Notes Beside the Bamboo Window — Second Collection, Part 17
The closing entries of the Second Collection (二筆). Zhuhong first laments the sectarian infighting he sees among Buddhist schools of his own day, urging humility until genuine awakening is reached — and then closes the entire collection with a two-part character study of Yao Guangxiao, the Ming statesman-monk who helped place an emperor on the throne while never once setting aside his own monastic robe.
139. 人患各執所見 — People's Affliction: Each Clings to His Own View
A candid lament over sectarian infighting among Buddhist schools of Zhuhong's own day — each camp certain of its own rightness and contemptuous of the rest — urging humility and genuine investigation over premature certainty.
析理不得不嚴為辯別,入道不得不務有專門,然而執己為是,概他為非,又不可也。此在昔已然,於今尤甚。執一家者,則天台而外無一人可其意;而執簡便者,又復詆天台為支離穿鑿,非佛本旨;執理性者,則呵念佛為著相;而執淨業者,又復但見不念佛人便目之曰外道;乃至執方山者,病清涼分裂全經;執持咒者,疑顯教出後人口。如斯之類,種種未易悉數,矛盾水火,互相角立,堅壁固守,牢不可轉,吾深慨焉!奉勸諸仁者,曷若各捨其執,各虛其心,且自研窮至理,以悟為則,大悟之後,徐而議之未晚也!
In analyzing doctrine, one cannot avoid making careful, rigorous distinctions; in entering the Way, one cannot avoid devoting oneself to a single specialized approach. And yet to insist that one's own view alone is correct, dismissing everyone else's as wrong, is equally unacceptable. This has always been true, but it is worse now than ever. Those devoted exclusively to the Tiantai school hold that no one outside Tiantai has ever truly grasped the Buddha's own intent; while those devoted to simpler, more direct methods in turn condemn Tiantai as needlessly convoluted and forced, not the Buddha's real intention at all. Those devoted to the principle of emptiness rebuke Buddha-recitation as clinging to outward form; while those devoted to Pure Land practice, the moment they see someone who does not recite the Buddha's name, immediately brand him a heretic. Those who revere Fangshan Li Tongxuan criticize Qingliang Chengguan for fragmenting the unity of the whole sutra; those devoted to mantra recitation suspect that the exoteric scriptures were composed by later hands rather than genuinely spoken by the Buddha. Examples of this kind are too numerous to list exhaustively — like spear against shield, water against fire, standing opposed to one another, each side entrenched behind its own fortified wall, utterly unmovable. I feel real sorrow over this!
I urge every one of you: would it not be better for each to set aside his own fixed attachment, empty his own mind, and first devote himself to genuinely investigating the ultimate truth on his own terms, taking awakening itself as the standard? Only after great awakening would it not still be soon enough to discuss these matters with one another calmly?
Li Tongxuan (Fangshan) was a genuine and independently minded Tang-dynasty Huayan scholar, famous for composing his massive commentary on the newly translated Eighty-Fascicle Flower Ornament Sutra while living in a cave and subsistting on little more than dates and cypress-leaf cakes — a figure Zhuhong treats elsewhere with real respect, making this entry's account of partisans weaponizing his work against Qingliang Chengguan (already discussed for his own careful scholarship in entries 65 and 94 above) a genuinely regretted case of two legitimate traditions being turned against each other by their own followers.
140. 姚少師一 — Junior Preceptor Yao, First Note
An admiring portrait of Yao Guangxiao, the Ming monk-statesman who rose to the very top of imperial government while never once abandoning his monastic robe — read as evidence of restrained, undemonstrative spiritual power rather than mere political ambition.
佛未出世,人皆以天為師;佛既出世,始知奉佛,故佛號人天師,獨王於三界而無倫者也。姚少師作「佛法不可滅論」,謂儒道二教法天制用,不敢違天;佛之為教諸天奉行,不敢違佛。此雖闞澤語,非少師不能闡也。又少師位極三公,衣僅一衲,不改僧相以終其身,豈常情所易窺測乎?特不似佛圖澄示現神通。然圖澄當亂世,乃假通以顯化;少師值真主,無俟於通,安知非能之而不為也?又幽居詩曰:「春燕雛成辭舊壘,午雞啼罷啄陰階。」可謂當代之留侯矣!世未有知其深者,因發之。
Before the Buddha appeared in this world, people took Heaven itself as their teacher; only once the Buddha had appeared did people come to know how to honor the Buddha instead — and so the Buddha is called "Teacher of Gods and Humans," the sole sovereign of the three realms, without equal. Junior Preceptor Yao wrote his Treatise on Why the Buddha-Dharma Cannot Be Destroyed, arguing that Confucianism and Daoism both take their laws from Heaven, and dare not violate Heaven's own principles; while the Buddha's own teaching is upheld even by the heavenly gods themselves, who dare not violate the Buddha. Though these are originally Kan Ze's own words, only the Junior Preceptor could truly bring out their full meaning.
And besides, the Junior Preceptor rose to the very highest of the Three Ducal ranks, and yet wore only a single monk's robe, never once abandoning his monastic appearance for his entire life — how could this possibly be judged by ordinary standards? He simply did not display supernatural powers the way Fotudeng once did. But Fotudeng lived through an age of chaos, and so relied on displaying such powers to guide people toward transformation; the Junior Preceptor, by contrast, lived under a genuinely enlightened ruler, and had no need to rely on such powers at all — how do we know he was not, in fact, someone entirely capable of such powers, who simply chose not to use them? His own poem on quiet retirement reads: "The spring swallow's fledglings have grown and left their old nest; the noon rooster, having crowed, pecks at the shaded steps." He may truly be called the Marquis of Liu of his own age! The world has never truly recognized how deep his own attainment was, and so I set this down here to bring it to light.
Yao Guangxiao (as the monk Daoyan) was a genuine and remarkable historical figure — the strategist behind the Yongle Emperor's own rise to the throne through the Jingnan campaign, who nonetheless refused every honor offered him afterward, declining to grow his hair back, return to lay life, or accept a private residence, remaining a monk in a monastery even while holding the empire's highest ceremonial rank. The "Marquis of Liu" is Zhang Liang, the Han-dynasty strategist who famously withdrew from public life once his own work was done — a comparison Zhuhong extends here specifically because Yao, unlike most successful statesmen, never once let his own worldly triumph unseat his monastic identity.
141. 姚少師二 — Junior Preceptor Yao, Second Note
The final entry of the Second Collection: a frank reckoning with Yao Guangxiao's role in a bloody campaign, weighed against the single, decisive act of mercy that Zhuhong argues offsets it.
或謂少師佐命,殺業甚多,奚取焉?然所取於少師者有三:一以其貴極人臣而不改僧相,二以其功成退隱而明哲保身,三以其讚歎佛乘而具正知見。殺業非所論也。雖然,少師曾於靖難中啟奏方孝儒賢者慎勿加害,即此一言,功過可相準矣!吾是以取之。
Someone might say: the Junior Preceptor assisted in founding an empire, and the killing this involved was extensive — what is there to admire in him? And yet there are three things I admire in the Junior Preceptor: first, that he rose to the very heights of ministerial rank and yet never abandoned his monastic appearance; second, that once his work was accomplished, he withdrew from public life, wisely preserving himself; third, that he praised the Buddhist teaching and held genuinely correct views. The killing involved in his service is a separate matter, not under discussion here. And yet, during the very Jingnan campaign itself, the Junior Preceptor personally petitioned the emperor, urging him on no account to harm the worthy scholar Fang Xiaoru — this single plea alone may be enough to offset his faults against his merits! This is why I still find him worthy of admiration.
Fang Xiaoru was a genuinely celebrated Confucian scholar whose refusal to legitimize the Yongle Emperor's usurpation led to one of the most notorious mass executions in Ming history — the emperor, defying Yao's own explicit plea for restraint, extended the punishment to ten degrees of Fang's relations and associates, resulting in hundreds of deaths. Zhuhong's own closing judgment is unusually direct for this collection — he does not excuse the killing Yao's political career involved, but treats a single documented act of moral courage against his own patron's wishes as enough to change the final balance of the man's account, ending the Second Collection on an assessment that is admiring without being uncritical.