Theragatha · 10.5

Kappa

Kappa — The Book of the Tens · Chapter One · Poem 5 of 7

Setting
No narrative setting; a sustained meditation on the body
Speaker
Kappa, describing the body without any personal episode attached
Form
Ten four-line verses, entirely on one subject
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★☆☆☆ — visceral, unflinching imagery throughout

Why this text

‘Filled with different kinds of dirt, a great producer of dung, like a stagnant cesspool, a huge boil, a bad wound’ — Kappa's poem opens on the body's impurity and never leaves it, ten verses without a single narrative beat, making this collection's most sustained treatment of asubha (foulness) meditation on one subject alone.

Reading guide

No episode, no crisis, no breakthrough narrated

Unlike Thag 6.4 (Kulla), which frames body contemplation within a charnel-ground scene and a dialogue, Kappa's poem contains no narrative frame whatsoever. Every single verse, start to finish, describes the body directly, without any surrounding story to situate the reflection.

An escalating catalogue of specific images

The first four verses build a sequence of concrete images: a cesspool, a boil, a wound, full of pus and blood, sunk in a toilet-pit, bound by sixty tendons, coated with flesh, clothed in a jacket of skin, held together by a skeleton of bones. Few poems anywhere in this collection sustain such unflinching physical description across so many consecutive lines.

From physical description to psychological binding

The poem's middle turns from the body's physical composition to what binds a person to it: ‘shrouded by ignorance, tied by the four ties... sinking in the flood, caught in the net of the underlying tendencies’, ‘yoked to the five hindrances’. The catalogue of physical impurity gives way to a catalogue of the mental factors that keep one attached to it.

A closing simile of clean deliberate avoidance

The final verse's image — ‘the undefiled who shun this body like an adder smeared with dung’ — closes the poem's sustained catalogue on a note of active avoidance rather than passive endurance, ‘having expelled the root of rebirth, will be fully quenched’.

A poem that could stand as pure doctrine, unattached to any elder

With no biographical detail, no named events, and no self-reference beyond the implied speaker, this poem reads less as an individual's testimony than as a piece of formal teaching that happens to be preserved under Kappa's name — a reminder that not every verse in this collection functions as autobiography, even where it's attributed to a specific elder.

Key terms

nānākulamalasampuṇṇo — “filled with different kinds of dirt” — the poem's opening description of the body.
catuganthena ganthito — “tied by the four ties” — naming the psychological bonds that attach a person to the body.
pañcanīvaraṇe yutto — “yoked to the five hindrances” — the obstacles named in the seventh verse.
kammayantena yantito — “propelled by the mechanism of deeds” — how the body is described as continuing to operate.
gūthalittaṅva pannagaṅ — “like an adder smeared with dung” — the closing verse's simile for how the undefiled avoid the body.

The text

The text in full: ten verses, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Filled with different kinds of dirt, a great producer of dung, like a stagnant cesspool, a huge boil, a bad wound,

§2full of pus and blood, sunk in a toilet-pit, trickling with fluids, this rotting body always oozes.

§3Bound by sixty tendons, coated with a fleshy coating, clothed in a jacket of skin, this rotting body is worthless.

§4Held together by a skeleton of bones, and bound by sinews; it assumes postures due to a complex of many things.

§5We set out in the certainty of death, in the presence of the King of Death; and having discarded the body right here, a person goes where he likes.

§6Shrouded by ignorance, tied by the four ties, this body is sinking in the flood, caught in the net of the underlying tendencies.

§7Yoked to the five hindrances, afflicted by thought, stuck to the root of craving, hidden by delusion:

§8that is how the body goes on, propelled by the mechanism of deeds. But existence ends in perishing; separated, the body perishes.

§9Those blind, ordinary people who think of this body as theirs, swell the horrors of the charnel ground, taking hold of future lives.

§10The undefiled who shun this body like an adder smeared with dung, having expelled the root of rebirth, will be fully quenched.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What is unusual about this poem's structure, compared to Thag 6.4 (Kulla)?
Correct: A. Kulla's poem frames body contemplation within a charnel-ground scene; this poem has no such frame.
Question 2 of 10
What images does the opening verse use for the body?
Correct: B. Unflinching physical description opening the poem's sustained catalogue.
Question 3 of 10
How does the poem's focus shift in its middle verses?
Correct: C. A catalogue of physical impurity giving way to a catalogue of psychological attachment.
Question 4 of 10
What image closes the poem?
Correct: D. Closing on active avoidance rather than passive endurance.
Question 5 of 10
How does this reading guide characterize the poem's overall nature?
Correct: A. A reminder that not every verse in this collection functions as autobiography.
Question 6 of 10
What does the sixth verse say shrouds the body?
Correct: B. 'Avijjāya nivuto kāyo, catuganthena ganthito.'
Question 7 of 10
What does the eighth verse say ultimately happens to existence?
Correct: C. 'Sampatti ca vipatyantā, nānābhāvo vipajjati.'
Question 8 of 10
What does the ninth verse say those who think of the body as 'theirs' do?
Correct: D. A warning against identifying with the body as one's own possession.
Question 9 of 10
What binds the body according to the fourth verse?
Correct: A. 'Aṭṭhisaṅghātaghaṭito, nhārusuttanibandhano.'
Question 10 of 10
What certainty does the fifth verse state directly?
Correct: B. 'Dhuvappayāto maraṇāya, maccurājassa santike.'
Answered 0 of 10 · Correct 0