Theragatha · 16.3

Telakāni

Telakāni — The Book of the Twenties · Chapter One · Poem 3 of 10

Setting
Long, unresolved searching, opening on a confession of failure
Speaker
Telakāni, narrating his own crisis at length, with one interjected line from another voice
Form
Twenty-two verses, overwhelmingly one voice, briefly interrupted
Length
1–2 minutes to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★★★☆ — dense, cascading metaphor, an unusually anguished register

Why this text

‘For a long time, sadly, though I keenly contemplated the teaching, I gained no peace of mind,’ Telakāni confesses — opening one of this collection's most sustained accounts of spiritual crisis: hooked like a fish, a dart lodged in his ribcage, plunged into a lake of mud he cannot wash off, before a single line of outside counsel and a resolution built from a ladder, a tower, and a ship.

Reading guide

A confession of failure, not a testimony of success

Where most poems in this collection open on either crisis-resolved or teaching-already-mastered, Telakāni's opens on unresolved failure: years of contemplating the teaching, ‘keenly’, with nothing to show for it. The poem spends its first fifteen verses inside this unresolved state before any turn toward relief begins.

Bound like a defeated titan in Indra's own trap

The third verse reaches for specific myth rather than generic simile: ‘bound like the titan Vepacitti in Mahinda's trap’. Sujato's comment identifies ‘Mahinda’, ‘Great Indra’, as Sakka, and Vepacitti as his defeated asura rival — a specific, learned allusion rather than an everyday image, expecting real familiarity with this figure's story.

A dart counted against the ribs, and a translator's disagreement with tradition

The seventh verse locates the arrow of craving precisely: stuck in ‘my twice-fifteen ribcage’. Sujato's comment states plainly that the traditional commentary's reading — twenty kinds of substantialist view plus ten kinds of wrong view — is ‘implausible’, offering instead his own anatomical count: twenty-four ribs plus six further bones (collarbones, shoulder-blades, and a divided sternum), reaching thirty. This reading guide notes the translator's explicit departure from commentary without adjudicating which count is correct.

Drowning in mud that won't wash off

Verses twelve through fifteen build a sustained water metaphor distinct from this collection's more common flood imagery: plunged into a lake, unable to wash off the clinging mud, ‘full of deceit, jealousy, aggression, dullness’, with streams flowing everywhere and a weed that keeps springing back up. The crisis is not sudden danger but a slow, sticky inability to get clean.

One line of counsel, quoted rather than paraphrased

The sixteenth verse breaks the poem's single-voice structure with a brief, direct quotation: ‘build a dam, block the streams. Don't let your mind-made streams cut you down suddenly like a tree.’ Unlike Thag 16.1's extended back-and-forth dialogue, this poem gives the outside voice only this one interjected line before returning fully to Telakāni's own account of what followed.

Resolution built from a ladder, a tower, and a landing-place

The closing verses assemble a sequence of constructed images rather than a single culminating one: a ‘ladder made of the heartwood of Dhamma’ handed to him mid-current, a ‘tower of mindfulness meditation’ climbed for perspective, and finally ‘the supreme landing-place’ sighted while boarding a ship. The poem closes on the same cure/poison image that opened its turn toward hope in verse twelve, ‘the Buddha cast aside the knot, curing the damage of poison’, framing the whole resolution.

Key terms

Vepacityasuro — “the titan Vepacitti” — Sakka's defeated asura rival, named directly in the third verse's simile.
dve ca pannarasāyutaṁ — “my twice-fifteen ribcage” — the location of the dart of craving, counted by Sujato as thirty bones against the traditional commentary's different reading.
rahadehamasmi ogāḷho — “I've plunged into a lake” — the opening image of the poem's sustained drowning-in-mud metaphor.
velaṁ karotha — “build a dam” — the single interjected line of outside counsel, quoted directly in the sixteenth verse.
dhammasāramayaṁ — “made of the heartwood of Dhamma” — the ladder handed to Telakāni as he was being swept away.

The text

The text in full: twenty-two verses, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1For a long time, sadly, though I keenly contemplated the teaching, I gained no peace of mind. So I asked this of ascetics and brahmins:

§2“Who in the world have crossed over? Whose attainment has freedom from death as its objective? Whose teaching do I accept to understand the ultimate goal?

§3I was hooked inside, like a fish gulping bait; bound like the titan Vepaciti in Mahinda’s trap.

§4Dragging it along, I’m not free from grief and lamentation. Who will free me from bonds in the world, so that I may know awakening?

§5What ascetic or brahmin points out what is frail? Whose teaching do I accept to rinse off old age and death?

§6Tied up with uncertainty and doubt, secured by the power of aggression, stiff as a mind beset by anger; the arrow of covetousness,

§7propelled by the bow of craving, is stuck in my twice-fifteen ribcage—see how it stands in my breast, breaking my strong heart.

§8Theories are not abandoned, they are sharpened by memories and intentions; and pierced by this I tremble, like a leaf blowing in the gale.

§9Having arisen within, what belongs to me burns quickly, in that place where the body always heads with its six sense-fields of contact.

§10I don’t see a healer who can pull out my dart of doubt without a lance or some other blade.

§11Without knife or wound, who will pull out this dart that’s stuck inside me, without harming any part of my body?

§12He really would be the Lord of the Dhamma, the best one to cure the damage of poison; when I have fallen into deep waters, he would show me his hand and the shore.

§13I’ve plunged into a lake, and I can’t wash off the mud and dirt. It’s full of deceit, jealousy, aggression, and dullness and drowsiness.

§14Like a thundering cloud of restlessness, like a stormcloud of fetters; lustful thoughts are winds that sweep off a person with bad views.

§15The streams flow everywhere; a weed springs up and remains. Who will block the streams? Who will cut the weed?”

§16“Venerable sir, build a dam to block the streams. Don’t let your mind-made streams cut you down suddenly like a tree.”

§17That is how, when I was full of fear, seeking the far shore from the near, my shelter was the teacher whose weapon is wisdom, frequented by the Saṅgha of seers.

§18As I was being swept away, he gave me a strong, simple ladder, made of the heartwood of Dhamma, and he said to me: “Do not fear.”

§19I climbed the tower of mindfulness meditation, and checked back down at people delighting in substantial reality, as I had obsessed over in the past.

§20When I saw the path, as I was embarking on the ship, without fixating on the self, I saw the supreme landing-place.

§21The dart that arises in oneself, and that which stems from the leash to existence: he taught the supreme path for the canceling of these.

§22For a long time it had lain within me; for a long time it was fixed in me: the Buddha cast aside the knot, curing the damage of poison.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does the opening verse confess?
Correct: C. The poem spends its first fifteen verses inside this unresolved state before any turn toward relief.
Question 2 of 10
What mythological figure does the third verse's simile invoke?
Correct: D. A specific, learned allusion rather than an everyday image.
Question 3 of 10
What does Sujato's comment say about the traditional commentary's reading of the seventh verse's 'twice-fifteen'?
Correct: A. A translator explicitly departing from traditional commentary with his own reasoning.
Question 4 of 10
What sustained metaphor do verses twelve through fifteen build?
Correct: B. A slow, sticky inability to get clean, distinct from this collection's more common flood imagery.
Question 5 of 10
What breaks the poem's otherwise single-voice structure, in the sixteenth verse?
Correct: C. Only this one interjected line, unlike Thag 16.1's extended back-and-forth.
Question 6 of 10
What is Telakāni given, mid-current, in the eighteenth verse?
Correct: D. 'Pādāsi vuyhamānassa, 'mā bhāyī'ti ca mabravi.'
Question 7 of 10
What does Telakāni climb in the nineteenth verse?
Correct: A. 'Satipaṭṭhānapāsādaṁ, āruyha paccavekkhisaṁ.'
Question 8 of 10
What image closes the poem, echoing the cure/poison language from earlier in the poem?
Correct: B. Framing the whole resolution by returning to the same image that opened the turn toward hope.
Question 9 of 10
What does the twelfth verse say the 'Lord of the Dhamma' would show, if found?
Correct: C. 'Gambhīre patitassa me, thalaṁ pāṇiñca dassaye.'
Question 10 of 10
What does the twentieth verse say Telakāni saw when embarking on the ship, without fixating on the self?
Correct: D. 'Anadhiṭṭhāya attānaṁ, titthamaddakkhimuttamaṁ.'
Answered 0 of 10 · Correct 0