Rebuking the Five Desires
With the five conditions in place, Zhiyi turns to the first thing a practitioner must actively do: rebuke, one by one, the five sense-desires that constantly draw the mind outward. Baojing's own commentary moves through each with a matching cautionary story, then closes with a parable about a turtle and a jackal that he returns to across the chapter's second half.
The General Principle 總明訶欲之要
〖文〗所言訶欲者,謂五欲也。凡欲坐禪,修習止觀,必須訶責。五欲者,是世間色、聲、香、味、觸。常能誑惑一切凡夫,令生愛著。若能深知過罪,即不親近,是名訶欲。
Root Text: What is meant by "rebuking desire" is rebuking the five desires. Anyone who wishes to sit in meditation and cultivate calming and insight must rebuke them. The five desires are the world's own form, sound, smell, taste, and touch. They are constantly able to deceive and delude every ordinary being, giving rise to craving attachment. If one can come to know their fault deeply, and thereby keep no close company with them, this is what is called rebuking desire.
〖講〗所言訶五欲者,謂訶去色聲香味觸之五欲也。欲乃希須為義,因此五欲,為地獄之五條根,若欲坐禪修習止觀者,必須訶斥之。謂眼所見之好色,耳所聽之好聲,鼻所嗅之好香,舌所嘗之美味,身所貪之好觸,皆令人貪著,常能誑惑一切凡夫,令生愛著;若能深知過咎,即不親近,以其五欲皆能獲罪,既不親近,則無此過咎,無此過咎,則不欲訶而自訶矣。
Commentary: What is meant by "rebuking the five desires" is rebuking and casting off the five desires of form, sound, smell, taste, and touch. "Desire" carries the sense of craving and needing — and because these five desires are the five roots that lead down into hell, anyone who wishes to sit in meditation and cultivate calming and insight must rebuke them. That is: fine sights the eye sees, fine sounds the ear hears, fine smells the nose smells, fine tastes the tongue tastes, fine touches the body craves — all of these lead a person into craving attachment, constantly deceiving and deluding every ordinary being, giving rise to attachment born of craving. If one can come to know their fault deeply, one thereby keeps no close company with them; since all five desires are able to bring about offense, keeping no close company with them means none of this fault arises — and once none of this fault arises, they are rebuked of themselves, without one even needing to rebuke them at all.
The Five Desires, One by One 別明五欲
1. Rebuking Desire for Sights 訶色欲
〖文〗一訶色欲者。所謂男女形貌端嚴,修目長眉,朱脣素齒,及世間寶物,青黃赤白,紅紫縹綠,種種妙色,能令愚人見則生愛,作諸惡業。如頻婆娑羅王以色欲故,身入敵國,在淫女阿梵波羅房中;優填王以色染故,截五百仙人手足,如此等種種過罪。
Root Text: The first is rebuking desire for sights. This means the fine, dignified form of a man or woman — well-shaped eyes and long brows, red lips and white teeth — and worldly treasures of every fine color, blue, yellow, red, white, crimson, purple, azure, and green, every kind of exquisite hue — able to make a foolish person, on seeing them, give rise to craving, and thereby commit every kind of evil deed. Just as King Bimbisāra, because of desire for form, entered an enemy kingdom in person and stayed in the chamber of the courtesan Āmrapālī; and King Udayana, tainted by desire for form, cut off the hands and feet of five hundred ascetics — such offenses as these, of every kind.
〖講〗第一訶斥色欲。當知訶之一字,即是用功夫之要道,入門之正軌,須以種種方法訶斥之。所謂男女形貌端正嚴好,修目即長眉,朱者紅也,素者白也,所謂丹脣皓齒,明眸善睞,種種可愛可悅之色相,愚人視之,遂生貪愛,此為貪愛男女之形色有情之正報。還有一種人,對於有情男女之愛,染心很淡泊,不生執著,而愛世間種種可尊可貴之寶物,謂金銀琉璃珊瑚琥珀等七寶,及一切青黃赤白紅紫縹綠五光十色,種種微妙殊勝之色相,若智者觀之,了達原是虛妄,不生貪愛,而愚人遂生愛染,因迷惑故,從此作諸惡業,深造累劫之禍殃。如頻婆王事,即是引證,是王以貪愛色欲故,不顧國家之重,甘願身入敵邦,獨處於淫女阿梵波羅房中。又如優填王,以愛樂色染故,遂截五百仙人手足,造大重罪。當知古今多少英雄漢,誰不於此茫茫欲海中,為恩愛奴,作色情魔,所謂汝愛我心,我憐汝色,恩愛酬繆,曠劫相纏,無有了期。悲夫!色欲之害人,實甚於猛獸橫流,吾儕凡夫,應當猛省而訶斥之。
Commentary: First, rebuking desire for sights. Know that the single word "rebuke" is itself the essential method of putting in real effort, the correct track for entering the gate of practice at all — one must rebuke it by every available means. This means the well-formed, dignified appearance of a man or woman — well-shaped eyes are long brows, "red" means crimson, "white" means pale — that is, red lips and gleaming teeth, bright eyes casting a fine glance, every kind of lovely, delightful form — a foolish person, seeing this, gives rise to craving attachment: this is craving attachment to the form of a sentient man or woman, the direct fruit of past karma made visible. There is also another kind of person whose attachment to the love of a sentient man or woman is quite indifferent, giving rise to no such clinging, yet who loves the world's own precious, valuable treasures instead — gold, silver, lapis lazuli, coral, amber, and the rest of the seven treasures, and every fine, radiant, exquisite hue of blue, yellow, red, white, crimson, purple, azure, and green. A wise person, seeing these, understands them to be, from the start, illusory, and gives rise to no craving — but a foolish person instead gives rise to attachment born of craving, and, deluded by it, goes on from there to commit every kind of evil deed, storing up calamity across many kalpas to come.
The affair of King Bimbisāra is cited as proof of this: this king, out of craving attachment to desire for form, disregarded the gravity of his own kingdom and willingly entered an enemy state in person, dwelling alone in the chamber of the courtesan Āmrapālī. And King Udayana, tainted by delight in form, went so far as to cut off the hands and feet of five hundred ascetics, committing a grave offense. One should know how many heroic men, past and present, have failed to become, within this vast ocean of desire, a slave to passion, a demon of lust — as it is said, "you love my heart, I am moved by your form" — passion and its debts repaid, entangling each other across endless kalpas, with no end ever in sight. How sorrowful! The harm desire for form does to a person is, in truth, worse than a wild beast running loose — we ordinary beings ought to reflect on this with alarm, and rebuke it.
2. Rebuking Desire for Sounds 訶聲欲
〖文〗二訶聲欲者。所謂箜篌箏笛,絲竹金石音樂之聲,及男女歌詠讚誦等聲,能令凡夫聞即染著,起諸惡業。如五百仙人雪山住,聞甄陀羅女歌聲,即失禪定,心醉狂亂,如是等種種因緣,知聲過罪。
Root Text: The second is rebuking desire for sounds. This means the sound of harps, zithers, and flutes, of string, bamboo, metal, and stone instruments, and the sound of men and women singing, chanting, or reciting praises — able to make an ordinary being, on hearing it, fall into attachment, and thereby give rise to every kind of evil deed. Just as the five hundred ascetics dwelling in the Snow Mountains, on hearing the song of a kiṃnara maiden, at once lost their dhyāna-concentration, their minds becoming as if drunk and deranged — such causes and conditions as these make known the fault of sound.
〖講〗二訶聲欲,亦分有情無情之不同:所謂無情之箜篌箏笛,絲竹金石音樂之音聲,如今發明風琴鋼琴之聲,及有情男女歌美音聲,或嬌媚妖詞,或淫聲豔語等,種種可樂之音聲,皆令凡夫聞即染著,起諸惡業。如五百仙人,雪山修道,聞甄陀羅女歌聲,即失禪定,心則如醉如狂,擾亂不休。又如提波延那仙人,聞舍脂夫人之軟語,遂起欲念而失神通。自古迄今,因聲欲而墮落者,不勝枚舉,修行之人,即須訶棄之,決不可被聲塵所迷。
Commentary: Second, rebuking desire for sounds — this too divides into the sentient and the non-sentient. The non-sentient kind is the sound of harps, zithers, and flutes, of string, bamboo, metal, and stone instruments — such as, in our own age, the sound of the organ or the piano — while the sentient kind is the fine singing voice of a man or woman, whether a coquettish, seductive turn of phrase, or a lascivious, alluring word — every kind of delightful sound of this kind makes an ordinary being, on hearing it, fall into attachment, and thereby give rise to every kind of evil deed. Just as the five hundred ascetics practicing the path in the Snow Mountains, on hearing the song of a kiṃnara maiden, at once lost their dhyāna-concentration, their minds becoming as if drunk, as if deranged, thrown into endless disturbance. And just as the ascetic Devayāna, on hearing the soft words of Lady Śacī, thereupon gave rise to a thought of desire and lost his spiritual powers. From ancient times to the present, those who have fallen through desire for sound are too numerous to list one by one — a practitioner must rebuke and cast this away, and must never be deluded by the dust of sound.
3. Rebuking Desire for Smells 訶香欲
〖文〗三訶香欲者。所謂男女身香,世間飲食馨香,及一切薰香等,愚人不了香相,聞即愛著,開結使門。如一比丘在蓮華池邊,聞華香氣,心生愛樂,池神即大訶責,何故偷我香氣。以著香故,令諸結使臥者皆起,如是等種種因緣,知香過罪。
Root Text: The third is rebuking desire for smells. This means the bodily fragrance of a man or woman, the fragrance of the world's own food and drink, and every kind of scented incense — a foolish person, not understanding the true mark of a smell, on smelling it falls at once into attached delight, and thereby opens the gate to the fetters of affliction. Just as a monk, standing by a lotus pond, smelled the fragrance of the flowers and felt delight arise in his mind; the spirit of the pond sharply rebuked him: "Why have you stolen my fragrance?" Because of this attachment to fragrance, every fetter that had lain dormant rose up again — such causes and conditions as these make known the fault of smell.
〖講〗此第三種訶香欲。大凡世人,多為香氣所迷,因鼻嗅香氣,則神識昏迷,此從鼻根造罪。男女身香,或有自然之身香,是夙世因緣。如一比丘尼以往昔誦經,因誦經功德,故口中常生蘭花香氣;又如一老比丘,因誦法華經故,滿身常發旃檀香氣,此為宿昔善因所感。或世間飲食馨香,及一切草木薰香,乃至人間所造之妖豔粉水種種香氣,愚人不了,如此種種之虛妄香相,聞即生貪愛染著,從此開結使門,淪溺深坑。如一比丘在蓮華池邊,聞華香氣,心生愛樂,池神即自池中出,大訶責之:「何偷我香。」比丘應曰:「彼在家人,將蓮華攀折蹈踏不堪,而汝未之言,吾僅聞其香,訶責乃爾。」池神曰:「彼乃白衣人,滿身罪惡,故無可言,爾乃比丘,明理之輩,正如白玉無瑕玼,豈可因貪著此香而淪溺。」遂力勸勉之,比丘始心伏,足見香塵不可愛著,令諸結使臥者皆起。言結使者即煩惱惑,如繩之纏結然,臥起者謂本來降伏為之臥,今又重發故曰起也。有如是等種種因緣,知香過罪須急去捨之。
Commentary: This third kind is rebuking desire for smells. In general, worldly people are very often deluded by fragrance — because the nose smells a scent, the spirit-consciousness grows befuddled; this is offense created through the nose-faculty. A bodily fragrance in a man or woman may sometimes be a natural fragrance, the result of causes and conditions from a past life. As when a bhikṣuṇī, from reciting sūtras in a former life, constantly gave off the fragrance of orchid blossoms from her own mouth through the merit of that recitation; or an elderly monk, through reciting the Lotus Sūtra, constantly gave off the fragrance of sandalwood from his entire body — these are the effects of wholesome causes from long ago. Or it may be the fragrance of the world's own food and drink, or the scent of every kind of plant and incense, or even every kind of alluring perfume and powder devised by human beings — a foolish person, not understanding that every such fragrant mark is illusory, on smelling it gives rise to craving attachment, thereby opening the gate to the fetters of affliction, and sinking into a deep pit.
As when a monk, standing by a lotus pond, smelled the fragrance of the flowers and felt delight arise in his mind; the spirit of the pond emerged at once from the water and sharply rebuked him: "Why have you stolen my fragrance?" The monk replied: "Those lay people over there pulled and trampled the lotus flowers past bearing, yet you said nothing to them — I have only smelled their fragrance, and you rebuke me like this?" The spirit of the pond said: "They are householders, already covered from head to foot in offense, and so there is nothing left worth saying to them. But you are a monk, one of understanding — exactly like unblemished white jade — how could you let yourself sink through craving attachment to this mere fragrance?" And with this the spirit earnestly exhorted him, until the monk's own mind finally yielded — enough to show that the dust of fragrance is not to be craved and clung to, for it makes every dormant fetter rise up again. What is called a "fetter" is precisely an affliction, knotted like a coiled rope; "dormant" and "rising" mean that what had originally been subdued and made to lie dormant now flares up once more, hence "rising." Causes and conditions of this kind make known the fault of fragrance, which must be cast off at once.
4. Rebuking Desire for Tastes 訶味欲
〖文〗四訶味欲者。所謂苦酸甘辛鹹淡等,種種飲食肴膳美味,能令凡夫心生染著,起不善業。如一沙彌染著酪味,命終之後,生在酪中,受其蟲身,如是等種種因綠,知味過罪。
Root Text: The fourth is rebuking desire for tastes. This means the bitter, sour, sweet, pungent, salty, and bland, and every other fine taste of food and drink and cooked dishes — able to make an ordinary being's mind fall into attachment, and thereby give rise to unwholesome deeds. Just as a novice monk, attached to the taste of cream, was, after death, born within a jar of cream itself, receiving the body of a worm there — such causes and conditions as these make known the fault of taste.
〖講〗此為五欲中第四訶味欲。以用功人,對於色聲香味觸之五欲,視為外賊,能劫自心之家寶,宜急遠之,勿可貪著。言味者,有五味,即苦酸甘辛鹹淡等種種飲食肴膳美味,此等眾味,能令凡夫之人,心生愛著,起不善業。審觀舉世人群,誰非為貪口腹,而殘殺生命,或網捕水陸空行,以自供口味,或偷劫他財,以償其舌欲。大矣哉!味欲之為患也,傷天害理,斷大慈悲,勿過於斯。如古有沙彌,染著酪味,命終即墮落酪中,而為酪蟲。修行者。應當知其過罪,而訶除之。
Commentary: This is the fourth of the five desires, rebuking desire for tastes. For one who puts in real effort in practice, all five desires — form, sound, smell, taste, and touch — are to be regarded as outward thieves, able to plunder the very household treasure of one's own mind, and so ought to be kept far away at once, never to be craved. As for "taste," there are five flavors: bitter, sour, sweet, pungent, salty, and bland, and every other fine taste of food, drink, and cooked dishes — these many flavors are able to make an ordinary person's mind fall into craving attachment, giving rise to unwholesome deeds. Examine the whole of humankind closely: who has not, out of greed for the pleasures of the mouth and stomach, taken life — netting and trapping creatures of water, land, and sky to supply their own palate, or even stealing another's property to satisfy the tongue's own craving? How great, indeed, is the harm done by desire for taste — wounding heaven's own principle, cutting off great compassion; nothing goes further than this. As in the old story of a novice monk attached to the taste of cream, who, after death, fell straight into a jar of cream and became a worm within it. A practitioner ought to know this fault, and rebuke it away.
5. Rebuking Desire for Touch 訶觸欲
〖文〗五訶觸欲者。男女身分柔軟細滑,寒時體溫,熱時體涼,及諸好觸,愚人無智,為之沈沒,起障道業。如一角仙因觸欲故,遂失神通,為淫女騎頸,如是等種種因緣,知觸過罪。
Root Text: The fifth is rebuking desire for touch. This means the soft, fine smoothness of a man or woman's body, warm to the touch in cold weather, cool to the touch in hot weather, and every other fine sensation of touch — a foolish person, without wisdom, sinks down through it, giving rise to an obstruction of the path. Just as the One-Horned Sage, through desire for touch, thereupon lost his spiritual powers and was made to be ridden upon the neck by a courtesan — such causes and conditions as these make known the fault of touch.
〖講〗第五訶觸欲。此觸欲最為厲害,為生死之根本。經云:「一切眾生,皆以色欲而正其性命。」因前四欲,各有界限,色屬眼一部分,聲屬耳一部分,香屬鼻一部分,味屬舌一部分,謂四根對四塵,各有所受。惟此觸欲,則週遍全體,所言觸欲者,謂男女身分,柔軟細滑,互相按摩,及寒時體溫,熱時體涼,及其他種種之殊好妙觸,無智慧之愚人,為之沈沒,能障礙行者之道業。如從前有一角仙,為觸欲而失神通,發惡願感天不雨,後被淫女誘惑觸欲失通,騎其頭頸,是知觸欲之過罪,至大且危,可不慎哉!
Commentary: Fifth, rebuking desire for touch. This desire for touch is the most severe of all, the very root of birth-and-death. A sūtra says: "Every sentient being sustains its own life precisely through desire for form" — meaning desire broadly, sexual desire in particular. Because each of the first four desires has its own bounded scope — form belongs to the eye alone, sound to the ear alone, smell to the nose alone, taste to the tongue alone, each of the four faculties receiving only its own corresponding dust — only this desire for touch pervades the entire body all at once. What is called "desire for touch" is the soft, fine smoothness of a man or woman's body, caressing one another, warm to the touch in cold weather, cool to the touch in hot weather, and every other kind of especially fine, wondrous sensation of touch — a foolish person without wisdom sinks down through it, and it is able to obstruct a practitioner's own progress along the path. As in the story of the One-Horned Sage of old, who lost his spiritual powers through desire for touch, and, in his anger, made a vow that brought down a drought upon the land — and who was later seduced by a courtesan, lost his powers through desire for touch, and was made to be ridden upon his own head and neck. From this we know that the fault of desire for touch is graver and more perilous than any other — how can one not be utterly careful of it!
Reading note: Notice how Baojing's own gloss treats "form" (色) as covering two quite different objects of craving — the human body, and material treasure — and observes that a person indifferent to one may still be entirely captured by the other; the fault is the craving itself, not any one particular object of it. His closing move on touch is characteristic of the whole set: each of the five stories he cites (King Bimbisāra and Āmrapālī, King Udayana and the five hundred ascetics, the kiṃnara maiden's song, the monk rebuked by the pond spirit, the novice reborn as a worm in cream, the One-Horned Sage ridden like a beast of burden) supplies a vivid, memorable consequence rather than an abstract warning — a teaching method Baojing keeps returning to across this chapter.
The Turtle and the Jackal 龜與野干喻
〖文〗如上訶欲之法,出摩訶衍論中說。
Root Text: The method of rebuking desire set out above is spoken in the Mahāyāna treatise.
〖講〗古有一道者,每於水邊林下做工夫,雖久而未獲益,一夜見一烏龜,自水中出,時當夜深人靜,月明星稀,有一野干,往取食之。嚙其頭,即縮其頭,嚙其腳,即縮其腳,彼野干咬之疲勞,而於烏龜絲毫勿損,野干於是他往。道人從此開悟,了知野干者何?即外五塵之境也;烏龜者何?即喻我修行人也,首尾四肢者,即我人之內六根也。因為我等眾生,從無量劫來,六根常攀攬六塵,不肯收攝一處,故累生累劫,冤受輪迴,枉遭生死,故為野干所搏食,若能學得烏龜法,則生死不了而自了矣!道人乃云:「近來學得烏龜法,得縮頭處且縮頭。」為修行者,當於此為龜鏡。
Commentary: Long ago there was a practitioner who constantly put in effort beside streams and beneath forests, yet for a long time gained no benefit from it. One night he saw a turtle emerge from the water — it was deep in the night, the world hushed and still, the moon bright and the stars few — when a jackal came to prey on it. Wherever the jackal bit at its head, the turtle drew its head in; wherever it bit at a leg, the turtle drew that leg in — until the jackal, worn out from the effort of biting, had not managed to harm the turtle in the slightest, and went off elsewhere.
From this the practitioner came to a realization: what is the jackal? It is precisely the outward realm of the five sense-objects. What is the turtle? It is precisely a likeness for us practitioners ourselves; and its head, tail, and four limbs are precisely our own six inward sense-faculties. For we sentient beings, across measureless kalpas, have let our six faculties constantly grasp and cling to the six sense-objects, unwilling to gather them in and hold them to one place — and so, life after life, kalpa after kalpa, we have wrongly suffered the wheel of rebirth, wrongly undergone birth-and-death, and so have been preyed upon by the jackal. If one can only learn this method of the turtle, then birth-and-death, however unresolved, resolves itself of its own accord! The practitioner then said: "Of late I have learned the turtle's own method — wherever there is a place to draw the head in, I draw the head in." Let practitioners take this turtle as their own mirror.
The Harm the Five Desires Do 五欲害人之相
〖文〗復云:哀哉眾生,常為五欲所惱,而猶求之不已。此五欲者,得之轉劇,如火益薪,其燄轉熾。五欲無樂,如狗嚙枯骨;五欲增諍,如鳥競肉;五欲燒人,如逆風執炬;五欲害人,如踐毒蛇;五欲無實,如夢所得;五欲不久,假借須臾,如擊石火。智者思之,亦如怨賊。世人愚惑,貪著五欲,至死不捨,後受無量苦惱。
Root Text: It is further said: how sorrowful — sentient beings, constantly troubled by the five desires, yet go on seeking them without end. The more one obtains of these five desires, the more severe they become, like adding firewood to a fire, its flame growing ever fiercer. The five desires bring no true pleasure — like a dog gnawing a dry bone. The five desires only increase strife — like birds fighting over a piece of meat. The five desires burn a person — like holding a torch against the wind. The five desires harm a person — like stepping on a venomous snake. The five desires have no substance — like what is gained in a dream. The five desires do not last — borrowed for only a moment, like a spark struck from flint. A wise person, reflecting on them, sees them as no different from a hated enemy or thief. Yet worldly people, deluded, crave and cling to the five desires until death, unwilling to let them go, and afterward undergo measureless suffering and affliction.
〖講〗哀哉,悲嘆之辭。眾生者,即六道一切眾生,常常被五欲之塵境所迷惑,看不透,識不破,不但不能棄捨,而且求之無厭,故名求之不已。此數句,正顯五欲魔力,實為至劇。此下明五欲害人之相:若得此五欲,則復轉劇,猶如火之益薪,其燄更熾盛。五欲無樂,正如狗之嚙枯骨然,枯骨無肉,嚙之何益,但眾生顛倒,不肯放棄。須知五欲增諍,如鳥競肉。又復應知,五欲燒人,如逆風之焚猛炬;五欲害人,如履踐毒蛇;五欲無實,如夢中所得之境,五欲不久,假借須臾。如可愛之色,看過之後,當即消滅;可愛之聲,聽過即無;乃至可愛之觸,皆不常久,剎那即殞。又如石火電光,轉瞬即滅。若以智慧之人思之,亦如怨賊仇人,但世人不了,妄生貪著,至死不捨,後受無量苦惱。當知色如熱金丸,執之則燒;聲如塗毒鼓,聞之必死;香如憋龍氣,嗅之則病;味如沸蜜湯,嘗之則爛;觸如臥獅子,近之則齧。又云:「香味頹高志,聲色傷軀齡,遠之易為士,近則難為情。」誠如是,其五欲之過患,為何耶?思之思之!
Commentary: "How sorrowful" is an expression of lament. "Sentient beings" means every being of the six destinies, who are constantly deluded by the dusty objects of the five desires, unable to see through them or discern their true nature — not only unable to cast them off, but seeking them without ever being satisfied; hence "seeking them without end." These few lines reveal precisely how genuinely severe the demonic power of the five desires truly is.
What follows makes clear the very manner in which the five desires harm a person. The more one obtains of them, the more severe they become in turn, just as adding firewood to a fire only makes its flame burn fiercer still. The five desires bring no true pleasure, exactly like a dog gnawing a dry bone — a dry bone has no meat on it at all, so what benefit is there in gnawing it? Yet sentient beings, upside-down in their thinking, refuse to let go of it all the same. Know that the five desires only increase strife, like birds fighting over a single piece of meat. And know, further, that the five desires burn a person, like a fierce torch held up against the wind; the five desires harm a person, like stepping on a venomous snake; the five desires have no real substance, like a scene gained within a dream; and the five desires do not last, being borrowed for only the briefest moment — a lovely sight, once looked upon, vanishes at once; a lovely sound, once heard, is gone; even a lovely touch does not last for long, perishing in an instant — like a spark struck from flint, or a flash of lightning, gone the moment it appears.
If a person of wisdom reflects on them, they are no different from a hated enemy or thief — yet worldly people, not understanding this, give rise to false craving attachment, unwilling to let go even until death, and afterward undergo measureless suffering and affliction. One should know: form is like a red-hot ball of gold — grasp it, and it burns; sound is like a poison-coated drum — hear it, and one must die; smell is like the breath of a venomous dragon — inhale it, and sickness follows; taste is like boiling honey-syrup — taste it, and the tongue is scalded raw; touch is like a sleeping lion — draw near it, and it bites. As it is further said: "Smell and taste ruin one's high resolve; sound and form injure one's own span of life. Keep them at a distance, and it is easy to remain a true gentleman; draw close to them, and it becomes hard to keep one's own feelings in check." Truly it is so — what, then, is the real harm of these five desires? Reflect on it, reflect on it well!
Shared With the Animal Realm, and the Three Evil Paths 五欲同於畜生,坐墮三途
〖文〗此五欲法,與畜生同有。一切眾生,常為五欲所使,名欲奴僕。坐此弊欲,沈墮三途。我今修禪,復為障蔽,此為大賊,急當遠之。
Root Text: This matter of the five desires is shared even with the animal realm. Every sentient being is constantly driven by the five desires, and so is called a slave to desire. Sitting within this corrupting desire, one sinks down into the three evil paths. Now that I am cultivating dhyāna, and these desires obstruct and obscure it once again — this is a great thief, and must be kept far away at once.
〖講〗當知五欲之法,不特人道獨有,餘如鬼畜天仙亦復有之,以其有五根故。由此觀之,三界六道,一切眾生,常為五欲所使役,則名為欲愛奴僕,坐此弊欲,沈墮三途。因為常坐此粗弊欲中,為五欲所障蔽,遂墮於地獄餓鬼畜生之三途。言三途者:地獄之中,上火徹下,下火徹上,終歲為火所燒煮,名為火途;於畜生道中,大小互相吞噉,彼此飲血茹毛,是名血途;餓鬼道中,為大力鬼王,種種刀杖之打擲,是為刀途。我今既已修禪,復為五欲所障蔽,此為大賊,急當遠之。
Commentary: One should know that the matter of the five desires is not the human realm's own possession alone — ghosts, animals, and even heavenly immortals possess it too, since all of them possess the five faculties. Seen in this light, throughout the three realms and six destinies, every sentient being is constantly driven and put to use by the five desires, and so is called a slave to craving and attachment; sitting within this corrupting desire, one sinks down into the three evil paths. Because one constantly sits within this coarse, corrupting desire, obstructed and obscured by the five desires, one falls, accordingly, into the three evil paths of hell, hungry ghosts, and animals.
As for the "three paths": within hell, fire burns downward from above and upward from below at once, cooking one in flame the whole year through — hence it is called the "fire path." Within the animal realm, the large devour the small and each other in turn, drinking each other's blood and consuming each other's flesh — hence it is called the "blood path." Within the hungry-ghost realm, one is beaten and struck by every kind of blade and staff at the hands of powerful ghost-kings — hence it is called the "knife path." Now that I have already taken up the cultivation of dhyāna, and am once again obstructed and obscured by the five desires — this is a great thief, and must be kept far away at once.
The Closing Verse, and the Turn Toward Practice 禪經偈與結歸
〖文〗如禪經偈中說:
生死不斷絕 貪欲嗜味故 養冤入丘塚 虛受諸辛苦
身臭如死屍 九孔流不淨 如廁蟲樂糞 愚人身無異
智者應觀身 不貪染世樂 無累無所欲 是名真涅槃
如諸佛所說 一心一意行 數息在禪定 是名行頭陀
Root Text: As a verse in a dhyāna sūtra says:
"Birth-and-death is never cut off, because of craving desire and relishing its taste — raising up an enemy that leads into the burial mound, undergoing every hardship for nothing.
The body reeks like a corpse, its nine openings ever flowing with what is unclean — like a worm delighting in dung within a latrine, a foolish person's own body is no different.
One of wisdom should contemplate the body, and crave no attachment to worldly pleasure; free of entanglement, free of desire — this is called true nirvāṇa.
As all the buddhas have taught, practicing with a single, undivided mind, counting the breath within dhyāna-concentration — this is called practicing the dhutaṅga observances."
〖講〗凡夫眾生,無量劫來,常處於六道輪迴。生死不能斷絕者,即因貪著五欲,嗜好五味。當知五欲雖是塵境,而別有種滋味,凡夫眾生,若嘗之後,即難棄捨。試觀世人,何者不貪可愛之色,可聽之聲,以及可嗅可嘗之香味。因貪戀五欲之味,故生死不斷絕,正如養冤入丘塚,虛受諸辛苦,徒受勞碌奔波而已。然貪五欲之人,身臭如死屍,九孔常流不淨之物,如眼有眼垢,耳有耳污,鼻有鼻涕,小大便利,常流不淨。如廁所之蟲,於糞中遊戲快樂。人之貪著五欲,亦復如是。以其看不破識不透,故云愚人身無異。當知我人之自身,外面觀之宛然一清淨之體,其實臭穢不堪,正如一美花瓶中,藏諸糞穢,一旦瓶破殼穿,則諸穢物,溢流於外,厭之不極矣!智者應當觀察,身心不可貪著。若於世間之樂,無累無所欲,如是則無罣礙;無罣礙,即無恐怖,無恐怖,即能遠離顛倒夢想,是名真涅槃,即是清淨實相,亦云不生不滅,即我人之自性清淨心是。因我人之自心,終日妄想紛飛,生滅不停。所謂轉寂靜而為妄動,將不生滅而生滅,於是則與本有之清淨涅槃,非背而背。是故應知:如十方三世諸佛之所說,欲想捨迷途而登覺岸,轉煩惱而入正軌,遠棄五欲,收攝六根,無他,只須一心一意而行,內收攝於六根,外不攀攬六塵,專心一意,阿那波那,數出數入,從一至十,由十至一,久之妄念自能歸一,自心即能清淨。如是即入於禪定,是則名為抖擻精神,行頭陀行。
Commentary: Ordinary sentient beings, across measureless kalpas, have constantly dwelt within the wheel of the six destinies. That birth-and-death cannot be cut off is precisely because of craving attachment to the five desires, relishing their five flavors. One should know that although the five desires are merely dusty objects, they carry within them a particular kind of savor, and once an ordinary being has tasted it, it becomes difficult indeed to cast off. Consider the people of the world: who does not crave a lovely sight, a pleasing sound, and every fragrance and flavor that can be smelled and tasted? Because of this craving longing for the very taste of the five desires, birth-and-death is never cut off — exactly like raising up an enemy that leads one straight into one's own burial mound, undergoing every hardship for nothing, suffering only exhausting toil to no purpose at all.
Yet a person who craves the five desires has a body that reeks like a corpse, its nine openings constantly flowing with what is unclean — the eyes have their own discharge, the ears their own wax, the nose its own mucus, and the body's own excretions flow constantly, unclean. Like a worm in a latrine, delighting in play amid the filth — a person's craving attachment to the five desires is exactly the same. Because they cannot see through it or discern its true nature, it is said that "a foolish person's own body is no different." One should know: viewed from the outside, our own body appears to be a perfectly clean thing, but in truth it is filthy and foul past bearing — exactly like a beautiful flower vase that conceals filth within it; the moment the vase breaks and its shell is pierced, every foul thing inside spills out, and one can hardly bear the sight of it! A person of wisdom ought to observe this, and neither body nor mind should be craved and clung to.
If, toward worldly pleasure, one is free of entanglement and free of desire, then one is free of obstruction; free of obstruction, one is free of fear; free of fear, one is able to leave far behind every inverted dream and delusion — this is called true nirvāṇa, which is precisely pure true reality itself, also called the unborn and unceasing — precisely our own mind's inherently pure nature. Because our own mind, day after day, lets idle thoughts fly about in confusion, arising and ceasing without pause — this is called turning stillness into false movement, turning what is unborn and unceasing into what arises and ceases — and so one comes to stand, though not truly opposed to it, at odds with the pure nirvāṇa that was always already one's own.
This is why one should know: as all the buddhas of the ten directions and three times have taught, if one wishes to leave the path of delusion behind and climb to the shore of awakening, turning affliction around into the correct track, casting the five desires far away and gathering in the six faculties — there is no other way: one need only practice with a single, undivided mind, gathering the six faculties inward, and, outwardly, no longer grasping and clinging to the six sense-objects. Concentrating single-mindedly on ānāpāna — counting each breath out and each breath in, from one up to ten, and from ten back to one — in time idle thought is of itself able to return to oneness, and one's own mind becomes pure of itself. In this way one enters dhyāna-concentration — and this is what is called "shaking the spirit awake," practicing the dhutaṅga observances.
Reading note: The chapter's closing paragraph is doing double duty: it completes the argument against the five desires (the body they are craved on behalf of is, on Baojing's own image, a beautiful vase concealing filth), and it quietly opens the door to chapter 3, since the antidote it names — gathering in the six faculties by counting the breath, ānāpāna — is itself a meditation method, not merely a moral exhortation. The turtle-and-jackal parable earlier in the chapter and this closing breath-counting instruction bracket the whole chapter with two different images of the same single point: withdrawal of the senses is not passive avoidance but an active, learnable technique.
Chapter 2 status: Complete — the general principle of rebuking desire, all five desires individually (form, sound, smell, taste, touch), the turtle-and-jackal parable, the extended verse on the harm the five desires do, and the closing turn toward breath-counting practice are all translated in full. See the project index for the status of the remaining chapters.