Theragatha · 16.4

Raṭṭhapāla

Raṭṭhapāla — The Book of the Twenties · Chapter One · Poem 4 of 10

Setting
A direct rebuff of temptation, moving into extended teaching addressed to a king
Speaker
Raṭṭhapāla, addressing an unnamed audience, then a king directly
Form
Twenty-five verses, moving from rebuke through doctrine to personal testimony
Length
1–2 minutes to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★★☆☆ — sustained doctrinal argument, vivid imagery throughout

Why this text

‘See this fancy puppet, a body built of sores... may be enough to beguile a fool, but not a seeker of the far shore’ — Raṭṭhapāla opens with a direct rebuff, before comparing himself to a deer that ate the bait but evaded the trap, ‘leaving the trapper to lament’. This is the same elder whose renunciation against his parents' desperate opposition, and his father's later attempt to win him back with his own former wives dressed to seduce him, is already told in full on this site's own MN 82.

Reading guide

A rebuff addressed to a specific, if unnamed, temptation

The opening three verses' catalogue of adornment — rouged feet, powdered face, eyeshadow, hair in eight braids — reads less like this collection's more general body-contemplation poems (Thag 6.4, Thag 10.5, Thag 16.2) and more like a direct response to a specific attempt at seduction, each verse closing on the identical refrain: ‘enough to beguile a fool, but not a seeker of the far shore’.

A deer that ate the bait but evaded the trap

Verses six and seven turn to a hunting simile with an unmistakably self-referential edge: ‘the hunter laid his snare, but the deer didn't spring the trap. I've eaten the bait and now I go, leaving the trapper to lament’. This site's own MN 82, With Raṭṭhapāla, already tells the episode this simile appears to recall directly: his father's attempt to win him back to lay life by dressing his former wives to seduce him, an attempt Raṭṭhapāla saw through entirely.

An extended teaching, addressed directly to a king

From the eighth verse onward, the poem shifts audience: ‘I see rich people in the world who, because of delusion, give not the money they've earned’, building through a king who ‘conquered the earth by force’ yet still yearns for more, to the universal fact that wealth cannot buy longevity, ward off old age, or follow anyone past death. Twice the poem addresses ‘rāja’, ‘O King’, directly — this same royal audience is already documented in MN 82, where Raṭṭhapāla's teaching to King Koravya is narrated at length in prose.

A funeral scene narrated in unflinching physical detail

Verses eleven and twelve don't merely mention death; they stage it: relatives with disheveled hair lamenting, the body wrapped in a shroud, placed on a pyre, ‘poked with stakes while being burnt, in just a single cloth, all wealth gone’. Few passages anywhere in this collection narrate a cremation this specifically.

A bandit caught and punished: karma as inevitable consequence

The eighteenth verse's simile is procedural rather than visceral: ‘as a bandit caught in a window is punished for his own bad deeds, so after departing, in the world beyond, people are punished for their own bad deeds’ — karma described not as cosmic justice from outside but as the same ordinary consequence that follows any caught wrongdoer.

A closing that names the king explicitly, twice

Unlike most poems in this collection, whose closing testimony addresses no one in particular, verses nineteen and twenty explicitly name ‘rāja’ as the poem's addressee at the exact hinge point where Raṭṭhapāla turns from general teaching to his own personal reason for going forth: ‘seeing danger in sensual stimulations, I went forth, O King.’

Key terms

alaṁ bālassa mohāya, no ca pāragavesino — “enough to beguile a fool, but not a seeker of the far shore” — the refrain closing each of the opening body-adornment verses.
bhutvā nivāpaṁ gacchāma — “I've eaten the bait and now I go” — the self-referential deer simile recalling the episode told in full on this site's MN 82.
kāme ādittato disvā — “I saw sensual pleasures as burning” — part of the specific catalogue of dangers Raṭṭhapāla names for his own going forth.
coro yathā sandhimukhe gahīto — “as a bandit caught in a window” — the simile for karma as ordinary, inevitable consequence.
apaṇṇakaṁ sāmaññameva seyyo — “it's a sure bet that the ascetic life is better” — the conclusion closing the king-directed teaching, immediately before Raṭṭhapāla's own personal testimony begins.

The text

The text in full: twenty-five verses, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1“See this fancy puppet, a body built of sores, diseased, obsessed over, in which nothing lasts at all.

§2See this fancy figure, with its gems and earrings; it is bones encased in skin, made pretty by its clothes.

§3Rouged feet and powdered face may be enough to beguile a fool, but not a seeker of the far shore.

§4Hair in eight braids and eyeshadow may be enough to beguile a fool, but not a seeker of the far shore.

§5A rotting body all adorned like a freshly painted makeup box may be enough to beguile a fool, but not a seeker of the far shore.

§6The hunter laid his snare, but the deer didn’t spring the trap. I’ve eaten the bait and now I go, leaving the trapper to lament.

§7The hunter’s snare is broken, but the deer didn’t spring the trap. I’ve eaten the bait and now I go, leaving the deer-hunter to grieve.”

§8“I see rich people in the world who, because of delusion, give not the money they’ve earned. Greedily, they hoard their riches, yearning for ever more sensual pleasures.

§9A king who conquered the earth by force, ruling the land from sea to sea, unsatisfied with the near shore of the ocean, would still yearn for the further shore.

§10Not just the king, but others too, reach death not rid of craving. They leave the body still wanting, for in this world sensual pleasures never satisfy.

§11Relatives lament, their hair disheveled, saying ‘Ah! Alas! They’re not immortal!’ They take out the body wrapped in a shroud, heap up a pyre, and burn it there.

§12It’s poked with stakes while being burnt, in just a single cloth, all wealth gone. Relatives, friends, and companions can’t help you when you’re dying.

§13Heirs take your riches, while beings fare on according to their deeds. Riches don’t follow you when you die; nor do children, wife, wealth, nor kingdom.

§14Longevity isn’t gained by riches, nor does wealth banish old age; for the attentive say this life is short, it’s perishable and not eternal.

§15The rich and the poor feel its touch; the fool and the attentive one feel it too. But the fool lies stricken by their own folly, while the attentive don’t tremble at the touch.

§16Therefore wisdom’s much better than wealth, since by wisdom you reach consummation in this life. But if because of delusion you don’t reach consummation, you’ll do evil deeds in life after life.

§17One who enters a womb and the world beyond, will transmigrate from one life to the next. While someone of little wisdom, placing faith in them, also enters a womb and the world beyond.

§18As a bandit caught in a window is punished for his own bad deeds; so after departing, in the world beyond, people are punished for their own bad deeds.

§19Sensual pleasures are diverse, sweet, delightful, appearing in disguise they disturb the mind. Seeing danger in sensual stimulations, I went forth, O King.

§20As fruit falls from a tree, so the sons of Manu fall, young and old, when the body breaks up. Seeing this, too, I went forth, O King; it’s a sure bet that the ascetic life is better.”

§21“I went forth out of faith joining the victor’s dispensation. My going forth wasn’t wasted; I enjoy my food free of debt.

§22I saw sensual pleasures as burning, gold as a cutting blade, conception in a womb as suffering, and the hells as very fearful.

§23Knowing this danger, I was struck with a sense of urgency. I was stabbed, but then I found peace, attaining the end of defilements.

§24I’ve served the teacher and fulfilled the Buddha’s instructions. The heavy burden is laid down, the leash to existence is eradicated.

§25I’ve reached the goal for the sake of which I went forth from the lay life to homelessness—the ending of all fetters.”

· · ·

Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What refrain closes each of the opening three verses' catalogue of adornment?
Correct: D. Reading less like general body-contemplation and more like a direct response to a specific temptation.
Question 2 of 10
What does the deer-and-hunter simile in verses six and seven recall?
Correct: A. 'I've eaten the bait and now I go, leaving the trapper to lament.'
Question 3 of 10
From the eighth verse onward, who does the poem address?
Correct: B. The poem twice addresses 'rāja', 'O King', directly.
Question 4 of 10
How does the eleventh and twelfth verse present death?
Correct: C. Few passages anywhere in this collection narrate a cremation this specifically.
Question 5 of 10
What does the eighteenth verse's bandit simile describe?
Correct: D. Karma described as the same ordinary consequence that follows any caught wrongdoer, not cosmic justice from outside.
Question 6 of 10
What does the sixteenth verse claim is better than wealth?
Correct: A. 'Tasmā hi paññāva dhanena seyyā.'
Question 7 of 10
What does the poem say wealth cannot do, in the fourteenth verse?
Correct: B. 'Na dīghamāyuṁ labhate dhanena, na cāpi vittena jaraṁ vihanti.'
Question 8 of 10
What personal reason does Raṭṭhapāla give for going forth, addressing the king directly?
Correct: C. 'Ādīnavaṁ kāmaguṇesu disvā, tasmā ahaṁ pabbajitomhi rāja.'
Question 9 of 10
What does the twentieth verse compare the fall of young and old, at death, to?
Correct: D. 'Dumapphalānīva patanti māṇavā, daharā ca vuḍḍhā ca sarīrabhedā.'
Question 10 of 10
Where is Raṭṭhapāla's renunciation against his parents' opposition, and his father's later temptation attempt, already told in full?
Correct: A. Already narrated at length in prose, including the teaching to King Koravya.
Answered 0 of 10 · Correct 0