Notes Beside the Bamboo Window — Second Collection, Part 1
The opening of the Second Collection (二筆) of Zhuchuang Suibi, in the source text's own order and using its own numbering. This collection's entries run noticeably longer and more doctrinally dense on average than the First Collection's, and several numbered entries again appear only as unlabeled companion pieces embedded within an adjacent numbered entry — kept here as sub-headings rather than force-fit into separate top-level numbers.
1. 般若咒 — The Prajñā Mantra
A short argument that "mantra" is a broader category than the esoteric formulas people usually associate with the word — the Heart Sūtra's own text, and even the Buddha's name itself, qualify as well.
《般若心經》曰:「般若波羅蜜多,是大神咒,是大明咒,是無上咒,是無等等咒。」蓋指般若為咒,非指「揭諦揭諦」四句也。今人但知咒屬密部,而《般若心經》顯部也,是顯部亦咒也,此持咒家所忽焉而不察者也。又「阿彌陀佛」四字,悉皆梵語,使前人不加註釋,與大明、準提密部何別?今人但知大明、準提為咒,而彌陀佛名也。是佛名亦咒也,此持咒家所忽焉而不察者也。
The Heart of Prajñā Sūtra says: "Prajñāpāramitā is the great spiritual mantra, the great bright mantra, the supreme mantra, the mantra unequaled by any other." This means that prajñā itself is the mantra — not merely the four closing lines, "gate gate pāragate..." People today know only that mantras belong to the esoteric division, and that the Heart Sūtra belongs to the exoteric division — and so overlook the fact that the exoteric, too, can be a mantra. This is exactly what practitioners of mantra recitation tend to miss.
Likewise, the four characters "Amitābha Buddha" are, in their entirety, transliterated Sanskrit — had earlier translators not added explanatory glosses, how would this differ at all from the esoteric mantras of Mahāvairocana or Cundī? People today know only that the Mahāvairocana and Cundī mantras are "mantras," while taking "Amitābha" to be simply the Buddha's own name — not realizing that the Buddha's name, too, is itself a mantra. This, again, is exactly what practitioners of mantra recitation tend to miss.
The point is definitional rather than devotional: Zhuhong is not claiming the Buddha's name has magical properties borrowed from mantra practice, but rather that the category "mantra" (陀羅尼, dhāraṇī — literally "that which holds/retains") was never restricted to the transliterated esoteric formulas people assumed it meant, and the Heart Sūtra's own closing declaration proves the point from within the exoteric canon itself.
2. 儒童菩薩 — The Bodhisattva Rútóng
A defense of Confucius's popular epithet "the Bodhisattva Rútóng" (literally "Child") against a Confucian objection that it demeans him, and of the term "bhikṣu" against the parallel charge that it disrespects him by naming.
相傳孔子號儒童菩薩。或曰:「吾夫子萬代斯文之祖,而童之。童之者,幼之也。幼之者,小之也。彼且幼小吾師,何怪乎儒之闢佛也!又僧號比丘。丘,夫子諱也。比者,並也。僧,佛弟子,而與夫子並。彼且弟子吾師,何怪乎儒之闢佛也!」是不然。童者,純一無偽之稱也。文殊為七佛師,而曰文殊師利童子;善財一生得無上菩提,而曰善財童子;乃至四十二位賢聖,有「童真住」,皆歎德之極,非幼小之謂也。故曰大人者,不失其赤子之心者也。若夫比丘者,梵語也。梵語比丘,此云乞士,亦云破惡,亦云怖魔。比非比並之謂,丘非丘陵之謂,蓋僅取音不取字也。例如梵語南無,此云歸命,南不取南北之南,無不取有無之無也。噫!使夫子而生竺國,必演揚佛法以度眾生;使釋迦而現魯邦,必闡明儒道以教萬世。蓋易地則皆然。大聖人所作為,凡情固不識也。為儒者不可毀佛,為佛者獨可毀儒乎哉?
Tradition holds that Confucius is styled the Bodhisattva Rútóng. Someone objects: "Our Master is the ancestor of ten thousand generations of culture and learning, and yet you call him a 'child'! To call him a child is to call him young; to call him young is to call him small. If you make our teacher out to be small and young, how can you blame us Confucians for attacking Buddhism! And besides, monks style themselves bhikṣu — but Qiū is our Master's own personal name, forbidden to speak aloud out of respect, and bǐ means 'to stand alongside.' A monk is a disciple of the Buddha, and yet you set him alongside our Master! If you make our teacher out to be on the level of a mere disciple, how can you blame us Confucians for attacking Buddhism!"
This is simply mistaken. "Child" in this context is a term of praise for purity and freedom from artifice. Mañjuśrī, teacher of the seven buddhas, is called "the youth Mañjuśrī"; Sudhana, who attained supreme enlightenment within a single lifetime, is called "the youth Sudhana"; and among the forty-two ranks of worthies and sages there is a stage called "the abode of true childhood" — all of these are the highest possible praise for virtue, not references to youth or smallness at all. This is exactly why it is said: "A great person is one who has never lost the heart of a newborn child." As for bhikṣu, this too is simply a transliterated Sanskrit term, meaning "one who begs for spiritual sustenance," or "one who destroys evil," or "one who strikes fear into demons." Bǐ here does not mean "to stand alongside," and qiū does not mean "hill" — the character is chosen only for its sound, not its meaning. It is exactly like the Sanskrit namo, meaning "I take refuge" — the character nán is not the "south" of north-and-south, and wú is not the "without" of being-and-non-being.
Ah — had our Master been born in India, he surely would have proclaimed the Buddha-dharma to save sentient beings; had Śākyamuni appeared in the state of Lu, he surely would have expounded the Confucian Way to instruct ten thousand generations. Change the place, and the outcome would be the same either way — the actions of a truly great sage are simply beyond what ordinary understanding can grasp. If a Confucian must not slander the Buddha, how could a Buddhist alone be permitted to slander Confucius?
The epithet "Rútóng Púsà" for Confucius has already appeared once in this translation project (see the First Collection, entry 49's companion note "來生二," Part 2) — there flagged as drawn from a text the source commentary itself considers apocryphal. Here Zhuhong is not defending the epithet's scriptural authenticity but its interpretation: "child" as a term for purity, paralleled with bodhisattva-titles like "the youth Mañjuśrī," not as an insult about age. The counter-example with "bhikṣu" makes the same linguistic point from the opposite direction — Chinese-character etymology misapplied to a transliterated foreign word.
3. 臨濟 — Linji
A brief reflection on a saying comparing the Chan master Linji's raw intelligence to that of two ruthless historical strategists, redirected toward a purely spiritual application of the same capacity.
先德有言:「臨濟若不出家,必作渠魁,如孫權、曹操之屬。」曷為乎以臨濟擬孫曹也?蓋擬智,非擬德也。袁紹謂:「生子當如孫仲謀」,而孔明亦言:「曹操用兵,彷彿孫吳」,智可知矣!使其不以此智外役,而以此智內旋,舉平生神機妙算,盡抵在般若上,則於道何有?又古云:「悉達若不出家,必作轉輪聖王。」此兼智兼德之論也,大小殊而其意一也。
A worthy of old once said: "Had Linji not left the household life, he surely would have become a great leader of men — someone like Sun Quan or Cao Cao." Why compare Linji to Sun Quan and Cao Cao specifically? Because the comparison is one of raw intelligence, not of virtue. Cao Cao once remarked, "If one is to have a son, let him be like Sun Zhongmou" — and Zhuge Liang likewise said, "Cao Cao's use of troops resembles that of Sun Wu and Wu Qi" — their intelligence is plain enough to see! Had they applied that same intelligence not outwardly, toward worldly conquest, but inwardly, and directed every ounce of their lifelong strategic genius entirely toward prajñā instead, what could possibly have stood between them and the Way?
There is also an old saying: "Had Siddhārtha not left the household life, he surely would have become a Cakravartin, a Wheel-Turning Sage King." This latter comparison speaks of both intelligence and virtue together — greater in scope than the former, but making exactly the same underlying point.
The source's own annotation corrects a common misattribution in the original anecdote: the line "if one is to have a son, let him be like Sun Zhongmou" is historically Cao Cao's own remark about his rival Sun Quan (per the Records of the Three Kingdoms), not Yuan Shao's about Cao Cao, as some retellings have it — preserved here as Cao Cao's line to match the documented source.
4. 雁蕩山 — Mount Yandang
A personal anecdote in which Zhuhong cancels an excursion to a famous scenic mountain, using the occasion to make a point about the relative value of earthly beauty against the Pure Land.
台雁號兩浙名山,而雁蕩尤奇,有輕千里裹糧而往遊者。予昔應太平之請,去雁蕩僅一由旬。期滿,院主白予為雁蕩遊。予欲往,而忻然從遊者百餘眾。因計彼山久無接待,徘徊歷覽,往返不下半月,費粟數石,院貧不能支,遂堅執已之。眾怏怏,乃慰之曰:「雁蕩之勝,在震旦中尚有過之者。即震旦最勝處,不及天宮;天宮展轉最勝處,不及西方極樂世界。公等不慕極樂,而沾沾雁蕩是慕,何也?」竟不去。
Mount Tiantai and Mount Yandang are known as the two great mountains of Zhejiang, and Yandang's scenery is especially extraordinary — people will travel great distances, packing provisions for the journey, simply to see it.
I was once invited to lecture at Taiping Monastery, not far — perhaps forty li — from Yandang. When the lecture series concluded, the abbot told me he had arranged an excursion to Yandang for me. As I prepared to go, more than a hundred people cheerfully wished to come along. Considering that the mountain had had no monastery offering free lodging for a long while, and that wandering and sightseeing there would take at least half a month, consuming a great deal of grain that the impoverished monastery could hardly afford to spare for so large a party, I firmly insisted on canceling the trip. Everyone was visibly disappointed, so I comforted them, saying: "However fine Yandang's scenery may be, there are places even within China that surpass it; and even the most magnificent scenery in all of China cannot compare to the splendor of the heavenly palaces; and even the heavenly palaces, compared level upon level to the very finest among them, still cannot compare to the Western Pure Land of Ultimate Bliss. You gentlemen show no longing at all for the Land of Ultimate Bliss, yet cling so single-mindedly to Yandang — why is that?" And in the end, no one went at all.
A practical, resource-conscious decision (a poor monastery could not feed and house a hundred-plus-person party for two weeks) is reframed entirely in doctrinal terms in Zhuhong's own retelling — a small window into how he narrated even mundane administrative calls to his own community.
5. 悔不為僧 — Regretting Not Having Become a Monk
Two brief accounts of high officials who, on their deathbeds, wished to be buried as monks — read as ambiguous evidence of either late awakening or deliberate teaching.
唐宰相杜黃裳,臨終自悔不得為僧,命剃染以殮;又宋名執政某,遺命亦然。此非宿世堅持正因,焉能居大位而醒然不昧!風火散時,具如是耿耿操略,然有二說,或一念之迷,至死反本;或故為示現,警悟同流,是未可知也。
The Tang chancellor Du Huangshang, on his deathbed, deeply regretted never having had the chance to become a monk, and ordered that his head be shaved and his body dressed in monastic robes for burial. A certain famous chief minister of the Song dynasty left an identical last instruction. Had these two men not, in some past life, firmly cultivated the right causes, how could they possibly have remained so lucidly awake to this even while holding the highest offices of state?
At the moment the four elements dissolve at death, to hold to such an extraordinary resolve — there are two possible explanations for it: either a single moment of delusion finally clears at the very point of death, returning the mind to its root; or it is a deliberate act of manifestation, meant to awaken others still caught in the same stream of birth and death. Which of the two it truly was, in either man's case, cannot really be known.
Zhuhong's refusal to settle on a single explanation — genuine late-life clarity, or deliberate teaching for others' benefit — is itself characteristic of how he treats ambiguous deathbed evidence throughout this collection, preferring to leave real uncertainty on the page rather than force a tidy conclusion.
6. 佛法作人情 — Turning the Buddha-Dharma into a Social Favor
A tribute to Dahui Zonggao's vow never to certify students carelessly, extended into a sharp observation about students who now certify themselves instead.
妙喜自言:「昔時為無眼長老胡亂印證,後見圓悟老人始得大徹。乃立誓自要,定不以佛法作人情。」妙喜可謂大慈大悲,真萬世人天眼目也。惜予生晚,不獲親承爐韝,為可恨耳。然妙喜謂無眼長老以東瓜印子印學人,今學人多以東瓜印子印自己,妙喜見之,又當何如?
Master Miaoxi said of himself: "In earlier days I was carelessly certified by an 'eyeless' elder; only later, upon meeting the venerable Yuanwu, did I attain great and thorough awakening. From that time I vowed to myself: I will never turn the Buddha-dharma into a mere social favor." Miaoxi may truly be called a figure of great compassion — a genuine "eye of humans and gods" for ten thousand generations to come. It is only my own misfortune to have been born too late to have personally received his instruction in person — a source of real regret.
And yet Miaoxi was speaking only of that "eyeless" elder stamping students with a worthless "winter-melon seal" — a fake, meaningless certification. Students today, for the most part, use that same worthless "winter-melon seal" to stamp themselves instead. Were Miaoxi alive to see it, what, I wonder, would he say?
The "winter-melon seal" (東瓜印子) is a classic Chan idiom: a winter melon sliced crosswise leaves a round mark that superficially resembles an official seal's impression but authenticates nothing — used here for worthless spiritual certification, whether issued carelessly by an unqualified teacher or, worse, self-issued.
7. 黃梅衣缽 — The Robe and Bowl of Huangmei
A gōng'àn in which a monk finally earns the Fifth Patriarch's robe and bowl only by admitting he wants nothing to do with it at all.
古德示眾云:「黃梅衣缽,非但『時時勤拂拭』者不合得,直饒『何處惹塵埃』亦不合得,且道畢竟作麼生,合得衣缽?」一僧下九十九轉語,不契。最後云:「定要他衣缽作甚?」古德乃忻然肯之。噫!師可謂殺人須見血,弟子可謂直窮到底者矣!
A worthy of old once addressed the assembly: "The robe and bowl of Fifth Patriarch Huangmei were not fit to be received even by the one who wrote 'constantly, diligently wipe it clean' — and even the one who answered, 'where, then, could dust ever settle?' was still not fit to receive them either. Tell me, then — what, in the end, would actually qualify someone to receive the robe and bowl?" One monk offered ninety-nine different replies, one after another, none of them striking home. At last he said: "What use could I possibly have for his robe and bowl at all?" — and only then did the master nod with genuine approval.
Ah — the master here may truly be said to have "killed until blood was drawn" [pressed the matter all the way through], and the disciple may truly be said to have investigated the question all the way to its very bottom!
The two quoted verses are the famous pair from the Sixth Patriarch's own succession story: Shenxiu's "constantly, diligently wipe it clean, and let no dust ever settle" (representing gradual cultivation) against Huineng's "fundamentally there is not a single thing — where, then, could dust ever settle?" (representing sudden emptiness). The master's opening riddle rejects both answers as insufficient in themselves; the monk's winning reply — total indifference even to the prize — cuts under the entire premise of the contest.
8. 耳根圓通 — Perfect Penetration Through the Ear-Faculty
A resolution of an apparent tension: if the ear-faculty is singled out as best suited to this world, why did the Buddha and Mahākāśyapa both awaken through the eye instead?
楞嚴擇選圓通,獨取耳根。然世尊為一期化導之主,而以見明星悟;飲光為萬代傳燈之祖,而以見撚花悟,皆屬眼根者,何也?此有二義:一者隨眾生義,此方真教體,清淨在音聞故;二者遣著義,眾生處處著,聞圓通獨尚耳根,便謂餘根不能入道故。是故豪傑之士,根根圓通,如大福德人,執石成寶。善讀楞嚴者詳之。
In the Śūraṅgama Sūtra's selection of the perfect-penetration method, Avalokiteśvara's ear-faculty alone is singled out as best suited to this world. And yet the World-Honored One, as the very teacher who guided this entire age, awakened upon seeing the morning star; and Mahākāśyapa, patriarch of the lamp-transmission for ten thousand generations to come, awakened upon seeing the Buddha hold up a flower — both of these belong to the eye-faculty. Why the difference?
There are two reasons for this. First, the principle of adapting to sentient beings' own capacity: "the true substance of the teaching in this world lies in purity through hearing" — since beings of this world have the sharpest ear-faculty among their six senses. Second, the principle of dispelling attachment: sentient beings cling everywhere to fixed positions, and upon hearing that the ear-faculty alone is singled out as supreme among the perfect-penetration methods, would otherwise conclude that no other faculty could possibly lead to the Way at all. This is why a person of truly outstanding capacity finds every single faculty equally capable of perfect penetration — exactly as a person of great merit can pick up any stone at all and have it turn to treasure in his hands. Let anyone who reads the Śūraṅgama well examine this point carefully.
The Śūraṅgama's own twenty-five-method survey (already discussed at length in the First Collection, Part 4, entry 79 via a different lens) ranks Avalokiteśvara's ear-faculty method as foremost specifically for this world's beings; Zhuhong's resolution here treats that ranking as pedagogical guidance for ordinary practitioners, not a metaphysical limit — the founders' own awakenings through sight prove every faculty is equally capable in principle.
9. 極樂世界 — The Land of Ultimate Bliss
A resolution of an apparent scriptural contradiction over how the Pure Land ranks against the rest of the cosmos, using two counter-examples (hell versus the human realm, an asura's height versus a buddha's) to show a comparison of time or size is not a comparison of overall worth.
或疑:「《華嚴》謂極樂僅勝娑婆,而大本彌陀經言勝十方,何也?」一說:「勝十方者,止是相近娑婆之十方,非華藏世界之十方也。」其說亦是,而猶未盡。良繇「僅勝」之說,蓋以晝夜相較。故云娑婆一劫,為極樂一晝夜;極樂一劫,為袈裟幢一晝夜;展轉歷恆沙世界,以至勝蓮華。乃專取時分短長之一節,非全體較勝劣也。不然,人間千萬年,為地獄一晝夜,將地獄勝人間耶?又例之:若定執身量之長短較優劣,則盧舍那佛僅高千丈,而修羅高八萬四千由旬,將修羅勝舍那耶?是故謂極樂勝十方,即廣遠言之,亦自不礙。
Someone raised a doubt: "The Avataṃsaka Sūtra says the Land of Ultimate Bliss only barely surpasses our own Sahā world, while the Larger Sūtra of Immeasurable Life says it surpasses all the ten directions — how can both be true?" One explanation holds: "To 'surpass the ten directions' refers only to the ten directions in the immediate vicinity of our own Sahā world, not the ten directions measured from the Flower-Treasury World itself." This explanation is not wrong, but it does not go far enough.
The truth is that the Avataṃsaka's "barely surpasses" is a comparison measured strictly by the length of a day and night: a single kalpa in Sahā equals one day and night in the Land of Ultimate Bliss; a single kalpa in the Land of Ultimate Bliss equals one day and night in the Kāṣāya-Banner World; and so on, through world after world as numerous as the sands of the Ganges, all the way up to the Supreme Lotus World. This comparison singles out only the single measure of relative duration — it is not a comparison of overall superiority at all. Otherwise, a thousand or ten thousand years in the human realm equal a single day and night in hell — would that mean hell surpasses the human realm? Or take another example: if superiority were judged simply by bodily height, then Vairocana Buddha, whose manifested body stands only a thousand zhang tall, would be inferior to the asuras, who stand eighty-four thousand yojanas tall — would that mean the asuras surpass Vairocana?
This is why saying the Land of Ultimate Bliss surpasses all the ten directions — taken in the broadest, most far-reaching sense — creates no contradiction at all.
A tightly reasoned instance of Zhuhong's recurring method for reconciling apparently conflicting sutra passages (compare the First Collection's treatment of the Śūraṅgama versus praise-of-Pure-Land sutras, Part 3, entry 70): rather than picking a winner, he isolates exactly which axis each passage is actually measuring along, and shows the two are not in competition at all.
10. 一轉語 — A Single Turning Word
A warning against mistaking clever, quotable Chan phrases for genuine realization, together with two companion notes evaluating a Song-dynasty commentary on the Lotus Sūtra for its balance of concision and depth.
一轉語 — A Single Turning Word
先德開示學人,謂我今亦不論你禪定智慧、神通辯才,只要你下一轉語諦當。學人聞此,便晝夜學轉語;錯了也。既一轉語如是尊貴、如是奇特,則知定不是情識卜度、見解依通所可襲取。蓋從真實大徹大悟中自然流出者也。如其向經教中、向古人問答機緣中,以聰明小智模倣穿鑿,取辦於口,非不語句尖新,其實隔靴抓癢;直饒一剎那下恆河沙數轉語,與自己有何交涉?今莫管轉語諦當不諦當,且拋向不可說不可說世界之外,只牢守本參,密密用心,時時不捨,但得悟徹時,豈愁無語?吾雖鈍根,不敢不勉。
A worthy of old once instructed his students: "I will not concern myself now with your meditative concentration, your wisdom, your supernormal powers, or your eloquence — I only ask that you offer a single turning word, precisely on the mark." Hearing this, students set about studying "turning words" day and night — and this was a mistake.
If a single turning word is truly so precious, so extraordinary a thing, then it must be certain that it cannot possibly be seized upon through mere discursive guesswork, or through understanding gained by external, borrowed means. It can only flow naturally out of genuine, thorough great awakening. If instead a student, working from the sutras or from the recorded exchanges of the ancients, imitates and forces an interpretation through his own small cleverness, producing something merely to satisfy the demand of the moment — however novel and striking the resulting words may sound, it remains nothing more than scratching an itch through one's boot. Even if he could produce turning-words as numerous as the sands of the Ganges in a single instant, what connection would any of it have to his own true nature?
Set aside, then, whether your own turning-words are precisely on the mark or not, and cast that concern beyond even the world of the unspeakable and unspeakable-again. Simply hold fast to your own fundamental point of investigation, apply your mind quietly and continuously, never once letting go — and once genuine, thorough awakening finally comes, why would you ever need to worry about having no words to offer? I myself am of dull capacity, but I dare not fail to strive at this all the same.
法華要解一 — The Essential Commentary on the Lotus Sūtra, First Note
《法華》一經,天台之為《玄義》、《文句》也,大而詳;溫陵之為《要解》也,精而約。天台尚矣,溫陵亦不可輕也。或曰:「先閱《要解》,後參之《玄義》、《文句》,其勝劣相去遠甚。而云『溫陵不可輕』者,何謂也?」夫溫陵生天台後,《玄義》、《文句》等書皆所歷覽,其銖銖而分,縷縷而辯,非不知之。第其解以要名,正取直捷簡徑;而復繁詮曲釋,窮遠極深,則博而非要矣。況列科多用天台舊文,其不用者亦自有意;中間解文豎義,或得或失,學者宜虛心平氣而玩之可也。
For the Lotus Sūtra, Master Tiantai's own commentaries — the Profound Meaning and the Textual Explanations — are vast and detailed; Master Wenling's Essential Commentary, by contrast, is refined and concise. Tiantai's work is certainly to be revered, but Wenling's should not be dismissed lightly either.
Someone might say: "Read the Essential Commentary first, and only then go on to the Profound Meaning and the Textual Explanations, and the gulf in quality between them becomes immediately obvious — so why do you say Wenling should not be dismissed lightly?" Wenling lived well after Tiantai, and had certainly read through the Profound Meaning, the Textual Explanations, and Tiantai's other major works in full — their meticulous, exhaustive analysis was hardly unknown to him. But his own commentary is explicitly named "essential" precisely because it aims at directness and concision; had he gone on to add elaborate, roundabout explanations, plumbing every possible depth, it would have become broad rather than essential. And besides, most of his textual divisions follow Tiantai's own original scheme, and where he departs from it, he surely had his own reasons for doing so. As for the interpretive substance of his commentary, it has its share of both gains and losses here and there — a serious student ought to read it with an open, calm mind, and study it carefully, and will surely gain something real from doing so.
法華要解二 — The Essential Commentary on the Lotus Sūtra, Second Note
前云「中有得失」,試舉其失:經云「五眾之生滅」,《要解》謂是「五趣」。然五眾者,五蘊之別名,《智論》反覆明之;而曰五趣者,失於考也。試舉其得:如藥王焚身,《要解》謂「妙覺圓照,離於身見,得蘊空故,乃能如是;若不達法行,空慕其跡,徒增業苦。」蓋發天台之所未發,而深有益於後學者也。
I said above that the Essential Commentary has both gains and losses — let me first point out an instance of loss. The sutra speaks of "the arising and ceasing of the five multitudes," and the Essential Commentary glosses this as "the five destinies." But "the five multitudes" is simply another name for the five aggregates, as the Treatise on the Great Perfection of Wisdom explains repeatedly — Wenling's gloss here is simply a lapse in verification.
Now let me point out an instance of real insight. Where the sutra describes the Medicine King Bodhisattva burning his own body in offering, the Essential Commentary explains: "Only once wondrous enlightenment illuminates all things perfectly, freeing one from the view that clings to the body as real, and one has attained the emptiness of the aggregates, can such an act truly be performed; if one has not yet realized this practice-in-accordance-with-the-Dharma, and merely imitates the outward gesture out of empty admiration, one only adds to one's own karmic suffering for nothing." This draws out a point Tiantai himself never made explicit, and offers real, deep benefit to later students.
Master Wenling is Jiehuan (戒環), a Northern Song monk who compiled the concise Essential Commentary on the Lotus Sūtra as a deliberate alternative to Tiantai Zhiyi's much longer, foundational commentaries; Zhuhong's even-handed review — naming one real error and one real insight — models the same "read broadly, judge each point on its merits" method he recommends elsewhere for handling any commentary (compare "Reading Widely," First Collection Part 3, entry 70).
13. 朱學諭 — Instructor Zhu
A moving account of a retired official's serene, unclouded death despite never having heard the Buddha-dharma — used to argue that a mind free of entanglement has already grasped most of what practice aims at.
嘉禾朱懋正,言其曾大父學諭公,既歸田,以所得俸金,搆小屋於郊外,讀書其中,扃戶謝客,雖子姪姻戚,以至邑令長,罕得睹其面;獨一老友,每晡時來,共弈數局,飲數行,浩歌數章,則入暮矣,乃就寢。率以為常,與世隔絕,如在窮谷深山中。年八十九,月夜登橋失足,微疾,二子迎歸。將終,援筆諄諄誨以道義,不及瑣細家務。書畢,暝目逝。俄開目云:「尚欲囑嘉定。」(嘉定者,公之孫,初成進士,宰嘉定。)於是復為書,教以始終清介,毋宦成渝其晚節。因擲筆長往。噫!公未聞佛法,而臨行磊落瀟灑,有久修所不及者,何故?良繇心無係累,佛法已思過半。彼終日喃喃誦經說法而心不淨,末後慞惶揮霍,反俗士之不若,亦何怪其然乎!吾於是有感。向使公得聞佛法,以彼幽潛孤絕之力,盡心於般若,奚患大事之不明乎?吾於是重有感。
Zhu Maozheng of Jiahe once told me about his own great-grandfather, the Instructor. After retiring from office and returning to his home village, the Instructor used his accumulated salary to build a small house on the outskirts of town, where he lived reading, keeping his door shut to visitors — even his own sons, nephews, and in-laws, let alone the local magistrate, rarely got to see his face. Only one old friend came by each afternoon; the two of them would play a few rounds of chess together, share a few rounds of drink, sing a few songs at the top of their voices, and by the time evening fell, the Instructor would simply go to bed. This was his constant routine, cut off from the world as if he lived deep in some remote mountain valley.
At eighty-nine, one moonlit night, he lost his footing crossing a bridge and suffered a minor injury; his two sons brought him home. As he lay dying, he took up his brush and earnestly wrote out instructions on moral principle for his descendants, never once touching on trivial household matters. When he had finished writing, he closed his eyes and passed — but then, a moment later, opened them again and said: "There is still something I must say to Jiading." (Jiading was his grandson, who had just passed the imperial examination and taken office as magistrate of Jiading.) And so he took up the brush once more, instructing his grandson to remain honest and upright from beginning to end, never to let the compromises of official life corrupt his integrity in his later years. With that, he set down the brush, and departed for good.
Ah — the Instructor had never once heard the Buddha-dharma, and yet met his end with such open, unclouded serenity that even those who have practiced for decades could not match it. Why? Because his mind carried no entanglements at all — and in that alone, he had already grasped more than half of what the Buddha-dharma teaches. Those who mutter sutras and expound the Dharma all day long, their minds never truly purified, so often meet their own end in panic and confusion — worse, in the end, than this unlettered layman. Is it any wonder? I find myself deeply moved by this.
Had the Instructor only had the chance to hear the Buddha-dharma, with that same power of solitary, hidden discipline turned wholeheartedly toward prajñā, why should he ever have worried about failing to see clearly into the great matter? On this point, too, I find myself deeply moved all over again.
The Instructor's uncanny deathbed detail — closing his eyes, then reopening them to add one final instruction — is presented as reported family history from a named contemporary (Zhu Maozheng), not a classical or scriptural exemplar, giving this entry an unusually documentary, secondhand-witness quality distinct from most of Zhuhong's other deathbed accounts.
14. 本身盧舍那 — The Original Body, Vairocana
A warning against mistaking ordinary bodily action — raising a hand, opening the mouth — for the "true Buddha" simply because certain gōng'àn point to something at hand.
僧問古德:「如何是本身盧舍那?」答云:「與我過拂子來。」俄而曰:「置舊處。」僧理前問,曰:「古佛過去久矣!」又云:「未了之人聽一言,只這如今誰動口?」後人繇此以舉手動足、開口作聲便為真佛,是則誠是,而實不是,所謂認賊為子者也。遂將柏樹子、麻三斤、翠竹黃花、鳥銜猿抱等,一概認去,豈不誤哉?俱胝遇問,即豎一指;魯祖見僧,回身面壁。昔人道:「我若看見,拗折指頭。」予亦云:「待渠回身,攔胸踏倒。」
A monk once asked an old worthy: "What is the original body, Vairocana?" The master answered: "Hand me the whisk." A moment later he said: "Put it back where it was." The monk repeated his original question, and the master said: "The ancient buddha has long since passed away." Then he added: "Listen, you who have not yet understood — right now, this very moment, who is it that speaks?"
Later people, reading exchanges like this, take it to mean that raising a hand, moving a foot, opening the mouth to make a sound — this alone is already the true Buddha. This is true in a sense, and yet not true at all — it is exactly what is meant by "mistaking the thief for one's own son." On this basis, cases like "the cypress tree in the courtyard," "three catties of flax," "green bamboo and yellow flowers," "the monkey carrying its young home, the bird dropping a flower before the cliff" — all get taken the same mistaken way. How could this not be a grave error?
When Juzhi was questioned, he simply raised a single finger; when Luzu saw a monk approach, he turned and faced the wall. A person of old once said: "If I ever saw someone imitate this, I would break his finger off." I would say the same: "Let him only turn to face the wall, and I will knock him flat with a kick to the chest."
Every gōng'àn cited here — the cypress tree, three catties of flax, Juzhi's one finger, Luzu's silent wall-facing — is a real, independently attested classical case; Zhuhong's point is not that any of them is invalid, but that copying the gesture without the realization behind it inverts the entire teaching, turning a pointer toward awakening into a superstitious trick.
15. 衣帛食肉 — Wearing Silk, Eating Meat
An unexpected defense of Zhu Xi, arguing that his commentary on Mencius — restricting silk and meat to the elderly — inadvertently supports the Buddhist precepts against harming silkworms and animals.
晦菴先生闢佛,空谷力為辯駁矣。雖然,晦菴亦有助佛揚化處,不可不知也。其解《孟子》曰:「五十非帛不暖,未五十者不得衣也。七十非肉不飽,未七十者不得食也。」夫獸毛蠶口,害物傷慈,佛制也;必五十乃衣帛,則衣帛者鮮矣!食肉者斷大慈悲種子,佛制也;必七十乃食肉,則食肉者鮮矣!今孩提之童,固已重裘純纊衛其形,烹肥割鮮飫其口,曾不待壯,而況老乎!使晦菴之說行,寧不為佛法少助?咎晦菴者不之察,吾故為闡之。
Master Huian attacked Buddhism, and Master Konggu forcefully rebutted him for it. And yet there is a point at which Huian actually assisted the propagation of the Buddha-dharma, which ought not go unnoticed. In his commentary on Mencius, he explains: "Only those over fifty need silk clothing to stay warm — those not yet fifty should not wear it. Only those over seventy need meat to be properly nourished — those not yet seventy should not eat it."
Now, using the fur of animals or the cocoons of silkworms harms living creatures and damages one's own compassion, which is why the Buddha's own precepts forbid it. If everyone truly waited until fifty to wear silk, then far fewer people would wear silk clothing at all! And eating meat cuts off the very seed of great compassion within oneself, which is likewise why the Buddha's precepts forbid it. If everyone truly waited until seventy to eat meat, then far fewer people would eat meat at all!
And yet nowadays even small children are already wrapped in heavy fur coats and pure silk floss to protect their bodies, and fed rich, freshly slaughtered delicacies to satisfy their palates, long before they even reach adulthood — let alone old age! If Master Huian's own teaching were actually followed, would it not offer real assistance to the Buddha-dharma after all? Those who condemn Huian have simply failed to notice this point, and so I felt it worth clarifying here.
A direct companion to the First Collection's own even-handed treatment of Zhu Xi (Part 2, entry 43, "On 'Favoring Directness' and 'Favoring Principle'") — Zhuhong there defended Zhu Xi's sincerity against a fellow Buddhist's harsh charge of hypocrisy; here he goes further, crediting Zhu Xi's Confucian commentary with an effect that happens to align with Buddhist precept, regardless of Zhu Xi's own anti-Buddhist intentions.
16. 執著 — Attachment
A sustained defense of "attachment," using master craftsmen and artists throughout Chinese history as evidence that single-minded devotion — not detachment — is what actually produces mastery, in spiritual practice no less than in any worldly skill.
人恆病執著,然亦不可概論。良由學以好成,好之極名著。羿著射,遼著丸,連著琴,與夫著弈者,至屏帳垣牖皆森然黑白成勢;著書者,至山中木石盡黑;學畫馬者,至馬現於床榻間,夫然後以其藝鳴天下而聲後世。何獨於學道而疑之?是故參禪人,至於茶不知茶,飯不知飯,行不知行,坐不知坐,發篋而忘扃,出廁而忘衣;念佛人,至於開目閉目而觀在前,攝心散心而念恆一。不舉自舉,不疑自疑,皆著也。良由情極志專,功深力到,不覺不知,忽入三昧。亦猶鑽鐩者,鑽之不已而發燄;煉鐵者,煉之不已而成鋼也。所惡於著者,謂其不知萬法皆幻,而希果之心急;不知一切唯識,而取相之意深,是則為所障耳。概慮其著,而悠悠蕩蕩,如水浸石,窮歷年劫,何益之有?是故執滯之著不可有,執持之著不可無。
People commonly regard "attachment" as a fault, and yet this cannot be said as a blanket rule. All learning, in this world and beyond it, comes to fruition through genuine enthusiasm — and enthusiasm carried to its furthest extreme is exactly what we call attachment.
In ancient times, Yi devoted himself wholly to archery, and so became the hero who shot down the suns; Yiliao devoted himself wholly to juggling balls, and his skill alone averted a war between Chu and Song; Cheng Lian devoted himself wholly to the qin, and became a renowned master of the instrument. There have been those so devoted to go that they see the pattern of black and white stones even in a curtain, a wall, a window screen; those so devoted to calligraphy that every tree and rock in the mountains appears to them as some form of written character; those learning to paint horses who see a horse's form even lying on their own bed. It was precisely this single-minded devotion that let each of them become renowned throughout the realm, remembered by later generations. Every worldly skill requires this kind of single-minded devotion to master — why, then, should attachment alone be considered impossible in studying the Way?
This is exactly why a practitioner deep in the investigation of a Chan phrase will drink tea without tasting it, eat a meal without tasting it, walk without knowing he is walking, sit without knowing he is sitting, open a chest and forget to lock it again, leave the latrine and forget to put his clothes back on. This is why a practitioner devoted to Buddha-recitation comes to see the Buddha before him with eyes open or closed alike, and finds the Buddha's name unbroken whether the mind is gathered or scattered. Reciting without needing to consciously begin, doubting without needing to consciously provoke it — all of this is exactly "attachment." It is precisely through this deep, single-minded devotion, applied with real strength over real time, that one enters samādhi without even realizing it — just as friction applied without pause finally produces fire, and iron worked without pause finally becomes steel.
What is genuinely objectionable about "attachment" is only this: not knowing that the ten thousand dharmas are all illusory, and so being impatient for results; or not knowing that all things are made by consciousness alone, and so clinging deeply to outward appearances — it is this kind of attachment, born of mistaken view, that becomes an obstacle to the Way. But to worry so much about attachment that one drifts along aimlessly instead, like a stone soaking in water for endless ages without ever being changed by it — what good could that possibly do? This is why the attachment of rigid clinging must not be present, while the attachment of sustained, focused devotion must never be absent.
This entry directly reframes the Buddhist critique of attachment (執著) by distinguishing two senses of the same word — attachment as delusion-driven clinging to outcomes, versus attachment as sustained, disciplined devotion to practice — a distinction that reads almost as a rebuttal-in-advance to anyone tempted to read non-attachment as an excuse for half-hearted effort.
17. 好古 — Loving Antiquity
A pair of linked vignettes: a competition among antique collectors escalating absurdly toward the dawn of time itself, and a second exchange revealing what the "most ancient object" of all actually turns out to be.
好古一 — Loving Antiquity, First Note
數輩好古者,群居一堂,各出其古以相角。有出元宋五季時物者,眾相與目笑之。已而唐,而晉,而漢,而秦,而三代,恨不得高辛之鐺、燧人之鑽、神農之琴、太昊之瑟、女媧氏所煉五色石之餘也。一人曰:「諸君所畜誠古矣,非太古也,非太古之太古也。」眾曰:「然則日月乎?」曰:「未古也,有天地然後有日月。」「然則天地乎?」曰:「未古也,有虛空然後有天地。」「然則虛空乎?」曰:「未古也。吾所畜,日月未生,天地未立,空劫以前之物也。諸君不吝千金以博一爐一瓶一書一畫,而不知寶其最古,亦惑矣!」眾相視無語。
A group of antique-collectors, gathered together, each brought out their own treasures to compete against one another. One brought out an object from the Yuan dynasty, or the Song, or the Five Dynasties, and the others glanced at each other and smirked. Then came objects from the Tang, the Jin, the Han, the Qin, and even the Three Dynasties — they wished they could produce the cauldron of Gaoxin, the fire-drill of the Fire-Maker, the qin of Shennong, the se of Taihao, even a fragment of the five-colored stone Nüwa herself had smelted to mend the heavens.
One man among them said: "What you gentlemen have collected is indeed ancient — but not yet the truly primeval, and certainly not the primeval-before-the-primeval." The others asked: "Then do you mean the sun and moon themselves?" "Not yet ancient enough — heaven and earth existed before the sun and moon." "Then heaven and earth?" "Not yet ancient enough — empty space existed before heaven and earth." "Then empty space?" "Not yet ancient enough. What I possess belongs to the age before the sun and moon existed, before heaven and earth were established — a thing from the kalpa of emptiness itself. You gentlemen spare no expense, a thousand pieces of gold, to obtain a single ancient censer, vase, book, or painting, and yet fail to treasure the most ancient thing of all — how deeply mistaken you are!" The others exchanged glances, and had nothing to say.
好古二 — Loving Antiquity, Second Note
俄而曰:「子之古,人所同也,非子所獨也,奚貴焉?」曰:「同有之,同迷之,迷則不異於無。雖謂吾所獨,非過也。」曰:「吾輩之古,歷歷可觀,子之古安在?」其人展兩手示之,眾復相視無語。
After a moment, someone asked: "This 'antique' of yours is something everyone shares equally, not something you alone possess — how, then, can it be so precious?" He answered: "Everyone possesses it equally, yes, but everyone is equally deluded about it — and to be deluded about it is no different from not having it at all. So to say I alone possess it is really no exaggeration." Another asked: "Our own antiques stand plainly before us, visible in every detail — where is yours to be seen?" The man simply spread open his two empty hands to show them, and once again the others exchanged glances, with nothing to say.
The "most ancient object" the collector claims to own is, of course, his own original nature — present before the kalpa of emptiness itself because it was never born in time to begin with, "shared by everyone" and yet "lost to everyone" through delusion, and finally revealed as nothing more than two empty, open hands.
19. 立義難 — The Difficulty of Establishing a New Position
A short meditation on how even patriarchs and great scholars met fierce resistance when proposing genuinely new positions — a caution to take care, but not necessarily a reason to stay silent.
昔劉歆初定古文春秋左氏,及毛詩尚書等,時儒嫉之,議論蜂起;晦菴作濂溪太極圖解,書一出而眾喙交集;乃至南嶽創般若之旨,初祖開直指之禪,義學不然其言,加以毒害,況今人乎!議禮之家,名為聚訟,甚哉!立義之難,不可不慎也。
Long ago, when Liu Xin first established the Old Text versions of the Spring and Autumn Annals with Zuo's Commentary, the Mao Odes, and the rest as official canon, the scholars of his own day, consumed with jealousy, raised a swarm of objections against him; when Master Huian wrote his own commentary on Zhou Dunyi's Diagram of the Supreme Ultimate, the moment the book appeared, criticism poured in from every direction; and even Nanyue's founding of a distinctive teaching on prajñā, or the First Patriarch's opening of the direct-pointing Chan, met with disapproval — even active hostility — from scholars devoted to doctrinal study. If even patriarchs met with this, how much more so people today! The Book of the Later Han says: "Debates over ritual propriety are known as endless disputes" — and truly, it is even worse than that! How difficult it truly is to establish a new position — one cannot be too careful about it.
Read against the entries immediately preceding and following it, this brief reflection functions almost as a self-aware footnote to Zhuhong's own project: a writer who has just spent several entries defending unorthodox readings of Confucius, Zhu Xi, and classical anecdotes pauses to note how much resistance genuine originality has always provoked, patriarchs included.
20. 不作佛事 — Not Performing Buddhist Rites
A rebuttal of the claim, attributed to Zhu Xi's Family Rituals, that Buddhist rites should be omitted from a parent's funeral — contrasted with the explicit opposite instruction in the celebrated Family Instructions of Yan Zhitui.
或言父母之喪,不作佛事,此晦菴家禮也。嗟乎!世遂有生子、登樞要、饒財寶,而不得其為己禮一佛,誦一四句偈,飯一沙門。復於七七日中,宰牲牢致胙於宗族交遊,以為崇正道、闢邪說。不知祗以增親之業,助其沈淪,死者有知,當撫膺痛哭於泉下矣!反不及貧人之子,得報其親也。豈不重可哀哉?顏氏家訓,古今人所讚歎,而其間獨曰「必作佛事」。顏朱皆賢者也,試合而觀之。
Someone says: "One ought not perform Buddhist rites at a parent's funeral — this is what Master Huian's own Family Rituals teaches." Alas, what a lamentable claim!
There are people in this world who rejoice at having a son, at his rising to high office, at his amassing great wealth — and yet never receive from him so much as a single bow before the Buddha on their own behalf, a single four-line verse recited, a single monk fed. Instead, within the forty-nine days after a parent's death, they slaughter animals and distribute the sacrificial meat among relatives and friends, believing this to be the very embodiment of proper, orthodox ritual, correcting deviant practice. What they fail to realize is that this only adds to the departed parent's own karmic burden, dragging them further into suffering — if the dead retain any awareness at all, they must be weeping and beating their own breast in the underworld over it! This is worse, in the end, than the children of a poor family, who, though unable to afford an elaborate funeral, can still repay their parents through worship, recitation, or feeding a single monk. Is this not doubly lamentable?
Yan Zhitui's Family Instructions is a work admired across the ages, and in it, this exact same subject is addressed with the explicit instruction: "Buddhist rites must be performed." Both Yan and Zhu were genuine worthies — let readers consider the two of them together, and judge for themselves.
Yan Zhitui (531–591) predates Zhu Xi by roughly six centuries, and his Family Instructions was itself a foundational, widely revered text of Confucian household ethics — Zhuhong's closing move, setting the two "worthies" side by side without declaring a winner, invites the reader to notice that Confucian tradition itself was never unanimous on this point.
21. 鮑 — Bao
A Daoist anecdote about a man whose involuntary tooth-clacking kept demons at bay, redirected into an argument for the far greater protective power of reciting the Buddha's name.
真誥云:「鮑勔未知道,但朝暮扣齒不息,鬼使不能取。蓋扣齒集身中之神,神不離,故鬼不得近。向使以扣齒之力修真,何真之不成?」予謂豈獨修真,以扣齒之力,念念扣己而參,何佛之不成乎?夫身中之神,祗是一精魂耳,力尚伏鬼,況經云受持一佛名者,有百千大力天神為之擁護!又云念佛之人,佛住其頂;今也勤為扣齒之細故,而甘捨念佛之大道。惜哉!
The Daoist text Zhen Gao records: "Bao Mian knew nothing of the Way, but from morning to night never once ceased clacking his teeth together, and for this reason the emissaries of the underworld could not take him. This was because clacking the teeth gathers together the spirit within the body, and as long as that spirit does not scatter, no demon can approach it. Had Bao Mian instead applied that same effort to true spiritual cultivation, what attainment could he not have reached?"
I would say: why stop at spiritual cultivation? If one applied that same effort — the effort of clacking one's teeth together — to turning one's own mind, thought after thought, back upon itself in genuine investigation, what buddhahood could not be attained?
The spirit within the body is, after all, no more than a single thread of consciousness — and even this alone has the power to subdue demons. How much more so, then, when a sutra says: "Whoever receives and upholds even a single buddha's name has a hundred thousand mighty heavenly spirits standing guard over them," and again: "The Buddha himself dwells upon the crown of the head of one who recites the Buddha's name." And yet there are people today who diligently pursue this trivial technique of tooth-clacking, while willingly abandoning the great and unsurpassed path of Buddha-recitation. What a pity!
Zhen Gao ("Declarations of the Perfected") is a genuine Daoist scripture of the Shangqing school; Zhuhong quotes it approvingly rather than dismissively — his argument is not that the Daoist claim is false, but a fortiori: if even involuntary tooth-clacking wards off demons, deliberate, sustained Buddha-recitation should do vastly more.
22. 門庭高峻 — A Steep and Lofty Gate
A definition, by way of Vimalakīrti's own attendants declining to visit him, of what genuinely marks a teacher's method as demanding — and a rejection of mere theatrical severity as a substitute for it.
古所稱門庭高峻者,如淨名示疾,諸阿羅漢俱云「我不堪任詣彼問疾」,文殊亦云「彼上人者難為酬對」,是也。嗣後宗門諸大老,或棒或喝,或豎指,或張弓,或垂一則語,如木札羹不可味,如太阿劍不可觸,如水中月不可執捉,非久參上士,莫敢登其門者,是之謂門庭高峻也;豈駕尊示威,厲聲作色之謂哉?
What the ancients called a "steep and lofty gate" is exemplified by Vimalakīrti feigning illness: every arhat sent to inquire after him said, "I am not fit to undertake such a visit," and even Mañjuśrī himself said, "That exalted one is difficult to answer." This is precisely what is meant.
Following in this tradition, the great venerable masters of the Chan school — striking with a staff, shouting, raising a single finger, drawing a bow, or delivering a single terse phrase — offer something like a broth made of wood chips, impossible to savor, or like the sword Tai'e, impossible to touch, or like the moon reflected in water, impossible to grasp. No one but a seasoned, senior practitioner would dare approach such a gate at all — this, and only this, is what is truly meant by a "steep and lofty gate." How could it possibly mean putting on airs, showing off one's authority, raising one's voice, or striking a fearsome pose?
Vimalakīrti's feigned illness, from the Vimalakīrti Sūtra, is the classic case of a lay figure's spiritual attainment exceeding that of the Buddha's own arhat disciples — each one declines to visit him precisely because of an earlier exchange in which Vimalakīrti corrected their understanding. Zhuhong's closing rhetorical question directly targets performative severity as a cheap substitute for the real thing, a concern echoed in the First Collection's warnings against imitating Chan masters' idiosyncratic teaching styles without their underlying realization (compare "Chan Question-and-Answer," Part 3, entry 57).
23. 魔著 — Demonic Possession
A progressively subtler taxonomy of "mind-demons," ending with the demon of believing oneself finally free of every demon just described.
魔大約有二:一曰天魔,二曰心魔。天魔易知,且置勿論。心魔者,不必發風發癲,至於褻尊慢上,無復顧忌,囚首褫衣,不避譏嫌,而後為魔也。一有所著,如耽財耽色、耽詩耽酒、耽書耽畫等,亦魔也。豈唯此哉?妄意欲功蓋一時,名垂百世,亦魔也。豈唯此哉?即修種種諸善法門,妄意希望成佛,亦魔也。豈惟是哉?即如上所說諸魔,皆悉無之,而曰「我今獨免於魔」,亦魔也。微矣哉!魔事之難察也。
Demons fall roughly into two kinds: heavenly demons and mind-demons. Heavenly demons are easy enough to recognize, and need not detain us here. Mind-demons, by contrast, do not require someone to go mad or rave, or to profane the sacred and disrespect one's elders without restraint, or to go about disheveled and unclothed without shame, before we can properly call it demonic possession. The moment a person becomes attached to anything at all — wealth, sensual pleasure, poetry, wine, calligraphy, painting — this too is demonic possession.
Is this the whole of it? Even the idle wish to have one's achievements outshine an entire age, one's name remembered for a hundred generations — this too is demonic possession.
Is this the whole of it? Even cultivating every conceivable good practice, if driven by the deluded hope of becoming a buddha through it — this too is demonic possession.
Is this the whole of it? Even someone entirely free of every demon described above, who then thinks to himself, "Today I alone am free of demonic influence" — even this very thought is itself demonic possession.
How subtle, indeed, this all is! How difficult demonic activity truly is to detect!
The escalating four-step structure — attachment, ambition, spiritual ambition, and finally the self-congratulation of believing oneself free of all three — is a small masterclass in how a teaching designed to dissolve pride can itself become the next occasion for it, the same self-undermining pattern seen repeatedly across this project (compare "Sorrow and Joy," First Collection Part 5, entry 128).
24. 參方須具眼 — Seeking Teachers Requires a Discerning Eye
A short argument that the discipline needed when seeking a spiritual guide has actually reversed between the age of the True Dharma and this present degenerate age.
為僧於正法之世,惟恐其分別人;為僧於末法之世,惟恐其不分別人也。何也?末世澆漓,薰蕕雜處,苟藻鑑不審,決擇失真,以是為非,認邪作正,宜親而反疏之,宜遠而反近之,陶染匪人,久而與之俱化,劫劫生生,常為魔侶。參方可弗具眼乎哉?!
For a monk living in the age of the True Dharma, the only real worry, in seeking out teachers, is giving rise to deluded discrimination at all. For a monk living in this degenerate age, the opposite worry applies: the real danger is failing to discriminate at all. Why the difference? Because in a degenerate age, when the world has grown thin and corrupt, fragrant herbs and foul weeds grow tangled together indiscriminately — and if one's own judgment of character is careless, one's choices will inevitably go astray: taking the wrong for the right, mistaking the deviant for the true, drawing close to what ought to be kept at a distance, and holding at a distance what ought to be drawn close. Steeped in unworthy influence, one gradually becomes indistinguishable from it, and across lifetime after lifetime, remains forever bound to demonic company. How, then, could one possibly go seeking teachers without a truly discerning eye?
The reasoning turns entirely on the three-age doctrine of the Dharma's decline (True Dharma, Semblance Dharma, Final Dharma), already used throughout this project as an explanatory frame — here applied specifically to explain why a virtue prized in one era (open, undiscriminating trust) becomes a liability in another.
25. 人身難得 — A Human Body Is Hard to Obtain
The Buddha's own remark to the layman Sudatta about an ant that has already outlived seven successive buddhas, used to press home the rarity of a human birth.
一失人身,萬劫不復,此語誰不知之!知之而漫不加意,與不知同。昔須達為佛營室,佛視地上螻蟻,而謂達言:「此蟻毗婆尸佛以來,經今七佛,尚在蟻身。」夫一佛出世,歷年甚久,矧曰七乎?釋迦而後,過五百餘萬歲而慈氏下生,名第八佛,未知此蟻脫故身否?縱脫蟻身,未知何日當得人身也?今徒見舉目世人,比肩相摩,而不知得之之難如是;既得人身,漠然空過,真可痛惜!予之懈怠空過,不能不深自痛惜,而併以告夫同志者。
"Once a human body is lost, it may not be regained for ten thousand kalpas" — who does not already know this saying! And yet to know it and pay it no real heed is exactly the same as not knowing it at all.
Long ago, when the elder Sudatta was building a monastery for the Buddha, the Buddha looked down at an ant on the ground and said to him: "This very ant has already lived, unchanged, through the era of seven successive buddhas, beginning with Vipaśyin Buddha." For even a single buddha to appear in the world takes an immense span of time — how much more so seven! And after Śākyamuni's own passing, more than five million years must still elapse before Maitreya descends to be born as the eighth buddha — who can say whether this very ant will even have shed its ant-body by then? And even if it has, who can say on what day it will finally attain a human body at all?
People today see nothing but the crowds of humanity around them, shoulder to shoulder, and have no idea how difficult it truly was to obtain even this — and having obtained it, pass through their whole lives utterly heedless, letting it slip by empty and wasted. This is truly a matter for the deepest sorrow and regret! Reflecting on my own laziness and wasted time, I cannot help feeling this same deep regret myself — and I offer it here as well to my fellow companions on the path.
Sudatta (Anāthapiṇḍada, "the Almsgiver to the Orphaned and Alone") is the historical donor of Jetavana Monastery, one of the two most important sites in the Buddha's own teaching career — the anecdote's setting, at the very moment of that monastery's construction, gives the ant's seven-buddha lifespan a specific, datable narrative anchor rather than a vague hypothetical.
26. 事怕有心人 — Nothing Resists a Person Truly Determined
Master Gaofeng's own account of the resolve behind his awakening, unpacked into three successive stages of what genuine determination actually requires.
高峰自敘悟繇,而曰:「不信有這般奇特事,事怕有心人故也。」此語彼所自證,真實不虛,學道人所宜諦信。且何名有心?世間一技一藝,其始學不勝其難,似萬不可成者,因置不學,則終無成矣;故最初貴有決定不疑之心。雖復決定,而優游遲緩,則亦不成;故其次貴有精進勇猛之心。雖復精進,或得少而足,或時久而疲,或遇順境而迷,或逢逆境而墮,則亦不成;故其次貴有常永貞固誓不退轉之心。高峰「拌一生做箇癡獃漢,定要見這一著子明白」,是之謂真有心丈夫也。又古云:「三昧不成,假令筋斷骨枯,終不休歇。」又云:「道不過雪竇,不復登此山。」又云:「不破疑團誓不休。」如是有心,何事不辦?予甚愧焉,不敢不勉。
Master Gaofeng, describing the cause of his own awakening, said: "I no longer believe there is anything so extraordinary about this at all — nothing can resist a person who is truly determined." These words are his own direct realization, genuinely true, and students of the Way should believe them deeply.
But what, exactly, does "determined" mean? Consider any worldly skill or craft: at the outset, learning it seems overwhelmingly difficult, as if it could never possibly be mastered — and if one simply gives up at that point, nothing will ever come of it. And so, first and most precious of all is an unwavering, undoubting resolve. Even with that resolve, if one then proceeds leisurely and half-heartedly, nothing will come of it either — and so, next in importance is a fiercely diligent, courageous mind. And even with that diligence, if one is satisfied with the smallest gain, or grows weary over time, or is led astray by favorable circumstances, or collapses under adverse ones, nothing will come of it still — and so, beyond even that, what is needed is a constant, unshakeable resolve that vows never to turn back.
Gaofeng's own vow — "I will spend my whole life as a foolish, dull-witted man if I must, but I am absolutely determined to see this one matter through to complete clarity" — this is what it truly means to be a person of genuine resolve. An ancient worthy likewise said: "Though my sinews snap and my bones wither, I will never rest until I have attained samādhi." Another said: "If my own attainment of the Way does not surpass Xuedou's, I will never return home." Yet another said: "I vow never to rest until I have broken through this knot of doubt." With this kind of resolve, what could possibly remain unaccomplished? I feel deep shame before such examples, and dare not fail to strive.
Gaofeng's own famous awakening story — asked by his teacher Xueyan where the "master" resides during dreamless sleep, unable to answer, and finally breaking through years later when a fellow student's pillow struck the floor — is the same three-stage inquiry already discussed in the First Collection (Part 2, entry 41, "Who Is the Master When Asleep and Dreamless?"); here the focus shifts from the content of the question to the quality of resolve it took him to sit with it unanswered for so long.
27. 老成然後出世 — Only After Long Maturity Should One Emerge to Teach
A brief lament that young, insufficiently seasoned teachers are ascending the lecture platform in ever greater numbers, taken as a visible symptom of the Dharma's decline.
古人得意之後,於深山窮谷中,煨折腳鐺,潛伏保養;龍天推出,然後不得已而應世。後人漸不如古;然予猶及見作經論法師者,作瑜伽施食法師者,學成而年未盛,尚徐徐待之。比來少年登座者紛如矣;佛法下衰,不亦宜乎!
In ancient times, once a person had truly grasped the essential point, he would retreat into some deep mountain valley, cooking his meals in a broken-legged pot, quietly concealing his own attainment while continuing to nurture it — and only once the dragon and heavenly guardians themselves pressed him forward would he, reluctantly, finally emerge to teach. Later generations have gradually fallen short of this standard; and yet I myself have still seen lecturers on the sutras and treatises, and specialists in the yogic feeding rites, who, though their learning was already complete, still held back patiently on account of their youth, waiting calmly for the proper time. These days, though, young people ascend the teacher's seat one after another in great numbers — is it any wonder the Buddha-dharma has fallen into such decline?
A concern shared with the First Collection's own worry about premature spiritual authority (compare "The Monk Xingkong," Part 4, entry 77, on a practitioner who entered solitary retreat too soon and died mad) — here applied not to solitary practice but to the specifically public, institutional act of taking a teaching seat before genuine maturity has had time to develop.
28. 繼祖傳燈 — Carrying Forward the Patriarchal Lamp
A meditation on a popular saying about the near-impossible odds against great awakening, balanced against an insistence that the difficulty itself is no excuse for resignation.
世有恆言:「凡大徹大悟,繼祖燈、續佛慧命者,須是三朝天子福、七代狀元才始得。」斯言似過,而理實然。昔中峰老人謂:「無量劫來生死,今日要與和盤翻轉,豈易事哉?」是故十善始得生天,人空方證小果,久積萬行之菩薩尚不免曝腮龍門,則三朝七代猶近言之也,主六合、魁多士猶小喻之也。極之,蓋不可思議功德智慧之所成就也。雖然,亦烏可以難自諉,而付之絕望乎?但決心精進,逢魔不退,遇難轉堅,研窮至理,以悟為則,不患無相應時節。何以故?以宿世善根難測故。
There is a common saying: "Only someone with the fortune of three successive generations as emperor, the talent of seven successive generations as top examination graduate, could possibly achieve great and thorough awakening, carry forward the patriarchal lamp, and continue the Buddha's own wisdom-life." This saying may sound exaggerated, but in principle it is entirely true.
The venerable Zhongfeng once said: "Birth and death across countless kalpas — to overturn the whole of it entirely, in a single day, is no easy thing at all." This is why the ten good deeds are needed merely to be reborn among the heavenly beings; why realizing the emptiness of self is needed merely to attain the fruit of the lesser vehicle; and why even a bodhisattva who has long accumulated the myriad practices may still fail to leap the final barrier, like a fish stranded gasping below the Dragon Gate. Against this backdrop, "three generations, seven generations" is really quite a modest way of putting it, and "ruling the whole realm, topping every examination" a fairly small analogy. Carried to its ultimate meaning, this can only be the accomplishment of inconceivable merit and wisdom.
And yet — how could this difficulty possibly be used as an excuse to give up, resigning oneself to despair? One need only resolve firmly, apply oneself diligently, never retreat before demonic obstruction, grow only more resolute when facing hardship, investigate the ultimate principle exhaustively, and take awakening itself as the standard — and there is no need to worry that the moment of true accord will never come. Why? Because the depth of one's own good roots from past lives can never truly be measured.
The Dragon Gate image (龍門, on the Yellow River, where legend held that fish which successfully leapt the rapids transformed into dragons while those that failed were left stranded and injured) is the same source for the modern idiom "carp leaping the dragon gate" for a decisive, transformative success — Zhuhong uses only its darker half here, the many fish that fail.
29. 殺罪 — The Offense of Killing
Zhuge Liang's own regret after a decisive military victory, used to open an argument that ordinary daily meat-eating is no less an offense than large-scale killing, only unexamined.
孔明藤甲之捷,燒諸洞蠻悉成煨燼,其言曰:「吾雖有功於國,損吾壽矣!」世人咸知殺人為罪矣,而於牛羊犬豕等日就庖廚,則恬然不知怪,寧思薄乎云爾,烏得無罪?禮云:「君無故不殺牛,大夫無故不殺羊,士無故不殺犬豕。」世人咸知殺畜之大者為罪矣,而於蝦蜆螺蛤等,一下箸以千百計,則恬然不之怪,寧思薄乎云爾,烏得無罪?噫!據含靈皆有佛性,則蟻與人一也,何厚薄之足云?如其貴欺賤、強陵弱,則人可殺而食也,亦何厚薄之足云?梵網稱「凡有命者不得故殺」,其旨深哉!
When Zhuge Liang won his victory by burning the rattan-armored troops, reducing every one of those southern tribesmen to ash, he himself said: "Though I have done a service to the state today, I have surely shortened my own lifespan for it." Everyone in this world knows perfectly well that killing a human being is a grave offense — and yet, day after day, they calmly slaughter cattle, sheep, dogs, and pigs for the table, without the slightest sense that anything is wrong. Do they imagine these creatures' lives count for so little that it makes no difference? How could this possibly be free of offense?
The Book of Rites says: "A ruler does not kill an ox without good cause; a minister does not kill a sheep without good cause; a scholar-official does not kill a dog or pig without good cause." Everyone knows that killing large animals without proper cause is an offense — and yet when it comes to shrimp, clams, snails, and mussels, people think nothing of consuming hundreds or even thousands of lives with a single pair of chopsticks, entirely unmoved. Do they imagine these small creatures' lives count for so little that it makes no difference? How could this, too, possibly be free of offense?
Ah! Since every sentient being possesses buddha-nature alike, an ant and a human being are, in that respect, exactly the same — how could their worth be weighed so unevenly? If the powerful may prey on the weak simply because they are weaker, then by the same logic, one human being might as well kill and eat another — how, then, could their worth be weighed so unevenly either? The Brahma Net Sūtra says: "No living creature whatsoever may be deliberately killed." How profound a teaching this truly is!
Zhuge Liang's rattan-armor campaign against the southern tribes is a real episode from the Sanguo Zhi tradition, later dramatized in the Romance of the Three Kingdoms — his recorded remark about shortening his own lifespan is presented here as evidence that even a celebrated strategist, in a fully sanctioned military victory, could not escape the sense that mass killing exacted a real cost.
30. 宗門語不可亂擬 — Chan Sayings Must Not Be Recklessly Imitated
A sharp warning against imitating startling, paradoxical Chan speech without the realization that alone makes such speech meaningful — closing the batch on the same theme that opened it (entry 10, "A Single Turning Word").
古人大悟之後,橫說豎說,正說反說,顯說密說,一一契佛心印,皆真語實語,非莊生寓言比也。今人心未妙悟,而資性聰利,辭辯捷給者,窺看諸語錄中問答機緣,便能模彷,只貴顛倒異常,可喜可愕,以眩俗目,如當午三更、夜半日出、山頭起浪、海底生塵,種種無義味語,信口亂發。諸無識者,莫能較勘,同聲讚揚。彼人久假不歸,亦謂真得;甚至「一棒打殺與狗子喫」,「這裏有祖師麼,喚來與我洗腳」,此等處亦復無忌憚,往往效嚬。吁!妄談般若,罪在不原,可畏哉!
Once the ancients had attained great awakening, whatever they said — whether expounded broadly or narrowly, stated directly or by way of its opposite, spoken openly or esoterically — accorded exactly with the Buddha's own mind-seal in every case; every word was genuinely, literally true, nothing like the mere allegorical fables of a thinker like Zhuangzi.
People today, however, without having genuinely awakened at all, but naturally gifted with sharp minds and quick, ready speech, secretly glance through the exchanges recorded in various masters' sayings and Chan cases, and set about blindly imitating them. They value only what sounds startling and contrary to ordinary sense, using phrases like "high noon at midnight," "the sun rising at the dead of night," "waves cresting on a mountaintop," "dust rising from the ocean floor" — phrases carrying no real meaning at all, spoken carelessly, off the top of the head. Those without any real discernment cannot tell truth from falsehood, and praise it in unison, mistaking it for the words of a great teacher.
Lost on this path with no way back, such a person, over time, actually comes to believe he has seen the truth himself — and may even go so far as to say things like "strike the Buddha dead with a single blow and feed him to the dogs," or "is there a patriarch here? Bring him to wash my feet" — uttering such reckless words without the slightest hesitation, imitating the ancients blindly and only making a fool of himself in the process.
Alas! For anyone to speak so recklessly of prajñā, the offense is unforgivable — how truly frightening this is!
This entry closes the batch by returning, almost exactly, to the concern that opened it in entry 10 — students producing plausible-sounding Chan speech without the awakening that alone gives such speech meaning. Compare also the First Collection's parallel warning against blind imitation of specific gōng'àn (Part 4, entry 79's "projecting the spirit" notes) — a recurring worry throughout this project that Chan's own distinctive rhetoric is uniquely vulnerable to being copied as style rather than earned as substance.