Aṅguttara Nikāya · Discourse 6.55

With Soṇa

Soṇasutta — Mahāvagga — the sixth chapter of the Sixes, opening the Second Fifty

Setting
Rājagaha, on Vulture's Peak Mountain, and the Cool Grove
Speakers
The Buddha, addressing Venerable Soṇa; then Soṇa himself, declaring his own attainment
Form
A private discouragement read by the Buddha, a harp simile, and Soṇa's own closing declaration of six dedications
Length
~4 minutes to read
Northern parallel
The harp-string simile for balancing energy recurs widely across Buddhist meditation literature, including the Chinese Āgamas; this reading guide does not assert a specific matching sutra number
Difficulty
★★#9734;☆☆ — an accessible narrative opening the Second Fifty, closing on six precisely defined dedications

Why this discourse

Soṇa, privately discouraged despite being “one of the Buddha's most energetic disciples,” is on the verge of giving up the training entirely when the Buddha appears before him and, rather than arguing against the thought directly, asks about something Soṇa already understands from lay life: a harp's strings, unplayable both too tight and too slack. The discourse that opens the Sixes' Second Fifty is a story of exactly the kind of adjustment, not abandonment, that discouragement calls for.

Reading guide

The teaching in one sentence

Energy that is too forceful leads to restlessness, and energy that is too slack leads to laziness, so a discouraged practitioner should seek balance between them rather than concluding the path itself has failed.

A thought read directly, not confessed

The Buddha does not wait for Soṇa to admit his discouragement; he simply appears before him, having “known Venerable Soṇa's train of thought,” and states it back to him almost word for word. This framing matters: Soṇa is not praised for confessing a struggle, nor is his private doubt treated as itself a failing to be corrected before anything else can be taught.

A simile drawn from Soṇa's own former life

Rather than offering an abstract teaching on effort, the Buddha reaches for something specific to Soṇa's own background as a skilled harp player before ordaining. The simile works because it does not need to be explained from scratch — Soṇa already knows, from direct experience, exactly what an over-tightened or over-slackened string sounds like.

Six dedications, declared only after attainment

The discourse's second half belongs to Soṇa, now perfected, describing the arahant as dedicated to six things: renunciation, seclusion, kindness, the ending of craving, the ending of grasping, and mental clarity. Crucially, Soṇa pre-empts a misreading of each: dedication to renunciation is not mere faith, dedication to seclusion is not a taste for solitude's comforts, dedication to kindness (following precepts) is not rule-following for its own sake — each is instead traced back to the actual absence of greed, hate, and delusion.

The mountain simile closing the discourse

Soṇa's own closing verses picture a solid mass of rock, unmoved by storms from any direction, as the freed mind remains unmoved by whatever compelling sights, sounds, or ideas arise. The image directly answers the discourse's opening problem: where Soṇa's energy was once unbalanced enough to nearly end his practice, the freed mind he eventually reaches is pictured as beyond that kind of disturbance altogether.

Key terms

vīriyasamatā — “balance of energy” — what the Buddha instructs Soṇa to seek, between forceful restlessness and slack laziness.
indriyānaṁ samataṁ — “a balance of the faculties” — the fuller instruction given alongside energy and serenity.
nekkhamma, paviveka, abyāpajjha, taṇhākkhaya, upādānakkhaya, cetaso apariyādānatā — “renunciation, seclusion, kindness, the ending of craving, the ending of grasping, mental clarity” — Soṇa's own six dedications, each traced to the ending of greed, hate, and delusion rather than to any external motive.
khīṇāsava — “one whose defilements are ended” — the state Soṇa describes and has himself reached by the discourse's second half.
selo yathā ekaghano — “like a mountain, one solid mass of rock” — the closing simile for the freed mind's imperturbability.

The text

The discourse in full: Soṇa's discouragement, the harp simile, and his own closing declaration of six dedications. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

Soṇa's discouragement

§1So I have heard. At one time the Buddha was staying near Rājagaha, on the Vulture’s Peak Mountain. Now at that time Venerable Soṇa was staying near Rājagaha in the Cool Grove. Then as he was in private retreat this thought came to his mind, “I am one of the Buddha’s most energetic disciples. Yet my mind is not freed from defilements by not grasping. But my family has wealth. I could enjoy that wealth and make merit. Why don’t I resign the training and return to a lesser life, so I can enjoy my wealth and make merit?”

The harp simile

§2“Soṇa, as you were in private retreat didn’t this thought come to your mind: ‘I am one of the Buddha’s most energetic disciples. Yet my mind is not freed from defilements by not grasping. But my family has wealth. I could enjoy that wealth and make merit. Why don’t I resign the training and return to a lesser life, so I can enjoy my wealth and make merit?’” “Yes, sir.” “What do you think, Soṇa? When you were still a layman, weren’t you a good player of the arched harp?” “Yes, sir.” “When your harp’s strings were tuned too tight, was it resonant and playable?” “No, sir.” “When your harp’s strings were tuned too slack, was it resonant and playable?” “No, sir.” “But when your harp’s strings were tuned neither too tight nor too slack, but fixed at an even tension, was it resonant and playable?” “Yes, sir.” “In the same way, Soṇa, when energy is too forceful it leads to restlessness. When energy is too slack it leads to laziness. So, Soṇa, you should focus on energy and serenity, find a balance of the faculties, and learn the character of this situation.” “Yes, sir,” Soṇa replied. After advising Soṇa like this, the Buddha, as easily as a strong person would extend or contract their arm, vanished from the Cool Grove and reappeared on the Vulture’s Peak.

Soṇa's attainment, and his six dedications

§3After some time Soṇa focused on energy and serenity, found a balance of the faculties, and learned the pattern of this situation. Then Soṇa, living alone, withdrawn, diligent, keen, and resolute, soon realized the supreme culmination of the spiritual path in this very life. He lived having achieved with his own insight the goal for which gentlemen rightly go forth from the lay life to homelessness. He understood: “Rebirth is ended; the spiritual journey has been completed; what had to be done has been done; there is nothing further for this place.” And Venerable Soṇa became one of the perfected. Then, when Soṇa had attained perfection, he thought, “Why don’t I go to the Buddha and declare my enlightenment in his presence?” Then Soṇa went up to the Buddha, bowed, sat down to one side, and said to him: “Sir, a mendicant who is perfected—with defilements ended, who has completed the spiritual journey, done what had to be done, laid down the burden, achieved their heart’s goal, utterly ended the fetter of continued existence, and is rightly freed through enlightenment—is dedicated to six things. They are dedicated to renunciation, seclusion, kindness, the ending of craving, the ending of grasping, and mental clarity. It may be, sir, that one of the venerables here thinks: ‘Maybe this venerable is dedicated to renunciation solely out of mere faith.’ But it should not be seen like this. A mendicant with defilements ended does not see in themselves anything more to do, or anything that needs improvement. They’re dedicated to renunciation because they’re free of greed, hate, and delusion with the end of greed, hate, and delusion. It may be, sir, that one of the venerables here thinks: ‘Maybe this venerable is dedicated to seclusion because they enjoy possessions, honor, and popularity.’ But it should not be seen like this. … It may be, sir, that one of the venerables here thinks: ‘Maybe this venerable is dedicated to kindness because they believe that adhering to precepts and observances is essential.’ But it should not be seen like this. … They’re dedicated to the ending of craving because they’re free of greed, hate, and delusion with the end of greed, hate, and delusion. They’re dedicated to the ending of grasping because they’re free of greed, hate, and delusion with the end of greed, hate, and delusion. They’re dedicated to clarity of mind because they’re free of greed, hate, and delusion with the end of greed, hate, and delusion.

The mountain simile, in prose and verse

§4When a mendicant’s mind is rightly freed like this, even if compelling sights come into the range of vision they don’t overcome their mind. Their mind is quite untainted. It is steady, imperturbable, observing disappearance. Even if compelling sounds … smells … tastes … touches … and ideas come into the range of the mind they don’t overcome the mind. Their mind is quite untainted. It is steady, imperturbable, observing disappearance. Suppose there was a mountain that was one solid mass of rock, without cracks or holes. Even if violent storms were to blow up out of the east, the west, the north, and the south, they couldn’t make it shake or rock or tremble. In the same way, when a mendicant’s mind is rightly freed like this, even if compelling sights come into the range of vision they don’t overcome their mind. … Their mind is quite untainted. It is steady, imperturbable, observing disappearance. When you’re dedicated to renunciation and seclusion of the heart; when you’re dedicated to kindness and the end of grasping; when you’re dedicated to the ending of craving and clarity of heart; and you’ve seen the arising of the senses, your mind is rightly freed. For that one, rightly freed, a mendicant with peaceful mind, there’s nothing to be improved, and nothing more to do. As the wind cannot stir a solid mass of rock, so too sights, tastes, sounds, smells, and touches—the lot—and ideas, whether liked or disliked, don’t disturb the unaffected one. Their mind is steady and free as they observe fall.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What thought discourages Soṇa at the discourse's opening?
Correct: B. A private, unspoken discouragement the Buddha reads directly rather than waiting for a confession.
Question 2 of 10
What simile does the Buddha use to address Soṇa's discouragement?
Correct: B. Drawn specifically from Soṇa's own background as a skilled harp player before ordaining.
Question 3 of 10
What balance does the Buddha instruct Soṇa to seek?
Correct: B. Too-forceful energy leads to restlessness; too-slack energy leads to laziness.
Question 4 of 10
What six things does Soṇa describe an arahant as dedicated to, once he has himself attained?
Correct: B. Six dedications, each traced to the actual ending of greed, hate, and delusion.
Question 5 of 10
What misreading does Soṇa pre-empt for each of the six dedications?
Correct: B. Soṇa insists each dedication reflects an actual inner state, not an outward performance.
Question 6 of 10
What image closes the discourse?
Correct: B. Directly answering the opening problem of imbalanced, unsettled energy.
Question 7 of 10
Where does this discourse's central dialogue take place?
Correct: B. The Buddha travels there specifically upon reading Soṇa's discouraged thought.
Question 8 of 10
How does the Buddha come to know Soṇa's discouraged thought?
Correct: B. No confession is required before the teaching begins.
Question 9 of 10
What does Soṇa do after attaining perfection?
Correct: B. A deliberate act of declaration, not an accidental discovery by others.
Question 10 of 10
What does vīriyasamatā mean?
Correct: B. The specific quality the Buddha's harp simile is meant to illustrate.
Answered 0 of 10 · Correct 0