Cariyapitaka · Story 35

The Great Hair-raising Conduct

Lomahaṁsa Cariyā — The Chapter With Yudhañjaya · The Perfection of Equanimity (1 of 1)

Setting
No external narrative frame for the story itself; the second half of this page is a closing summary addressed to no particular audience, closing the whole Cariyapitaka
Speaker
The Buddha, recounting his life sleeping in a charnel ground, then speaking in his own voice as the summary closes the work
Form
Four verses telling the final individual story, followed by a separate closing sequence of verses summarizing the whole collection
Length
2–3 minutes to read
Northern parallel
This reading guide does not assert a specific matching text for this story in other Buddhist literatures.
Difficulty
★★★☆☆ — the final story is simple; the closing summary rewards a careful second read

Why this text

This page closes the entire Cariyapitaka. Its own thirty-fifth story is brief: a figure who sleeps in a charnel ground, resting on a skeleton, treated with total equanimity whether mocked by louts or honored with incense and food. What follows it is not part of that story at all — it is the collection's own closing summary, naming several perfections in review before a final colophon names the whole work.

Reading guide

A bed among the dead

The setting is stark and unadorned: a charnel ground, a skeleton for a bed. Village louts mock the sleeper ‘in all sorts of ways’; others bring incense, flowers, and fine food, thrilled and reverent. Both receive the identical response.

Equanimity defined by what it does not distinguish

The story states its perfection plainly: ‘those who brought me pain, and those who gave me happiness, were all the same to me. I felt no favor or anger.’ Unlike the restraint shown in the ethics chapter, which withholds a specific retaliation, this is a flatness applied equally to opposite treatment, not a response to any one threat.

A numbering gap in the source itself

This page's sections jump directly from §4, the end of the story proper, to §10 — sections 5 through 9 do not exist in the source text at all. This reading guide reproduces the source exactly as numbered, rather than renumbering to hide the gap.

A closing summary, not another story

Section 10 onward is a different kind of writing: a review naming several perfections in quick succession — giving, ethics, renunciation, and, notably, a ‘perfection of acceptance’ alongside effort and inquiry, resolve and truthful speech, and finally equanimity again — each said to lead to ‘supreme awakening’. This summary mentions qualities, like acceptance, that did not receive their own dedicated story anywhere in the preceding thirty-five — the individual stories dramatize seven perfections in depth, while this closing review gestures more broadly across the tradition's fuller list of ten.

Three short exhortations, then a colophon

Before the work closes, three brief verses repeat a single pattern — laziness feared, energy as sanctuary; dispute feared, harmony as sanctuary; negligence feared, the eightfold path as sanctuary — each closing with the same refrain, ‘this is the Buddha's instruction!’ A final sentence then names the whole work: ‘the exposition of the teaching named the ‘Legends of the Buddha’.’

Key terms

upekkhā — “equanimity” — the perfection this final story illustrates, the last of the seven perfections given a dedicated story in this particular collection.
Lomahaṁsa — “hair-raising” — part of this story's title, referring to the unsettling austerity of sleeping in a charnel ground.
saccakiriyā-vagga — not a formal term in this translation, but a useful label for the pattern closing several of this chapter's stories: ‘seeing X as fearful, and Y as sanctuary... this is the Buddha's instruction!’
Buddhāpadāniya — “Legends of the Buddha” — the name this text's own closing colophon gives to the whole exposition, referring to the Cariyapitaka itself.
cariyā — “conduct” — this collection's title, and the word used for each of its thirty-five stories, this one its thirty-fifth and last.

The text

The text in full: four verses telling the final story, then the Cariyapitaka's own closing summary and colophon. The source's own section numbering skips from 4 to 10, reproduced here as it stands. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

The Great Hair-raising Conduct

§1“I made my bed in a charnel ground, resting on a skeleton. Village louts came up and mocked me in all sorts of ways.

§2Others brought me incense and flowers, and many kinds of cooked food, all thrilled, their minds elated.

§3Those who brought me pain, and those who gave me happiness, were all the same to me. I felt no favor or anger.

§4I became balanced towards pleasure and pain, fame and disgrace. I was equal in every case: this is my perfection of equanimity.”

Closing verses of the whole Cariyapitaka

§10Having thus experience many kinds of suffering and many kinds of success, in various past lives, I realized supreme awakening.

§11I gave what could be given, and fulfilled ethics without reserve. having won the perfection of renunciation, I realized supreme awakening.

§12I inquired of the astute, and put forth highest effort, having won the perfection of acceptance, I realized supreme awakening.

§13Having made a firm resolve, and guarded truthful speech, having won the perfection of love, I realized supreme awakening.

§14In gain and loss, fame and disgrace, respect and contempt, having become equal in every case, I realized supreme awakening.

§15Seeing laziness as fearful, and energy as a sanctuary, rouse up energy: this is the Buddhas instruction!

§16Seeing dispute as fearful, and harmony as a sanctuary, be harmonious and courteous: this is the Buddhas instruction!

§17Seeing negligence as fearful, and diligence as a sanctuary, develop the eightfold path: this is the Buddhas instruction!

§18That is how the Buddha, illustrating his own conduct in past lives, spoke the exposition of the teaching name the “Legends of the Buddha”.

· · ·

Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
Where does the final story's protagonist sleep?
Correct: B. An unsettling, unadorned setting.
Question 2 of 10
How does the protagonist respond to being mocked versus being honored with incense and food?
Correct: B. 'Those who brought me pain, and those who gave me happiness, were all the same to me.'
Question 3 of 10
What is unusual about the section numbering on this particular page?
Correct: B. Reproduced here exactly as the source has it, not smoothed over.
Question 4 of 10
What is the second half of this page, starting at section 10?
Correct: B. Closing the entire Cariyapitaka, not just this final story.
Question 5 of 10
What perfection does the closing summary mention that received no dedicated story among the collection's thirty-five?
Correct: B. The summary gestures more broadly across the tradition's full list of ten than the individual stories do.
Question 6 of 10
What refrain closes each of the summary's three brief exhortations?
Correct: B. Repeated after each fear-and-sanctuary pairing: laziness, dispute, negligence.
Question 7 of 10
What name does the text's own closing colophon give to the whole work?
Correct: B. A traditional close-of-text formula naming the exposition.
Question 8 of 10
What does 'Lomahaṁsa' mean, as part of this story's title?
Correct: A. Describing the effect of the practice, not a proper name.
Question 9 of 10
How does this story's equanimity differ from the ethics chapter's restraint (Cp 11–20)?
Correct: B. A response to a whole range of treatment, not a single provocation.
Question 10 of 10
What perfection does this final story illustrate?
Correct: B. Closing the Cariyapitaka's thirty-five stories.
Answered 0 of 10 · Correct 0