Notes Beside the Bamboo Window — First Collection, Part 5
The closing quarter of the First Collection (初筆) of Zhuchuang Suibi, completing all 132 entries in the source text's own order. This section includes Zhuhong's own signed public denial of a forged book of leisure-poems circulated under his name — a rare, direct authorial voice closing out the collection alongside its more usual mix of doctrinal notes, parables, and personal reflection.
101. 禮懺僧 — The Monk and the Repentance Rite
A dialogue defending phenomenal repentance rites (bowing, chanting) against a monk's dismissive citation of "noumenal" contemplation alone — and turning his own logic back on him.
有修淨土懺法者,一僧謂曰:「經不云乎:『若欲懺悔者,端坐念實相。』胡為是僕僕爾亟拜也?」懺者問:「如何是實相?」僧云:「心不起妄,即是實相。」又問:「心是何物,妄又何物?能制心者復是何物?」僧無對。懺者曰:「吾聞之,懺以理為正,以事為助,雖念實相,而三業翹勤,亦不相礙。何以故?初機行人未能卒與實相相應,須藉外緣輔翼。法華謂『我以異方便,助顯第一義』是也。起信亦言:『末法眾生,修是法者,自懼不常值佛,如來世尊,有異方便,教令念佛,求生淨土。』故知慈雲大師淨土懺法,酌古準今,至為精密,與法華光明諸懺,俱事理雙備,人天交欽,照末法昏衢之大寶炬也。且治生產業不背實相,是佛說否?」僧云:「如是。」曰:「然則禮懺不及治生產業乎?」僧又無對。
A practitioner was performing the Pure Land repentance rite when a monk said to him: "Does the sutra not say, 'Whoever wishes to repent should sit upright and contemplate reality-as-such'? Why do you go on bowing again and again, exhausting yourself?" The practitioner asked: "What, then, is reality-as-such?" The monk said: "When the mind gives rise to no delusion — that is reality-as-such." The practitioner asked further: "And what, exactly, is this 'mind'? What is 'delusion'? And what, exactly, is the thing capable of mastering the mind?" The monk had no answer.
The practitioner said: "I have heard that repentance takes noumenal repentance as its principal practice and phenomenal repentance as its supporting practice. Even while contemplating reality-as-such, diligently engaging body, speech, and mind together in devoted practice creates no obstacle at all. Why? Because a beginning practitioner cannot immediately attain accord with reality-as-such on his own, and must rely on external supports to assist him. This is exactly what the Lotus Sūtra means by 'I use varied skillful means to help reveal the ultimate truth.' The Awakening of Faith likewise says: 'Sentient beings of the degenerate age who cultivate this teaching fear they will not always encounter a buddha; the Tathāgata, the World-Honored One, therefore has a skillful alternative means — teaching them to recite the Buddha's name and seek rebirth in the Pure Land.' From this we know that Master Ciyun's Pure Land repentance liturgy, weighing the old against the new, is extremely precise and thorough, complete in both theory and practice alongside the Lotus and Radiant Light repentance rites, revered by humans and gods alike — a great and precious torch lighting the dark road of this degenerate age! And besides — is it not the Buddha's own teaching that carrying out one's ordinary livelihood does not run counter to reality-as-such?" The monk said: "That is so." The practitioner said: "Then how could performing this repentance rite possibly fall short of carrying out one's ordinary livelihood?" The monk again had no answer.
Master Ciyun (慈雲遵式, 964–1032) compiled the standard Pure Land repentance liturgy still used today; the practitioner's closing move — turning "even ordinary work doesn't contradict ultimate reality" into "then why would formal repentance rites?" — is a small masterclass in argumentative jujitsu, using the monk's own premise about worldly activity against his objection to ritual.
102. 南嶽止觀 — Nanyue's Mahāyāna Cessation-and-Contemplation
A textual-critical argument that a quotation attributed to Nanyue Huisi has been corrupted by a later editor, inserting a word absent from the original source it claims to cite.
南嶽大乘止觀中引起信論文曰:「是故論云:『三者用大,能生世間出世間善惡因果故。』」起信原無「惡」字,讀之令人駭然。且性惡雖是天台一家宗旨,然慈雲謂南嶽遠承迦葉,次稟馬鳴,而馬鳴以古佛示居八地,南嶽以異德名列神僧,不應先聖後聖兩相違悖。又起信言約義豐,辭精理極,總括大乘諸了義經,一句一字不可得而增減者也。彼南嶽自創為止觀則已,今引起信,正出其來源,明有據也,而乃於本文所無,輒為增益,有是理乎?必後人為之耳。或謂此書刻自慈雲,宜無贗雜。噫!安知非慈雲之後,又後人所增耶?我雖至愚,定知南嶽不改起信。請高明更詳之。
Master Nanyue, in his Mahāyāna Treatise on Cessation and Contemplation, quotes a line from the Awakening of Faith: "And so the treatise says: 'Third, the great function — able to generate the good and evil causes and effects of both the mundane and supramundane worlds.'" But the original Awakening of Faith contains no character for "evil" at all — reading this quotation is genuinely startling.
Now, the doctrine of "inherent evil" is indeed a distinctive tenet of the Tiantai school on its own terms. But Master Ciyun held that Nanyue's own lineage traced back, at a remove, to Kāśyapa, and then in turn to Aśvaghoṣa — and Aśvaghoṣa is said to be an ancient buddha manifesting at the eighth bodhisattva ground, while Nanyue himself, for his extraordinary virtue, is recorded among the Biographies of Spiritual Monks. It would hardly be fitting for an earlier sage and a later sage to contradict one another in this way.
Moreover, the Awakening of Faith is a work of concise language and rich meaning, of refined expression and exhaustive reasoning, gathering together the essence of every Mahāyāna sutra of definitive meaning — not a single word or character of it should be added to or subtracted from. Nanyue's own Cessation and Contemplation is, of course, his own original composition — but here, in quoting the Awakening of Faith, he is explicitly citing his source, showing that he has real grounds for what he says. Would he really, then, have carelessly inserted a word that the original text does not contain? There is simply no such logic to it. This must be the addition of some later hand.
Someone might say that this text was printed by Master Ciyun himself, and so ought to contain nothing spurious or corrupted. Ah — but how do we know that no one, after Ciyun's own time, made yet further additions to it? Dull as I am, I remain certain that Nanyue himself never altered the Awakening of Faith. I ask those of greater insight to examine this matter further.
This entry is a genuine piece of textual criticism — Zhuhong catches a discrepancy between a quoted source and the source itself, then reasons carefully about where the corruption most likely entered the transmission chain, refusing to simply accept the printed text in front of him as authoritative. It shares the same close, source-checking method as entry 54's defense of Sengzhao in Part 3.
103. 韓昌黎 — Han Changli
A skeptical re-examination of the popular legend that Han Yu converted to Buddhism after meeting the monk Dadian, using Han Yu's own letters as counter-evidence — before offering a more generous, speculative reading.
世傳昌黎初闢佛,後遇大顛,頓有悟入。然考其文集,有曰:「近傳愈稍信釋氏,此傳者妄也。潮人無可與語,僧大顛頗聰明,識道理,故與之遊。其歸也,留衣服為別,此人之情,非崇信其道,求福田利益也。」觀此,則悍然不信如故,安在其悟入也?雖然,若據示現影響,逆順贊揚,則不可測,安知昌黎非故為是引發因緣耶?不有昌黎之闢佛,何從有明教之非韓?鐘因擊而聲始洪,燭以翦而光愈茂,是故未得宿命,未具他心,未可縱口高談臧否人物。
It is popularly said that Han Changli [Han Yu] first attacked Buddhism, but later, upon meeting the monk Dadian, immediately experienced a genuine awakening. And yet, checking his own collected writings, we find him saying: "It has recently been said that I, Yu, have somewhat come to believe in the teachings of Śākyamuni — this rumor is simply false. Since I had no one in Chaozhou I could really talk with, and the monk Dadian happened to be rather intelligent and understood some real principles, I kept company with him. When I left, I gave him a set of clothes as a parting gift — this was simply ordinary human feeling, not a matter of revering his teaching or seeking the benefit of a field of merit." Reading this, he plainly remained just as stubbornly unbelieving as before — where, then, is the supposed awakening?
And yet — if we allow for the possibility of manifestation through causes and conditions, working through both apparent opposition and apparent praise in ways beyond ordinary reckoning, how do we know Han Changli did not deliberately stage his own attacks on Buddhism precisely to set in motion the causes and conditions for others' faith? Without Han Changli's attacks on Buddhism, how would we ever have gotten Mingjiao's rebuttal of Han? A bell only rings loudly because it is struck; a candle wick only burns more brightly once it is trimmed. And so, lacking knowledge of others' past lives, lacking the power to read others' hearts, we ought not indulge freely in sweeping judgments, praising and condemning historical figures as we please.
Han Yu (768–824) is the towering figure of Tang anti-Buddhist polemic, most famous for his "Memorial on the Bone of the Buddha," which nearly cost him his life; the popular conversion legend Zhuhong debunks here using Han's own letter to Meng Jian is itself widely circulated even today. "Mingjiao" is Qisong (契嵩, 1007–1072), the Song monk whose apologetic writings directly answered Han Yu's attacks a century-plus later — Zhuhong's closing point is that Han's polemic, whatever its intent, was historically productive for Buddhism regardless.
104. 惺寂 — Alertness and Stillness
A defense of Yongjia Xuanjue's distinctive claim that alertness, not stillness, should be the primary practice — against a popular habit of favoring quiet meditation above all.
止觀之貴均等,尚矣!聖人復起,不能易矣!或有稍緩急於其間者曰:「經言『因定發慧』,則止為要。」以是相沿成習,修行之人,多主寂靜。唯永嘉既為惺惺寂寂、寂寂惺惺之說,以明均等;而後文曰:「惺惺為正,寂寂為助。」則迥然獨得之見,從古至今,無道及者。自後宗門教人看話頭,以期徹悟,而妙喜呵默照為邪禪,正此意也。是故佛稱大覺,眾生稱不覺。覺者,惺也。永嘉之旨微乎!
That cessation and contemplation should be held in perfect balance — this principle is exalted indeed! Even were a sage to arise again in this world, he could not change it. And yet there are those who quietly favor one side over the other, saying: "The sutra says, 'from samādhi, wisdom is brought forth' — and so cessation is what truly matters." This has, over time, hardened into habit, and most practitioners now emphasize stillness above all.
Yongjia alone, in speaking of "alert yet still, still yet alert," made the point of their equal balance — and then went on to say: "Alertness is the principal practice; stillness is only its support." This is a genuinely singular insight, one that no one, from ancient times to the present, has ever put quite this way. It is precisely from this that the later Chan tradition's teaching of investigating a phrase, aimed at thorough awakening, descends — and it is exactly this same point that Miaoxi had in mind when he condemned silent-illumination Chan as a deviant path. This is why the Buddha is called the Greatly Awakened One, and sentient beings are called the unawakened — "awakening" is precisely "alertness." How subtle, indeed, is Yongjia's teaching!
Yongjia Xuanjue (665–713), author of the celebrated Song of Enlightenment, is the same "one-night-guest" Chan master whose overnight audience with the Sixth Patriarch produced his epithet; his "alertness as principal, stillness as support" teaching directly anticipates the later split between Dahui Zonggao's phrase-investigation (already discussed in entry 55, Part 3) and the "silent illumination" Chan he condemned.
105. 道原 — The Origin of "the Way"
A response to the claim that the Buddhist "Way" simply derives from Laozi's, arguing the term long predates the Daodejing and that Buddhist causation differs fundamentally from Daoist naturalism.
或問:「道德經云:『吾不知其名,字之曰道。』則道之一言,自老子始,而萬代遵之;佛經之所謂道者,亦莫之能違也。則何如?」曰:「著於易,則云『履道坦坦』。紀於書,則云『必求諸道』。詠於詩,則云『周道如砥』。五千言未出,道之名已先立矣!況彼之所謂道者,乃法乎自然。如其空無來原,自然生道,則清涼判為無因;如其本於自然,方乃生道,則清涼判為邪因。無因邪因,皆異計耳,非佛之所謂道也。佛道,則萬法由乎自心,非自然,非不自然。經言『阿耨多羅三藐三菩提』者,是無上正覺之大道也,尚非自然,何況法自然者!」
Someone asked: "The Daodejing says, 'I do not know its name; I style it the Way.' Given this, the very term 'Way' originates with Laozi, and ten thousand generations since have followed it — even what the Buddhist sutras call 'the Way' cannot be said to depart from it. Is this not so?"
I answered: "The term appears already in the Yijing, in the line 'treading the Way, level and open'; it is recorded in the Book of Documents, in the line 'one must always seek it in the Way'; it is sung in the Book of Odes, in the line 'the Way of Zhou is level as a whetstone.' Before the Daodejing's five thousand characters ever appeared, the name 'Way' already existed! And besides — what Laozi means by 'the Way' is precisely something that takes Nature itself as its model. If this Way is held to arise from nothing at all, spontaneously, without any cause whatsoever, then Qingliang would classify it as the 'no-cause' heterodox view. If it is held to arise on the basis of 'Nature' as its actual cause, then Qingliang would classify it as the 'false-cause' heterodox view. Whether no-cause or false-cause, both are simply mistaken doctrines — neither is what the Buddha means by 'the Way' at all. The Buddhist Way holds that the ten thousand dharmas all arise from one's own mind — neither from Nature, nor from something other than Nature. The sutras speak of anuttarā-samyak-saṃbodhi, 'supreme perfect enlightenment' — the great Way of unsurpassed, perfect awakening — and even this is not something that arises spontaneously from Nature. How much less, then, could it be something that merely takes Nature as its model!"
"Qingliang" is Chengguan, already encountered as the Huayan patriarch praised in entry 97 (Part 4); his fourfold classification of heterodox causal views (no-cause, false-cause, and others) was a standard Huayan-school apologetic tool for sorting non-Buddhist philosophies, deployed here against Daoist "naturalism" specifically.
106. 菩薩不現今時 — Bodhisattvas No Longer Appear in Our Age
A meditation on why great spiritual teachers seem to have vanished from Zhuhong's own era, resolved through the analogy of the moon and clouded water.
竊怪今時造業者多,信道者寡,菩薩既度生無已,何不分身示現,化誘群迷?且昔佛法東流,自漢魏以迄宋元,善知識出世,若鱗次然。元季國初,猶見一二,近胡寥寥無聞?如地藏願度盡眾生,觀音稱無刹不現,豈其忍遺未度之生,亦有不現之刹耶?久而思之,乃知菩薩隨緣度生,眾生無緣則不能度;喻如月在天上,本無絕水之心,水自不清,月則不現。況今末法漸深,心垢彌甚,菩薩固時時度生,而生無受度之地,是則臨濁水而求明月,奚可得乎?
I have privately wondered at this: so many people today create karma, so few believe in the Way — and since the bodhisattvas' vow to save sentient beings has no end, why do they not divide their bodies and manifest themselves, to guide and transform the deluded masses? In earlier times, once the Buddha-dharma flowed east into China, from the Han and Wei dynasties down through the Song and Yuan, genuine spiritual teachers appeared in the world one after another, like fish scales in close succession; even at the end of the Yuan and the founding of our own dynasty, one could still find one or two such figures — why, in recent times, has there been such utter silence?
Take Kṣitigarbha, who vowed to save every sentient being without exception, or Avalokiteśvara, said to manifest in every single buddha-land — could they possibly bear to abandon beings not yet saved? Could there really be some land where Avalokiteśvara refuses to manifest? I pondered this for a long time, and finally came to understand: bodhisattvas save sentient beings according to conditions — if sentient beings lack the necessary conditions, they cannot be saved. It is like the moon in the sky: the moon has no intention at all of refusing to reflect in the water — but if the water itself is not clear, the moon simply cannot appear in it. How much more so now, as this degenerate age deepens further, and the defilements of people's minds grow ever heavier — the bodhisattvas are certainly saving beings constantly, moment by moment, but sentient beings themselves offer no ground on which to receive that salvation. This is exactly like standing before turbid water and demanding to see the bright moon reflected in it — how could that possibly be achieved?
Paired directly with entry 107 immediately below ("The Tathāgata Does Not Directly Halt the Karma of Killing") — both entries pose a version of the same theodicy-adjacent question (why does compassionate power not simply intervene?) and resolve it through the same underlying principle: that karmic conditions, not divine willingness, determine what can be received.
107. 如來不救殺業 — The Tathāgata Does Not Directly Halt the Karma of Killing
The companion piece to the entry above, asking why the Buddha does not simply intervene to stop the mass killing of animals, and answering through the logic of fixed karma and mutual retribution.
復次,今時造業,惟殺尤甚。無論四海之廣,即此一邑,於一日中所殺生命,牛羊犬豕、鵝鴨魚鼈,動以千萬,其細微者何可勝數!而春秋二時,饗天地,祀鬼神,蒸嘗於祖考,報德報功於先聖先賢,牲牷之用,不知其幾;而天地不矜,鬼神不憐,祖考不知,先聖先賢不潛為禁止。至於如來,仁覆天地,慈攝鬼神,恩踰祖考,德冠於諸聖賢,何不稍示神通,或俾現受惡報,或令還著本人,則誰不戰懼改悔,而漠然若罔聞者,何也?久而思之,乃知今牛羊等,因昔造殺,報在畜生。彼旃陀羅,即前所殺,轉為能殺,因緣會遇,始暢本懷,定業使然,無能救者,俟其業盡,然後報息。雖天中天、聖中聖,亦末如之何也已。況宿報甫平,新殃更造,因果相循,吾不知其所終也。且往者莫諫,來者可追。則今斷殺因,後無殺果,如來明訓,彰如日星,為諸眾生而救殺業,不已至乎?
Furthermore: of all the karma people create in this age, killing is by far the worst. Never mind the whole vast world — in this one county alone, the living creatures killed in a single day — cattle, sheep, dogs, pigs, geese, ducks, fish, turtles — number easily in the thousands or tens of thousands, and the smaller creatures killed besides are beyond counting!
And at the spring and autumn seasonal rites, when offerings are made to heaven and earth, sacrifices to ghosts and spirits, ancestral rites to forebears, and gratitude paid to former sages and worthies for their virtue and achievement — the animals sacrificed for these purposes are beyond number as well; and yet heaven and earth show no pity, the spirits feel no compassion, the ancestors take no notice, and the former sages and worthies do nothing to secretly forbid it. As for the Tathāgata — his benevolence covers heaven and earth, his compassion subdues even ghosts and spirits, his kindness exceeds that of any ancestor, his virtue surpasses every sage and worthy — why, then, does he not display even the slightest sign of supernormal power, either bringing swift, visible retribution upon those who kill, or letting them feel even a fraction of the suffering they inflict? Surely, if he did, who would not tremble with fear and repent? And yet he seems utterly indifferent, as if he simply does not know. Why is this?
I pondered this for a long time, and finally came to understand: the cattle and sheep of today were themselves killers in a past life, and are now reborn as animals in retribution for it; and those who now slaughter animals for a living were themselves, in an earlier life, the very creatures now being killed. When the causes and conditions come together, the underlying intent of mutual vengeance simply plays itself out — this is fixed karma at work, and no one, not even a heaven among heavens, a sage among sages, can do anything to stop it, until that karma has fully run its course and only then does the cycle of retribution come to rest. And what is worse: people often finish paying off one old debt only to create a fresh one immediately, so that cause and effect chase each other in an endless cycle — I do not even know where it will finally end.
And yet, though what is past cannot be undone, what is yet to come can still be corrected. If, from this moment forward, the cause of killing is cut off entirely, then afterward there will be no effect of being killed in turn. This causal teaching is the Tathāgata's own clear instruction, as bright and evident as the sun and the stars — surely this, showing every sentient being the way to bring an end to the cycle of killing and being killed, is itself the ultimate way the Tathāgata truly does save beings from the karma of killing?
One of the more philosophically ambitious entries in the collection — an explicit "problem of evil" question (why does a compassionate, all-powerful figure not simply stop obvious suffering?) answered not by denying the Tathāgata's power but by relocating the solution to the level of causation itself: the "salvation" on offer is the teaching that makes future non-killing possible, not a direct suspension of karmic law.
108. 增減古人文字 — Additions and Deletions to the Words of the Ancients
A brief complaint about careless textual alteration in reprinted moral and historical writings, closing with an appeal to Liu Xiang's legendary diligence.
友人處偶見野史一帙,及前輩警世詩偈,頗多增減舊文。因思古今著述,儒籍除六經論孟,梵典除佛菩薩經論,及出自名稱最顯赫諸大老,慎不敢動,其餘亦頗隨意增減。夫流通善法,利濟眾生,實出美心良意,而委任他人,俾之讎校,以致如是。願躬自主之,苟存殷重之心,必有為吹藜者。
At a friend's home, I happened to see a volume of unofficial history, together with some admonitory verses by earlier worthies, and noticed a good many additions and deletions made to the original text. This made me think: of the writings, ancient and modern, that people leave untouched, out of a proper sense of reverence — in the Confucian canon, only the Six Classics, the Analects, and Mencius; in the Buddhist canon, only the sutras and treatises of the buddhas and bodhisattvas themselves, and the writings of the most illustrious great masters — everything else gets altered rather freely, adding and subtracting as people see fit.
Circulating good teachings for the benefit of sentient beings is, of course, a genuinely fine and well-meaning intention. But when the actual work is entrusted to someone else, who is left to do the proofreading, this is exactly the kind of error that results. I hope that anyone undertaking such a project will personally oversee the work themselves — and if they hold to a genuinely earnest and reverent attitude in doing so, they will surely find someone willing to lend a helping hand, just as heaven once sent an old man to assist Liu Xiang in his own diligent work of textual scholarship.
The closing allusion refers to a legend about the Han-dynasty scholar Liu Xiang, who while proofreading texts alone at night in the imperial library was said to have been visited by an old man who blew light from his staff and taught him — a story invoked here as reward for genuinely careful scholarship. Read alongside entry 92's ("Master Lingyu," Part 4) warnings against careless textual criticism, this entry approaches the same concern for textual integrity from the production side rather than the interpretive side.
109. 毒蛇喻 — The Parable of the Poisonous Snake
A classic Buddhist parable about a farmer who mistakes a warning for an invitation, followed by two companion notes applying the same lesson to social pressure around eating meat.
毒蛇喻 — The Parable of the Poisonous Snake
昔佛行田間,見遺橐在地,指之曰:「毒蛇!毒蛇!」言已徑去。有耕夫荷鋤往擊之,則遺橐也。持而歸,得金數鎰,大喜過望。俄而聞於王,責令輸官,以為獻少匿多,楚掠備至;徵索無已,併其恆產俱盡。他日遇佛,泣曰:「瞿曇誑我,瞿曇誤我!」佛言:「向汝道毒蛇,是毒蛇否?」嗟乎!今之螫於毒蛇者眾矣!螫而無悔,而復受其螫者亦眾矣!豈獨一耕夫哉?
Long ago, the Buddha, walking through a field, saw an abandoned sack lying on the ground, and pointed at it, saying: "A poisonous snake! A poisonous snake!" — and then simply walked on. A farmer, hoe in hand, went to strike the "snake" dead, only to find it was an abandoned sack. He carried it home, and inside found several dozen ounces of gold — he was overjoyed beyond his wildest hopes.
Before long, word of it reached the king, who ordered him to hand the gold over to the treasury; the officials, suspecting he had submitted only a small part and hidden the rest, tortured him mercilessly, demanding more and more, until every last bit of his own property, down to his land itself, was gone. Some days later, he happened to meet the Buddha again, and wept: "Gautama deceived me! Gautama ruined me!" The Buddha said: "I told you it was a poisonous snake, did I not? Was it not, in fact, a poisonous snake?"
Alas! There are so many people today bitten by this very same kind of poisonous snake! And so many who, bitten once, feel no regret at all, and go right on being bitten again and again! Is this farmer really the only one?
食肉一 — Eating Meat, First Note
有僧業楞伽,偶會緇素。一居士,儒生也,斷肉茹素,同列相與咻之。楞伽僧不唯不解眾咻,反從而和之、勸之。生不得已,為一舉筯。噫!此僧他日讀楞伽,至佛言有無量因緣不應食肉,不知作何面貌?
There was a monk devoted to studying the Laṅkāvatāra Sūtra, who happened to attend a gathering of monastics and laypeople together. Among them was a layman, originally a Confucian scholar, who had given up meat and taken up a vegetarian diet; the others at the table teased and pressured him about it noisily. This monk, a specialist in the very sutra that forbids eating meat, not only failed to put a stop to their teasing but actually joined in, urging the layman to eat meat along with them. The layman, unable to refuse any longer, was forced to pick up his chopsticks and take a bite.
Ah — when this monk one day reads, in the Laṅkāvatāra itself, the Buddha's own words that there are countless reasons why one should not eat meat at all — I wonder what expression will cross his face?
食肉二 — Eating Meat, Second Note
世人於朋友戚屬,見有斷肉茹素者,不驚以為奇,則笑以為愚。夫人之與畜,同一肉聚耳,肉人不食肉獸,此天理人情之所必至也,亦何足奇,而況謂之愚乎?吁!眾生之迷昧也極矣!
When people see a friend or relative who has given up meat and taken up a vegetarian diet, they either find it strange enough to be startled, or laugh at them as foolish. And yet human beings and animals alike are, in the end, simply masses of flesh and blood — that a creature made of flesh should not eat the flesh of another animal is exactly what heaven's own principle and ordinary human feeling would dictate. What, then, is there to be startled by, let alone to call foolish? Ah — how deep the confusion of sentient beings truly runs!
The Laṅkāvatāra Sūtra's fourth fascicle contains an extended, explicit condemnation of meat-eating, making the specialist monk's own complicity in the first "Eating Meat" note especially pointed — he is not merely indifferent to the teaching, but an active expert in the very text that forbids what he is encouraging.
110. 曹溪不斷思想 — Caoxi's "Not Cutting Off the Hundred Thoughts"
A correction of a dangerous misreading of the Sixth Patriarch's famous verse, using the mirror-and-silk and valley-echo-and-smoldering-wood analogies to distinguish genuine non-attachment from mere license.
有誦六祖偈云:「惠能沒伎倆,不斷百思想,對境心數起,菩提作麼長。」揚揚自謂得旨,便擬縱心任身,一切無礙。坐中一居士斥之曰:「大師此偈,藥臥輪能斷思想之病也。爾未有是病,妄服是藥,是藥反成病。」善哉言乎!今更為一喻:曹溪之不斷百思想,明鏡之不斷萬像也;今人之不斷百思想,素縑之不斷五采也。曹溪之對境心數起,空谷之遇呼而聲起也;今人之對境心數起,枯木之遇火而煙起也。不揣己而自附於先聖者,試閒處一思之。
Someone recited the Sixth Patriarch's verse: "Huineng has no clever skill; he does not cut off the hundred thoughts. Facing circumstances, the mind repeatedly stirs — how, then, could bodhi ever grow?" — and proudly declared he had grasped its meaning, and so proposed to let his own mind and body run freely, with nothing at all held back.
A layman in the audience rebuked him: "The Great Master's verse was medicine for Woolun's particular illness — his belief that thoughts could actually be cut off. You do not have that illness, and yet you recklessly take this medicine anyway — the medicine itself will only make you sick!" How well said!
Let me offer one more comparison. Huineng's "not cutting off the hundred thoughts" is like a bright mirror not refusing to reflect the ten thousand images; people today, by contrast, "not cutting off the hundred thoughts" is like plain white silk not refusing any of the five colors. Huineng's "facing circumstances, the mind repeatedly stirs" is like a sound arising in an empty valley in response to a call; people today, by contrast, having "the mind repeatedly stir" when facing circumstances, is like dead wood catching fire and giving off smoke the moment it meets a flame. Let anyone who has not first taken the measure of his own attainment, and yet presumes to attach himself to the standing of the ancient sages, quietly sit and think this over for himself.
Huineng's verse was composed specifically as a corrective to a rival monk named Woolun, whose own verse boasted of a technique for "cutting off the hundred thoughts" entirely — Huineng's point was that thought-suppression itself was the deeper error, not that unrestrained thought was somehow the goal. The layman's diagnosis — "you don't have Woolun's illness, so this medicine will make you sick" — is a recurring structure in this collection (compare the "dry wisdom" warning in the 湯厄 sequence, Part 3) for how a genuinely liberating teaching, taken out of its corrective context, becomes its own trap.
111. 四知 — The Four Who Know
A defense of a famous Han-dynasty saying about incorruptibility, using a Buddhist sutra's parallel teaching to argue heaven and earth are not, in fact, insentient.
「天知地知,子知我知」,楊伯起語也。議者謂人己之知異矣,天地則無二知也。愚少時亦以為然,後讀內典佛罵意經,有四知之說,正與此同。蓋云天神知、地神知、彼心知、我心知也。華嚴世主品,主天主地、主日主夜、主山主海等,莫不有神,則伯起之說非謬。故知先賢語未可輕議。
"Heaven knows, earth knows, you know, I know" — these are Yang Boqi's own words. Some commentators have argued that "you" and "I" each have their own separate knowledge, while heaven and earth, being without sentience, cannot really be said to "know" in the same twofold sense at all. When I was young, I too thought this was correct. Later, though, reading the Buddhist Sūtra on Verbal Abuse, I found a teaching of "four kinds of knowing" that matches this exactly: the earth-spirit knows, the heaven-spirit knows, the other person's own mind knows, and my own mind knows. And the Avataṃsaka Sūtra, in its chapter on the World-Rulers, names countless deities presiding over heaven, over earth, over the sun, over the night, over the mountains, over the seas — so it is clear there are indeed spirits inhabiting heaven and earth, and Yang Boqi's teaching of "four kinds of knowing" was not mistaken after all. This is why the words of earlier worthies should never be casually second-guessed.
Yang Boqi (Yang Zhen, d. 124 CE) is the source of one of the most famous incorruptibility anecdotes in Chinese history — refusing a bribe at night by pointing out that "heaven knows, earth knows, you know, I know," when the briber claimed no one would ever find out. Zhuhong's move here is characteristic: rather than simply defending the historical figure's rhetoric on its own terms, he supplies a genuine doctrinal grounding for it from an independent Buddhist source.
112. 四大五行 — The Four Great Elements and the Five Phases
A comparative cosmology, arguing that the Buddhist "Four Great Elements" framework is broader in scope than the Chinese "Five Phases," and proposing a further "Seven Great Elements" scheme to capture the whole of reality.
五行之在世間,春夏秋冬而中氣也,東西南北而中方也,天之經也,地之緯也,自然之理,而亦必然之勢也。乃佛經不曰五行,而曰四大,說者曰:「地水火有五行之三矣,金攝於地,木攝於風,則四未嘗不五也。」此說良是,而未盡也。宇宙之內,則羅之五行足矣;統論乎宇宙之外,而要其成住壞空之極致,則四大始足以該之,而猶未盡也。地水火風,又繼之空也、識也、念也,而成七也。此何說也?地之質最為凝實,水之質不實而流衍,火之質至不可捉摸,而風則有氣而無質矣,空則並氣而無之矣,然後會歸於識,發動於念,從粗及微,通名七大而始盡也。彼五行者,地水火風之分布,而成天、成地、成人物者也。五行狹而四大廣也。
The Five Phases, as they operate in this world, produce the mid-points of the four seasons — spring, summer, autumn, winter — and the cardinal directions — east, west, south, north, plus the center — like the warp of heaven and the weft of earth; this is a natural principle, and also an inevitable pattern. And yet the Buddhist sutras speak not of "Five Phases" but of "Four Great Elements," which has led some to explain: "Earth, water, and fire already account for three of the Five Phases; metal is subsumed under earth, and wood is subsumed under wind — so the four are, in fact, never anything other than the five." This explanation is good as far as it goes, but it does not go far enough.
Within this universe, the Five Phases are sufficient to encompass everything. But considered beyond this universe, and getting at the ultimate pattern of formation, continuation, destruction, and emptiness that governs the cosmos as a whole, only the Four Great Elements are broad enough to encompass it all — and even that is not yet fully sufficient. Earth, water, fire, and wind are followed, in turn, by space, consciousness, and thought, making seven altogether. What does this mean? Earth's substance is the most solidly compact; water's substance, though not solid, flows and spreads everywhere; fire's substance is the most elusive and ungraspable of all; wind has energy but no substance whatsoever; space lacks even energy; and finally everything converges into consciousness, and is set in motion by thought — moving from the coarse to the ever more subtle, called together the "Seven Great Elements," only then is the account truly complete. The Five Phases, by contrast, are merely how earth, water, fire, and wind happen to distribute themselves in forming heaven, earth, and living beings within our own world — the Five Phases are narrow; the Four Great Elements are vast.
The "Seven Great Elements" (七大) — earth, water, fire, wind, space, seeing, and consciousness — is the Śūraṅgama Sūtra's own expanded framework, already touched on in entry 62's rebuttal of the Confucian "Mean" (Part 3); Zhuhong's substitution of "thought" for "seeing" in his own summary here is a slight simplification of the sutra's actual sevenfold list, likely for expository clarity rather than a doctrinal correction.
113. 世界 — The World
A childhood memory of an unanswerable question about the edge of the universe, resolved decades later by a single line from the sutras.
憶昔童子時,戲與諸童子相問難,謂天地盡處當作何狀?將空然皆太虛歟?則此空者又何所止?將結實如垣壁歟,則此實者又何所止?諸童子無以應,笑而罷,而予則隱隱礙於胸中也。彼山海經所謂東西相去二億里,南北相去一億五萬里,祇據一方,誠管窺而已。後閱內典,至「虛空不可盡,世界不可盡」,意始大豁,以為非佛不能道。嗟乎!此未易言也。
I recall, as a child, playing at debating hard questions with other children, asking: what is at the very end of heaven and earth? Is it simply empty, all vast emptiness? But then where does that emptiness itself end? Or is it solid, like a wall? But then where does that solid substance itself end? None of the other children could answer, and we all just laughed it off — but the question quietly troubled me all the same.
The Classic of Mountains and Seas claims the world extends two hundred million li east to west and one hundred fifty thousand li north to south — but this is merely one narrow, local view, truly the perspective of someone peering through a tube. Later, reading the Buddhist sutras, I came upon the teaching that "empty space cannot be exhausted, and the world-systems cannot be exhausted" — and my mind was suddenly, vastly opened. I came to believe that only the Buddha could have spoken such a thing. Alas! A question like this is not easily put into words at all.
A direct companion to entry 114 immediately below ("Years and Kalpas") — one asking the same unanswerable childhood question about spatial rather than temporal infinity, both resolved the same way and closing with the identical line, "this is not easily put into words at all."
114. 年劫 — Years and Kalpas
The temporal companion to the previous entry — a childhood puzzle about the beginning and end of time, resolved by the Buddhist teaching of beginninglessness.
因世界以推年劫,自今而追昔,昔何所始?自今而要後,後何所終?彼太極圖言太極而兩儀,而五行,而萬物,則太極為始。經世書約一元之數,而該之以十二萬九千六百年,則元之初為始。然太極又何始?元之初又何始?縱令如歲序然,今歲之前有往歲,而往之又往,誰為最初之祖始乎?又何時為畢竟盡處,不復更始之永終乎?則冥然似醉。後讀內典,至佛言無始,又言劫數不可盡,意始大豁,以為非佛不能道。嗟乎!此又未易言也。
From the question of world-systems, I go on to reason about years and kalpas. Looking back from the present into the past — where, exactly, did the past begin? Looking forward from the present into the future — where, exactly, will the future end? The Diagram of the Supreme Ultimate holds that the Supreme Ultimate gives rise to the Two Modes, and these to the Five Phases, and these to the ten thousand things — so that the Supreme Ultimate itself is where things begin. And the Book of the Supreme Principle Governing the World reckons a single "cycle" at a hundred twenty-nine thousand, six hundred years — so that the beginning of a cycle is where things begin. But then, where did the Supreme Ultimate itself begin? Where did the very first cycle itself begin? Suppose it worked exactly like the sequence of years, with this year preceded by last year, and that year preceded by an earlier year still — going back and back, which year, exactly, was truly the first, the original ancestor of them all? And when, exactly, would the very end come, the point where there is no more starting over, the truly final terminus?
Turning this over and over produces only a kind of drunken confusion. Later, reading the Buddhist sutras, I came upon the Buddha's teaching of "no beginning," and of kalpas beyond counting, and my mind was suddenly, vastly opened. I came to believe that only the Buddha could have spoken such a thing. Alas! A question like this, too, is not easily put into words at all.
The Diagram of the Supreme Ultimate and the Book of the Supreme Principle Governing the World, cited here as inadequate accounts of ultimate origin, are Song-dynasty Neo-Confucian cosmological works (by Zhou Dunyi and Shao Yong respectively) — this entry, together with the one above, quietly stages Buddhist metaphysics as more genuinely satisfying than the leading Chinese philosophical cosmologies of Zhuhong's own intellectual milieu.
115. 學道莫先智 — Nothing Comes Before Wisdom in Studying the Way
Using Han Xin's career as an extended analogy, this entry argues that wisdom — the capacity to use one's own faculties well — matters more in spiritual practice than the faculties themselves.
韓信,楚士也。背楚之漢,楚卒以信困,漢以信興。夫前後一信耳,而二國之興廢因之,善用與不善用之故也。六根在人,不善用之則名六賊,善用之則種種神通妙用耳。煩惱即菩提,豈不信哉?雖然,高帝之於信,始待之猶夫人,而蕭相國奇之;既而請假王不之許,幾至僨事,而留侯成之。然則補偏救敝,默轉而潛維者,智臣之力也。學道莫先智,亦復如是。
Han Xin was originally a soldier of Chu. When he turned his back on Chu and joined Han, Chu was in the end brought down through him, and Han rose through him. He was the very same man, front and back — and yet the rise and fall of two entire states turned on him, simply because of whether he was put to good use or not. The six sense-faculties are exactly the same way in every person: used poorly, they are called "the six thieves"; used well, they become the source of every manner of marvelous, spiritual capacity. "Affliction is itself bodhi" — how could this not be true?
And yet even so — when Emperor Gao first met Han Xin, he treated him at first as nothing more than an ordinary man, and it was Chancellor Xiao who recognized his extraordinary talent. Later, when Han Xin requested to be made acting king of Qi, the emperor at first refused, and the whole enterprise nearly collapsed as a result — it was Marquis Liu who saved the situation. And so, correcting deviations and rescuing failing plans, silently turning and quietly sustaining the whole enterprise from behind — this is exactly the work of a wise minister's power. And studying the Way is exactly the same: nothing must come before wisdom.
The same Han Xin already discussed in entry 29 (Part 2), read here from an entirely different angle — there, his fate illustrated karmic consequence for a lifetime of killing; here, his career illustrates the difference good judgment makes to identical underlying material, whether that material is a general's talent or a person's own six senses.
116. 道場放赦 — Amnesty Proclamations at Ritual Assemblies
A sharp critique of monks who imitate Daoist "amnesty" documents in funerary rites, arguing the very premise makes no sense applied to a buddha whose compassion is already universal.
道場中放赦,僧道二門時有之。夫道崇天帝,不知此赦何人自忉利天宮領下人世?今羽士自為之,不幾於偽傳聖旨耶?僧奉佛,而佛在常寂光中,畢竟王何國土、都何城邑、統何臣民、詔敕制誥出何官僚?而亦效彼道流,作為赦書,此大可笑。今僧莫覺其非,齋家亦莫覺其非,何也?無已,則有一焉:奏請於天,乞其頒赦,允與否,唯天主之而已。若佛則慈悲普覆,猶如虛空,無一眾生不度,而奚以赦為也?
In ritual assemblies, both Buddhist and Daoist officiants sometimes proclaim amnesties. Now, Daoism venerates the Heavenly Emperor — but from whom, exactly, was this amnesty received, and from what point in the Trāyastriṃśa heaven was it brought down into the human world? For a Daoist priest to draft such a proclamation on his own authority — is this not perilously close to forging an imperial decree?
Monks venerate the Buddha, and the Buddha's own dharma-body dwells in the Land of Eternal Tranquil Light — but in the end, over what kingdom does he reign, in what city does he hold court, over what subjects does he rule, and from what official's hand could any decree or edict of his possibly issue? And yet there are monks who imitate the Daoists in exactly this way, drafting their own amnesty documents — this is, frankly, quite laughable. That neither the monks who write them nor the donors who commission them ever seem to notice the absurdity — why is that?
If pressed for an excuse, one might say: it is simply a petition addressed to Heaven, requesting that Heaven issue an amnesty — whether Heaven grants it or not is Heaven's own decision to make. But the Buddha's own compassion already universally covers everyone, like empty space itself — there is not a single sentient being he does not save — so what possible need could there be for an "amnesty" at all?
The Land of Eternal Tranquil Light (常寂光土) — the highest of the four Pure Land classifications, the dharma-body's own abode beyond any spatial or political metaphor — is the precise doctrinal point on which Zhuhong's whole objection turns: an amnesty presupposes a court, a jurisdiction, a chain of authority, none of which meaningfully apply to a buddha's dharma-body at all.
117. 水陸儀文 — The Liturgy for the Water-and-Land Rite
A detailed comparison of two rival liturgies for the Water-and-Land Rite, favoring the more economical and better-organized version by the Song-dynasty monk Zhipan, with a note of regret that it remains little used.
水陸齋為普度盛典,金山儀文,相傳昔於大藏放光,今藏無此文,世遠不可考。未知盡出梁武皇祐律師否?若夫始終條理,詳而有章,凡聖交羅,約而能盡,辭理雙得,則四明磐師所輯六卷之文最為允當。況金山者費廣而難舉,四明者財省而易成,正應流通無盡。而舉世莫之行,浙諸郡亦莫之行,唯本境僅行之,而又不直按其原本,增以閒文,雜以冗舉,反於緊要處疏略,可慨也。但第五卷說法開導處,備陳三觀之旨,稍似過於繁密;更得簡直易曉,則幽明愚智,兼利不遺,盡美矣!復盡善矣!
The Water-and-Land Rite is the grandest ceremony of universal deliverance. Tradition holds that the "Jinshan liturgy" text was originally included in the Buddhist canon, though it does not appear in the canon as it stands today — with so much time elapsed, its origins can no longer be confirmed. It is unclear whether this text truly derives, in full, from the rite established by Emperor Wu of Liang and the vinaya master Sengyou.
As for which surviving liturgy is the most orderly and coherent from beginning to end, thoroughly detailed and clearly structured, encompassing both sages and ordinary beings in a way that is concise yet complete, achieving both literary and doctrinal excellence together — the six-fascicle text compiled by Master Zhipan of Siming stands out as by far the most fitting. And besides, the Jinshan version is costly and difficult to mount, while the Siming version is economical and easy to carry out — it truly ought to circulate widely and without limit. And yet, throughout the whole empire, hardly anyone performs it, nor even across most of Zhejiang province; only within our own local region is it observed at all, and even here, people do not follow the original text directly, but pad it with irrelevant material and clutter it with superfluous additions, while neglecting precisely the most essential parts — a matter for genuine regret.
That said, in the fifth fascicle, where the liturgy expounds the Dharma to guide the assembly, its treatment of the "three contemplations" runs somewhat too dense and elaborate. If it could be made simpler and more direct, easier to grasp, then it would truly benefit the wise and the dull, the living and the departed, all alike, without exception — and that would be perfection upon perfection!
Zhuhong's own later work, the six-fascicle Rite for the Cultivation of the Water-Land Assembly, would go on to become the standard version used across the Chinese Buddhist world down to today — making this entry an early record of the very dissatisfaction that eventually drove him to compile his own edition.
118. 見僧過 — Seeing a Monk's Faults
A short clarification of a widely misapplied saying, arguing it was meant to restrain lay criticism, not to excuse monastic misconduct.
世有言:「人不宜見僧過,見僧過得罪。」然孔子聖人也,幸人知過;季路賢者也,喜過得聞。何僧之畏人知而不欲聞也?蓋不見僧過,為白衣言耳,非為僧言也。僧賴有此,罔行而無忌,則此語者,白衣之良劑,而僧之砒酖矣!悲夫!
There is a common saying: "One ought not point out a monk's faults — to notice a monk's faults is itself a transgression." And yet Confucius, sage though he was, welcomed having his own faults pointed out; Jilu, a worthy man, was glad to hear of his own mistakes. Why, then, should monks be so afraid of others knowing their faults that they refuse even to hear of them?
The truth is that this saying, "do not notice a monk's faults," is meant for laypeople to hear — it was never meant to be addressed to monks themselves. If monks come to rely on this saying as license to behave however they please, with no restraint at all, then this saying becomes a fine medicine for the layperson, and a fatal poison for the monk himself. How sorrowful!
Jilu is Zilu, the blunt, plain-spoken disciple already mentioned by name in the reading note to entry 1 of this collection's very first batch — his willingness to hear correction is invoked here as a direct model against the very complacency the misapplied saying enables.
119. 心不在內 — The Mind Is Not Located Inside the Body
A subtle doctrinal debate distinguishing the true mind from the deluded mind in light of the Śūraṅgama's "seven locations" inquiry, using the analogy of water and ice to reconcile apparent contradiction.
楞嚴徵心,謂心不在內者,指真心也;若妄想心,則亦可云在內。此意微妙,未易與不知者道。世書曰:「心藏神。」神即妄想別名,其所稱心,則肉團之謂耳。有義學輩聞予言,搖首不信。今請以事明之:人熟寐,戲以物壓其心則魘;或自手誤掩其心亦魘;又戲畫睡人面,有至魘死者,此在內之明徵也。義學曰:「如是,則真妄成二物矣!」曰:「子徒知真妄不二,不知真妄一而常二、二而常一也。不觀水與冰乎?水冰不二,孰不知之!而水既成冰,水流動而無定方,冰凝實而有常所;真無方,妄有所,亦猶是也。從真起妄,妄外無真,由水結冰,冰外無水,故其體常一而用常二也。」義學曰:「此子臆見,終違楞嚴,有據則可。」曰:「有據。據在楞嚴,諸君自不察耳。經云:『一迷為心,決定惑為色身之內。』雖在色身之內,不妨體遍十方;正遍十方之時,不妨現在身內。此意妄想破盡者方能證之,吾與子尚在妄想中,葛藤且止。」
In the Śūraṅgama Sūtra's inquiry into the location of the mind, the teaching that "the mind is not located inside the body" refers specifically to the true mind; the deluded, discriminating mind may indeed be said to be located inside the body. This point is genuinely subtle, and not easily explained to someone unfamiliar with the underlying principle. A secular text says: "The heart-organ houses the spirit" — here "spirit" is simply another name for deluded thought, and what it calls the "mind" refers only to the fleshy organ, the physical heart. Certain scholars of doctrinal studies, hearing me say this, shook their heads and refused to believe it.
Let me clarify this now with a concrete case. When a person is sound asleep, if someone plays a trick and presses an object against his chest, he will have a nightmare; or if his own hand accidentally comes to rest over his chest, the same nightmare can occur; and if someone plays a trick by drawing on a sleeping person's face, there have even been cases of the person being frightened to death by it in his sleep — this is clear evidence that the deluded mind is indeed located within the body.
A doctrinal scholar objected: "If that is so, then the true mind and the deluded mind become two separate things!" I said: "You understand only that the true and the deluded are not two — you fail to understand that they are one and yet constantly appear as two, two and yet constantly remain one. Have you never observed water and ice? That water and ice are not two different things — who does not know this! And yet once water has frozen into ice, we can observe that water flows freely with no fixed direction, while ice remains solid and fixed in place. The true mind, likewise, has no fixed location at all; the deluded mind, by contrast, comes to have a location, precisely through this same process. From the true, delusion arises; there is no delusion apart from the true — just as ice forms from water, and there is no ice apart from water. And so the underlying substance remains constantly one, even as its function constantly appears as two."
The doctrinal scholar said: "This is merely your own private opinion, and ultimately contradicts the Śūraṅgama itself — you would need real textual grounds to say this." I said: "I do have grounds — they lie right within the Śūraṅgama itself; you gentlemen have simply failed to notice them. The sutra says: 'Once deluded as mind, one is inevitably confused into taking it to be located inside the physical body.' Even while located inside the physical body, this presents no obstacle to its substance pervading the ten directions; and even while truly pervading the ten directions, this presents no obstacle to its appearing, right now, inside the body. This point can only be truly realized by someone who has entirely exhausted all delusion — you and I are both still caught within delusion ourselves, so let us set this tangled discussion aside for now."
The Śūraṅgama's "seven locations" inquiry (七處徵心) — the Buddha systematically refuting Ānanda's seven successive guesses about where the mind is located — is one of the most famous opening arguments in the sutra; Zhuhong's water-and-ice resolution here elegantly answers a genuine tension in how that inquiry is popularly summarized ("the mind is not inside the body") against everyday experience (a sleeper's nightmare triggered by pressure on the chest) that seems to suggest otherwise.
120. 生死根本 — The Root of Birth and Death
A close reading of a line by the poet Huang Tingjian, arguing that complacent attachment to meditative bliss is itself the very root of saṃsāra it claims to overcome.
黃魯直之言曰:「深求禪悅,照破生死之根,則憂畏淫怒無處著腳。但枯其根,枝葉自瘁。」此至論也,但未明言孰為生死根者。又「禪悅」下,要緊在「照破」字。若得禪悅便謂至足,則內守幽閒,正生死根耳。須是窮參力究,了了見自本性,則生死無處著腳。生死尚無處著腳,憂畏淫怒何由而生?
Huang Luzhi once said: "Seek deeply the joy of meditation, illuminate and break through the very root of birth and death, and worry, fear, lust, and anger will find nowhere left to stand. Once the root itself has withered, the branches and leaves will naturally wilt away on their own." This is truly the highest kind of statement — and yet it never actually specifies what, exactly, constitutes the root of birth and death. And beneath the phrase "the joy of meditation," the crucial word is "illuminate and break through." If one attains the joy of meditation and simply believes this is enough, resting content, quietly abiding in that inner stillness — this very complacency is itself the root of birth and death. One must instead investigate exhaustively, applying one's whole strength, until one sees one's own original nature with total, unmistakable clarity — only then does birth and death find nowhere left to stand at all. And once birth and death itself has nowhere left to stand, how could worry, fear, lust, and anger possibly arise?
Huang Tingjian (黄庭坚, "Luzhi," 1045–1105), the celebrated Song poet and calligrapher, was rebuked by the monk Faxiu for writing erotic verse and later took a formal lay vow to abandon meat, wine, and lust — the same trajectory of literary talent redirected toward practice already seen in Su Dongpo (entries 26 in Part 2) and Zhang Wujin (entry 56 in Part 3).
121. 齊人 — The Man of Qi
A brief reflection on Mencius's famous satirical parable of shameless status-seeking, extending its lesson from laypeople to monastics.
子輿氏設齊人之喻,分明似一軸畫,又似一堂排場戲劇。其模寫形容,備諸醜態,讀此而不惕然悔悟者,木石也。雖然,名利固世情之常,在有家者未足深責;染衣而齊人,吾不知其何心也?吁乎,傷哉!
Master Ziyu's parable of the man of Qi reads, plain and clear, like a scroll painting, or like an entire play staged on a single platform. Its portrait of the man's conduct captures every shade of shameful absurdity in full — anyone who reads it without feeling a shock of self-reproach and awakening must be made of wood or stone. And yet: the pursuit of fame and fortune is, after all, an ordinary part of worldly human feeling, and a layman caught up in it hardly deserves severe blame. But a monk, wearing the dyed robes of the Sangha, behaving just like this man of Qi — I truly cannot imagine what kind of heart could allow that. Alas — how sorrowful!
Mencius's parable (Mencius 4B.33) describes a man who secretly begs leftover sacrificial food at graveyards while boasting to his wife and concubine of feasting with the wealthy — the same asymmetry Zhuhong applies elsewhere in this collection (compare entry 26's dismissal of youthful indulgence, Part 2) between what is forgivable in a layperson and what is unforgivable in a monastic.
122. 至誠感人 — Utmost Sincerity Moves People
Two historical exemplars of trust earned through consistent character — a general's poisoned wine accepted without hesitation, and condemned prisoners who returned voluntarily to face execution — used to set a standard for how a Buddhist teacher must earn trust.
羊祜遺敵帥以酒,眾難之,帥飲不疑,曰:「豈有酖人羊叔子哉?」非真誠素孚,安能感人一至於是?今號為釋子者,其取信六道眾生,必如是而後可。又唐文皇縱死囚,約之來歸,歸不失期,雖後人作論駁難,而要之文皇此舉,實千古所希有,胡可訾也?非真誠素孚,安能感人一至於是?今號為釋子者,其不疑六道眾生,亦必如是而後可。易曰:「中孚豚魚吉。」吾以二事觀之,信然。
Yang Hu once sent wine to an enemy commander; the commander's own officers urged him against drinking it, but the commander drank it without a second thought, saying: "How could Yang Shuzi possibly poison a man?" Had Yang Hu's own character not been so consistently, genuinely trustworthy, how could he possibly have moved a man to such a degree? Anyone today who calls himself a disciple of the Buddha must be able to earn the trust of sentient beings across all six realms in exactly this same way, if he is to succeed at all.
Consider also Emperor Wen of Tang, who once released condemned prisoners on their own recognizance, on the condition that they return by a set date — and every one of them returned, on time, without exception. Although later writers, such as Ouyang Xiu in his Essay on Releasing the Prisoners, criticized this act as unfit to serve as any general model for governing the realm, the act itself remains, in the end, something exceedingly rare across the whole span of history — how could it possibly deserve censure? Had Emperor Wen's own character not been so consistently, genuinely trustworthy, how could he possibly have moved men to such a degree? Anyone today who calls himself a disciple of the Buddha must likewise be able to trust sentient beings across all six realms without doubt, if he is to succeed at all. The Yijing's hexagram Zhongfu says: "Even an offering as humble as a pig or a fish brings good fortune." Considering these two stories together, I believe this is truly so.
The two stories illustrate opposite directions of the same underlying quality: Yang Hu's story is about being trusted (the enemy commander's confidence in him), while Emperor Wen's is about extending trust (his own confidence in the condemned men) — together they model both sides of the "sincerity" Zhuhong asks Buddhist teachers to embody toward sentient beings.
123. 親善知識 — Drawing Close to a Genuine Spiritual Guide
A correction of a common misreading of "do not reject a good saying on account of the speaker," clarifying it does not license choosing a teacher for learning alone, without regard to character.
先德云:「譬如敝人執燭,不以人敝故,不取其照。」即孔子「不以人廢言」意也。藉口者,遂謂師不必擇賢,但資其學識言論足矣!彼自不德,我何與焉?遂依之不違。寧知芝蘭鮑魚,漸染成性乎?論語曰:「不以人廢言。」又曰:「因不失其親,亦可宗也。」胡不合而觀之?
A worthy of old said: "It is like a lowly person holding a torch — one does not refuse its light simply because the person holding it is lowly." This carries exactly the same sense as Confucius's own teaching, "do not reject a good saying on account of the speaker." Some people, using this as an excuse, claim that a teacher need not be chosen for his own virtue at all — it is enough that his learning and views be of some use to me. If he himself lacks virtue, what business is that of mine? — and so they go on relying on such a teacher without hesitation.
But do they not realize how easily orchid-and-angelica or dried-fish-shop surroundings gradually shape a person's own character through quiet, unnoticed influence? The Analects says, "do not reject a good saying on account of the speaker" — but it also says, "to draw close to someone without losing sight of what makes them worth being close to — this too is worthy of being honored." Why not consider these two teachings together, rather than just one alone?
The "orchid-and-angelica or dried-fish-shop" image, from the Kongzi Jiayu, is the classical Chinese source for the idea of unconscious moral osmosis from one's surroundings — echoed in this collection's own repeated concern with the influence of company (compare entry 36's account of blunt, formative friends, Part 2).
124. 念佛不專一 — Buddha-Recitation Without Real Single-Mindedness
Two stories of monastic communities responding to crisis with nothing but Buddha-recitation, contrasted with the common practice of switching to a different sutra or mantra for every different need.
予昔在鍊磨場中,時方丈謂眾云:「中元日當作盂蘭盆齋。」予以為設供也。俄而無設,唯念佛三日而已。又聞昔有院主為官司所勾攝,堂中第一座集眾救護,眾以為持誦也,亦高聲念佛而已。此二事,迥出常情,有大人作略,真可師法。彼今之念佛者,名為專修,至於禱壽命則《藥師經》,解罪愆則《梁皇懺》,濟厄難則消災咒,求智慧則觀音文,向所念佛,束之高閣,若無補於事者。不思彼佛壽命無量,況百年壽命乎?不思念彼佛能滅八十億劫生死重罪,況目前罪垢厄難乎?不思彼佛言:「我以智慧光,廣照無央界。」況時人所稱智慧乎!阿伽陀藥,萬病總持;二三其心,莫肯信服。神聖工巧,獨且奈之何哉!
I once was in a meditation hall when the abbot announced to the assembly: "On the Ghost Festival day, we will hold the Ullambana feast." I assumed this meant a great offering would be prepared. But when the day came, there was no feast at all — only three days of continuous Buddha-recitation. I also once heard of an earlier case where a monastery's own abbot had been summoned by the authorities for arrest, and the head monk gathered the community to come to his rescue; everyone assumed this meant chanting sutras and mantras — but it turned out to mean nothing more than loud, continuous recitation of the Buddha's name. Both of these cases go far beyond ordinary expectation, showing the bearing and resourcefulness of a truly great person — genuinely worth learning from and following.
And yet those who today call themselves devoted, single-minded practitioners of Buddha-recitation, when it comes to praying for long life, turn instead to the Medicine Buddha Sūtra; to atone for wrongdoing, they turn to the Emperor Liang Repentance; to avert calamity, they turn to the Calamity-Averting Mantra; to seek wisdom, they turn to Guanyin's own text — setting aside the very Buddha-recitation they claim to practice, as though it were of no help at all. Do they never consider that this very Buddha's own life-span is immeasurable — how much more, then, should a mere hundred years of human life be within its reach? Do they never consider that recollecting this very Buddha can dissolve the grave karmic offenses of eighty koṭi kalpas of birth and death — how much more, then, should present-day defilements and calamities be within its reach? Do they never consider this very Buddha's own words, "I illuminate the boundless realms with the light of my wisdom" — how much more, then, should it surpass whatever passes for wisdom among people today! This single name is like the universal medicine agada, capable of curing every illness at once — and yet, when the mind is divided two or three ways, people simply refuse to trust it fully. Even the most miraculous physician, faced with such a patient, can do nothing at all!
Structurally close to entry 65 ("Sutras and Teachings," Part 3) in defending Buddha-recitation's own sufficiency, but the target here is subtly different — not textual dismissiveness but a scattered, transactional practice that treats the Buddha's name as one tool among many rather than a complete path in itself.
125. 伎樂 — Music and Performance
A threefold framework — sage versus ordinary person, correct versus deviant content, doing versus instructing — for judging when watching theatrical performance is and is not permissible for a monastic.
或曰:「不作伎樂,及不往觀聽,此沙彌律,非菩薩道也。古有國王大臣,以百千伎樂供佛,佛不之拒,則何如?」愚謂此有三義:一者聖凡不可例論,二者邪正不可例論,三者自他不可例論。我為法王,於法自在,逆行順行,天且不測,大聖人所作為,非凡夫可得而效顰也,一也。編古今事而為排場,其上則香山目連,及近日曇花等,以出世間正法感悟時人;其次則忠臣孝子義士貞女等,以世間正法感悟時人,如是等類,觀固無害。所以者何?此不可觀,則書史傳記亦不可觀。蓋彼以言載事,此以人顯事,其意一也。至於花月歡呼,干戈鬥鬨,誨淫啟殺,導欲增悲,雖似諷諫昏迷,實則滋長放逸,在白衣猶宜戒之,況僧尼乎!二也。偶爾自觀猶可,必教人使觀則不可;三也。慎之哉!
Someone asked: "Not performing music yourself, and not going to watch or listen to it, is a rule for novice monks — it is not, however, part of the bodhisattva path. There have, after all, been kings and ministers in the past who offered the Buddha music and dance by the hundreds and thousands, and the Buddha did not refuse it — how do you explain that?"
My own view is that this can be understood in three ways: first, sages and ordinary people cannot be judged by the same standard; second, deviant and correct performances cannot be judged by the same standard; third, doing something oneself and instructing others to do it cannot be judged by the same standard.
As to the first: the Buddha, as Dharma-King, is entirely free in his mastery of the Dharma — his teaching methods, whether working with or against ordinary expectation, are beyond the reckoning even of the heavenly beings; what a great sage does is simply not something an ordinary person can properly imitate.
As to the second: plays composed from historical or contemporary material and staged for performance — such as the traditional story of Guanyin's origin at Fragrant Mountain, the tale of Maudgalyāyana rescuing his mother, or the recent Datura Flower — use out-of-this-world, correct teaching to move and awaken people of the present day; likewise, plays depicting loyal officials, filial children, righteous men, and chaste women use worldly, correct teaching to the same end. Watching plays of this kind does no harm at all. Why? If such plays could not be watched, then histories and biographies could not be read either — the only difference is that one records events through language, and the other through people acting them out; the underlying purpose is exactly the same. But when it comes to plays depicting romantic dalliance and revelry, warfare and violent brawling — inciting lust, provoking violence, stirring desire, deepening sorrow — however much they may pretend to offer moral instruction to the deluded, in fact they only encourage further indulgence and dissipation; even laypeople ought to be cautious of such things, let alone monks and nuns!
As to the third: watching such things occasionally oneself is one thing, but deliberately instructing other people that they, too, must watch is quite another matter, unacceptable. Let this be approached with real caution!
The Datura Flower (曇花記) was a real, then-contemporary morality play by the Ming playwright Tu Long, drawing on his own religious conversion — Zhuhong's citation of it alongside two much older, canonical Buddhist stage traditions (the Guanyin origin story and the Maudgalyāyana-rescues-his-mother cycle) shows him treating serious current popular theater as a legitimate vehicle for teaching, not merely tolerating older, sanctified material.
126. 身者父母遺體 — The Body Is What One's Parents Left Behind
A dream about his parents' illness, resolved into a vow of diligence, followed by two companion parables about masters who cast aside years of prior commitment the instant they encountered a truer teaching.
身者父母遺體 — The Body Is What One's Parents Left Behind
夢中忽憶二尊人病且亟,悲甚。既而曰:「猶可為也。」則稍自慰。正擬極力療治,俄而夢也,復悲甚。既而復自慰曰:「猶可為也。吾今此身,父母遺體也。及吾尚存,以父母遺體,力行善事,是吾親滅而不滅也,況力學無生乎!失今不自淬礪,是則大可恨耳。宏乎!爾安得晏然而已乎?」
In a dream, I suddenly remembered that my two revered parents were gravely ill, and felt deep sorrow. Then I thought: "It may still be possible to save them" — and felt somewhat comforted. Just as I was preparing to do everything in my power to treat them, the scene shifted, and I felt deep sorrow all over again. Then I comforted myself once more, thinking: "It may still be possible after all. This body of mine is what my parents left behind. As long as I remain alive, I can use this body my parents gave me to strive with all my strength toward good deeds — and in this way, my parents, though they themselves have passed away, have not truly perished at all. How much more so, then, if I devote myself with all my strength to studying the doctrine of the unborn! To let this present moment slip past without forging and disciplining myself would truly be a matter for the deepest regret. Zhūhóng! How could you possibly go on living so carelessly, at ease?"
出谷喻一 — The Parable of Leaving the Valley, First Note
詩詠鳥,謂「出自幽谷,遷於喬木」,蓋別是非、慎取舍之論也。昔德山作青龍鈔,初以為:「三祇鍊修乃得成佛,而南方魔子謂一悟了畢,吾當往滅其種,以報佛恩。」當是時,是一片真實好心,耿耿於懷,特不自知其所見之謬耳。及夫受指教於婆子,親見龍潭,而積歲所寶所重,棄之如腐草,故能終成大器,震耀末法也。向使封滯臆見,我慢自賢,喻如窶人,珍祕燕石,反謗賈胡,謂嫉己寶,雖有百婆子、千龍潭,其將若之何!
The Book of Odes sings of a bird: "It comes forth from the dark valley, and moves up into the tall trees" — a lesson about distinguishing right from wrong, and being careful in what one chooses to keep or discard.
Long ago, Deshan composed his own Blue Dragon Commentary, initially convinced: "It takes three incalculable kalpas of cultivation to attain buddhahood — and yet these demon-children of the southern school claim that a single moment of awakening finishes the whole task! I shall go south and destroy their heretical lineage, to repay the Buddha's kindness." At the time, this was truly, sincerely well-intentioned on his part, and it weighed on him deeply — he simply did not yet realize how mistaken his own view actually was. It was only once he was instructed by an old woman selling rice cakes, and personally met Longtan, that he cast aside, like so much rotten grass, everything he had treasured and revered for so many years — and it was precisely because of this that he was able to become, in the end, a truly great vessel of the Dharma, whose teaching would go on to illuminate this degenerate age.
Had he instead remained sealed within his own preconceived opinion, arrogantly certain of his own superiority — like a poor, ignorant man who treasures a worthless stone from Yan as if it were priceless, and then accuses the merchant who tells him otherwise of simply envying his treasure — then even a hundred old rice-cake sellers, even a thousand Longtans, could have done nothing for him at all!
出谷喻二 — The Parable of Leaving the Valley, Second Note
三迦葉、目犍連諸阿羅漢,先師外道已有成驗,自負不淺淺矣。而一聞佛、一見佛,幡然改圖,積歲所尊所崇棄之如鴻毛,故能續佛慧命,師表萬世也。向使先入之言牢主於中,硬豎剎竿,堅壁自固,喻如病者死守舊醫,縱有新方,掉首不顧,雖千佛出世,其將若之何!
The three Kāśyapa brothers, Maudgalyāyana, and other great arhats had all previously studied under non-Buddhist teachers and already achieved real results there, and were themselves no small figures. And yet, the moment they heard the Buddha's teaching, the moment they saw the Buddha himself, they turned about completely, casting aside, like a mere goose feather, everything they had venerated and revered for so many years — and it was precisely because of this that they were able to carry forward the Buddha's own wisdom-life, becoming teachers for ten thousand generations to come.
Had they instead let their earlier convictions take firm root within them, planting their banner-pole rigidly in place, defending their own fortress at all costs — like a sick man who clings stubbornly to his old doctor, and turns his head away from any new prescription no matter how effective — then even if a thousand buddhas had appeared in the world, there would have been nothing at all to be done for them!
Deshan Xuanjian's famous encounter with the anonymous rice-cake seller is one of the most celebrated conversion stories in Chan literature — his prized commentary on the Diamond Sūtra reduced to nothing by a single unanswerable question about "which mind" he intended to refresh with her cakes, since the sutra itself teaches no mind can be grasped at all. Both "Leaving the Valley" notes make the same point as the opening main entry from a different angle: genuine progress sometimes requires abandoning even deeply, sincerely held prior commitments — read against "The Body Is What One's Parents Left Behind," the whole set forms a meditation on using this present life well before it is too late to change course.
127. 丸餅誑兒 — Deceiving a Child with Rice Balls
A domestic anecdote about tricking a child with a cosmetic change to his food, turned into a pointed criticism of people who reject Pure Land practice for superficial reasons while embracing Chan.
憶在家時,一兒晚索湯餅,時市門已掩,家人無以應,丸米粉與之,啼不顧,其母恚甚。予曰:「易事耳,取米丸匾之。」兒入手,啞然而笑。時謂兒易誑若此。因知今人輕淨土重禪宗者似焉,語以丸湯餅之淨土則啼,易以匾米丸之禪宗則笑,此真與兒童之見何異?嗟夫!
I recall that, while still living as a layman, one evening a child in the household demanded noodle soup, but by then the market stalls had already closed, and the family had nothing to offer him. They rolled some rice flour into little balls and gave him those instead; the child cried and refused to touch them, and his mother grew quite exasperated. I said: "This is easily solved — just take the rice-flour balls and flatten them out." The child took them in hand and laughed out loud with delight.
At the time, people remarked on how easily a child could be fooled in this way. And from this I came to realize: people today who look down on the Pure Land and prize Chan instead behave in exactly the same manner. Tell such a person of the Pure Land, shaped like a bowl of noodle soup, and he cries; switch it to Chan, shaped like a flattened rice ball, and he laughs — how, really, is this any different from the understanding of a small child? Alas!
One of the rare entries in this collection drawn entirely from Zhuhong's own domestic, pre-ordination life, using a small household memory to make a doctrinal point about surface preference over substance — the rice-flour balls and the noodle soup are, after all, made of the identical ingredients.
128. 憂樂 — Sorrow and Joy
A cascading argument that every social rank envies the one above it without realizing that rank, too, carries its own burden, all the way up to the ruler of the realm — closing with a final warning against attachment even to the state of "no sorrow, no joy" itself.
貧者憂無財,慕富人之為樂,而不知富人有富人之憂也。賤者憂無官,慕貴人之為樂,而不知貴人有貴人之憂也。貧者、賤者、富者、貴者,各憂其所不足,慕王天下者以為窮世人之樂,而不知王天下者有王天下之憂也,而猶不知其憂之特甚也,而猶不知其反慕乎群臣百姓之為樂也。嗚呼!悉妄也。惟智人能兩無憂樂,而住於無憂樂者,亦妄也。非大悟大徹,無自由分。
The poor worry over having no wealth, and envy the rich their happiness, without realizing the rich have worries of their own. The lowly worry over holding no office, and envy the eminent their happiness, without realizing the eminent have worries of their own. The poor, the lowly, the rich, and the eminent alike each worry over whatever they themselves lack, and all envy the one who rules over all under heaven, imagining this to be the greatest happiness any person in the world could exhaust — without realizing that even the ruler of all under heaven has worries of his own, worries in fact more severe than anyone else's, and, without even realizing it, secretly envies the plain happiness of his own officials and common subjects instead. Alas — all of this is simply delusion! Only the truly wise can live entirely without either sorrow or joy — and yet to become attached to this very state of "no sorrow, no joy" is, itself, another form of delusion all the same. Without great and thorough awakening, there is no true freedom to be found at all.
The final turn — warning against attachment even to "no sorrow, no joy" itself — mirrors the same self-undermining move Zhuhong applies to meditative bliss in entry 120 above ("The Root of Birth and Death") and to Chan non-attachment in entry 110 ("Caoxi's 'Not Cutting Off the Hundred Thoughts'"): whatever remedy is offered, clinging to the remedy itself becomes the next problem.
129. 根原枝葉 — Root and Source, Branch and Leaf
A final restatement of one of this collection's most persistent themes: that scholarly display in obscure doctrine is not the same as, and often crowds out, the genuine "one great matter" of practice.
末法人業經論,其所尚,多在名繁相劇而難為記持者,義幽理晦而難為剖析者,文隱句澀而難為銷會者。以是騁辯博,誇新奇,而衲僧腳跟下一大事因緣置之罔聞。又寧知彼名相義理文句,皆從此中流出;是則攻枝葉而昧根原,永嘉所以浩歎也,故曰:「但得本、不愁末。」祇恐時人於此信不及、放不下耳。
Those who study the sutras and treatises in this degenerate age tend to prize exactly what is most burdened with elaborate technical terminology and hardest to keep in memory, what is most obscure and difficult to analyze in meaning, what is most cryptic and difficult to work through in phrasing. They use all this to display their own erudition, to show off their own originality — while the one great matter that ought to ground every monk's own feet firmly on the earth is left entirely unattended, as if never even heard of. And how little they realize that all this terminology, all this doctrine, all this phrasing flows, in the first place, out of that very same root! This is exactly what it means to work only on the branches and leaves while remaining ignorant of the root and source — precisely what moved Yongjia to his own great sigh, when he wrote: "Only grasp the root; do not worry over the branches." I only fear that people today cannot bring themselves either to believe this fully, or to let go of their attachments accordingly.
A late-collection reprise of entry 68's "foolishness within foolishness" (Part 3) and entry 38's "The Sutras Must Be Read" (Part 2) — three separate entries, spaced across the whole collection, that circle back repeatedly to the same underlying worry about erudition substituting for realization.
130. 想見崑崙 — Longing to See Mount Kunlun
A brief historical anecdote about a Daoist practitioner's decades-long visualization practice, used as a fortiori evidence for the power of correct Pure Land contemplation.
漢莊伯微,每於日落時,面對西北,想崑崙山。久之,見崑崙仙人,傳法得度。此彷彿與西方日觀相似,但彼屬妄想,不修正觀耳。久積妄想,以精誠之極,尚得遂其所見;況一心正觀,三昧成就,而不往生者哉!
The Han-dynasty figure Zhuang Boweï, every day at sunset, would face northwest and contemplate Mount Kunlun. After a long time, he actually saw the immortals of Kunlun, and received their teaching, attaining liberation through it. This method resembles the "sun-contemplation" of the Western Pure Land teaching — except that his was a matter of ordinary imagination, not the practice of correct contemplation at all. And yet, through prolonged accumulation of even mere imagination, when carried to the utmost pitch of sincerity, he still managed to achieve what he set out to see — how much more so, then, one who practices single-minded, correct contemplation and actually accomplishes samādhi, and yet somehow fails to attain rebirth in the Pure Land!
The "sun-contemplation" (日觀) is the first of the sixteen visualization methods described in the Contemplation Sūtra, the same text underlying entry 79's "Marvelous Tenets Commentary" controversy (Part 4) — Zhuhong's argument here is a fortiori: if mere sustained imagination, sincerely held, can produce a genuine result, correct contemplation grounded in the Buddha's own teaching should be at least as reliable.
131. 禪餘空諦辯偽 — Refuting the Forgery "Empty Truths in the Leisure of Chan"
Zhuhong's own signed, public denial of a book of leisurely nature-poems circulated under his name — a rare document of direct authorial self-defense, listing entry by entry exactly why each claimed activity is impossible for him.
吳郡刻一書,號禪餘空諦,下著不肖名,曰「雲棲袾宏著」。刻此者本為殖利,原無惡心,似不必辯;然恐新學僧信謂不肖所作,因而流蕩,則為害非細,不得不辯。書中列春夏秋冬四時幽賞,凡三十三條,姑摘一二,以例餘者。一條云「孤山月下看梅花」,中言「黃昏白月,攜樽吟賞」,夫出家兒不於清夜坐禪,而載酒賞花,是騷人俠客耳;不肖斤斤守分僧,安得有此大解脫風味?一笑。一條云「東城看桑麥」,不肖住西南深山中,去東城極遠,不看本山松竹,而往彼看桑麥耶?一笑。一條云「三塔基看春草」。平生不識三塔基在何所,一笑。一條云「山滿樓觀柳」,中言樓是不肖所搆。自來無寸地片瓦在西湖,何緣有此別業?一笑。一條云「蘇隄看桃花」,中以桃花比美人。此等淫艷語,豈剃髮染衣人所宜道?即不肖未出家時亦不為也。一笑。一條云「蘇隄觀柳」,中引「如詩不成,罰依金谷酒數」。不肖從出家不曾與人聯詩,何況鬥酒!一笑。一條云「雪夜煨芋談禪」,中所談皆鄙淺語,何人被伊喚醒?一笑。諸好心出家者,當知不肖定無此語。既作緇流,必須持守清規,飭躬勵行,毋錯認風流放曠為高僧也。袾宏謹白。
Someone in Wu prefecture has printed a book titled Empty Truths in the Leisure of Chan, signed below with my own unworthy name, "written by Yunqi Zhuhong." Whoever printed it presumably did so simply to make money, and likely bore no ill intent — hardly something worth arguing over. But I fear that newly-arrived students of the Way may sincerely believe I wrote it, and be led astray by its circulation — the harm from that would be no small matter, so I cannot avoid setting the record straight.
The book lists thirty-three "seasonal delights" across the four seasons of the year; let me pick out one or two as examples of the rest. One entry is titled "Viewing Plum Blossoms by Moonlight at Solitary Hill," which says: "In the pale moonlight of dusk, carrying a wine jug, savoring the scene in verse." A monk does not sit in quiet meditation on a clear night — he carries wine and admires flowers instead? That sounds like a romantic poet or a wandering swashbuckler, not me, a monk who keeps carefully to his own proper bounds — where would I ever find such a leisurely, "liberated" flair? Laughable.
Another entry is titled "Viewing the Mulberry Trees and Wheat Fields at the Eastern Wall." I live deep in the mountains to the southwest, a great distance from the eastern wall of the city — why would I fail to admire the pines and bamboo of my own mountain and instead travel there to look at mulberry trees and wheat fields? Laughable.
Another is titled "Viewing Spring Grass at the Foundations of the Three Pagodas." I have never in my life known where the foundations of the Three Pagodas even are. Laughable.
Another is titled "Watching the Willows from Shanman Tower," claiming the tower was built by me. I have never owned so much as an inch of land or a single roof tile at West Lake — where would such a private estate have come from? Laughable.
Another is titled "Viewing Peach Blossoms on the Su Causeway," comparing the peach blossoms to a beautiful woman. Such lascivious, ornamented language — how could this possibly be spoken by someone with a shaved head and dyed robes? Even before I left the household life, I would never have spoken such words. Laughable.
Another is titled "Watching the Willows on the Su Causeway," quoting the line "should the poem fail to come, the penalty is three cups, after the custom of the Golden Valley." I have never once composed linked verse with anyone since becoming a monk, let alone competed at drinking! Laughable.
Another is titled "Roasting Taro and Discussing Chan on a Snowy Night," in which everything discussed is shallow and vulgar — who could possibly be awakened by talk like that? Laughable.
Let every well-intentioned fellow monastic know for certain that I would never speak in such a way. Having taken up the monastic robe, one must firmly uphold the pure regulations, discipline oneself, and strive diligently in conduct — never mistake dissolute, unrestrained behavior for the mark of an eminent monk. Respectfully signed, Zhūhóng.
This entry is unique in the collection: a formally signed public rebuttal, addressed directly to the reader in Zhuhong's own name, of a commercially motivated literary forgery — a real hazard for any well-known religious author in the print culture of the late Ming. Every named location (Solitary Hill, the Su Causeway, West Lake) is a genuine Hangzhou landmark, and Zhuhong's rebuttal works by simple, verifiable fact: he did not own the building attributed to him, did not know the place named, and would not have used the language quoted — a demolition built entirely on documented specifics rather than general protest.
132. 種種法門 — The Many Different Dharma-Gates
The closing entry of the First Collection: a military analogy arguing that sectarian disputes over which practice method is superior mistake the weapon for the goal, and that any Dharma-gate which defeats delusion has already succeeded.
譬如王師討伐,臨陣格鬥,以殺賊為全勝。而殺賊者,或劍或槊,或鎚或戟,乃至矢石,種種隨用,唯貴精於一技而已。以例學人,則無明惑障,如彼賊人;種種法門,如劍槊等;破滅惑障,如獲全勝。是知無論殺具,但取殺賊,賊既殺已,大事斯畢。所云殺具,皆過河筏耳,不務其大,而沾沾焉謂劍能殺人,槊不能殺,豈理也哉?參禪者譏念佛為著相,勵行者呵修定為落空,亦猶是也。故經云:「歸元無二道,方便有多門。」先德云:「如人涉遠,以到為期,不取途中強分難易。」
Consider an army sent to fight a campaign: in battle, killing the enemy counts as complete victory — and the weapons used to kill the enemy may be a sword, a spear, a mace, a halberd, or even arrows and stones hurled from the walls, whatever is at hand — the important thing is simply to master one of these techniques thoroughly. The same holds for the student of the Way: the delusion and obstruction of ignorance is like the enemy; the many different Dharma-gates are like the sword, the spear, and the rest; breaking through delusion and obstruction is like winning complete victory. From this we know: whatever the weapon, the point is simply to defeat the enemy — once the enemy is defeated, the great matter is finished. Every one of these "weapons" is, after all, no more than a raft used to cross a river — one need not insist that the raft itself be especially grand. To fail to work on this essential point, and instead complacently declare that the sword alone can kill while the spear cannot — how could that possibly make sense?
Chan practitioners mock those who recite the Buddha's name as clinging to outward form; strict ascetics condemn those who cultivate meditative concentration as falling into emptiness — this is exactly the same error as in the analogy above. This is why a sutra says: "There are no two paths back to the source; skillful means offer many gates." A worthy of old likewise said: "It is like a person traveling a great distance — what matters is arriving at the destination; one does not insist on which stretch of the road was easier or harder along the way."
A fitting close to the First Collection: after 131 entries defending, correcting, arguing, and occasionally confessing across every register the genre allows, Zhuhong's final word is a plea for exactly the kind of tolerance across methods — Chan, Pure Land, disciplined asceticism, scholarly study — that his own writing has modeled by engaging seriously with all of them throughout. The Śūraṅgama citation "no two paths back to the source, skillful means offer many gates" closes the loop with entry 61 ("A Separate Transmission Outside the Teachings," Part 3), which opened the same underlying question from the opposite direction.