Therigatha · 5.3

Sīhā

Sīhā — The Book of the Fives · Poem 3 of 12

Setting
Seven years of struggle, then a forest, at a moment of extremity
Speaker
The nun Sīhā, recounting seven years of failed effort and a sudden turn
Form
Five four-line verses
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★★★☆ — one of this collection's starkest accounts of prolonged suffering

Why this text

This poem recounts seven years of suffering under the grip of desire — described in stark physical terms, ‘thin, pale, and wan’ — before Sīhā, at what the verses present as a point of complete exhaustion, resolves to end her life in the forest rather than continue as she had been. The poem's turn comes at the precise moment that resolve is carried out: her mind, the verses say, was freed.

Reading guide

Seven years, told in the body's own terms

‘Thin, pale, and wan’ describes seven years of wandering under ‘irrational application of mind’ and desire's grip — the toll measured physically, not only as an inner report of unhappiness.

A resolve reached only after prolonged failure

Sīhā's decision to end her life in the forest is not impulsive within the poem's own account: it follows seven full years of ‘finding no happiness by day or night’, presented as the exhausted end of sustained, failed effort rather than a sudden reaction.

A noose, echoing the poem just before it

‘Pāsa’, the noose Sīhā ties, is the same word Vimalā used one poem earlier as a metaphor for her former predatory conduct — here made literal, a striking echo across two consecutive poems in this book.

The turn, at the exact moment of extremity

‘Casting it round my neck, my mind was freed’ places the poem's entire resolution at the single instant of complete confrontation with death — the verses offer no account of what shifted, only that it did, exactly there.

Key terms

Sīhā — this poem's speaker, whose account of seven years' struggle closes on a single, unexplained turn.
ayoniso manasikāra — “irrational application of mind” — named in this poem's opening line as the root of her seven years of suffering.
kāmarāga — desire for sensual pleasures, named twice in this poem as what afflicted her.
pāsa — “noose” or “snare” — the same word Vimalā used metaphorically in Thig 5.2, here the literal object Sīhā ties.
cittaṁ vimucci — “my mind was freed” — this poem's closing line, and its entire account of resolution.

The text

The text in full: five verses. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Due to irrational application of mind, I was racked by desire for pleasures of the senses. I was restless in the past, lacking control over my mind.

§2Overcome by corruptions, pursuing perceptions of the beautiful, I gained no peace of mind. Under the sway of lustful thoughts,

§3thin, pale, and wan, for seven years I wandered, full of pain, finding no happiness by day or night.

§4Taking a rope I entered deep into the forest, thinking: “It’s better that I hang myself than I return to a lesser life.”

§5I made a strong noose and tied it to the branch of a tree. Casting it round my neck, my mind was freed.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does this poem name as the root of Sīhā's seven years of suffering?
Correct: B. Named directly in the poem's opening lines.
Question 2 of 10
How does the poem describe the physical toll of these seven years?
Correct: D. A stark, physical description of prolonged suffering.
Question 3 of 10
How does the poem present Sīhā's resolve to end her life?
Correct: A. Presented as the culmination of prolonged, sustained struggle.
Question 4 of 10
What word does this poem use for the noose, shared with a metaphor in the poem just before it?
Correct: B. A striking echo: metaphorical in Thig 5.2, literal here.
Question 5 of 10
At what precise moment does the poem locate Sīhā's turn toward freedom?
Correct: D. 'Casting it round my neck, my mind was freed' — the resolution and the moment are identical.
Question 6 of 10
Does the poem explain what caused her mind to be freed at that moment?
Correct: B. The poem offers the fact of the turn without an explanation for it.
Question 7 of 10
What does 'ayoniso manasikāra' mean?
Correct: C. Named in this poem's very first line.
Question 8 of 10
How long does the poem say Sīhā wandered in this state of suffering?
Correct: C. 'For seven years I wandered... finding no happiness by day or night.'
Question 9 of 10
What position does this poem hold in the Book of the Fives?
Correct: D. Following Thig 5.2, continuing the Book of the Fives.
Question 10 of 10
What does 'kāmarāga' mean?
Correct: A. Named directly in this poem's opening verses as the source of her struggle.
Answered 0 of 10 · Correct 0