Closing the Sun Contemplation
The third and final reason for choosing the sun turns it into something closer to a scale model than an object of worship in its own right — brilliant, but only a fraction of what it stands in for. Shandao then supplies a rule that will govern every one of the remaining fifteen contemplations: what makes any of them succeed or fail is never effort alone, but whether a covetous mind has crept back in.
A Third Reason: The Sun as Scale Model
「三者欲令眾生識知彌陀依正二報,種種莊嚴光明等相,內外照曜,超過此日百千萬倍。行者等若不識彼境光相者,即看此日輪光明之相。若行住坐臥,禮念憶想,常作此解。不久之間,即得定心,見彼淨土之事快樂莊嚴。為此義故,世尊先教作日想觀也。」
三、從當起想念下,至狀如懸鼓已來,正教觀察。此明正身威儀面向西方,守境住心堅執不移,所期皆應。
"The third reason is that he wished sentient beings to come to recognize the manifold splendor, radiance, and adornment of Amitābha's own dependent and direct retribution — his own land and his own body — whose light, shining both within and without, surpasses this very sun a hundred thousand myriad times over. Should practitioners not yet know the light and appearance of that realm, they need only look upon the radiant form of this sun's own disc. Whether walking, standing, sitting, or lying down, in reverent recollection and constant remembrance, let them continually form this very understanding — and before long, their own mind shall attain settled concentration, and they shall behold that pure land's own blissful splendor directly. It is for this very reason that the World-Honored One first taught the contemplation of the sun's own form."
Third, from "you should now give rise to this contemplative thought" down through "resembling a suspended drum," this directly teaches the act of contemplation itself. This makes plain that, correcting one's own bodily bearing and facing directly toward the West, holding fast to the object and settling the mind upon it without wavering, everything one hopes for shall accordingly come to pass.
Taken together, Shandao's three reasons build a single coherent argument for why the sun, of all things, opens this entire sequence of sixteen contemplations: it supplies a fixed direction (the first reason), a diagnostic surface on which the practitioner's own karmic obstructions become visible (the second), and finally, here, a genuine — if radically diminished — preview of what awaits, "a hundred thousand myriad times" brighter than what is actually being looked at. The sun is thus never the destination of this practice. It is offered as the most intense light available in this world, useful precisely because it is the closest available approximation to something the practitioner cannot yet perceive directly.
Success, Failure, and the Rule That Governs Every Contemplation to Come
四、從既見日已下,至明了已來,辯觀成相。此明標心見日,制想除緣,念念不移,淨相了然而現。又行者初在定中見此日時,即得三昧定樂,身心內外融液,不可思議。當見此時,好須攝心令定,不得上心貪取。若起貪心,心水即動,以心動故淨境即失。或動、或闇、或黑,或青、黃、赤、白等色,不得安定。見此事時,即自念言:「此等境相搖動不安者,由我貪心動念,致使淨境動滅。」即自安心正念,還從本起,動相即除,靜心還現。既知此過,更不得起增上貪心也。已下諸觀,邪正得失,一同此也。觀日見日,心境相應,名為正觀。觀日不見日,乃見餘雜境等,心境不相應,故名邪也。斯乃娑婆之闇宅,觸事無以比方。唯有朗日舒輝,寄想遠標於極樂。
五、從是為已下,總結。上來雖有五句不同,廣明日觀竟。
Fourth, from "having thus beheld the sun" down through "clearly and distinctly," this distinguishes the mark of the contemplation's own accomplishment. This makes plain that, fixing the mind and beholding the sun, restraining wandering thought and cutting off outer conditions, moment after moment without wavering, the pure mark thereby appears clearly and distinctly before one. Further, when the practitioner first beholds this sun within meditative absorption, they attain at once the bliss of samādhi itself, body and mind, within and without, melting together in a manner beyond ordinary description. At the very moment one beholds this, one must take great care to gather the mind and keep it settled, and must not allow the mind to rise up in eager grasping. Should a covetous thought arise, the very water of the mind is thereby stirred, and, the mind having been stirred, the pure object is thereby lost. It may waver, or grow dim, or turn black, or shift through blue, yellow, red, white, and other colors, unable to remain settled. Should this occur, one should reflect at once, saying to oneself: "This wavering and unsettled state of the object before me arises only because my own covetous mind has stirred into motion, causing the pure object to waver and vanish." Settling the mind at once in right mindfulness, and returning to where one began, the wavering mark is thereby removed, and the still mind reappears. Having thus recognized this very fault, one must never again allow such excessive, covetous thought to arise. In every contemplation that follows, the distinction between what is correct and what is mistaken, between success and failure, follows this very same principle. To contemplate the sun and behold the sun, mind and object corresponding to one another, is called correct contemplation. To contemplate the sun and fail to behold it, seeing instead some other, unrelated object, mind and object failing to correspond, is therefore called mistaken. This, then, is the darkened dwelling of this Sahā world, a place where nothing one encounters offers any true comparison — only the bright sun, unfolding its own radiance, can serve to point one's thought, from this great distance, toward the Land of Ultimate Bliss.
Fifth, from "this, then, is" onward, this gathers together the general conclusion. Though the above has unfolded across five distinct points, this concludes the full explanation of the sun contemplation.
Shandao states outright that what he has just described — grasping causing the object to waver and vanish, right mindfulness restoring it — is the template for "every contemplation that follows," making this passage far more consequential than its position within a single contemplation might suggest. His definition of "correct contemplation" turns out to be strikingly minimal: not the vividness of what appears, not any particular duration, but simply that "mind and object correspond to one another" — that what one intends to see and what one actually sees are the same thing. Even "seeing" something, if it is not the specified object, counts as mistaken by this standard, since the point was never visionary experience in general but a specific, disciplined correspondence between attention and its target. This diagnostic clarity is what allows a practitioner, fifteen contemplations still ahead of them, to know at any moment whether they are practicing correctly or merely producing pleasant but irrelevant mental imagery.
Part 31 Complete
This closes Part 31, and with it the first of the sixteen contemplations, that of the sun, in full. Part 32 turns to the second contemplation, that of water — beginning with Shandao's own question-and-answer explaining why, having just contemplated the sun, the practice now turns to water, ice, and finally the lapis lazuli ground of the pure land itself.
Continue to Part 32 — From Water to Ice to Lapis Lazuli →