Therigatha · 5.2

Vimalā, the Former Courtesan

Vimalā — The Book of the Fives · Poem 2 of 12

Setting
No narrative setting beyond what the verses state; no closing attribution
Speaker
The nun Vimalā, speaking in the first person about her former livelihood and her present practice
Form
Five four-line verses
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★★☆☆ — the collection's most vivid account from a former courtesan

Why this text

This poem's title states its subject directly: ‘Vimalā, the Former Courtesan’. Where Thig 2.4's Aḍḍhakāsi named her former price and moved quickly past it, Vimalā's own account lingers longer on the specifics of her old trade — vanity, seduction, a self-description as a hunter setting a snare — before turning, in the space of a single verse, to alms-round, a shaved head, and a mind free of thought.

Reading guide

A second former courtesan, described more fully

Thig 2.4's Aḍḍhakāsi named her former worth and moved on quickly. Vimalā's account is longer and more specific about the trade itself — standing ‘at the brothel door’, adorning her body, and openly displaying herself to draw customers in.

A hunter's snare, applied to herself

‘I stood at the brothel door, like a hunter setting a snare’ is Vimalā's own self-description, not an outside judgment — she names her former conduct as predatory toward the men she drew in, a harsher self-assessment than most confessions in this collection.

A single verse spans the entire change

‘Today, having wandered for alms, my head shaven, wearing the outer robe’ opens the poem's fourth verse with the present tense ‘today’, setting the whole of her former trade against the whole of her new life in one compact turn.

Freedom from thought, an unusual way to name attainment

‘I've gained freedom from thought’ (avitakka) is a distinctive way to describe realization, less common in this collection than ‘peace of mind’ or ‘quenching’ — naming the cessation of discursive thought itself as what she gained, before the closing verse's more usual formula of defilements ended.

Key terms

Vimalā — this poem's speaker, whose title names her former trade directly: ‘Vimalā, the Former Courtesan’.
vesidvāra — “the brothel door” — the specific site named in this poem's second verse.
avitakka — “freedom from thought” — Vimalā's own distinctive description of what she gained, naming the cessation of discursive thought.
yoga — the “yokes” or bonds, human and heavenly, this poem describes as entirely severed in its closing verse.
āsava — “defilements” — wiped out entirely, in the poem's final line, before she describes herself as ‘cooled and quenched’.

The text

The text in full: five verses. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Intoxicated by my appearance, my figure, my beauty, my fame, and owing to my youth, I looked down on others.

§2I adorned this body all pretty, lamented by fools, and stood at the brothel door, like a hunter setting a snare.

§3I stripped for them, revealing my many hidden treasures. Creating an intricate illusion, I laughed, teasing those men.

§4Today, having wandered for alms, my head shaven, wearing the outer robe, I sat at the root of a tree to meditate; I’ve gained freedom from thought.

§5All yokes are severed, both human and heavenly. Having wiped out all defilements, I have become cooled and quenched.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does this poem's title state directly about Vimalā?
Correct: C. 'Vimalā, the Former Courtesan' — the title itself names her trade.
Question 2 of 10
How does Vimalā describe herself at the brothel door?
Correct: A. Her own self-description, naming her former conduct as predatory.
Question 3 of 10
How does this poem's account compare to Thig 2.4's Aḍḍhakāsi?
Correct: D. Aḍḍhakāsi names her price and moves on quickly; Vimalā's account is fuller.
Question 4 of 10
What word marks the turn to Vimalā's new life, in the poem's fourth verse?
Correct: B. 'Today, having wandered for alms' — the present tense frames the whole shift.
Question 5 of 10
What does Vimalā say she gained, in an unusual formulation for this collection?
Correct: B. 'Avitakka' — the cessation of discursive thought, distinct from this collection's more usual formulas.
Question 6 of 10
What does this poem's closing verse say about the 'yokes', human and heavenly?
Correct: C. A complete, unqualified claim, closing the poem.
Question 7 of 10
What does 'āsava' mean, as used in this poem's final line?
Correct: D. Named directly as ended, just before she calls herself 'cooled and quenched'.
Question 8 of 10
How does Vimalā describe her own former conduct toward the men she drew in?
Correct: B. A harsher self-assessment than most confessions in this collection.
Question 9 of 10
What position does this poem hold in the Book of the Fives?
Correct: C. Following Thig 5.1, continuing the Book of the Fives.
Question 10 of 10
What does 'vesidvāra' mean?
Correct: A. The specific site of her former trade, named directly.
Answered 0 of 10 · Correct 0