Saṃyutta Nikāya · Discourse 11.19

Who Sakka Worships

Satthāravandanāsutta

Setting
Sāvatthī — the Buddha narrating a story from the world of the gods
Speakers
The Buddha, addressing the mendicants; within the story, Sakka and his charioteer Mātali
Form
A narrated episode built around a single question and Sakka's verse reply, closely paralleling SN 11.18's structure
Length
~3 minutes to read
Northern parallel
A rough counterpart may exist in the Chinese Saṃyukta-āgama (T99), though this reading guide does not assert a specific matching sutra number
Difficulty
★★☆☆☆ — closely related to SN 11.18, worth reading for exactly what differs

Why this discourse

This discourse shares its English title with SN 11.18 — a translator's choice, since the two carry distinct Pali titles — and follows nearly the same scene: Sakka pausing before a pleasure outing to bow in reverence, prompting Mātali's question about who could possibly command the worship of one worshipped by everyone. But where SN 11.18 has Sakka bow generally toward the four directions and name two broad groups, here he bows specifically toward the Buddha and answers with a precise three-tier hierarchy: the Buddha himself, then arahants whose defilements have ended, then trainees still diligently pursuing the path.

Reading guide

A shared English title, but not a shared Pali one

Sujato's translation gives this discourse the identical English title as SN 11.18, "Who Sakka Worships"; the underlying Pali titles differ — Satthāravandanāsutta here, "homage to the teacher," versus Gahaṭṭhavandanāsutta there — a naming coincidence worth flagging rather than treating the two as identical.

A specific object of reverence, not a general gesture

SN 11.18 has Sakka bow toward the four directions generally; here he bows specifically toward the Buddha — a small but meaningful narrowing of the scene's focus from the outset.

Three tiers named, not two broad groups

Rather than SN 11.18's two categories — the ordained and ethical householders — this discourse's answer specifies three distinct tiers: the Buddha himself, arahants whose defilements have fully ended, and trainees still pursuing the path.

The Buddha named first and separately

Where SN 11.18's answer began with monastics in general, here the Buddha is named as his own distinct, first category — placed above even the fully perfected arahants who follow in the second tier.

Precise technical language for those still training

The third tier uses the specific term sekkha, denoting someone still in training on the path rather than already perfected — a degree of technical precision absent from SN 11.18's more general phrasing.

Key terms

bhagavantaṁ namassati — “revered the Buddha” — Sakka's gesture directed specifically at the Buddha, unlike SN 11.18's general bow toward the four directions.
yañhi devā manussā ca, taṁ namassanti vāsava — “gods and men worship you, Vāsava” — Mātali's question, more concise than SN 11.18's fuller list of worshippers.
yo idha sammāsambuddho… anomanāmaṁ satthāraṁ — “the fully awakened Buddha, the Teacher of peerless name” — Sakka's first and most specific answer, naming the Buddha as his own distinct category.
khīṇāsavā arahanto — “perfected ones with defilements ended” — the second tier, using precise technical language absent from SN 11.18.
sekkhā apacayārāmā, appamattānusikkhare — “trainees who enjoy reducing suffering, diligently pursuing the training” — the third tier, naming those still on the path rather than already perfected.

The text

The discourse in full. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Near Sāvatthī in Jeta’s Grove. “Once upon a time, mendicants, Sakka, lord of gods, addressed his chariot handler Mātali, ‘My dear Mātali, harness the chariot with its team of a thousand thoroughbreds. We will go to a park and see the scenery.’ ‘Yes, lord,’ replied Mātali. He harnessed the chariot and informed Sakka, ‘Good fellow, the chariot with its team of a thousand thoroughbreds has been harnessed. Please go at your convenience.’

§2Then Sakka descended from the Palace of Victory, raised his cupped palms, and revered the Buddha. So Mātali the chariot handler addressed Sakka in verse:

§3‘Gods and men worship you, Vāsava. So what’s the name of the spirit that you worship, Sakka?’

§4‘It’s the fully awakened Buddha, the Teacher of peerless name in this world with its gods—that’s who I worship, Mātali. Those in whom greed, hate, and ignorance have faded away; the perfected ones with defilements ended—they’re who I worship, Mātali. The trainees who enjoy reducing suffering, diligently pursuing the training for getting rid of greed and hate, and going past ignorance—they’re who I worship, Mātali.’

§5‘Those who you worship seem to be the best in the world, Sakka. I too will worship those who you worship, Sakka.’ After saying this, Maghavā the chief, king of gods, Sujā’s husband, having worshipped the Buddha, climbed into his chariot.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
How does this discourse's English title relate to SN 11.18's?
Correct: A. A naming coincidence worth flagging rather than treating the two as identical.
Question 2 of 10
Toward what does Sakka direct his reverence at the discourse's opening, unlike SN 11.18?
Correct: A. A narrowing of focus from SN 11.18's more general gesture.
Question 3 of 10
How many tiers does Sakka's answer specify, compared to SN 11.18's two groups?
Correct: A. A more precise hierarchy than SN 11.18's broader categories.
Question 4 of 10
Who does Sakka name as the first and most specific object of his worship?
Correct: A. Placed above even the arahants who follow in the second tier.
Question 5 of 10
What term describes the second tier, those with defilements ended?
Correct: A. Precise technical language for the fully perfected.
Question 6 of 10
What term describes the third tier, those still pursuing the path?
Correct: A. A degree of technical precision absent from SN 11.18's more general phrasing.
Question 7 of 10
How does Mātali respond to Sakka's threefold answer?
Correct: A. The same endorsement given in SN 11.18's closing.
Question 8 of 10
What is the underlying Pali title of this discourse?
Correct: A. Distinct from SN 11.18's Gahaṭṭhavandanāsutta despite the shared English rendering.
Question 9 of 10
What ordinary occasion frames this discourse, as in SN 11.18?
Correct: A. The same casual framing device used in SN 11.18.
Question 10 of 10
Where does the Buddha narrate this story to the monks?
Correct: A. The consistent setting across most of this saṃyutta's discourses.
Answered 0 of 10 · Correct 0