Notes Beside the Bamboo Window — Third Collection, Part 9
Continuing the Third Collection (三筆). This section opens with a fourfold classification distinguishing outward monastic status from inward realization, moves through two entries on the danger of even well-regarded activity quietly wasting a lifetime, a lesson on simplicity in hospitality drawn from an aristocrat's own modest table, and closes with a genuinely admiring but sharply critical portrait of the controversial thinker Li Zhi.
38. 出家四料簡 — Four Categories of Leaving Home
A fourfold classification crossing outward monastic status against inward realization, concluding that a layperson genuinely devoted to the Way ranks above a monk in name only.
有在家出家者,有出家在家者,有在家在家者,有出家出家者。處於族舍,具有父母妻子,而心恆在道,不染世塵者,在家出家者也。處於伽藍,無父母妻子之累,而營營名利,無異俗人者,出家在家者也。處於俗舍,終身纏縛,無一念解脫者,在家在家者也。處於伽藍,終身精進,無一念退惰者,出家出家者也。故古人有身心出家四句,意正如此。雖然,出家出家者,上士也無論矣;與其為出家在家者,寧為在家在家者。何以故?袈裟下失人身,下之又下者也。
There are those in the household who have left it in spirit; there are those who have left the household who remain in it in spirit; there are those in the household who remain in it in both body and spirit; and there are those who have left the household who have left it in both body and spirit as well. One who dwells among family and household, with parents, wife, and children, and yet whose mind remains constantly fixed on the Way, untouched by worldly dust — this is one in the household who has left it in spirit. One who dwells within a monastery, free from the burdens of parents, wife, and children, and yet whose mind chases after fame and profit exactly like an ordinary layperson — this is one who has left the household who remains in it in spirit. One who dwells amid worldly affairs, bound his whole life long, never once giving rise to a single thought of liberation — this is one who remains in the household in both body and spirit. One who dwells within a monastery, diligent and vigorous his whole life long, never once giving rise to a single thought of retreat or laziness — this is one who has left the household in both body and spirit as well.
This is exactly what the ancients meant by their four categories of leaving home in body and mind. And yet, while one who has left home in both body and spirit is naturally a person of superior capacity, beyond further discussion — between one who has left home in body but remains in it in spirit, and one who remains in the household in both body and spirit, it would be better to be the latter. Why? To wear the monastic robe and yet lose one's own human dignity beneath it is the lowest of the low.
This fourfold scheme directly echoes the "great man" definitions Zhuhong develops elsewhere in this project — his insistence, in the Second Collection's entry 105, that true renunciation means leaving "the burning house of the three realms," not merely one's own front gate — here applied specifically to rank a devoted layperson above a merely nominal monk, an unusually blunt hierarchy for a text otherwise consistently emphasizing monastic discipline.
39. 時光不可空過一 — Time Must Not Be Wasted, First Note
A survey of the ways ordinary indulgence — sightseeing, drink, poetry, games — quietly consumes a life, warning that monks who avoid the most obvious of these vices may still fall prey to the subtler ones.
世人耽著處,不捨晝夜。曰:「晝短苦夜長,何不秉燭遊」,耽賞翫也。「百年三萬六千日,一日須傾三百杯」,耽麴糱也。「野客吟殘半夜燈」,耽詩賦也。「長夏惟消一局棋」,耽博弈也。古有明訓曰:「是日已過,命亦隨減,當勤精進,如救頭然。」今出家兒,耽麴糱者固少,而前後三事或未免焉。將好光陰驀然空過,豈不大可惜哉?
Ordinary people, wherever their own passions lie, indulge them without regard to day or night. "The day is short, and the misery of the long night presses on — why not carry a lantern and go out to enjoy oneself?" — this is spoken by one indulging in sightseeing pleasures. "A hundred years amounts to thirty-six thousand days — every single day, one ought to drain three hundred cups" — this is spoken by one indulging in drink. "The wandering traveler chants verses until his lamp burns down at midnight" — this is spoken by one indulging in poetry. "A long summer day is consumed entirely by a single game of chess" — this is spoken by one indulging in board games. The ancients gave this clear instruction: "This day has already passed, and one's own life has diminished along with it — apply yourself diligently and vigorously, as though putting out a fire burning on your own head." Monks today, admittedly, rarely indulge in drink — but the other three temptations, sightseeing, poetry, and games, they may well still fall into. To let such precious time slip carelessly away, empty and wasted — is this not truly something to regret?
The four quoted lines are drawn from real, well-known classical Chinese poetry rather than invented for the occasion — Zhuhong builds his warning entirely out of authentic literary voice-pieces, each speaking in the first person for its own particular vice, before pivoting to the shared Buddhist admonition against wasted time that closes the entry.
40. 時光不可空過二 — Time Must Not Be Wasted, Second Note
A sharper warning still: even respectable-sounding monastic activity — pilgrimage, temple-building, organizing assemblies — can waste a lifetime exactly as thoroughly as ordinary vice, if it substitutes for genuine inner practice.
先德示眾云:「汝等出家,未曾立腳得定,忽已過三四十年矣!」我等聞此真懇痛切之語,所當心戰而毛豎者,乃有都將青春壯色,勤勤作有為事業。或奔南走北,言我參禮名山;或裝塑修造,曰我興崇三寶;或聚眾起會,曰我助揚法化。此雖名色亦皆好事,非上所云賞翫、麴糱等比,而其為空過一也。一朝猛省前非,忽已龍鐘衰朽,悔無及矣!故曰:「少壯不努力,老大徒傷悲。」嗚呼!更有終身安然而不傷悲者。
A teacher of old once instructed the assembly, saying: "You have all left the household life, and yet, before your own footing has ever truly become secure, thirty or forty years have already slipped by!" Hearing such genuinely earnest and painful words, we ought to feel our hearts tremble and our hair stand on end — and yet there are still many who spend their own youthful, vigorous years busily engaged in conditioned undertakings. Some rush about from south to north, saying: "I am paying homage at famous mountains." Some cast and repair statues, saying: "I am honoring the Three Jewels." Some gather crowds to hold assemblies, saying: "I am helping to spread the Dharma's own transformative teaching." Though these activities may bear a good name, and are nothing like the sightseeing or drinking mentioned above, they still amount to the very same waste of precious time. Should one, on some future day, suddenly awaken to this earlier error, one will already have grown feeble and decrepit with age, and regret will come too late! This is exactly why it is said: "Fail to strive in youth and vigor, and old age brings only empty grief." Alas! And there are even those who pass their entire lives at ease, never once feeling any grief over it at all.
This entry sharpens the previous one's warning considerably — where entry 39 catalogued obvious indulgence, here Zhuhong targets activity that carries a genuinely good name (pilgrimage, temple restoration, Dharma assemblies) and argues it wastes time just as thoroughly when it substitutes for the "footing" of real inner practice; the closing image of feeling "no grief at all" over a wasted life is a bleaker note than the entry immediately preceding it, which at least allowed for eventual regret.
41. 蔬食上賓 — A Vegetarian Meal for a Distinguished Guest
An eminent host's austere hospitality — plain rice and vegetable soup for an honored guest — becomes a lesson against lavish feasting, extended even to warn monastics against excessive variety in vegetarian offerings.
一貴人齒高而爵尊,有上賓至,留飯。賓意其盛饌也;則糲飯及菜羹一器而已,無兼味。賓大歎服。今富家待客,烹炮煎炙羽毛鱗介等種種眾生,大非也。或難曰:「《易》言大烹以養聖賢者,何也?」噫!獨不聞二簋可用饗,亦《易》之明示乎?而僧家雖不宰殺,素饌多品,亦非所宜也。或又難:「盂蘭盆盡世甘美,以供賢聖僧者,何也?」噫!獨不聞貧母以殘汁奉辟支而感生天之福,亦內典之明示乎?在心不在物故也。
There was once an eminent man, advanced in years and high in rank, who kept an honored guest to share a meal with him. The guest expected a lavish feast — and yet what was set before him was only coarse rice and a single bowl of vegetable soup, nothing more. The guest was deeply impressed and full of admiration. Wealthy households today, entertaining guests, spare nothing — boiling, roasting, frying, and grilling every kind of feathered, furred, scaled, and shelled creature imaginable — this is a grave error indeed.
Someone might object: "The Yijing itself speaks of 'the great feast that nourishes the sages' — how, then, do you explain this?" Ah! Have you never also heard that "two simple bamboo dishes may still serve for a sacrificial offering" — is this not also the Yijing's own clear teaching?
And yet, even among monastics, though they refrain from killing entirely, preparing an excessive variety of vegetarian dishes is likewise not truly fitting. Someone might further object: "At the Ullambana assembly, every delicacy the world affords is gathered to offer the venerable sangha — how, then, do you explain this?" Ah! Have you never also heard the story of the poor mother who offered a mere trace of leftover broth to a pratyekabuddha, and thereby earned the blessing of heavenly rebirth — is this not also a clear teaching found within the Buddhist scriptures? What truly matters lies in the heart, not in the material offering itself.
The Ullambana assembly is the genuine origin of what is still observed today as the Ghost Festival, based on the scriptural account of Maudgalyāyana rescuing his own mother from the hungry-ghost realm by offering food to the monastic assembly on the fifteenth day of the seventh month; Zhuhong's citation of the poor mother's meager offering to a pratyekabuddha earning heavenly rebirth deliberately echoes his own broader argument, already made about improper solicitation of donations in this collection's entry 19 above, that sincerity of heart matters more than material lavishness in any offering.
42. 李卓吾一 — Li Zhuowu, First Note
A genuinely admiring but sharply critical portrait of the controversial late-Ming thinker Li Zhi, praising his real talent while cataloguing several of his most deliberately provocative reversals of conventional moral judgment.
或問:「李卓吾棄榮削髮,著述傳海內,子以為何如人?」答曰:卓吾超逸之才,豪雄之氣,吾重之。然可重在此,可惜亦在此。夫人具如是才氣,而不以聖言為量、常道為憑、鎮之以厚德、持之以小心,則必好為驚世矯俗之論,以自媮快。試舉一二。卓吾以世界人物俱肇始於陰陽,而以「太極生陰陽」為妄語。蓋據《易傳》,有天地然後有萬物,而以天陰地陽、男陰女陽為最初之元本,更無先之者。不思「易有太極,是生兩儀」,同出夫子傳《易》之言,而一為至論,一為妄語,何也?乃至以秦皇之暴虐為第一君,以馮道之失節為大豪傑,以荊軻、聶政之殺身為最得死所;而古稱賢人君子者,往往反摘其瑕纇。甚而排場戲劇之說,亦復以琵琶、荊釵守義持節為勉強,而西廂、拜月為順天性之常。噫!《大學》言:「好人所惡,惡人所好,災必逮夫身。」卓吾之謂也。惜哉!
Someone asked: "Li Zhuowu abandoned worldly glory and shaved his head, and his writings have spread throughout the land — what do you make of such a man?" I answered: Zhuowu possessed truly extraordinary talent and a bold, heroic spirit, and I genuinely respect him for it. And yet the very thing worth respecting in him is also, unfortunately, the very thing to be regretted. A man possessed of such talent and spirit, who fails to take the sages' own words as his measure, the constant Way as his standard, steadying himself with deep virtue and holding himself with real caution, will inevitably be drawn toward startling, deliberately unconventional pronouncements, meant only to please and amuse himself. Let me offer a few examples.
Zhuowu held that all things in heaven and on earth originate from yin and yang alone, and dismissed the claim that "the Supreme Ultimate gives rise to yin and yang" as sheer nonsense. He based this on the Yijing's own commentary, which says "once there was heaven and earth, only then did the ten thousand things come to exist," and so took heaven as yang and earth as yin, man as yang and woman as yin, as the very first and most fundamental principle, beyond which nothing else exists. But has he never considered that "the Yijing contains the Supreme Ultimate, which gives rise to the two modes" comes from that very same commentary attributed to Confucius himself — why, then, is one statement treated as the highest truth, and the other dismissed as mere nonsense?
He went so far as to rank the tyrannical First Emperor of Qin as the very foremost of all rulers, to praise Feng Dao's own repeated betrayal of loyalty across four dynasties as an act of great heroism, and to consider the deaths of the assassins Jing Ke and Nie Zheng the most fitting ends imaginable — while the very men traditionally honored as worthy and virtuous, he instead went out of his way to pick apart their every flaw. He even went so far, in his commentary on popular drama, to call the fidelity and integrity portrayed in The Lute and The Thorn Hairpin mere forced pretense, while praising The Western Chamber and Bowing to the Moon as simply following natural human inclination. Ah! The Great Learning says: "To love what others hate, and hate what others love — this is called going against human nature, and disaster is certain to follow." This describes Zhuowu exactly. What a pity!
Li Zhi (1527–1602) was a genuinely major and deliberately provocative late-Ming thinker, a contemporary of Zhuhong's who shaved his head and adopted a quasi-monastic life while continuing to write iconoclastic critiques of orthodox Confucian judgment — he was eventually arrested on charges of "confusing the people with heterodox teachings" and died by suicide in prison. Zhuhong's assessment here is notably even-handed for a figure this controversial: he neither dismisses Li Zhi's talent nor excuses his most deliberately inflammatory reversals, using the same yin-yang argument already developed against a different overreaching claim in the Second Collection's entry 118 above.