Chapter 4 · 調和第四 · Complete

Regulation

With outward conditions in place and desire and the hindrances addressed, chapter 4 turns to something more mechanical: a potter cannot work clay that is too hard or too soft, a lutenist cannot play a string strung too tight or too loose. Baojing's commentary works through five things a practitioner must bring into balance — food, sleep, body, breath, and mind — with the last three given a detailed, practical method for the beginning, middle, and end of every single sitting.

Status: complete Translator: Ru-Yi Meditation Center Source: book.bfnn.org Covers: regulating food, sleep, body, breath, and mind, entering, sustaining, and leaving a sitting

The Resolve Before Regulation 正修前之發願

Chinese Source

〖文〗夫行者初學坐禪,欲修十方三世佛法者,應當先發大誓願,度脫一切眾生,願求無上佛道,其心堅固,猶如金剛,精進勇猛,不惜身命,若成就一切佛法,終不退轉。然後坐中正念思惟一切諸法真實之相。所謂善、不善、無記法,內外根塵妄識一切有漏煩惱法,三界有為生死因果法,皆因心有。故十地經云:「三界無別有,唯是一心作。」若知心無性,則諸法不實。心無染著,則一切生死業行止息。作是觀已,乃應如次起行修習也。

Ru-Yi Translation

Root Text: Now, when a practitioner first learns to sit in meditation, wishing to cultivate the Dharma of every buddha of the ten directions and three time periods, one should first give rise to the great vow: to bring every sentient being across, and to aspire to the unsurpassed buddha-path, with a mind firm and unbreakable as vajra, advancing with courage and diligence, never sparing body or life, never turning back until every buddha-dharma is accomplished. Only then, while seated, should one hold correct mindfulness and reflect on the true mark of every dharma — that is, wholesome, unwholesome, and neutral dharmas; every outflow-bound afflicted dharma among the inward faculties, outward sense-objects, and false consciousness; and every conditioned dharma of birth-and-death, cause and effect, within the three realms — all of it arising because of mind. Hence the Daśabhūmika Sūtra says: "The three realms have no separate existence of their own; they are made by mind alone." If one knows that mind has no fixed nature, then no dharma is truly real; and once the mind clings to nothing, every karmic activity of birth-and-death comes to rest of itself. Having made this contemplation, one should then, in due order, take up the practice itself.

〖講〗上來訶五欲,則外境不入;棄五蓋,則內心清淨,如是內外清淨,正可安心修習止觀。然尚須調和得所,方能得益,故第四明調和五事。五事者,即身、息、心、眠、食、是也。夫發語之辭。東西南北,四維上下,謂之十方;過去現在未來謂之三世;佛法即菩提,涅槃,究竟清淨,中道第一義諦之無上妙法,謂之佛法。言佛法則非九界眾生之法可比,眾生法是染污,而非清淨,是迷昧惑闇之法,非覺而不迷也,惟佛法是究竟,是覺悟,是不生滅,是清淨,故行者,欲想修學十方三世一切諸佛之法者,應當先發大弘誓願。誓願者,即四弘誓願也……如是無上佛道,願究竟證之。行者,不特發如是心而已,且其心最堅最固,猶如金剛相似……發如是金剛堅固不壞之心,精進勇猛,不惜身命,終不退轉,唯是精求無上佛道,廣度一切眾生,此則名為佛法中第一健人。言不退轉有三:一位不退……二行不退……三念不退……有如是成就已,然後正身端坐,修習止觀,於坐中正念思惟,一切諸法真實之相。正念者,即無念也;無念之念,是名正念。真心正念,是名正思惟。真實之相,即是實相,亦即實性。相即性也,實相無相無不相,實性無性無不性,是名真實相、真實性。言諸法者……須正思維,而諦審之,了達諸法真實之相。然云何能知諸法真實之相耶?當知有漏煩惱法,生死因果法,皆因心有,惟心所現,因心成體,若無心,則亦無萬法之差別,是故心為萬法之本。楞嚴經云:「諸法所生。唯心所現。」一切因果世界微塵,因心成體。故云:「三界無別有,唯是一心作。」……然若以四性推穹,則心境當下,皆不自生,不他生,不共生,不無因生,緣生無性,當體本寂。則知自心本來無性。自心無性,則諸法亦不實矣!諸法本無性,則自心亦不實矣!如是心無性,法亦無性,無性之性,謂之真實性,亦名真實相。既正念實相,是故心無所染著,則無貪戀塵境,從此則將一切生死業行,一概摒棄,止息無餘。須知吾人從無始以來,常流轉於生死道中者,即因煩惱業行不能止息之病根,在一切境界上,看不破,識不透,所以妄生染著,所謂以煩惱因起生死果,故不得止息。行者既能深觀自心了不可得,一切諸法虛偽不實,將一切生死業行止息,凡所有相,皆是虛妄,諸相非相,即是實相也。

Commentary: Chapter 2's rebuking of the five desires kept outward objects from entering; chapter 3's discarding of the five hindrances brought the inward mind to purity. With both inward and outward alike now pure, one is well placed to settle the mind and cultivate calming and insight — but one must, further, regulate five things into proper balance before real benefit is gained, hence chapter 4 explains regulating these five: body, breath, mind, sleep, and food.

"Ten directions" means east, west, south, north, the four intermediate points, and up and down; "three time periods" means past, present, and future; "buddha-dharma" means the unsurpassed, wondrous Dharma of bodhi, nirvāṇa, ultimate purity, and the supreme truth of the middle way — a Dharma incomparable to that of any of the [other] nine dharma-realms of beings, whose own dharma is defiled rather than pure, a dharma of confusion and darkness rather than awakening. Only the buddha-dharma is ultimate, awakened, unborn and unceasing, and pure. This is why a practitioner who wishes to cultivate the teaching of every buddha of the ten directions and three time periods should first give rise to the great universal vow — that is, the four universal vows themselves... aspiring to this unsurpassed buddha-path, vowing to realize it to the very end.

A practitioner does not merely give rise to a resolve of this kind — that resolve must, moreover, be utterly firm and unbreakable, exactly like vajra... Giving rise to a mind as firm and indestructible as vajra, advancing with courage and diligence, never sparing body or life, never turning back, seeking only the unsurpassed buddha-path with all one's strength, bringing every sentient being broadly across — this is what is called the very foremost vigorous person within the Buddhadharma. "Never turning back" is said of three kinds: never turning back in one's own stage of attainment... never turning back in one's own practice... and never turning back in one's own mindfulness... Once this is accomplished, one then sits with body upright, cultivating calming and insight, and, while seated, holds correct mindfulness and reflects on the true mark of every dharma. "Correct mindfulness" is precisely no-thought — a thought that is no-thought is called correct mindfulness; a true mind's correct mindfulness is called correct reflection. "True mark" is precisely true reality itself, also called true nature. Mark is nature: true reality being neither marked nor unmarked, true nature being neither natured nor unnatured — this is called true mark, true nature.

As for "every dharma" — one must reflect correctly and examine it closely, to fully penetrate the true mark of every dharma. But how, then, can one come to know the true mark of every dharma? One should know that every outflow-bound afflicted dharma, every dharma of birth-and-death, cause and effect, arises entirely because of mind — manifested by mind alone, given substance by mind alone; without mind, there would likewise be no distinction among the myriad dharmas at all — hence mind is the very root of every dharma. The Śūraṅgama Sūtra says: "Whatever dharmas arise are manifested by mind alone" — every cause and effect, every world, down to the smallest mote of dust, is given substance by mind. Hence it is said: "The three realms have no separate existence of their own; they are made by mind alone."

Yet if one investigates through the four possible modes of arising, mind and its object, right where they stand, arise neither of themselves, nor from another, nor from both together, nor from no cause at all — arising through conditions, they have no fixed nature, and their very substance is, from the start, still. From this one knows that one's own mind has, from the start, no fixed nature; and since one's own mind has no fixed nature, no dharma is truly real either — since no dharma has any fixed nature of its own, one's own mind, too, is not truly real. In this way, mind has no nature, and dharmas too have no nature — this natureless nature is called true nature, also called true mark. Once correct mindfulness rests in true reality itself, the mind clings to nothing at all, and craves no dusty object — from this, every karmic activity of birth-and-death is entirely set aside, brought to rest without remainder.

One must understand that the very reason we have, since beginningless time, constantly revolved along the path of birth-and-death is precisely this: the root sickness of being unable to bring afflicted karmic activity to rest, unable to see through or discern the true nature of any circumstance whatsoever, and so falsely giving rise to clinging attachment — that is, giving rise to the fruit of birth-and-death through the cause of affliction, and so never coming to rest. Once a practitioner is able to observe deeply that their own mind cannot ultimately be found at all, that every dharma is illusory and unreal, every karmic activity of birth-and-death is brought to rest — for whatever has a mark is entirely illusory, and marks that are not truly marks are precisely true reality itself.

What "Regulation" Means 調和之喻

Chinese Source

〖文〗云何名調和?今借近譬,以況斯法。如世間陶師,欲造眾器,須先善巧調泥,令使不彊不懦,然後可就輪繩;亦如彈琴,前應調絃,令寬急得所,方可入弄,出諸妙曲,行者修心,亦復如是,善調五事,必使和適,則三昧易生;有所不調,多諸妨難,善根難發。

Ru-Yi Translation

Root Text: What is meant by "regulation"? Let us borrow a ready simile to illustrate this method. Just as a potter in the world, wishing to make various vessels, must first skillfully work the clay so that it is neither too hard nor too soft, and only then set it upon the wheel; or just as a lute-player must first tune the strings, so that they are neither too loose nor too tight, and only then can begin to play, drawing out every wondrous melody — a practitioner cultivating the mind is exactly the same. Skillfully regulating the five things, bringing them necessarily into balance, allows samādhi to arise easily; if any is left unregulated, many obstacles follow, and wholesome roots become difficult to bring forth.

〖講〗初句徵起之辭。言調和者,如何名為調和,以譬喻比況斯法。如世間燒碗盆瓦罐之陶師,欲想造作種種之器皿,先須善巧調和其泥土,令使不彊不硬,亦不懦不軟,調適得當,然後方就之於輪繩,則了無滯礙矣。亦如彈琴,然於未彈之先,應善調其絃索,不可過寬,若寬則彈之無聲,亦不可過急,若急則易於暴斷,務須寬急得所,然後方可入弄,彈之則妙曲清朗,音聲悅耳矣。是故當知,行者修心,亦復如是。若能善巧調和,於五事中調和停適,當則三昧易生,道自隆矣!若有所不調,則徒勞身心,非唯無益,反使增病損生。故云:多諸妨難,從此諸善之根,難以開發,豈不大可痛惜者乎?如行者須謹慎其心,善巧而調適之。

Commentary: The opening line raises the question itself: what is meant by "regulation"? — illustrating this method through a simile. Just as a potter in the world, firing bowls, basins, and clay jars, wishing to make vessels of every kind, must first skillfully work the clay so that it is neither too hard nor too stiff, nor too weak nor too soft, brought into proper balance, and only then set upon the wheel, moving without the slightest hindrance; or just as, before playing a lute, one must first skillfully tune its strings — not too loose, for a loose string gives no sound when plucked, and not too tight, for a tight string easily snaps — the strings must, above all, be brought to just the right tension, and only then can one begin to play, drawing out clear, wondrous melodies pleasing to the ear.

This is why one should know that a practitioner cultivating the mind is exactly the same. If one can skillfully regulate all five things into proper balance, samādhi arises easily, and the path flourishes of itself! But if any of the five is left unregulated, one merely exhausts body and mind for nothing — not only without benefit, but actually increasing sickness and harming one's own health. Hence it is said: many obstacles follow, and the roots of every wholesome quality become difficult to bring forth from this point on — is this not deeply regrettable? A practitioner must, then, be careful with the mind, and regulate all five skillfully into balance.

1. Regulating Food 調食

Chinese Source

〖文〗一調食者。夫食之為法,本欲資身進道。食若過飽,則氣急心滿,百脈不通,令心閉塞,坐念不安;若食過少,則身羸心懸,意慮不固。此二者非得定之道。若食穢觸之物,令人心識昏迷;若食不宜之物,則動宿病,使四大違反。此為修定之初,須深慎之也。故經云:身安則道隆,飲食知節量,常樂在空閑,心靜樂精進,是名諸佛教。

Ru-Yi Translation

Root Text: First, regulating food. Now, food as a matter of practice is meant, at root, to sustain the body so that one may progress along the path. If one eats to excess, the breath grows constricted, the mind feels swollen and full, the hundred channels fail to flow freely, the mind becomes blocked, and sitting in meditation becomes unsettled. If one eats too little, the body grows weak, the mind feels unmoored, and one's own thinking loses its stability. Neither of these two is the way to attain concentration. If one eats unclean or defiling things, this leaves a person's mind and consciousness clouded and confused; if one eats something unsuited to oneself, this stirs up old illness and throws the four great elements out of balance. This is something to be extremely careful about at the very beginning of cultivating concentration. Hence a sūtra says: "When the body is at ease, the path flourishes; know moderation in food and drink; constantly delight in dwelling in a quiet, unoccupied place; let the mind be still and take joy in diligence — this is called the teaching of every buddha."

〖講〗調五事。第一要調飲食,若飲食不調,則身不安,道不隆。食之所以為法本。欲資益色身,進行道業,雖此身為幻妄之軀,但現前須藉此身而修道,所謂借假以修真,由有為而趨於無為也,既有色身,必須飲食以資身。古德云:「法輪未轉食輪先。」足見飲食為人身之需要可知,但不可過於貪食飽滿。若過飽,則氣急身滿,息喘體重,百脈因是不能流通,令心地閉塞不開,於是懈怠心起,百病叢生,身心不得安泰,道業因是而廢。然亦不可過減食,若饑餓,則身羸心懸,意慮不固,身既羸瘦,心亦懸空,意念不固,思慮紛然,身弱力虛,精神不足,朝夕鬱悶,道復安有。是知太飽太饑,二者皆非得定之道,過多則身滿氣急,過少則身羸心懸。然尤須先應識得可食,不可食之物。若穢觸之物,食之增病,凡增眠增煩惱,皆不應食,以其令人心識昏迷,故若安身愈疾之物,能增道損生者,即可應食;若不相宜之物,亦不可食,食之則發動宿病,竟使四大違反。所謂病從口入者,即此義也。總之調食須不饑不飽,少不至虛,多不量義,在知量知足,此為修定人調食之最初方便,須深慎之也。故云:「身安則道隆。飲食知節量,常常好樂在於空閑之處,身心寂靜,精進勇猛,是名諸佛之教。」

Commentary: Regulating the five things: the first is regulating food and drink — if food and drink are not regulated, the body is not at ease, and the path does not flourish. Food, as a matter of practice, exists at root to nourish this physical body so that one may progress along the path. Although this body is itself an illusory, unreal thing, one must presently rely on this very body to cultivate the path — borrowing the false to cultivate the true, moving from the conditioned toward the unconditioned. Since one has a physical body at all, one must rely on food to nourish it. An ancient worthy said: "Before the wheel of the Dharma turns, the wheel of food must turn first" — enough to show how necessary food and drink are to the human body. But one must not crave food and eat to excess. If one overeats, the breath grows constricted and the body feels swollen, breathing becomes labored and the body heavy, the hundred channels fail to flow freely because of this, the ground of the mind becomes closed and blocked, laxity of mind arises from this, a hundred illnesses crowd in, body and mind fail to find peace, and one's practice along the path is thereby abandoned.

Yet one must also not reduce food to excess. If one goes hungry, the body grows weak and the mind feels unmoored, one's own thinking loses its stability — the body grown thin and weak, the mind left hanging empty, thoughts and considerations scattered in confusion, the body feeble and strength depleted, the spirit insufficient, gloomy and depressed from morning to night — how, then, could the path possibly flourish? From this we know that both overeating and undereating fail to be the way to attain concentration: too much leaves the body swollen and the breath constricted, too little leaves the body weak and the mind unmoored.

One must, further, first come to know what may and may not be eaten. Unclean or defiling things, if eaten, increase illness; anything that increases sleepiness or affliction should not be eaten at all, since it leaves a person's mind and consciousness clouded and confused. Something that settles the body and cures illness, able to aid the path and do no harm to health, may accordingly be eaten; something unsuited to oneself should likewise not be eaten, since eating it stirs up old illness and actually throws the four great elements out of balance — this is precisely the meaning of the saying "illness enters through the mouth." In sum, regulating food means neither hungry nor overfull — too little should not leave one depleted, too much should not exceed what is fitting — the key lies in knowing moderation and being content. This is the very first expedient for one cultivating concentration in regulating food, and must be attended to with the greatest care. Hence it is said: "When the body is at ease, the path flourishes. Know moderation in food and drink; constantly delight in dwelling in a quiet, unoccupied place, body and mind still, advancing with courage and diligence — this is called the teaching of every buddha."

2. Regulating Sleep 調睡眠

Chinese Source

〖文〗二調睡眠者。夫眠是無明惑覆,不可縱之。若其眠寐過多,非唯廢修聖法,亦復喪失功夫,而能令心闇昧,善根沈沒。當覺悟無常,調伏睡眠,令神氣清白,念心明淨,如是乃可棲心聖境,三昧現前。故經云:初夜後夜,亦勿有廢,無以睡眠因緣,令一生空過,無所得也。當念無常之火,燒諸世間,早求自度勿睡眠也。

Ru-Yi Translation

Root Text: Second, regulating sleep. Now, sleep is a covering cast by ignorance and delusion, and must not be indulged. If one sleeps to excess, this not only abandons the cultivation of the sacred Dharma but also destroys one's own effort in practice, leaving the mind dull and one's wholesome roots submerged. One should awaken to impermanence, and subdue sleep, so that the spirit remains clear and bright, mindfulness remains luminous and pure — only in this way can the mind settle into the sacred realm, and samādhi manifest before one. Hence a sūtra says: "Do not let even the first or last watch of the night go to waste — do not, through the mere circumstance of sleep, let an entire lifetime pass by empty, with nothing gained. Bear constantly in mind the fire of impermanence, burning through every corner of the world, and seek your own deliverance without delay — do not sleep."

〖講〗第二調和睡眠,務須調適得當。若過眠,則心識昏暗;若過少,則身體有虧,切須調之,夫然眠寐,那是無明黑暗之法,能迷惑、蓋覆吾人之明性覺靈,切不可縱之。如人未眠之先,歷歷明明,明明歷歷,若一經睡眠,則意識昏昏,六情暗閉,其有眠寐過多,不特廢修聖法,而且唐喪時光,損失功夫,遂令心識昏暗,迷昧一切善根,從此沈沒。故修行者,切不可放縱其眠臥,當猛省覺悟無常,早求自度,急須調伏睡眠,常令神氣清白,念心自然光明湛淨,如是乃可棲心聖境,三昧正定,自然顯現在前矣。經云:「初夜後夜,亦勿有廢。」須精進用功,不特初夜後夜,須寂寂惺惺,惺惺寂寂,即當中夜從容四大之時,亦須靈靈不昧,了了照澈,常念是日已過,命亦隨減,如少水魚,斯有何樂!切莫以睡眠因緣,令一生空過,無所得也。又復當念無常之火燒諸世間,所謂三界不安,猶如火宅,眾苦充滿,甚可怖畏,急須早求出離而度脫之,不可貪著睡眠,又所謂:「此身不向今生度,更向何生度此身。」此誠明訓,行者當猛省之。

Commentary: Second, regulating sleep — this too must be brought into proper balance. Too much sleep leaves the mind and consciousness dull and clouded; too little leaves the body depleted — both must be carefully regulated. Sleep itself is a dark dharma of ignorance, able to delude and cover over one's own bright, awakened nature, and so must never be indulged. Before falling asleep, everything stands utterly clear and distinct — but the moment sleep sets in, consciousness grows dull, the six senses shut dark and closed. Sleeping to excess not only abandons the cultivation of the sacred Dharma but also wastes precious time and destroys one's own effort in practice, leaving mind and consciousness dull and clouded, obscuring every wholesome root, which from this point sinks down and is lost.

This is why a practitioner must never indulge in lying down to sleep, but should rouse themselves sharply, awaken to impermanence, and seek their own deliverance without delay — urgently subduing sleep, keeping the spirit constantly clear and bright, so that mindfulness naturally becomes luminous and still — only in this way can the mind settle into the sacred realm, and true samādhi-concentration naturally manifest before one. The sūtra says: "Do not let even the first or last watch of the night go to waste" — one must press forward diligently, not only through the first and last watches but with a mind both still and alert, alert and still, at every hour; even in the calm depths of the middle of the night, when the four great elements rest at ease, one should remain luminous and unclouded, seeing through with utter clarity, constantly bearing in mind that this day has already passed and one's own life has diminished along with it — like a fish in ever-shrinking water — what joy is there in this? Never let the mere circumstance of sleep let an entire lifetime pass by empty, with nothing gained.

One should, further, constantly bear in mind that the fire of impermanence burns through every corner of the world — the three realms find no peace, exactly like a house on fire, filled with every kind of suffering, truly a thing to be feared — and one must urgently seek to escape and be delivered from it without delay, never clinging fondly to sleep. As it is further said: "If this body is not delivered in this very life, in what life will it ever be delivered?" This is, in truth, a clear and sober teaching — a practitioner ought to reflect on it sharply.

3–5. Regulating Body, Breath, and Mind 調身、調息、調心

Chinese Source

〖文〗三調身,四調息,五調心。此三應合用,不得別說;但有初中後方法不同,是則入住出相有異也。

Ru-Yi Translation

Root Text: Third, regulating the body; fourth, regulating the breath; fifth, regulating the mind. These three should be applied together, and cannot properly be explained apart from one another — but the method differs at the beginning, middle, and end of a sitting, so that the mark of entering, dwelling in, and leaving concentration differs correspondingly.

〖講〗上來外調之眠食二重已竟,於內尤須調身息心之三種。然此三須合調,以其不離,故其要在調身不寬不急,調息不澀不滑,調心不沈不浮,最為要緊耳。但有初中後,方法不同。初須調身,次當調息,後則調心,有入住出相之異。謂入定則由粗至細,出定則從細至粗,無論調身、調息、調心,一一皆有入住出之三相,故有異也。

Commentary: The two outward things above, sleep and food, are now regulated; inwardly, one must, further, regulate the three things of body, breath, and mind. Yet these three must be regulated together, since they are never truly separate from one another — the essential point is that the body be regulated to be neither too slack nor too tense, the breath regulated to be neither too rough nor too smooth, and the mind regulated to be neither sinking nor floating; nothing matters more than this. But the method differs at the beginning, middle, and end: first the body is regulated, next the breath, and last the mind, with the mark of entering, dwelling in, and leaving concentration each differing in turn. Entering concentration moves from coarse to fine; leaving concentration moves from fine to coarse — and whether regulating body, breath, or mind, each has these same three marks of entering, dwelling, and leaving, hence the difference.

At the Start of Sitting 初入禪調三事

Chinese Source

〖文〗夫初欲入禪調身者:行人欲入三昧調身之宜,若在定外,行住進止,動靜運為,悉須詳審。若所作麤獷,則氣息隨麤,以氣麤故,則心散難錄,兼復坐時煩憒,心不恬怡。身雖在定外,亦須用意逆作方便。後入禪時,須善安身得所。

Ru-Yi Translation

Root Text: As for regulating the body when first about to enter dhyāna: a practitioner wishing to enter samādhi and regulate the body properly must, even while still outside of concentration, be careful and attentive in every movement — walking, standing, advancing, stopping, every motion and stillness alike. If one's own conduct is coarse and rough, the breath follows it and becomes coarse as well; and because the breath is coarse, the mind becomes scattered and hard to hold, and, moreover, once seated, one feels agitated and ill at ease, the mind unable to settle into calm contentment. Though the body remains, at this point, still outside of concentration, one must already apply the mind in advance, preparing the way skillfully — so that, once one actually enters dhyāna, the body can be well settled into its proper place.

〖講〗此正釋初入定調身之相。行者,初入定先須調身體之所宜,方能入定。即於未入定前,在定外時,此身於行、住、進、止、動運,作為咳吐掉臂,動靜往還,迎賓送客,穿衣吃飯,四威儀間,悉須詳審,調身所宜。若所作為,一切皆是麤獷之事,則所出之氣息,亦隨之而麤獷,則心散難錄,心亂則難以專一,後於坐時,亦心生煩憒,不能安恬悅怡,是則定心為之妨礙矣!故行者須了知身雖在定外時,亦須用意逆作方便。逆字作預先義,亦可當早字講,謂須預先早作方便之法,調身所宜,令不麤獷。所謂行亦禪,坐亦禪,語默動靜體安然。

Commentary: This directly explains the mark of regulating the body at the very start of entering concentration. A practitioner, first entering concentration, must first regulate the body's own proper condition before concentration can actually be entered. That is, even before entering concentration, while still outside of it, this body's every walking, standing, advancing, stopping, and moving — coughing, spitting, swinging the arms, coming and going, greeting guests and seeing them off, dressing and eating — throughout all four bodily postures, must be carefully attended to, regulating the body into its proper condition. If everything one does is coarse and rough, the breath that follows becomes coarse as well, and the mind becomes scattered and hard to hold — a confused mind finds it hard to settle on any one thing — so that, once seated, one feels agitated and ill at ease, unable to settle into calm contentment, and concentration of mind is thereby obstructed! A practitioner must therefore understand that even while the body remains outside of concentration, one must already apply the mind in advance, preparing skillfully ahead of time. "In advance" here carries the sense of beforehand, or early — meaning one must prepare this skillful method well ahead of time, regulating the body into its proper condition so that it is never coarse or rough. As it is said: "Walking is itself dhyāna, sitting is itself dhyāna; speaking or silent, moving or still, the body remains at ease."

Chinese Source

〖文〗初至繩床,即須先安坐處,每令安穩,久久無妨。次當正腳。若半跏坐,以左腳置右腳上,牽來近身,令左腳指與右膝齊。右腳指與左膝齊。若欲全跏,即正右腳置左腳上。次解寬衣帶周正,不令坐時脫落。次當安手;以左手掌置右手上,重累手相對,頓置左腳上,牽來近身,當心而安。次當正身,先當挺動其身,並諸支節,作七八反,如似按摩法,勿令手足差異,如是已則端直,令脊骨勿曲勿聳。次正頭頸,令鼻與臍相對,不偏不斜,不低不昂,平面正住。次當口吐濁氣,吐氣之法,開口放氣,不可令麤急,以之綿綿,恣氣而出,想身分中百脈不通處,放息隨氣而出。閉口鼻納清氣。如是至三。若身息調和,但一亦足。次當閉口,唇齒纔相拄著,舌向上齶。次當閉眼,纔令斷外光而已。當端身正坐,猶如奠石,無得身首四肢切爾搖動,是為初入禪定調身之法。舉要言之,不寬不急,是身調相。

Ru-Yi Translation

Root Text: When first taking one's seat, one should first settle the sitting place itself, making sure it is stable and comfortable, so that it causes no difficulty even over a long sitting. Next, one should position the legs. In the half-lotus posture, place the left foot on top of the right thigh, drawing it in close to the body, so that the toes of the left foot align with the right knee, and the toes of the right foot align with the left knee. For the full-lotus posture, then also place the right foot atop the left in the same way. Next, loosen the belt and straighten the robes all around, so that nothing comes loose while seated. Next, position the hands: place the left palm on top of the right, one resting evenly upon the other, set upon the left foot, drawn in close to the body, and settled level with the heart. Next, straighten the body: first stretch and shift the body and every limb and joint, back and forth some seven or eight times, as in a method of self-massage, taking care that hands and feet remain evenly matched; having done this, sit upright and straight, letting the spine be neither bent nor thrust out. Next, straighten the head and neck, so that the nose aligns directly with the navel, neither tilted nor slanted, neither lowered nor raised, resting level and centered.

Next, exhale turbid breath from the mouth. The method for exhaling: open the mouth and release the breath, taking care that it is not coarse or hurried, but drawn out slowly and continuously, letting the breath flow freely out, imagining that wherever the body's hundred channels are blocked, the breath, released, carries the blockage out along with it. Then close the mouth and draw clean breath in through the nose. Do this up to three times; if body and breath are already well settled, once is enough. Next, close the mouth, with the lips and teeth lightly touching and the tongue resting against the upper palate. Next, close the eyes, only enough to shut out the outward light. One should then sit with the body upright and settled, as steady as a placed stone, allowing no shaking whatsoever of body, head, or limbs. This is the method for regulating the body at the very beginning of entering dhyāna-concentration. Stated in brief: neither too slack nor too tense is the mark of a properly regulated body.

〖講〗半跏坐,即單腿坐,將左腳牽於右腳上。全跏復將右腳牽於左腳上;重累手相對者,即將左手掌,伸齊安於右手掌上,左右相對,如結彌陀印。然手足既整妥,復須挺動其胸腹,振作精神,身不曲彎,亦不高聳,頭不低垂。亦不昂仰,不偏於左,不斜於右,身如奠定之石,此為入住調身之相。

Commentary: The half-lotus posture is a single-leg posture, drawing the left foot up onto the right; the full-lotus then draws the right foot up onto the left as well. "One resting evenly upon the other" means extending the left palm evenly and resting it atop the right palm, left and right aligned together, exactly as in forming Amitābha's own mudrā. Once the hands and feet are properly arranged, one must, further, stretch and lift the chest and abdomen, rousing the spirit — the body neither bent nor thrust upward, the head neither hanging low nor tilted back, leaning neither to the left nor to the right, the body as steady as a placed stone. This is the mark of regulating the body upon entering and dwelling in concentration.

Chinese Source

〖文〗四初入禪調息法者:息有四種相,(一)風、(二)喘、(三)氣、(四)息。前三為不調相,後一為調相。云何為風相?坐時則鼻中息出入覺有聲,是風也;云何喘相?坐時息雖無聲,而出入結滯不通,是喘相也;云何氣相?坐時息雖無聲,亦不結滯,而出入不細,是氣相也;云何息相?不聲不結不麤,出入綿綿,若存若亡,資神安隱,情抱悅豫,此是息相也。守風則散,守喘則結,守氣則勞,守息即定。坐時有風喘氣三相,是名不調;而用心者,復為心患,心亦難定。若欲調之,當依三法:一者下著安心,二者寬放身體,三者想氣遍毛孔出入,通同無障。若細其心,令息微微然。息調則眾患不生,其心易定,是名行者初入定時調息方法。舉要言之,不澀不滑,是調息相也。

Ru-Yi Translation

Root Text: Fourth, the method for regulating the breath at the very start of entering dhyāna: the breath has four characteristic states — wind, panting, coarse breath, and true respiration. The first three are unregulated states; the last alone is the regulated state. What is the windy state? While seated, if the breath moving in and out through the nose is felt to make an audible sound, this is wind. What is the panting state? While seated, if the breath makes no sound but its passage in and out catches and does not flow freely, this is panting. What is the coarse-breath state? While seated, if the breath makes no sound and does not catch, yet its passage in and out is not fine, this is coarse breath. What is the state of true respiration? Making no sound, not catching, not coarse, its passage in and out drawn out continuously, as though barely there and yet never quite gone, sustaining the spirit in settled ease, the feelings themselves at rest and content — this is true respiration.

Dwelling on the windy state leaves the mind scattered; dwelling on panting leaves it knotted; dwelling on coarse breath leaves it strained; dwelling on true respiration brings concentration itself. If, while seated, the wind, panting, or coarse states are present, this is called unregulated — and if one applies the mind while in this state, it becomes, further, a affliction of the mind, and the mind too becomes hard to settle. If one wishes to regulate it, one should rely on three methods: first, settling the mind low, at rest; second, letting the body relax at ease; third, imagining the breath passing in and out through every pore of the body, flowing freely everywhere without obstruction. Refining the mind in this way, letting the breath become ever so faint and subtle — once the breath is regulated, no affliction arises, and the mind settles easily. This is the method by which a practitioner regulates the breath at the very start of entering concentration. Stated in brief: neither rough nor too smooth is the mark of properly regulated breath.

〖講〗此明行人坐禪調身後,次調息法。息即鼻中出入綿綿者,有四種之不同,謂風喘氣息,是於中麤細好惡,若不分明辨別守之,則徒勞無功,故須揀其麤而守其細也。行人坐禪之時,有風喘氣之三相者,名為不調之相。若以之用心,不特無益,且有損也。每見行人於坐禪之時,患心痛之症,皆由息不調,致身心亦難安定矣。若欲捨棄風喘氣三種麤相,而守於息之細相,當善巧調和,令息得所,當依三法而成就之。何謂三法:(一)者下著安心,行者緣想於心,放下一切,令不馳散,即一心專注丹田也。(二)者須寬放身體,一切須出乎自然,不可過於拘束。(三)者應想氣息,周遍全身,隨八萬四千毛孔,或入或出,通同無障無礙。三者具足,則從麤入細,自然心定神安矣。若無風喘氣之麤相,能細其心,令息微微出入,若存若亡,綿綿密密,不澀不滑,此為息之調相。息調則一切病患不能發生,心則易得安定,是則名為行者最初入禪時調和氣息之方法也!

Commentary: This explains the method for regulating the breath after a practitioner sitting in meditation has already regulated the body. "Breath" here means the continuous passage in and out through the nose, of which there are four distinct kinds — wind, panting, coarse breath, and true respiration — differing among themselves in coarseness or fineness, wholesomeness or unwholesomeness; without clearly distinguishing and attending to them, one's effort is spent for nothing, hence one must set aside the coarse states and attend instead to the fine one.

When a practitioner sits in meditation, the presence of the windy, panting, or coarse-breath states is called an unregulated state. Applying the mind in such a state is not only without benefit but actually harmful — one often sees practitioners, while sitting in meditation, suffer from a pain in the chest, entirely because the breath was left unregulated, so that body and mind alike find it hard to settle.

If one wishes to set aside the three coarse states of wind, panting, and coarse breath, and attend instead to the fine state of true respiration, one should skillfully regulate the breath into its proper condition, relying on three methods to accomplish this. What are these three methods? First, settling the mind low, at rest: the practitioner turns the mind's attention inward, setting everything else down, so that it does not run about scattered — that is, fixing the mind single-mindedly on the elixir field below the navel. Second, letting the body relax at ease: everything should proceed entirely naturally, without excessive restraint. Third, imagining the breath pervading the entire body, passing in and out through all eighty-four thousand pores, flowing freely everywhere without the slightest obstruction. With all three methods in place, one moves from the coarse into the fine, and the mind naturally settles, the spirit naturally at ease.

Once none of the coarse states of wind, panting, or coarse breath remains, and the mind can be refined so that the breath passes in and out ever so faintly, as though barely there and yet never quite gone, continuous and fine, neither rough nor too smooth — this is the regulated mark of the breath. Once the breath is regulated, no affliction whatsoever is able to arise, and the mind settles easily. This, then, is the method by which a practitioner regulates the breath at the very start of entering dhyāna.

Chinese Source

〖文〗五初入定時調心者有三義;一入、二住、三出。初入有二義:一者調伏亂想,不令越逸,二者當令沈浮寬急得所。何等為沈相?若坐時心中昏暗,無所記錄,頭好低垂,是為沈相。爾時當繫念鼻端,令心住在緣中,無分散意,此可治沈。何等為浮相?若坐時心好飄動,身亦不安,念外異緣,此是浮相。爾時宜安心向下,繫緣臍中,制諸亂念,心即定住,則心易安靜。舉要言之,不沈不浮,是心調相。

Ru-Yi Translation

Root Text: Fifth, regulating the mind at the very start of entering concentration has three aspects: entering, dwelling, and leaving. Entering itself has two aspects: first, subduing scattered thoughts, not letting the mind run loose beyond itself; second, bringing sinking and floating, slackness and tension, into their proper balance. What is the mark of sinking? While seated, if the mind grows dull and dark, retaining nothing at all, the head inclined to droop — this is the mark of sinking. At such a time one should fix the attention on the tip of the nose, holding the mind within this single object, allowing no scattering of attention — this can cure sinking. What is the mark of floating? While seated, if the mind is prone to drift and wander, the body too ill at ease, the attention drawn toward outward, unrelated objects — this is the mark of floating. At such a time one should settle the mind downward, fixing the attention at the navel, restraining every scattered thought, so that the mind settles and grows still, and calm comes easily. Stated in brief: neither sinking nor floating is the mark of a properly regulated mind.

〖講〗此明入定調心之法,亦有三義,調和其心:(一)者謂調伏心中亂想雜念,不使令其越逸。越即超越,逸即放逸,謂將心念專注一境,不令其超越自心之外。(二)者浮沈寬急得所,解釋如文。沈即昏,浮即動,(三)者去其異緣,謂其心各別,緣於前塵境界,或緣色、聲、香、味、觸之五塵;或緣眼、耳、鼻、舌、身之五根;各各不同,故名異緣,此等皆非調心。總之能令心不沈不浮,是名心調之相。

Commentary: This explains the method for regulating the mind upon entering concentration, which likewise has three aspects for bringing the mind into balance. First, subduing scattered, disordered thoughts in the mind, not letting them run loose beyond it — "run loose" means going beyond, "beyond" means unrestrained — that is, fixing the mind's own attention single-mindedly on one object, not letting it stray beyond one's own mind. Second, bringing floating and sinking, slackness and tension, into their proper balance, explained as in the text above — sinking is dullness, floating is agitation. Third, setting aside distracting objects — meaning the mind, scattered in various directions, fixes on some sense-object of the past, whether one of the five sense-objects (form, sound, smell, taste, touch), or one of the five sense-faculties (eye, ear, nose, tongue, body) — each different from the last, hence called a "distracting object"; none of these constitute a regulated mind. In sum, being able to keep the mind neither sinking nor floating is called the mark of a properly regulated mind.

Chinese Source

〖文〗其定心亦有寬急之相:定心急病相者,由坐中攝心用念,因此入定,是故上向胸臆急痛。當寬放其心,想氣皆流下,患自差矣!若心寬病相者,覺心志散慢,身好逶迤,或口中水涎流,或時闇晦。爾時應當斂身急念,令心住緣中,身體相持,以此為治。心有澀滑之相,推之可知。是為初入定調心方法。

Ru-Yi Translation

Root Text: The settled mind also has marks of being too tense or too slack. The mark of the tense affliction of the settled mind: through gathering the mind and applying thought too tightly while seated, one enters concentration in this way, and as a result feels a sharp pain rising toward the chest. One should relax the mind and let it loosen, imagining the breath flowing downward everywhere, and the affliction will resolve itself. As for the mark of the slack affliction of the mind: one feels the will grow lax and scattered, the body prone to sag and sprawl, saliva perhaps flowing from the mouth, or the mind at times grown dark and dull. At such a time one should draw the body in and sharpen one's attention, holding the mind fixed within a single object, body and mind mutually sustaining one another — this is the cure. The mind also has marks of being rough or too smooth, which can be understood by the same reasoning. This is the method for regulating the mind at the very start of entering concentration.

〖講〗此下明定心之中,亦有寬急二種病相。因上來所明調伏妄想思慮,令心不沈不浮,是名心定相。倘若於中不慎,遂生二種之相:(一)者急相,(二)者寬相,此二相均於定心中所產生。一謂定心中急病相者,因於行人由靜坐之中,攝心用念,此念乃是虛偽之妄念,非真實之正念,以之用心,因此而入於定,是故每患胸臆急痛,身心不得安隱,每見行人精進修定,但心尚未定,而心氣急痛之症,早已在身矣。欲治此病,當寬放其心,想氣皆下流,則患自愈矣。蓋患此症者,皆是用心過度,急念攝心故,若能寬放其心,將一切浮念亂想,麤心暴氣,一一悉令放下,勿使上升,所謂:「息滅心頭火,除熱得清涼,遠離百思想,還我清淨心。」果如是則心病自差矣!若心寬病相者,此下明定心中寬病之相。謂行人始覺心中之志意,散慢至勿可收捨,身則常欲逶迤。逶迤者,即不振貌,謂精神鬱鬱悶悶不快也,或時口中液涎外流,或時六情闇晦,如是皆定中寬病之相。若此等相起發之時,行者於中當須早覺,即當斂其身追其念,勿使其心向外馳求,令心安住於緣中。須知寬病,由於放逸過度,若攝心靜念,專注一境,所謂都攝六根,淨念相繼,抖擻精神,勿令其心懈怠懶惰,以此為治病之良藥,則寬相之病,自然剷草除根矣。然定心之中,不特有寬急二相,且有澀滑之相不同。澀者即不肌滑也,古人云:「味不甘滑曰澀。」……正言行人定中調心,稍有不慎,則澀塞難調。滑者利也,即不凝滯之謂……若能善調心,則此澀滑之相,自然消滅,水清魚現矣。此種理義非深,最易明見,故云推之可知,勿繁贅述。如上所明,是謂行人,初步入定調心之唯一方法。

Commentary: What follows explains that the settled mind also has two kinds of afflicted mark, tense and slack. Given the subduing of idle thought and reflection explained above, so that the mind is neither sinking nor floating, this is called the mark of a settled mind — but should one grow careless within it, two further marks can arise: a tense mark and a slack mark, both arising within an already-settled mind.

The tense affliction of the settled mind arises when a practitioner, gathering the mind while sitting still, applies a certain kind of thought — a thought that is, in truth, a false, illusory thought, not a genuine, correct mindfulness — and by applying the mind in this way, enters concentration; as a result, one often suffers a sharp pain rising in the chest, body and mind unable to find peace. One often sees practitioners advancing diligently in cultivating concentration, whose mind has not yet actually settled, and yet the symptom of a tense, painful chest has already set into the body. To cure this affliction, one should relax and loosen the mind, imagining the breath flowing downward everywhere, and the affliction will resolve of itself. This symptom arises entirely from applying the mind to excess, gathering it too tightly with sharpened thought — if one can relax and loosen the mind, letting go entirely of every floating thought, scattered idea, coarse mental force, and violent energy, never letting it rise upward, as it is said: "Extinguish the fire at the heart's own center, remove the heat and attain coolness; leave every hundred thoughts far behind, and restore to me my own pure mind" — if one truly does this, the sickness of the mind resolves of itself!

As for the slack affliction of the mind: what follows explains this mark within the settled mind. A practitioner begins to notice their own will and resolve growing lax and scattered to the point of being unable to gather it back in, the body constantly wanting to sag and sprawl — "sagging and sprawling" describes a listless appearance, meaning the spirit feels gloomy, oppressed, and displeased — saliva perhaps flowing from the mouth at times, or the six senses growing dark and dull at times — marks of this kind are all the slack affliction within concentration. When marks of this kind begin to arise, a practitioner must recognize them early, drawing the body in and sharpening one's own attention, not letting the mind run outward in search of anything, and settling it back within a single object. One must understand that the slack affliction arises from excessive laxity — if one gathers the mind and stills one's thought, focusing single-mindedly on one object, gathering in all six faculties together, this pure mindfulness continuing without a break, rousing the spirit and never letting the mind grow lazy or indolent — taking this as the true remedy for the sickness, the slack mark resolves of itself, root and all.

Yet within a settled mind, there are not only the tense and slack marks, but also a difference between rough and too-smooth marks. "Rough" here means lacking smoothness... speaking precisely of how, in regulating the mind during concentration, the slightest carelessness leaves it rough and obstructed, difficult to regulate. "Smooth" means slick, that is, without any catching or resistance at all... If one is able to regulate the mind skillfully, these rough and too-smooth marks resolve of themselves, and, as the water clears, the fish within it becomes visible. This principle is not especially deep, and is very easily understood — hence it is said that it "can be understood by the same reasoning," without need for further elaboration. Everything explained above is the one method for a practitioner regulating the mind at the very earliest stage of entering concentration.

Chinese Source

〖文〗夫入定本是從麤入細,是以身既為麤,息居其中,心最為細靜。調麤就細,令心安靜,此則入定初方便也,是名初入定時調二事也。

Ru-Yi Translation

Root Text: Now, entering concentration always moves from the coarse into the fine: the body being the coarsest of the three, the breath standing between, and the mind being the finest and stillest of all. Regulating the coarse to approach the fine, bringing the mind to settled stillness — this is the initial expedient for entering concentration, and is called regulating these things at the very start of entering concentration.

〖講〗夫入定之法,本是從麤入細,始則調身,次則調息,後則調心。於其身相為義麤,故居初,息居其中,心念最為細靜,故在後。所謂調麤就細,如是則令心安靜,諸念不生,所謂善調慧馬,能斷暴流也!是名入定最初之方便。

Commentary: The method of entering concentration always moves, at root, from the coarse into the fine — first regulating the body, next the breath, and last the mind. The body, being coarser in its very nature, comes first; the breath stands in between; and the mind, being finest and stillest of all, comes last. This is what is meant by regulating the coarse to approach the fine — in this way the mind is brought to settled stillness, with no thought arising at all, as it is said, "skillfully guiding the horse of wisdom, one can cut off the raging torrent." This is the very first expedient for entering concentration.

During the Sitting 住坐中調三事

Chinese Source

〖文〗二住坐中調三事者:行人當於一坐之時,隨時長短,十二時,或經一時,或至二三時,攝念用心。是中應須善識身息心三事調不調相。若坐時向雖調身竟,其身或急,或偏或曲,或低或昂,身不端直,覺已隨正,令其安隱,中無寬急,平直正住。復次一坐之中,身雖調和,而氣不調和。不調和相者,如上所說,或風、或喘、或復氣急,身中脹滿,當用前法隨而治之,每令息道綿綿,如有如無。次一坐中,身息雖調,而心或浮沈寬急不定,爾時若覺,當用前法調令中適。此三事的無前後,隨不調者而調適之,令一坐之中,身息及心三事調適,無相乖越,和融不二,此則能除宿患,妨障不生,定道可剋。

Ru-Yi Translation

Root Text: Second, regulating the three things while dwelling in a sitting: a practitioner, throughout a single sitting, however long or short — whether lasting one of the twelve double-hours, or extending to two or three — must gather the attention and apply the mind. Throughout this, one must skillfully recognize the regulated or unregulated marks of body, breath, and mind. If, having already regulated the body at the start of a sitting, the body then becomes tense, or leans to one side, or bends, or droops, or tilts upward, no longer sitting upright and straight, one should, on noticing this, correct it at once, settling the body at ease, with nothing too slack or too tense, resting level and upright.

Further, within a single sitting, though the body may be well regulated, the breath may not be. The marks of an unregulated breath are as explained above — wind, panting, or a constricted breath, the body feeling swollen and full — and one should apply the same methods as before to treat it, letting the passage of breath become continuous once more, as though barely there and yet never quite gone. Further still, within a single sitting, though body and breath may both be regulated, the mind may float, sink, grow tense, or grow slack without settling — and when this is noticed, one should apply the same methods as before to bring it back into balance. These three things have, properly speaking, no fixed order — one regulates whichever is unregulated, so that, throughout the sitting, body, breath, and mind are all brought into balance, none in conflict with the others, blended together as one. In this way old afflictions can be removed, obstacles fail to arise, and the path of concentration can be accomplished.

〖講〗上來入定時,調身息心已竟,此第二明住定時,調身息心。所言住中調三事者,謂行人當於一坐之時,始從入定,終至出定,於其中間,所經或長或短。一坐之時,於中須攝其念,而用其心。攝念即收攝一切亂想雜念,用心即善用其心,澄神靜慮。當攝念用心之時,務須善識身息心之三事,調不調相,明了清楚。謂善識調身,須不寬不急,善識調息,須不澀不滑。善識調心,須不沈不浮,能如是即為調相,否則為不調相。倘若坐時,初雖調身已竟,即可端坐修觀。然坐久疲勞,懈怠心起,別生妄念,其身或寬急,或偏曲,或低昂,有時或東倒西歪,或前俯後仰,如是種種不端直,如覺已即當糾正,不可隨之而去,務令其身心安隱,於中無有寬急之相,平直正住,於定中此為住中調身相也。復次者,又其次也。謂於一坐之中,於中身雖調和適當,不寬不急,而氣息則不調和,或澀或滑、或風相、或喘相、或復氣急、身中膨脹相、飽滿相、是等皆是息不調之相,須用前之三法而對治之。一謂下著安心,二謂放寬身體,三謂想息氣遍毛孔出入,無障無礙,以此方法,即可對治氣息不調之病,必令數息之道,綿綿密密,若存若亡,若有若無,微微進出,如是資神安隱,情抱悅豫,是為住中調息之相。若行人於靜坐禪觀之中,身息雖調和適當,而心或浮動,或昏沈,或寬急不定,此等病發之時,當用前調心之法,而對治之,謂安心向下;繫緣臍中,制諸一切妄念,令不越逸,謂浮沈寬急得所,此是為住中調心之相,故云當用前法,調令中適。然此三事,的無前後,隨不調者而調適之。謂身不調,則調之於身;息若不調,則調之於息。總之,令一坐之中,身息心三事,調和適當,無相乖越,和融不二。三事融洽一體,既不乖於身息,亦不越於心意,是能除滅一切宿患,妨道之障既不生,禪定之道自然可剋矣!

Commentary: The regulation of body, breath, and mind at the very start of entering concentration is now complete; this second part explains regulating body, breath, and mind while dwelling within concentration. What is meant by "regulating the three things while dwelling" is that a practitioner, throughout a single sitting — from the very moment of entering concentration to the very moment of leaving it, however long or short the interval between — must, throughout, gather the attention and apply the mind. "Gathering the attention" means drawing in every scattered, disordered thought; "applying the mind" means using the mind skillfully, settling the spirit and stilling one's own reflection. While gathering the attention and applying the mind in this way, one must, above all, clearly and skillfully recognize the regulated or unregulated marks of body, breath, and mind — recognizing that a regulated body must be neither too slack nor too tense, a regulated breath must be neither too rough nor too smooth, and a regulated mind must be neither sinking nor floating; being able to do this is a regulated mark, and failing to do so is an unregulated mark.

Suppose, then, that at the start of a sitting the body has already been regulated, so that one can sit upright and cultivate contemplation. But after sitting a long while, fatigue sets in, laxity arises, and further idle thought is born, so that the body grows too slack or too tense, leans or bends, droops or tilts upward, sometimes swaying to one side or the other, sometimes hunching forward or leaning back — no longer sitting upright and straight in any of these various ways. As soon as this is noticed, one should correct it at once, and never simply let it continue, making sure the body settles at ease, with nothing too slack or too tense, resting level and upright once more. This, within concentration, is the mark of regulating the body while dwelling in it.

"Further" means, again, in addition to this. Within a single sitting, the body may already be well regulated, neither too slack nor too tense, and yet the breath may not be regulated — whether rough, too smooth, windy, panting, or constricted, with the body feeling swollen or overfull — all of these being marks of an unregulated breath, which must be treated using the same three methods as before: first, settling the mind low, at rest; second, letting the body relax; third, imagining the breath passing in and out through every pore, without the slightest obstruction. With this method, the affliction of an unregulated breath can be treated, ensuring that the passage of counted breaths becomes continuous and fine, as though barely there and yet never quite gone, present and yet almost absent, moving faintly in and out — sustaining the spirit in settled ease, the feelings themselves at rest and content. This is the mark of regulating the breath while dwelling in concentration.

If a practitioner, in the midst of sitting still and cultivating contemplation, finds body and breath already well regulated, and yet the mind floats, sinks, grows tense, or grows slack without settling — when afflictions of this kind arise, one should apply the same method for regulating the mind explained before, to treat it: settling the mind downward, fixing the attention at the navel, restraining every idle thought and not letting it run loose, bringing floating and sinking, slackness and tension, into their proper balance. This is the mark of regulating the mind while dwelling in concentration — hence it is said one should apply the same method as before, bringing it back into balance.

Yet these three things have, properly speaking, no fixed order — one regulates whichever is unregulated: if the body is unregulated, one regulates the body; if the breath is unregulated, one regulates the breath. In sum, throughout a single sitting, body, breath, and mind are all brought into proper balance, none in conflict with the others, blended together as one. With all three harmoniously unified — neither the body nor the breath out of accord, nor the mind's own intention straying beyond itself — every old affliction can thereby be entirely removed, no obstacle obstructing the path arises, and the path of dhyāna-concentration can naturally be accomplished!

Leaving the Sitting 出時調三事

Chinese Source

〖文〗三出時調三事者:行人若坐禪將竟,欲出定時,應前放心異緣,開口放氣,想從百脈隨意而散,然後微微動身,次動肩膊及手頭頸,次動二足,悉令柔軟,次以手遍摩諸毛孔,次摩手令煖,以揜兩眼,然後開之。待身熱稍歇,方可隨意出入。若不爾者,坐或得住心,出既頓促,則細法未散,住在身中,令人頭痛,百骨節彊,猶如風勞,於後坐中煩躁不安。是故心欲出定,每須在意,此為出定調身息心方法。以從細出麤故,是名善入住出。如偈說:
進止有次第 麤細不相違 譬如善調馬 欲住而欲去

Ru-Yi Translation

Root Text: Third, regulating the three things upon leaving a sitting: when a practitioner's sitting is about to end and one wishes to leave concentration, one should first release the mind toward some other object, open the mouth and let the breath out, imagining it dispersing freely from every one of the hundred channels, and then move the body very slightly — next moving the shoulders, arms, hands, head, and neck, then the two legs, letting them all grow supple — next using the hands to rub every pore of the body, then rubbing the hands until warm and covering both eyes with them before opening them. Only once the body's own warmth has settled somewhat should one move freely in and out as one likes. If this is not done, and one leaves concentration too abruptly after having settled the mind well while seated, the fine states have not yet dispersed and remain lodged within the body, causing headaches, stiffness through every bone and joint, exactly like a wind-induced ailment, and restless unease in later sittings as a result. This is why, when the mind is about to leave concentration, one must always be attentive to it. This is the method for regulating body, breath, and mind upon leaving concentration — moving from the fine back out to the coarse — and this is called skill in entering, dwelling, and leaving.
As a verse says:
"Advancing and stopping each have their own order; coarse and fine must never be at odds — just as one who skillfully guides a horse can make it stop, or make it go, at will."

〖講〗此第三明出定時,調身息心之相。前來入定,則從麤入細,今出定須由細至麤。所言出定時調三事者,謂行人若坐禪將竟,欲想出定之時,於未出定之前,先須放心異緣,或緣於名字法相,或緣於六根,或緣於六塵,因其最初入定,攝念歸一,今出定時,若不放心異緣,舒暢其心,恐久生患,故先散放其心,緣於異相。次則開口,放棄濁氣,呼吸清氣,應想百脈隨意流通,然後微微動其身體,切不可麤心暴氣。次動兩肩膊,次動兩手及頭頸,次動兩足,令其柔軟,勿使彊硬。次以手遍摩擦全身諸毛孔,因靜坐之中,全身毛戶均悉開朗,若不摩之,一經動搖,則風氣入體,易受風濕症。次將兩手摩擦令煖,以揉揜其兩眼,然後方開雙目,待身體發熱稍歇,如是方可隨自意進進出出,了無妨礙。否則坐時或得安住於心,而出定時,麤獷不慎,急速頓促,如是則細法未散,住在身中,令行人患頭痛之症,或百骨支節彊硬,動止不和,猶如風勞一般,患濕之病,故名風勞。若患此病,後於坐中,即煩躁不安,殊於定道有所妨礙。是故行者,若心欲出定時,每須注意,切不可輕輕燥動,令身有虧,務須留心焉。此為行人出定時,調身息心之法,以其從細出麤故,能如是名為善入住出,調身息心之三事也。如偈說:「進止有次第,麤細不相違。」出則從細出麤,入則由麤至細,次第前後,不相紊亂。譬如有人,能善調於馬,絲毫不乖,欲去則去,欲住則住,去住自由,了無滯礙也。

Commentary: This third part explains the mark of regulating body, breath, and mind upon leaving concentration. Entering concentration earlier moved from coarse into fine; leaving concentration now moves from fine back out to coarse. What is meant by "regulating the three things upon leaving concentration" is that when a practitioner's sitting is about to end and one wishes to leave concentration, before actually leaving it one must first release the mind toward some other object — whether toward names and their conceptual marks, toward the six faculties, or toward the six sense-objects. Because at the very start one gathered the attention and returned it to oneness in order to enter concentration, if, upon leaving concentration, one fails to release the mind toward some other object and let it unwind naturally, this may, over time, give rise to affliction — hence one first lets the mind loosen, directing it toward some other object.

Next, open the mouth, release the turbid breath, and draw in clean breath, imagining the hundred channels flowing freely as one wishes; then move the body very slightly, taking great care never to be coarse or forceful about it. Next move both shoulders and arms, then both hands, head, and neck, then both legs, letting them grow supple, never left stiff or hard. Next use the hands to rub every pore over the entire body — since, during quiet sitting, every pore of the body has opened wide, and if they are not rubbed closed, the moment the body moves, wind and damp air can enter it, easily bringing on a wind-and-damp ailment. Next rub both hands together until warm, and gently press them over both eyes before finally opening them; only once the body's own warmth has settled somewhat should one move freely in and out as one likes, without the slightest hindrance.

Otherwise, though the mind may have settled well while seated, if one leaves concentration carelessly, coarsely, and too abruptly, the fine states have not yet dispersed and remain lodged within the body, causing the practitioner to suffer headaches, or stiffness through every bone and joint, movement and stillness alike thrown out of harmony, exactly like a general wind-induced ailment, a disorder of dampness — hence it is called "wind-affliction." Suffering from this, one becomes restless and ill at ease in later sittings, a real hindrance to the path of concentration. This is why a practitioner, when the mind is about to leave concentration, must always attend to it carefully, never moving carelessly or hastily in a way that harms the body — this must be kept firmly in mind.

This is the method by which a practitioner regulates body, breath, and mind upon leaving concentration — moving from fine back out to coarse — and being able to do this is called skill in entering, dwelling, and leaving, regulating these three things throughout. As the verse says: "Advancing and stopping each have their own order; coarse and fine must never be at odds." Leaving moves from fine out to coarse; entering moves from coarse in to fine — each in its own proper sequence, never thrown into disorder. It is like a person who skillfully guides a horse, without the slightest discord: wishing it to go, it goes; wishing it to stop, it stops — going and stopping entirely at will, without the least resistance.

Closing Citation From the Lotus Sūtra 引法華經證

Chinese Source

〖文〗法華經云:此大眾諸菩薩等,已於無量千萬億劫,為佛道故,勤行精進,善入住出無量百千萬億三昧,得大神通,久修梵行,善能次第習諸善法。

Ru-Yi Translation

Root Text: The Lotus Sūtra says: "These bodhisattvas of the great assembly have already, across measureless hundreds of thousands of myriads of koṭis of kalpas, striven with diligence for the sake of the buddha-path, skillfully entering, dwelling in, and leaving measureless hundreds of thousands of myriads of koṭis of samādhis, attaining great spiritual powers, cultivating pure conduct over a long span of time, and skillfully practicing every wholesome dharma in due order."

〖講〗此引法華經作證,法者妙法,華者蓮華,以法喻為名,此經乃世尊最後之極唱,五時之極談,詮實相妙理,顯不二法門。然其所修,無非調身、調息、調心、善入、善住、善出,過去諸佛依之而修道,乃至未來諸佛,亦如是修。所謂已修今修當修,三世諸佛,無不如是修。菩薩二字乃梵語略稱,具名菩提薩埵,譯云覺有情,謂善能覺悟一切有情眾生,又薩埵即勇猛之義,謂行人能勇猛精進,求無上菩提,故名菩提薩埵,又作開士、高士、大士、種種異名之不同,總之,求於無上佛果者,則名為菩薩大乘之眾。等之一字,即指回心向大之聲聞緣覺而言。菩薩為因人,諸佛為果人,在因地能依此善入住出修止觀做功夫,從初發心到今,已有無量千萬億劫,而為求無上菩提之妙道,劫即劫波之略,時之最長者,為劫波,最短者,為剎那,不能以通常之年月日時計算之,謂極長期之時間也。此菩薩等不特於一劫二劫,為佛道故,勤行精進,不休不息,乃於無量千萬億劫。為求佛道,勤行精進,善入住出,修習止觀,不休不息,勇猛精進,故果上能善入住出,無量百千萬億三昧,得大神通,自在無礙。本來神通妙用,人人本具,各各不無,不假造作,何待證成,不過我等眾生,久被無明塵沙諸煩惱之蓋覆,故將自心中功德法財,神通妙用,不失而失,甚可哀愍。今幸有止觀方法,若能依之善入住出而修,將自心之惑習,除去一分,則自心之功德妙用,一分顯明,若能除去十分惑習,則功德妙用,十分顯明。故世尊於菩提樹下,成道之後,即三嘆奇哉,謂一切眾生,皆有如來智慧德相,但以妄想執著,而不能證得。每見學佛者,稍明佛法中之一點名字法相,不肯真實修習止觀,無異畫餅充饑,說食數寶。今時丁末法,眾生垢重,若修其他行門,縱或得益,亦如電光之相,一過即逝,最好從靜坐功夫中,執持一句彌陀名號。所謂寂寂惺惺,惺惺寂寂,將一句彌陀,持至一心不亂,修成念佛三昧,則妙中之妙矣。

Commentary: This cites the Lotus Sūtra as proof. "Fǎ" (法) means the wondrous Dharma; "huá" (華) means the lotus flower — taking Dharma and simile together as its name. This sūtra is the World-Honored One's own final and highest proclamation, the culminating teaching of the five periods, expounding the wondrous principle of true reality and revealing the non-dual Dharma-gate. Yet what it teaches to be cultivated is nothing other than regulating body, breath, and mind, skill in entering, dwelling, and leaving — the buddhas of the past relied on this to cultivate the path, and the buddhas of the future will cultivate it in exactly the same way. As it is said, already cultivated, presently cultivated, and yet to be cultivated — the buddhas of all three time periods, without exception, cultivate it in just this way.

"Bodhisattva" is a shortened form of the Sanskrit, in full bodhisattva, translated as "an awakened sentient being," meaning one skillfully able to awaken every sentient being with feeling. "Sattva" itself carries the sense of courage and vigor, meaning a practitioner able to advance with courage and diligence in seeking unsurpassed bodhi — hence "bodhisattva." It is also rendered as "one who opens the way," "a lofty person," "a great being," and other such varied names — in sum, anyone who seeks the unsurpassed fruit of buddhahood is called part of the bodhisattva, Mahāyāna assembly. The word "and others" refers to those śrāvakas and pratyekabuddhas who have turned their minds toward the Great Vehicle.

A bodhisattva is a person at the causal stage; a buddha is a person at the fruit stage. At the causal stage, relying on this same skill in entering, dwelling, and leaving concentration to put in the effort of cultivating calming and insight, from the very first arising of the resolve until now, has already taken measureless hundreds of thousands of myriads of koṭis of kalpas, all for the sake of seeking the wondrous path of unsurpassed bodhi. "Kalpa" is short for kalpa proper — the very longest measure of time, as the instant is the very shortest — a span of time that cannot be reckoned in ordinary years, months, days, or hours at all, meaning an extremely long stretch of time indeed.

These bodhisattvas and others have not merely, for the sake of the buddha-path, striven with diligence without rest for one or two kalpas, but across measureless hundreds of thousands of myriads of koṭis of kalpas — seeking the buddha-path, striving with diligence, skillful in entering, dwelling, and leaving, cultivating calming and insight without rest, advancing with courage and vigor — and so, at the level of fruit, are able to skillfully enter, dwell in, and leave measureless hundreds of thousands of myriads of koṭis of samādhis, attaining great spiritual powers, entirely free and unobstructed.

These wondrous spiritual powers were, from the very start, already possessed by everyone alike, each person lacking nothing of them at all, requiring no fabrication and needing no further proof to bring them about — it is only that we sentient beings have, for so long, been covered over by ignorance and the dust-and-sand afflictions, so that the merit, the Dharma-wealth, and the wondrous spiritual functioning within our own mind have been lost though never truly lost at all — a truly pitiable state. Now, fortunately, we have this method of calming and insight — if one can rely on it and cultivate this same skill in entering, dwelling, and leaving, removing even one small portion of one's own confused habits reveals, correspondingly, one small portion of one's own mind's merit and wondrous functioning; and were one able to remove every last portion of confused habit entirely, the merit and wondrous functioning would manifest in full.

This is why the World-Honored One, beneath the bodhi tree, immediately upon attaining the path, exclaimed three times in wonder: every sentient being already possesses the Tathāgata's own wisdom and virtuous marks in full — it is only through false thought and clinging attachment that this cannot be realized. One often sees students of the Buddhadharma who, having grasped some small point of terminology within the teaching, refuse to genuinely take up the practice of calming and insight — no different from a painted cake failing to satisfy hunger, or describing food and counting another's treasure. Now, in this age when the Dharma has entered its final decline and sentient beings' own defilements run deep, even should one cultivate some other approach and gain a certain benefit from it, this benefit is as fleeting as a flash of lightning, gone the moment it appears — far better, then, to hold fast to a single recitation of Amitābha's name from within the very effort of quiet sitting itself. As it is said, still yet alert, alert yet still — holding to this single recitation of Amitābha's name until the mind becomes single-pointed and unconfused, accomplishing the samādhi of buddha-recollection itself — this, indeed, is the most wondrous of the wondrous.

Reading note: This chapter is the most technically detailed in the commentary so far — a genuine, step-by-step meditation manual rather than a doctrinal exposition — and Baojing's own commentary tracks Zhiyi's root text almost line for line through the posture instructions, adding relatively little beyond clarification, which is itself a useful signal: where Baojing expands freely elsewhere and stays close to the text here, it suggests he trusted these particular instructions to speak for themselves. His closing turn to Pure Land recitation is, by now, a familiar move across this commentary — but notice the specific claim he is making here: that ānāpāna-style breath-and-posture regulation and single-pointed recitation of Amitābha's name are not two different techniques in competition, but the same underlying skill (settling body, breath, and mind together) applied to two different objects of attention.

Chapter 4 status: Complete — the resolve preceding regulation, the potter-and-lute-tuner simile, regulating food and sleep, and the full method for regulating body, breath, and mind at the beginning, middle, and end of a sitting are all translated in full, closing with the citation from the Lotus Sūtra. See the project index for the status of the remaining chapters.