Saṃyutta Nikāya · Discourse 22.88

With Assaji

Assajisutta — Theravagga

Setting
Rājagaha, the Bamboo Grove, a monastery built by a Kassapa
Speakers
The Buddha, visiting and gently questioning the gravely ill Venerable Assaji
Form
A bedside pastoral visit, careful diagnostic questioning, teaching, and a closing simile
Length
~5 minutes to read
Northern parallel
A rough counterpart may exist in the Chinese Saṃyukta-āgama (T99), though this reading guide does not assert a specific matching sutra number
Difficulty
★★★☆☆ — emotionally direct, its teaching on facing death repays careful, unhurried reading

Why this discourse

This discourse is one of the most tender pastoral scenes in this book: Venerable Assaji, gravely ill, asks his carers to convey his respects to the Buddha and request a visit “out of sympathy.” The Buddha comes in person, tells Assaji not to trouble himself getting up, and asks careful, specific questions — not just how the pain is, but whether there is any remorse, and if so, whether it concerns his ethical conduct. What emerges is that Assaji's distress is not about dying but about having lost, through illness, the meditative immersion he once had — a distress the Buddha gently reframes before teaching him how to meet the body's ending directly.

Reading guide

A visit requested "out of sympathy," granted in person

Assaji's carers are instructed to bow on his behalf and specifically ask the Buddha to come “out of sympathy” (anukampa) — not a summons but a request. The Buddha consents in silence and comes himself that same afternoon, telling Assaji explicitly not to get up: “there are some seats spread out, I will sit there.”

A precise diagnostic question, separating pain from remorse

The Buddha's questioning is notably careful: first about the physical pain itself (growing, not fading), then specifically about remorse and regret, and then, separately again, whether that remorse concerns his ethical conduct. Assaji confirms he has no reason to blame himself ethically — so the Buddha asks directly: then why the remorse at all?

The real distress: losing what once came easily

Assaji's answer is unusually candid: before his illness he meditated having “completely stilled the physical process,” but now he can't get immersion, and worries, “may I not decline!” The Buddha's response gently reframes rather than dismisses this worry, naming a whole category of ascetics and brahmins “for whom samādhi is the essence,” equating immersion itself with the ascetic life — implicitly identifying this equation as the actual source of Assaji's suffering, distinct from illness itself.

Facing feeling and death directly, closing with a lamp running dry

The teaching that follows moves beyond the standard chain into something more immediately practical for someone facing death: feeling any pleasant, painful, or neutral feeling as impermanent, unattached, unrelished, “felt detached”; feeling the end of the body and of life draw close, and understanding clearly that this is happening. The discourse closes with one of the collection's gentlest images: an oil lamp, depending on oil and a wick, is extinguished simply because it is no longer fed, once its fuel runs out — and in the same way, when body and life end, everything felt, no longer relished, “becomes cool right here.”

Key terms

anukampaṁ upādāya — “out of sympathy” — the specific request Assaji's carers are instructed to make of the Buddha, rather than a summons.
kukkuccaṁ — “remorse, regret” — the specific quality the Buddha asks about, distinct from and investigated separately from physical pain.
samādhisārakā — “for whom samādhi is the essence” — the category of practitioners the Buddha names, gently identifying an equation of immersion with the ascetic life as Assaji's true source of distress.
vedanaṁ visaṁyuttova vediyati — “feels it detached” — the discourse's practical instruction for meeting any feeling, pleasant, painful, or neutral, without relishing it.
anāhārā nibbāyeyya — “would be extinguished due to not being fed” — the oil lamp simile's central image, closing the discourse.

The text

The discourse in full, including the complete oil lamp simile. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1“It’s all right, Assaji, don’t get up. There are some seats spread out, I will sit there.” He sat on the seat spread out and said, “I hope you’re keeping well, Assaji; I hope you’re all right. And I hope the pain is fading, not growing, that its fading is evident, not its growing.”

§2“Sir, I’m not all right, I’m not getting by. My pain is terrible and growing, not fading, its growing is evident, not its fading.” “I hope you don’t have any remorse or regret?” “Indeed, sir, I have no little remorse and regret.” “I hope you have no reason to blame yourself when it comes to ethical conduct?” “No sir, I have no reason to blame myself when it comes to ethical conduct.” “In that case, Assaji, why do you have remorse and regret?”

§3“Sir, before my time of illness I meditated having completely stilled the physical process. But now I can’t get immersion. Since I can’t get immersion, I think: ‘May I not decline!’” “There are, Assaji, ascetics and brahmins for whom samādhi is the essence, equating immersion with the ascetic life. They think: ‘May we not decline!’

§4If they feel a pleasant feeling, they understand that it’s impermanent, that they’re not attached to it, and that they don’t relish it. If they feel a painful feeling, they understand that it’s impermanent, that they’re not attached to it, and that they don’t relish it. If they feel a neutral feeling, they understand that it’s impermanent, that they’re not attached to it, and that they don’t relish it.

§5If they feel a pleasant feeling, they feel it detached. If they feel a painful feeling, they feel it detached. If they feel a neutral feeling, they feel it detached. Feeling the end of the body draw close, they understand: ‘I feel the end of the body draw close.’ Feeling the end of life draw close, they understand: ‘I feel the end of life draw close.’ They understand: ‘When my body breaks up and my life is over, everything that’s felt, being no longer relished, will become cool right here.’

§6Suppose an oil lamp depended on oil and a wick to burn. As the oil and the wick are used up, it would be extinguished due to not being fed. In the same way, feeling the end of the body draw close, they understand: ‘I feel the end of the body draw close.’ Feeling the end of life draw close, they understand: ‘I feel the end of life draw close.’ They understand: ‘When my body breaks up and my life is over, everything that’s felt, being no longer relished, will become cool right here.’”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What do Assaji's carers ask the Buddha to do?
Correct: A. A request, not a summons, which the Buddha consents to and fulfills in person.
Question 2 of 10
What does the Buddha tell Assaji upon arriving?
Correct: A. A small, direct gesture of care at the start of the visit.
Question 3 of 10
What two things does the Buddha ask about separately?
Correct: A. A careful diagnostic separation between physical suffering and moral self-blame.
Question 4 of 10
What is the actual source of Assaji's remorse, once clarified?
Correct: A. Not about dying, but about no longer being able to attain the immersion he once could.
Question 5 of 10
How does the Buddha respond to this specific distress?
Correct: A. Implicitly identifying this equation, not illness itself, as the true source of suffering.
Question 6 of 10
What practical instruction does the teaching give for facing feeling directly?
Correct: A. A practice immediately applicable to someone facing serious illness or death.
Question 7 of 10
What image closes the discourse?
Correct: A. One of the collection's gentlest images for what happens when body and life end.
Question 8 of 10
What does the discourse claim happens to what is felt, once relishing ends?
Correct: A. A quiet, unforced image of cessation, matching the lamp simile's gentleness.
Question 9 of 10
How many aggregates does the discourse's teaching apply to?
Correct: A. The standard teaching runs through all five before the discourse's more specific instruction on feeling.
Question 10 of 10
Where is this discourse set?
Correct: A. A specific, named location distinct from the vagga's other settings.
Answered 0 of 10 · Correct 0