Journeys and Death
行錄(二)
The biographical record closes: a broken retreat, Huangbo passing on Baizhang's own meditation bench, a gallery of encounters with masters across the Tang-dynasty Chan world — an old woman on the road, a monk feigning sleep, a staff laid crosswise in a doorway — and finally Linji's own death beside his student Sansheng, followed by the epitaph written by his dharma-heir Yanzhao.
- This part covers
- A broken retreat and second thoughts; Huangbo's gift of Baizhang's own meditation bench; not bowing to Buddha or Patriarch at Bodhidharma's pagoda; a gallery of nine further encounters with masters across the Tang-dynasty Chan world; Linji's death beside his student Sansheng; and the closing epitaph, written by his dharma-heir Yanzhao, giving his lay name, ordination, training, and the exact date of his death.
- This collection ends here
- T1985 as it survives in this redaction closes with the epitaph translated in this part's final section. A colophon naming Cunjiang of Xinghua Monastery as editor, and the printers' and CBETA's own donation notices, follow in the source but are not part of Linji's recorded teaching and are not translated here.
1. A Broken Retreat
師因半夏上黃蘗,見和尚看經,師云:「我將謂是箇人,元來是揞黑豆老和尚。」住數日乃辭去。黃蘗云:「汝破夏來,不終夏去?」師云:「某甲暫來禮拜和尚。」黃蘗遂打趁令去。師行數里,疑此事,却回終夏。
In the middle of the summer retreat, the master went up to see Huangbo, and found him reading a sūtra. The master said: "And here I thought you were somebody — turns out you're just an old monk counting black beans." He stayed a few days and then took his leave. Huangbo said: "You broke the retreat to come here — are you leaving without even finishing it?" The master said: "I only came briefly to pay my respects." Huangbo then struck him and drove him out. The master walked several miles, began to doubt his own decision, and turned back to finish out the retreat.
"Counting black beans" is an idiom for rote, mechanical repetition — the accusation being that Huangbo's sūtra reading is unreflective habit rather than genuine insight, a sharp thing for a disciple to say to his own teacher. Linji's own second thoughts a few miles down the road, quietly turning back without further comment, are as understated an admission of error as this text ever records from him.
2. Not Henan, Then Hebei: Huangbo's Meditation Bench
師一日辭黃蘗,蘗問:「什麼處去?」師云:「不是河南,便歸河北。」黃蘗便打,師約住與一掌,黃蘗大笑,乃喚侍者將百丈先師禪板机案來。師云:「侍者將火來。」黃蘗云:「雖然如是,汝但將去,已後坐却天下人舌頭去在。」後溈山問仰山:「臨濟莫辜負他黃蘗也無?」仰山云:「不然。」溈山云:「子又作麼生?」仰山云:「知恩方解報恩。」溈山云:「從上古人還有相似底也無?」仰山云:「有,秖是年代深遠,不欲舉似和尚。」溈山云:「雖然如是,吾亦要知,子但舉看。」仰山云:「秖如楞嚴會上阿難讚佛云:『將此深心奉塵剎,是則名為報佛恩。』豈不是報恩之事?」溈山云:「如是,如是。見與師齊,減師半德;見過於師,方堪傳授。」
One day the master took his leave of Huangbo. Huangbo asked: "Where are you going?" The master said: "If not to Henan, then back to Hebei." Huangbo struck him. The master caught hold of him and gave him a slap in return. Huangbo laughed heartily, and called to his attendant: "Bring the meditation board and armrest that belonged to my late teacher Baizhang." The master said: "Attendant, bring fire instead." Huangbo said: "Even so, take them with you anyway — one day you will sit and silence the tongues of everyone under heaven." Later Guishan asked Yangshan: "Did Linji fail to repay Huangbo properly, or not?" Yangshan said: "Not at all." Guishan said: "Then how do you see it?" Yangshan said: "Only by knowing kindness can one know how to repay it." Guishan said: "Has there been anyone like this among the ancients?" Yangshan said: "There has been — but it happened so long ago that I would rather not mention it to you, teacher." Guishan said: "Even so, I want to know — go ahead and tell me." Yangshan said: "In the assembly of the Śūraṅgama Sūtra, Ānanda praised the Buddha, saying: 'I will offer this profound mind to lands as numerous as dust motes — this alone is called repaying the Buddha's kindness.' Is this not exactly a matter of repaying kindness?" Guishan said: "So it is, so it is. To see only as one's teacher sees is to fall short of him by half his virtue; only to see beyond one's teacher is one fit to receive what he transmits."
Linji's demand for "fire" instead of Baizhang's relic bench repeats the same refusal running through this entire text — declining even a genuine teacher's most treasured physical object rather than let it become a substitute for the thing itself — yet Huangbo insists he take it anyway, on the grounds that Linji will one day "silence the tongues of everyone under heaven." Guishan's closing formula, that surpassing one's teacher (not merely matching him) is the only true qualification to receive what he transmits, reads as this whole biographical record's own verdict on why it is Linji's departure from Huangbo, not his years of quiet practice under him, that the text lingers over.
3. Not Bowing to Buddha or Patriarch, and Longguang's Defeat
師到達磨塔頭,塔主云:「長老先禮佛?先禮祖?」師云:「佛、祖俱不禮。」塔主云:「佛、祖與長老是什麼冤家?」師便拂袖而出。
師行脚時到龍光,光上堂,師出,問云:「不展鋒鋩如何得勝?」光據坐。師云:「大善知識豈無方便?」光瞪目,云:「嗄。」師以手指云:「這老漢今日敗闕也。」
The master arrived at Bodhidharma's memorial pagoda. The keeper of the pagoda said: "Elder, will you bow to the Buddha first, or to the Patriarch first?" The master said: "I bow to neither Buddha nor Patriarch." The keeper said: "What quarrel do you have with the Buddha and the Patriarch, elder?" The master simply shook out his sleeves and walked out.
While on pilgrimage, the master arrived at Longguang's monastery. Longguang ascended the hall, and the master came forward and asked: "Without unsheathing a blade, how can one win?" Longguang simply sat there on his seat. The master said: "Could a great teacher truly have no skillful means at all?" Longguang glared and said: "Hah!" The master pointed at him and said: "This old fellow has been defeated today."
Refusing to bow at the founder's own memorial pagoda is a direct, physical enactment of Part 3's teaching "if you meet the patriarch, kill the patriarch" — even Bodhidharma himself is not owed reverence Linji does not owe to any fixed external object. Longguang's silent glare, by contrast, is judged an actual defeat rather than an admirable wordlessness: this text distinguishes silence used as an active response from silence used because nothing else is available.
4. Sanfeng: The Golden Ox and the Phoenix Chick
到三峯,平和尚問曰:「什麼處來?」師云:「黃蘗來。」平云:「黃蘗有何言句?」師云:「金牛昨夜遭塗炭,直至如今不見蹤。」平云:「金風吹玉管,那箇是知音?」師云:「直透萬重關,不住清霄內。」平云:「子這一問太高生。」師云:「龍生金鳳子,衝破碧琉璃。」平云:「且坐,喫茶。」又問:「近離甚處?」師云:「龍光。」平云:「龍光近日如何?」師便出去。
He arrived at Sanfeng. Reverend Ping asked: "Where have you come from?" The master said: "From Huangbo's place." Ping said: "What did Huangbo have to say?" The master said: "The golden ox met with disaster last night, and no trace of it has been seen since." Ping said: "The autumn wind blows through the jade flute — who understands its music?" The master said: "It passes straight through ten thousand layers of barrier, never lingering in the clear sky above." Ping said: "That question of yours aims much too high." The master said: "A dragon gives birth to a golden phoenix chick, that bursts straight through the blue-green glaze of heaven." Ping said: "Sit, please — have some tea." He then asked: "Where have you come from most recently?" The master said: "Longguang's place." Ping said: "How has Longguang been lately?" The master simply walked out.
This exchange is conducted almost entirely in verse imagery — a golden ox vanishing without trace, a phoenix chick bursting through glazed heaven — a register this text otherwise reserves for its most formal teachings, such as the three statements in Part 1. Linji's abrupt exit at the very moment Ping asks about Longguang, whom Linji has just bested in the previous encounter, declines to narrate his own victory to a third party.
5. Dazi: A Shout Answered With a Shout
到大慈,慈在方丈內坐。師問:「端居丈室時如何?」慈云:「寒松一色千年別,野老拈花萬國春。」師云:「今古永超圓智體,三山鎖斷萬重關。」慈便喝,師亦喝。慈云:「作麼?」師拂袖便出。
He arrived at Dazi's monastery. Dazi was sitting in his own quarters. The master asked: "How is it when sitting properly in one's own quarters?" Dazi said: "The cold pine keeps one color, distinct through a thousand years; the old rustic in the field plucks a flower, and spring comes to ten thousand lands." The master said: "The perfect substance of wisdom forever surpasses past and present; the three mountains lock shut ten thousand layers of barrier." Dazi shouted. The master also shouted. Dazi said: "Well, then?" The master shook out his sleeves and walked out.
Two masters trading shouts as equals, followed immediately by Linji's silent exit rather than any further exchange, matches the pattern of his very first appearance in Part 1 with Magu: contests between masters of equal standing in this text tend to end not in a declared winner but in one side simply declining to continue.
6. Huayan's Nap, and Cuifeng's Arrow
到襄州華嚴,嚴倚拄杖作睡勢,師云:「老和尚瞌睡作麼?」嚴云:「作家、禪客,宛爾不同。」師云:「侍者點茶來與和尚喫。」嚴乃喚維那:「第三位安排這上座。」
到翠峯,峯問:「甚處來?」師云:「黃蘗來。」峯云:「黃蘗有何言句指示於人?」師云:「黃蘗無言句。」峯云:「為什麼無?」師云:「設有,亦無舉處。」峯云:「但舉看。」師云:「一箭過西天。」
He arrived at Xiangzhou, at Huayan's monastery. Huayan leaned on his staff, feigning sleep. The master said: "Old teacher, what are you doing dozing off?" Huayan said: "A true master and a mere Chan student are simply different, plain as that." The master said: "Attendant, bring tea for the teacher to drink." Huayan then called to the verger: "Give this elder a seat in the third position."
He arrived at Cuifeng's monastery. Cuifeng asked: "Where have you come from?" The master said: "From Huangbo's place." Cuifeng said: "What did Huangbo have to say, to point the way for people?" The master said: "Huangbo has no such sayings." Cuifeng said: "Why not?" The master said: "Even if he did, there would be nowhere to bring them up." Cuifeng said: "Go on, bring one up anyway." The master said: "A single arrow passes clean through the western sky."
Huayan's feigned sleep is not caught out as weakness — his answer distinguishes performance from genuine dozing sharply enough that he ends the exchange awarding Linji an honored seat, treating the whole encounter as a successful test rather than a failed one. Cuifeng's insistence that Linji "bring up" a saying Linji has just claimed does not exist gets answered with an image, not a sentence: an arrow already gone before it could be examined.
7. Xiangtian and Minghua: Worn-Out Sandals
到象田,師問:「不凡、不聖,請師速道。」田云:「老僧秖與麼?」師便喝,云:「許多禿子在這裏覓什麼椀?」
到明化,化問:「來來去去作什麼?」師云:「秖徒踏破草鞋。」化云:「畢竟作麼生?」師云:「老漢話頭也不識。」
He arrived at Xiangtian's monastery. The master asked: "Neither ordinary, nor sagely — speak quickly, teacher." Xiangtian said: "This old monk is simply like this." The master shouted and said: "What are all these shave-pated fellows doing here, looking for a rice bowl?"
He arrived at Minghua's monastery. Minghua asked: "What are you doing, coming and going like this?" The master said: "Only wearing through pair after pair of straw sandals for nothing." Minghua said: "What is it really about, in the end?" The master said: "This old fellow doesn't even recognize the point of his own question."
Linji's remark about monks "looking for a rice bowl" reads as a jab at pilgrimage undertaken for material security rather than genuine seeking — an accusation he immediately turns on himself in the very next encounter, calling his own endless traveling a matter of "wearing through pair after pair of straw sandals for nothing," the same self-deprecating image used of failed students throughout Parts 2 through 4.
8. The Old Woman on the Road to Fenglin
往鳳林,路逢一婆。婆問:「甚處去?」師云:「鳳林去。」婆云:「恰值鳳林不在。」師云:「甚處去?」婆便行,師乃喚婆,婆回頭,師便打。
On his way to Fenglin's monastery, the master met an old woman on the road. She asked: "Where are you going?" The master said: "To Fenglin's place." She said: "As it happens, Fenglin isn't there right now." The master said: "Where has he gone, then?" The old woman simply walked on. The master called out to her. She turned her head. The master struck her.
An anonymous old woman on the open road, entirely outside any monastic setting, meets Linji's staff exactly as any monk in this text would — the encounter makes no distinction of status, gender, or setting in deciding who is worth testing, consistent with the "no distinction between monastic and layperson" Linji claims for himself in Part 2.
9. Fenglin: The Great Way Admits No Sameness
到鳳林,林問:「有事相借問,得麼?」師云:「何得剜肉作瘡?」林云:「海月澄無影,遊魚獨自迷。」師云:「海月既無影,遊魚何得迷?」鳳林云:「觀風知浪起,翫水野帆飄。」師云:「孤輪獨照江山靜,自笑一聲天地驚。」林云:「任將三寸輝天地,一句臨機試道看。」師云:「路逢劍客須呈劍,不是詩人莫獻詩。」鳳林便休。師乃有頌:「大道絕同,任向西東,石火莫及,電光罔通。」溈山問仰山:「石火莫及、電光罔通,從上諸聖將什麼為人?」仰山云:「和尚意作麼生?」溈山云:「但有言說,都無寔義。」仰山云:「不然。」溈山云:「子又作麼生?」仰山云:「官不容針,私通車馬。」
He arrived at Fenglin's monastery. Fenglin said: "May I trouble you with a question?" The master said: "Why gouge healthy flesh to make a wound?" Fenglin said: "The moon on the sea shines clear, casting no shadow; the fish swimming there are lost in confusion all on their own." The master said: "If the moon on the sea casts no shadow at all, how could the swimming fish be confused?" Fenglin said: "Watch the wind, and you know the waves are rising; play upon the water, and the wild sail drifts." The master said: "A solitary wheel shines alone, and the rivers and mountains fall still; laughing to myself once, heaven and earth are startled." Fenglin said: "Even granting your three-inch tongue lights up heaven and earth, try speaking a single phrase that meets the actual moment." The master said: "Meeting a swordsman on the road, you must show your sword; unless you are a poet yourself, do not offer up a poem." Fenglin simply stopped there. The master then spoke this verse: "The great way admits no sameness — let it run east or west as it will; the spark from flint cannot catch it, the flash of lightning cannot reach it." Later Guishan asked Yangshan: "'The spark from flint cannot catch it, the flash of lightning cannot reach it' — what did all the sages since ancient times use to teach people, then?" Yangshan said: "What do you think, teacher?" Guishan said: "Wherever there is speech at all, there is no real meaning in it whatsoever." Yangshan said: "Not so." Guishan said: "Then how do you see it?" Yangshan said: "The government office admits not even a needle — yet in private, carts and horses pass through freely."
This is the longest and most sustained verse exchange in the entire text, and its closing quatrain — echoing the "spark from flint, flash of lightning" image already used in Part 4 for how little room a student has to deliberate — is the closest thing this text offers to Linji's own poetic self-summary. Yangshan's closing rejoinder, "the government office admits not even a needle, yet in private, carts and horses pass through freely," directly answers Guishan's claim that speech carries "no real meaning whatsoever": formal, official language may be as narrow as a needle's eye, Yangshan suggests, while something far larger moves freely through the same words read differently — a fitting note on which this text's own reliance on paradox and verse comes to its final statement.
10. Jinniu: The Staff Across the Doorway
到金牛,牛見師來,橫按拄杖,當門踞坐。師以手敲拄杖三下,却歸堂中第一位坐。牛下來見,乃問:「夫賓主相見各具威儀,上座從何而來?太無禮生。」師云:「老和尚道什麼?」牛擬開口,師便打。牛作倒勢,師又打。牛云:「今日不著便。」溈山問仰山:「此二尊宿還有勝負也無?」仰山云:「勝即總勝,負即總負。」
He arrived at Jinniu's monastery. Seeing the master approach, Jinniu laid his staff crosswise and sat squarely in the doorway. The master struck the staff three times with his hand, then went and sat down in the first seat inside the hall. Jinniu came down and, seeing this, said: "When guest and host meet, each should observe proper conduct — elder, where have you come from, behaving so rudely?" The master said: "What is the old teacher saying?" Jinniu started to open his mouth. The master struck him. Jinniu made as if to fall over. The master struck him again. Jinniu said: "I didn't get the better of that today." Later Guishan asked Yangshan: "Between these two venerable ones, was there a winner and a loser, or not?" Yangshan said: "If one won, both won completely; if one lost, both lost completely."
Yangshan's closing verdict — that in a genuine encounter between two evenly matched masters, "if one won, both won completely; if one lost, both lost completely" — is this text's clearest statement that these contests are never zero-sum, offered here as the final word of the entire gallery of traveling encounters, immediately before the biographical record turns to Linji's death.
11. Linji's Death
師臨遷化時據坐云:「吾滅後不得滅却吾正法眼藏。」三聖出云:「爭敢滅却和尚正法眼藏?」師云:「已後有人問爾,向他道什麼?」三聖便喝。師云:「誰知吾正法眼藏向這瞎驢邊滅却。」言訖端然示寂。
As the master's own passing drew near, he sat upright in his seat and said: "After I am gone, do not let my true dharma-eye treasury be extinguished." Sansheng came forward and said: "How would we dare let the teacher's true dharma-eye treasury be extinguished?" The master said: "Afterward, if someone asks you about it, what will you tell them?" Sansheng shouted. The master said: "Who would have known that my true dharma-eye treasury would be extinguished, right here, at this blind donkey's side." With these words, he sat perfectly composed, and passed away in silence.
Linji's own death scene is conducted in exactly the same register as every other exchange in this text — a question, a shout, a final blunt remark — refusing any special solemnity even at the moment of his own passing. "This blind donkey" is Linji's own self-designation, not an insult directed at Sansheng: his last teaching act is to answer his own question about whether the transmission will be "extinguished" with a shout he receives and then immediately turns into a joke against himself, dying, as he taught, without ever letting the moment become an occasion for reverence rather than practice. This same phrase — "extinguished at the blind donkey's side" — appears in the second preface at the very front of this collection, composed centuries later by the monk Ma Fang, confirming how quickly Linji's last words themselves became one of the tradition's own most quoted lines.
12. Closing Epitaph
師諱義玄,曹州南華人也,俗姓邢氏,幼而頴異,長以孝聞。及落髮受具,居於講肆,精究毘尼,博賾經論,俄而歎曰:「此濟世之醫方也,非教外別傳之旨。」即更衣游方,首參黃蘗,次謁大愚,其機緣語句載于行錄。既受黃蘗印可,尋抵河北鎮州城東南隅,臨滹沱河側小院住持,其臨濟因地得名。時普化先在彼,佯狂混眾,聖凡莫測。師至即佐之。師正旺化,普化全身脫去,乃符仰山小釋迦之懸記也。適丁兵革,師即棄去,太尉默君和於城中捨宅為寺,亦以臨濟為額迎師居焉。後拂衣南邁至河府,府主王常侍延以師禮。住未幾,即來大名府興化寺,居于東堂。師無疾,忽一日攝衣據坐,與三聖問答畢,寂然而逝,時唐咸通八年丁亥孟陬月十日也。門人以師全身建塔于大名府西北隅,勅諡慧照禪師,塔號澄靈。合掌稽首,記師大略。住鎮州保壽嗣法小師延沼謹書。
The master's personal name was Yixuan. He was a native of Nanhua in Caozhou, of the lay surname Xing. From childhood he was exceptionally gifted, and as he grew he became known for his filial devotion. After he shaved his head and received full ordination, he lived among the lecture halls, studying the vinaya in fine detail and delving broadly into the sūtras and treatises. Before long he sighed and said: "These are only medicine for healing the world — not the purport of the special transmission outside the teachings." He then changed his robes and went traveling, first seeking out Huangbo, then paying his respects to Dayu — the words and circumstances of these meetings are recorded in the biographical account above. Having received Huangbo's seal of confirmation, he eventually arrived at the southeastern corner of Zhenzhou city in Hebei, and took up residence at a small monastery on the bank of the Hutuo River — it is from this location by the ford (臨) that his name Linji derives. At the time Puhua was already living there, feigning madness and mingling with the ordinary crowd, so that no one could tell whether he was sage or ordinary man. When the master arrived, Puhua assisted him. Just as the master's teaching was flourishing, Puhua vanished bodily — fulfilling exactly what Yangshan, "the little Śākyamuni," had long ago foretold. It happened that the region fell into military turmoil, and the master left the place; the commander Mo Junhe donated his own residence within the city to serve as a monastery, and likewise gave it the name Linji, inviting the master to reside there. Later he shook out his robes and traveled south, arriving at Hefu, where the prefect Wang Changshi received him with the courtesy due a teacher. He had not been there long before he went on to Xinghua Monastery in Daming Prefecture, and took up residence in its eastern hall. The master showed no sign of illness; then, one day, he suddenly gathered his robes, sat upright in his seat, and after finishing his exchange with Sansheng, passed away in perfect stillness. This was on the tenth day of the first month of the year dinghai, the eighth year of the Xiantong era of the Tang dynasty. His disciples built a stūpa for his whole body at the northwestern corner of Daming Prefecture. He was posthumously granted the title Chan Master Huizhao, and his stūpa was named Chengling. With hands joined and head bowed, I have recorded the essentials of the master's life. Respectfully written by his dharma-heir Yanzhao, of Baoshou Monastery in Zhenzhou.
This closing epitaph, written not by Linji's recorder Huiran but by his direct dharma-heir Yanzhao, dates Linji's death precisely to the tenth day of the first lunar month, 867 CE (the dinghai year, eighth year of the Xiantong era) — one of the few firm dates anywhere in this text, alongside the "seventh year of Yuanzheng" and "gengzi year" dates given in this collection's prefatory material, composed centuries later, describing how the text itself came to be printed and preserved. The epitaph's explanation of the name "Linji" itself — from 臨 ("by the ford/riverbank") plus 濟 (the name of the river crossing, itself echoing 濟, "to ferry across, to save") — closes the text by tying Linji's own name back to the site where his teaching first took root, on the bank of the Hutuo River in Zhenzhou.
The Record of Linji, Complete
This closes the translation of the Record of Linji (T1985) in full — all seven parts, from the opening sermons in Part 1 through the closing epitaph above. See the index page for the complete structure, and the translation notes for terminology, sourcing, and structural decisions.