Part 5 of the collection · Fascicle 1 of 5 · 佛所行讚 T0192

Free of Desire

In the garden, the palace women throw themselves at the prince with every art of seduction they possess — and fail completely. The brahmin Udāyin, the king's chosen "good friend" to the prince, tries a subtler approach: a genuinely sophisticated argument that even the sages of old succumbed to women, that pleasure need not be sincerely felt to be properly enjoyed, and that a wise man simply goes through the motions society expects. The prince's answer is the chapter's real center — not a pious refusal but a close argument of his own, that impermanence poisons desire at its very root, so that indulging it while claiming not to be attached is no wisdom at all, only self-deception.

Translator: Ru-Yi Meditation Center Status: Part 5 of 43 complete Source: Taishō T0192, 佛所行讚 (tr. Dharmakṣema, early 5th c.)

The Women's Failed Seduction

Chinese Source

佛所行讚離欲品第四

太子入園林, 眾女來奉迎,
並生希遇想, 競媚進幽誠,
各盡伎姿態, 供侍隨所宜。

或有執手足, 或遍摩其身,
或復對言笑, 或現憂慼容,
規以悅太子, 令生愛樂心。

眾女見太子, 光顏狀天身,
不假諸飾好, 素體踰莊嚴,
一切皆瞻仰, 謂月天子來。

種種設方便, 不動菩薩心,
更互相顧視, 抱愧寂無言。

有婆羅門子, 名曰優陀夷,
謂諸婇女言: 「汝等悉端正,
聰明多技術, 色力亦不常,
兼解諸世間, 隱祕隨欲方,
容色世希有, 狀如王女形。

天見捨妃后, 神仙為之傾,
如何人王子, 不能感其情?

今此王太子, 持心雖堅固,
清淨德純備, 不勝女人力。

古昔孫陀利, 能壞大仙人,
令習於愛欲, 以足蹈其頂。

長苦行瞿曇, 亦為天后壞,
勝渠仙人子, 習欲隨㳂流。

毘尸婆梵仙, 修道十千歲,
深著於天后, 一日頓破壞。

如彼諸美女, 力勝諸梵行,
況汝等技術, 不能感王子?

當更勤方便, 勿令絕王嗣,
女人性雖賤, 尊榮隨勝天。

何不盡其術, 令彼生染心?」

爾時婇女眾, 慶聞優陀說,
增其踊悅心, 如鞭策良馬,
往到太子前, 各進種種術。

歌舞或言笑, 揚眉露白齒,
美目相眄睞, 輕衣現素身。

妖搖而徐步, 詐親漸習近,
情欲實其心, 兼奉大王旨,
慢形媟隱陋, 忘其慚愧情。

太子心堅固, 傲然不改容,
猶如大龍象, 群象眾圍遶,
不能亂其心, 處眾若閑居。

猶如天帝釋, 諸天女圍繞,
太子在園林, 圍繞亦如是。

或為整衣服, 或為洗手足,
或以香塗身, 或以華嚴飾。

或為貫瓔珞, 或有扶抱身,
或為安枕席, 或傾身密語。

或世俗調戲, 或說眾欲事,
或作諸欲形, 規以動其心。

菩薩心清淨, 堅固難可轉,
聞諸婇女說, 不憂亦不喜。

倍生厭思惟, 嘆此為奇怪,
始知諸女人, 欲心盛如是。

不知少壯色, 俄頃老死壞,
哀哉此大惑, 愚癡覆其心。

當思老病死, 晝夜勤勗勵,
鋒刃臨其頸, 如何猶嬉笑?

見他老病死, 不知自觀察,
是則泥木人, 當有何心慮?

如空野雙樹, 華葉俱茂盛,
一已被斬伐, 第二不知怖。

此等諸人輩, 無心亦如是。

Ru-Yi Translation

Buddhacarita, Chapter Four: Free of Desire

When the prince entered the garden, the women all came out to greet him; every one of them, thinking this a rare chance not to be missed, vied to press her most alluring and heartfelt charm upon him, each exhausting her whole art and bearing, attending on him however seemed most fitting.

Some took hold of his hands and feet; some stroked his whole body; some spoke to him with laughter and light words; some put on a look of tender sorrow — all of it contrived to please the prince, and stir in him a heart of longing and delight.

The women, seeing the prince's radiant face, his form like a very god's, needing no ornament at all — his plain, unadorned body already surpassing every adornment — gazed on him with one accord, saying to themselves that the moon-god's own son had come down among them.

Yet for all their manifold contrivances, the bodhisattva's heart would not be moved, and, glancing at one another, they fell silent, overcome with shame.

There was a brahmin's son named Udāyin, who said to the palace women: "Every one of you is beautiful, clever, and skilled in many arts — though beauty and vigor themselves do not last forever — and beyond this you understand the world's own hidden and secret means of stirring desire; your looks are a wonder rarely seen, fit to rival even a king's own daughter.

Even the gods, on seeing you, have forsaken their own queens, and even sages and immortals have been overturned by you — how then could a mere human prince fail to be moved by your charms?

The prince here, though he holds his heart firm and resolute, his purity and virtue whole and complete, still cannot in the end withstand the power that women hold.

In ages past, the courtesan Sundarī was able to bring down a great seer, leading him into the practice of lust until she could set her very foot upon the crown of his head.

The long-suffering ascetic Gautama, too, was undone by a heavenly queen — Viśvāmitra's own son, given over to the practice of desire, was simply swept along with the current.

The Brahmā-seer Viśvāmitra himself cultivated the way for ten thousand years, and yet, falling deeply in love with a heavenly queen, was utterly broken in the space of a single day.

If beauties such as these could overpower the holy conduct of the greatest sages, how then could your own skills possibly fail to move a mere prince?

You must apply yourselves with still greater effort and cunning, and not let the royal line be cut off — for though a woman's nature is accounted lowly, her honor and glory can rival even that of the greatest gods.

Why not exhaust every art you have, and make him give rise to a heart of true attachment?"

Hearing what Udāyin had told them, the women were filled with delight, their eagerness redoubled — like a fine horse spurred on by the whip — and they went again before the prince, each one bringing forward every art she had.

Singing and dancing, laughing and speaking, arching their brows and baring their white teeth, casting sidelong glances from beautiful eyes, letting their thin robes fall open to reveal their bare forms —

swaying seductively as they walked with slow, deliberate steps, feigning intimacy as they drew gradually closer — desire filled their hearts in earnest now, and, carrying out besides the great king's own instructions, they abandoned all restraint, indulging in shameless and hidden liberties, forgetting entirely any sense of modesty.

Yet the prince's heart remained firm and resolute, his composure never once altering — like a great dragon-elephant surrounded by a herd of common elephants, whose heart no crowd of them could ever disturb, so that even in the midst of the multitude he remained as though dwelling alone in quiet solitude.

Just as Indra, lord of the gods, is surrounded by his heavenly women, so the prince, there in the garden, found himself surrounded in exactly the same way.

Some arranged his robes; some washed his hands and feet; some anointed his body with perfume; some adorned him with garlands of flowers.

Some strung jeweled necklaces for him; some pressed close and embraced his body; some arranged his pillows and bedding; some leaned in close to whisper secretly to him.

Some teased him with worldly banter; some spoke openly of matters of desire; some took on poses of open desire themselves — all of it contrived to stir his heart.

But the bodhisattva's mind was pure, firm, and resolute, exceedingly hard to shift; hearing all that the women said to him, he felt neither distress nor delight.

Instead, a still deeper weariness and reflection rose in him, and he marveled at this as a strange and wondrous thing — only now did he come to understand just how fierce the desire that burns in women truly is.

Not knowing that youthful, vigorous beauty is destroyed in but a moment by old age and death — how pitiable, this great delusion, that ignorance should so thoroughly cloud their hearts!

One ought to keep old age, sickness, and death always in mind, striving diligently day and night — with the very blade of death already resting against one's own neck, how can anyone still laugh and play?

To see old age, sickness, and death befall others, and yet fail to examine one's own case in just the same way — this is no different from a person made of mud or wood: what capacity for thought or reflection can such a being truly have?

It is like two trees standing together in an empty wilderness, their flowers and leaves both flourishing alike — when the first is cut down, the second feels no fear at all, having no thought that its own turn might come.

These people here are, in just this same way, without any true mind at all.

Udāyin's Argument for Pleasure

Chinese Source

爾時優陀夷, 來至太子所,
見宴默禪思, 心無五欲想,
即白太子言: 「大王先見勅,
為子作良友, 今當奉誠言。

朋友有三種, 能除不饒益,
成人饒益事, 遭難不遺棄。

我既名善友, 棄捨丈夫義,
言不盡所懷, 何名為三益?

今故說真言, 以表我丹誠。

年在於盛時, 容色德充備,
不重於女人, 斯非勝人體。

正使無實心, 宜應方便納,
當生軟下心, 隨順取其意。

愛欲增憍慢, 無過於女人,
且今心雖背, 法應方便隨。

順女心為樂, 順為莊嚴具,
若人離於順, 如樹無花果。

何故應隨順? 攝受其事故,
已得難得境, 勿起輕易想。

欲為最第一, 天猶不能忘,
帝釋尚私通, 瞿曇仙人妻。

阿伽陀仙人, 長夜脩苦行,
為以求天后, 而遂願不果。

婆羅墮仙人, 及與月天子,
婆羅舍仙人, 與迦賓闍羅,
如是比眾多, 悉為女人壞,
況今自境界, 而不能娛樂?

宿世殖德本, 得此妙眾具,
世間皆樂著, 而心反不珍?」

Ru-Yi Translation

At that time Udāyin came to where the prince sat, and, finding him quietly absorbed in meditation, his heart entirely free of any thought of the five desires, said to him: "The great king charged me beforehand to be a good friend to you, his son, and so I must now offer you my sincere counsel.

Friends are of three kinds: one who removes what does not benefit us, one who accomplishes what does benefit us, and one who does not abandon us when misfortune comes.

Since I already bear the name of your good friend, it would be unworthy of a true man for me to withhold what is in my heart and not say it in full — for how else could I earn the name of that threefold benefit?

And so I will now speak the truth plainly, to show you the sincerity of my own heart.

To be in the very flower of one's youth, with beauty and virtue both at their fullest, and yet to place no value on women — this is not the mark of a truly superior man.

Even where the heart holds no genuine feeling, it is fitting to accept them by way of skillful means; one ought to give rise to a soft and yielding heart, and go along with what pleases them.

Nothing surpasses women in the power to increase both desire and pride; and so, even where the heart itself now turns away, the proper course is still to follow along by way of skillful means.

To go along with a woman's heart is itself a pleasure, and this yielding is itself a kind of adornment; a man who holds himself apart from such yielding is like a tree that bears no flower and no fruit at all.

Why should one go along with them in this way? Because it is by this that one wins them over and holds them close — having already attained a state so hard to attain, one ought not to give rise to any thought of treating it carelessly.

Desire is the very foremost of things, which even the gods themselves cannot set aside — even Śakra, lord of the gods, once carried on a secret affair with the wife of the seer Gautama.

The seer Agastya, through long nights of arduous ascetic practice, sought to win a heavenly queen for himself — though in his case, in the end, his wish did not come to pass.

The seer Bharadvāja, and the moon-god's own son; the seer Vasiṣṭha, and Kapiñjala as well — many such as these, in numbers beyond counting, have all been undone by women. How much more so, then, when the very object of your desire already lies within your own reach — why should you not simply take your pleasure in it?

Through the roots of virtue you planted in ages past, you have now obtained these many wondrous things, at which the whole world delights and to which it clings — why then does your own heart, instead, refuse to prize them?"

The Prince's Answer

Chinese Source

爾時王太子, 聞友優陀夷,
甜辭利口辯, 善說世間相。

答言優陀夷: 「感汝誠心說,
我今當語汝, 且復留心聽。

不薄妙境界, 亦知世人樂,
但見無常相, 故生患累心。

若此法常存, 無老病死苦,
我亦應受樂, 終無厭離心。

若令諸女色, 至竟無衰變,
愛欲雖為過, 猶可留人情。

人有老病死, 彼應自不樂,
何況於他人, 而生染著心?

非常五欲境, 自身俱亦然,
而生愛樂心, 此則同禽獸。

汝所引諸仙, 習著五欲者,
彼即可厭患, 習欲故磨滅。

又稱彼勝士, 樂著五欲境,
亦復同磨滅, 當知彼非勝。

若言假方便, 隨順習近者,
習則真染著, 何名為方便?

虛誑偽隨順, 是事我不為,
真實隨順者, 是則為非法。

此心難裁抑, 隨事即生著,
著則不見過, 如何方便隨?

處順而心乖, 此理我不見。

如是老病死, 大苦之積聚,
令我墜其中, 此非知識說。

嗚呼優陀夷, 真為大肝膽。

生老病死患, 此苦甚可畏,
眼見悉朽壞, 而猶樂追逐。

今我至儜劣, 其心亦狹小,
思惟老病死, 卒至不預期。

晝夜忘睡眠, 何由習五欲?

老病死熾然, 決定至無疑,
猶不知憂慼, 真為木石心。」

太子為優陀, 種種巧方便,
說欲為深患, 不覺至日暮。

時諸婇女眾, 伎樂莊嚴具,
一切悉無用, 慚愧還入城。

太子見園林, 莊嚴悉休廢,
伎女盡還歸, 其處盡虛寂,
倍增非常想, 俛仰還本宮。

父王聞太子, 心絕於五欲,
極生大憂苦, 如利刺貫心。

即召諸群臣, 問欲設何方?

咸言非五欲, 所能留其心。

Ru-Yi Translation

The prince, hearing his friend Udāyin's sweet words and sharp, eloquent reasoning, so skilled in describing the ways of the world,

answered him: "Udāyin, I am moved by the sincerity of what you say, and so I will now speak to you in turn — I ask only that you listen closely.

It is not that I make light of these fine surroundings, nor that I fail to know the pleasures other people take in them; it is only that, seeing the mark of impermanence in them, I give rise instead to a heart troubled by their affliction.

If these things remained forever as they are, free of the suffering of old age, sickness, and death, I too would rightly take my pleasure in them, and never once give rise to a heart of weariness or renunciation.

If the beauty of women could remain, in the end, entirely free of decay and change, then even though attachment and desire would still be a fault, one might still find something there worth holding on to.

But since every person is subject to old age, sickness, and death, one ought rightly to take no pleasure even in one's own such state — how much less, then, should one give rise to a heart of attachment toward another?

To give rise to a heart of love and delight toward the impermanent realm of the five desires, and toward one's own body as well, which is exactly the same — this is no different from the beasts.

As for the sages you have cited, who gave themselves over to the practice of the five desires — they themselves are precisely what deserves to be regarded with weariness and concern, for it was exactly through the practice of desire that they were destroyed.

And as for those you call superior men, who took their pleasure and delight in the realm of the five desires — they too were destroyed in exactly the same way; one ought to understand that this alone shows they were not, in truth, superior at all.

And if you say this is merely a matter of provisionally going along with them by way of skillful means — but once one has practiced it, it becomes genuine attachment in truth, so how could this still be called mere skillful means?

To go along with them falsely and deceptively is something I will not do; and to go along with them in genuine sincerity — this would itself be contrary to the true Dharma.

This heart of ours is difficult to restrain; the moment it engages with a thing, attachment arises at once, and once attached, one can no longer see the fault in it at all — how, then, could one go along with it merely as a matter of skillful means?

To go along with a thing outwardly while the heart itself remains opposed to it within — I do not see how such a thing is even possible.

To let old age, sickness, and death — this great accumulated mass of suffering — cause me to fall into their midst all the same: this is no counsel a true and wise friend would ever give.

Ah, Udāyin — you are, in truth, a man of great daring.

The afflictions of birth, old age, sickness, and death are sufferings altogether to be feared; one sees with one's own eyes that everything decays and perishes, and yet still takes pleasure in chasing after it.

As for me, I have now fallen to such a low and feeble state, my heart grown so narrow and constricted, that in dwelling on old age, sickness, and death, and how suddenly and unexpectedly they arrive,

I have forgotten even sleep, day and night — how, then, could I possibly take up the practice of the five desires?

Old age, sickness, and death blaze on, certain to arrive beyond any doubt — and to remain, even so, unaware of any cause for sorrow or concern: this is truly to have a heart of wood or stone."

The prince, for Udāyin's sake, set forth by every skillful and ingenious means how desire is itself a source of the deepest affliction, until, without either of them noticing, the sun had already set.

At that, the whole company of palace women, along with their music and their finery, found every one of their arts entirely without effect, and returned to the city in shame.

The prince, seeing the garden's whole splendid array now fallen idle, the women all withdrawn, the place left utterly empty and still, felt his sense of impermanence redouble within him, and, his head bowed, made his own way back to the palace.

The father king, hearing that the prince's heart had now become entirely severed from the five desires, was seized with the greatest anguish, as though a sharp thorn had pierced straight through his heart.

He summoned all his ministers at once, and asked what measures might now be devised.

Every one of them answered that the five desires were no longer capable of holding the prince's heart.

Part 5 Complete

This closes Part 5, and with it Chapter 4: the palace women's failed seduction, Udāyin's argument that pleasure need not be sincere to be worth taking, and the prince's own answer — that impermanence makes attachment a fault regardless of what a man tells himself he intends by it. Part 6 opens Chapter 5, "Leaving the City," where the king's ministers admit that pleasure alone can no longer hold him, and the prince encounters a wandering monk before making his decision final.

Continue to Part 6 — Leaving the City →