Theragatha · 7.4

Sopāka (2nd)

Sopāka (2nd) — The Book of the Sevens · Chapter One · Poem 4 of 5

Setting
The shade of a terrace, where the Buddha was walking
Speaker
Sopāka (2nd), recounting a direct exchange with the Buddha
Form
Seven verses, the fifth extended to six lines rather than four
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★☆☆☆☆ — plain narrative vocabulary, one extended verse of public praise

Why this text

Sopāka approaches the Buddha walking in the shade of a terrace, is questioned and answers without fear, and is then praised publicly before the whole mendicant Saṅgha — ‘it is a blessing for the people of Aṅga and Magadha that this person enjoys their robe and almsfood’ — before receiving an ordination as informal as it is direct: ‘Sopāka, let this be your ordination.’

Reading guide

A young monk who approaches, rather than is brought

Unlike Thag 7.3 (Bhadda), whose parents initiate the meeting, this poem's opening two verses show Sopāka approaching the Buddha himself — seeing him walking, arranging his robe, and bowing unprompted. The initiative in this poem's opening scene belongs to Sopāka, not to any adult acting on his behalf.

Praise naming an entire region, not just an individual

The fifth verse, extended to six lines, records the Buddha's declaration in unusually expansive terms: not simply praise for Sopāka, but ‘it is a blessing for the people of Aṅga and Magadha’ that he receives their robe, almsfood, and lodging. The scale of this praise — extending outward from one child to two entire regions — is unusual within this collection's more typically personal register.

An ordination formula as informal as a greeting

‘Sopāka, from this day on you are invited to come and see me... and Sopāka, let this be your ordination’ replaces any procedural language with direct, personal address — the same pattern of intimate, spoken ordination already seen in Thag 7.3's ‘Come Bhadda!’, appearing for a second time in two consecutive poems.

Two Sopākas, sharing only a name

This site's Thag 1.33 belongs to a different elder also named Sopāka, distinguished here only by the ordinal ‘(2nd)’, following this collection's established convention. Thag 1.33 is a single-verse teaching extending a mother's love for her only child to all beings, with no narrative content; this poem is an extended personal account with no connection to that verse beyond the shared name.

A closing formula shared with the poem before it

This poem closes, like Thag 7.3, not with this collection's standard ‘tisso vijjā’ formula but with ‘aho dhammasudhammatā’, ‘oh, the clear rightness of the teaching’ — though this poem adds its own distinct final image first: ‘I bear my final body (dhāremi antimaṁ dehaṁ)’, naming the state of an arahant with no further rebirth to come.

Key terms

purisuttamaṅ — “supreme among men” — Sopāka's epithet for the Buddha, approached and bowed to unprompted.
lābhā aṅgānaṅ magadhānaṅ — “it is a blessing for the people of Aṅga and Magadha” — the Buddha's public praise, extending outward from Sopāka to two entire regions.
‘esā ceva te sopāka, bhavatu upasampadā’ — “Sopāka, let this be your ordination” — the poem's entire ordination formula, spoken directly.
dhāremi antimaṅ dehaṅ — “I bear my final body” — this poem's own closing image, naming the state of an arahant.
aho dhammasudhammatā — “oh, the clear rightness of the teaching” — the closing formula shared with Thag 7.3.

The text

The text in full: seven verses, the fifth extended to six lines, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1I saw the supreme man walking mindfully in the shade of the terrace, so I approached, and bowed to the supreme among men.

§2Arranging my robe over one shoulder and clasping my hands together, I walked alongside that stainless one, supreme among all beings.

§3The wise one, expert in questions, questioned me. Brave and fearless, I answered the teacher.

§4When all his questions were answered, the Realized One congratulated me. Looking around the mendicant Saṅgha, he said the following:

§5“It is a blessing for the people of Aṅga and Magadha that this person enjoys their robe and almsfood, requisites and lodgings, their respect and service—it’s a blessing for them,” he declared.

§6“Sopāka, from this day on you are invited to come and see me. And Sopāka, let this be your ordination.”

§7At seven years old I received ordination. I bear my final body—oh, the clear rightness of the teaching!

· · ·

Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
How does Sopāka's meeting with the Buddha begin, unlike Thag 7.3's Bhadda?
Correct: D. The initiative in this poem's opening scene belongs to Sopāka himself.
Question 2 of 10
What does the Buddha do after Sopāka answers his questions?
Correct: A. Naming an entire region blessed by his presence, unusually expansive praise.
Question 3 of 10
What does the Buddha's praise extend to, beyond Sopāka himself?
Correct: B. An unusual scale of praise within this collection's typically personal register.
Question 4 of 10
What formula does the Buddha use to ordain Sopāka?
Correct: C. Echoing the same informal, intimate pattern seen in Thag 7.3's 'Come Bhadda!'
Question 5 of 10
How does this poem's Sopāka relate to Thag 1.33's Sopāka (1st)?
Correct: D. Thag 1.33 is a single-verse teaching with no narrative content, unrelated beyond the shared name.
Question 6 of 10
What closing formula does this poem share with Thag 7.3?
Correct: A. Though this poem adds its own distinct image first: 'I bear my final body.'
Question 7 of 10
What image does this poem add before its shared closing formula?
Correct: B. Naming the state of an arahant with no further rebirth to come.
Question 8 of 10
How old was Sopāka at ordination, according to the closing verse?
Correct: C. Joining Thag 6.10 and Thag 7.3 in this small cluster of child-ordination narratives.
Question 9 of 10
What did Sopāka do with his robe before approaching the Buddha, in the second verse?
Correct: D. A gesture of respect before approaching the teacher.
Question 10 of 10
What quality does the third verse attribute to Sopāka when the Buddha questions him?
Correct: A. 'Acchambhī ca abhīto ca, byākāsiṁ satthuno ahaṁ.'
Answered 0 of 10 · Correct 0