-giver too — the verses are counted here; one hundred and thirty of them, and more besides.
| Poem | Giver of | Eon of the deed |
|---|---|---|
| 1. Sumedhā | a monastery, with two companions | — (eon unspecified) |
| 2. Mekhalādāyikā | a stupa-girdle | 94 eons ago |
| 3. Maṇḍapadāyikā | a pavilion and robes | — (eon unspecified) |
| 4. Saṅkamanatthā | her own body, as a crossing | — (eon unspecified) |
| 5. Naḷamālikā | a reed garland | 94 eons ago |
| 6. Ekapiṇḍapātadāyikā | a single almsfood | 91 eons ago |
| 7. Kaṭacchubhikkhādāyikā | a ladleful of food | 92 eons ago |
| 8. Sattuppalamālikā | seven lotus flowers | 31 eons ago |
| 9. Pañcadīpikā | five lamps | 100,000 eons ago |
| 10. Udakadāyikā | water at a gate-house | 91 eons ago |