The Direct Knowledges
This page carries Ru-Yi's translation of the Visuddhimagga's chapter 13, Abhiññāniddesa ("The Discussion of the Direct Knowledges") — the second and final chapter treating the fruits of mastered concentration, before the treatise turns to wisdom (paññā) in earnest. It develops the divine ear, the reading of others' minds, and the recollection of past lives — the last opening into a complete narrative account of the universe's own destruction and re-formation by fire, water, and wind — before closing with the divine eye and a technical survey mapping all seven direct knowledges onto the Abhidhamma's own object-classification scheme.
Translation Method
The Pāli source is the Chaṭṭha Saṅgāyana (Sixth Council) romanized edition maintained by the Vipassana Research Institute (VRI, tipitaka.org), cross-checked against the Pali Text Society's Rhys Davids edition (1920–21) as digitized on GRETIL. The VRI text is used under its stated terms — freely available for non-commercial use, with attribution to the Vipassana Research Institute — while the GRETIL/PTS digitization, which carries its own CC BY-SA licence, is used only to verify readings, never copied.
The English translation is Ru-Yi's own, made directly from the Pāli. No existing English translation of the Visuddhimagga — including Bhikkhu Ñāṇamoli's copyrighted The Path of Purification — is consulted, paraphrased, or used as a guide for wording or structure. Reading notes are grounded only in the text's own internal citations and in the general, uncontested conventions of the Pāli commentarial (aṭṭhakathā) genre — never in a modern scholar's specific interpretation. Each translated passage carries a short vocabulary list for readers learning Pāli alongside the text, continuing the same format established on this site's earlier Visuddhimagga chapters.
The Divine Ear: Why "Divine," and What It Actually Hears
The thirteenth chapter opens by taking up, in order, the five direct knowledges left over from the last — beginning with the divine ear-element. Rather than re-explaining what the last chapter's commentary on jhāna and the direct-knowledge formula already covered, Buddhaghosa signals that only what is genuinely new to each knowledge will be discussed from here on. The divine ear earns its name three ways at once: it resembles the deva's own faculty (unclouded by bile, phlegm, or blood, and so able to register even a distant object); it arises from the same power of developed effort that produces every other direct knowledge; and it is "divine" simply because it is acquired by, and grounded in, the divine abidings of jhāna itself. Its actual range, the canonical formula makes clear, is total in two directions at once — sound of any kind, divine or human, and sound at any distance, from another world-system to the smallest creature clinging to one's own body.
Idāni dibbasotadhātuyā niddesakkamo anuppatto. Tattha tato parāsu ca tīsu abhiññāsu "so evaṃ samāhite citte"tiādīnaṃ (dī. ni. 1.240 ādayo) attho vuttanayeneva veditabbo. Sabbattha pana visesamattameva vaṇṇayissāma. Tatra "dibbāya sotadhātuyā"ti ettha dibbasadisattā dibbā. Devānaṃ hi sucaritakammanibbattā pittasemharuhirādīhi apalibuddhā upakkilesavimuttatāya dūrepi ārammaṇaṃ sampaṭicchanasamatthā dibbapasādasotadhātu hoti. Ayañcāpi imassa bhikkhuno vīriyabhāvanābalanibbattā ñāṇasotadhātu tādisāyevāti dibbasadisattā dibbā. Apica dibbavihāravasena paṭiladdhattā attanā ca dibbavihārasannissitattāpi dibbā. Savanaṭṭhena nijjīvaṭṭhena ca sotadhātu. Sotadhātukiccakaraṇena ca sotadhātu viyātipi sotadhātu. Tāya dibbāya sotadhātuyā.
Visuddhāyāti parisuddhāya nirupakkilesāya. Atikkantamānusikāyāti manussūpacāraṃ atikkamitvā saddasavanena mānusikaṃ maṃsasotadhātuṃ atikkantāya vītivattitvā ṭhitāya. Ubho sadde suṇātīti dve sadde suṇāti. Katame dve? Dibbe ca mānuse ca, devānañca manussānañca saddeti vuttaṃ hoti. Etena padesapariyādānaṃ veditabbaṃ. Ye dūre santike cāti ye saddā dūre paracakkavāḷepi ye ca santike antamaso sadehasannissitapāṇakasaddāpi, te suṇātīti vuttaṃ hoti. Etena nippadesapariyādānaṃ veditabbaṃ.
Now the order of exposition has arrived at the divine ear-element. Herein, among the three remaining direct knowledges beyond this one, the meaning of "with his mind thus concentrated" and so on should be understood in the way already stated. But everywhere we shall describe only what is distinctive. There, "with the divine ear-element": it is divine because it resembles the divine. For devas possess a divine, faculty-based ear-element, produced by good conduct, unobstructed by bile, phlegm, blood, and the like, and, through its freedom from such impurities, able to receive an object even at a distance. And this monk's own knowledge-based ear-element, produced by the power of developed effort, is exactly of that same kind — hence it is divine, because it resembles the divine. Moreover, it is divine because it is acquired by means of a divine abiding, and because it is itself grounded in a divine abiding. It is an "element" (dhātu) in the sense of hearing, and in the sense of being lifeless; and it is called an "element" also because it performs the function of an ear-element.
"Purified": completely pure, free of defilement. "Surpassing the human": having gone beyond the range of the human, surpassing, having transcended, the fleshly ear-element which is human in its hearing of sound. "He hears both kinds of sound": he hears two kinds of sound. Which two? Divine and human — that is, the sounds of both devas and human beings. By this, the exhaustive range in terms of kind should be understood. "Both far and near": he hears sounds that are far, even in another world-system, and sounds that are near, down to the sound of a creature clinging to his own body. By this, the exhaustive range in terms of location should be understood.
The three-fold etymology of "divine" — resembling a deva's faculty, arising from the same effort-based power behind every direct knowledge, and grounded in a divine abiding — is a pattern the chapter will now repeat almost verbatim for the divine eye later on, making clear that "divine" in this technical vocabulary never means literally borrowed from a god, but rather structurally parallel to what a god's own faculties can do.
The example given for "near" sound — a creature clinging to one's own body — is a deliberately extreme case, chosen precisely because it is the least glamorous possible instance of this power: the divine ear's usefulness is not confined to hearing something impressively far away, but extends symmetrically down to the smallest, most mundane sound imaginable.
the state of resembling the divine — dibba (divine) + sadisa (resembling) + -tta (abstract-noun suffix); the recurring etymological basis for calling any of these developed faculties "divine," here and again for the divine eye.
surpassing the human — ati (beyond) + kkanta (gone, past) + mānusika (human); describing a faculty that has gone past the ordinary range of the fleshly sense-organ it is paired with.
exhaustive range without remainder in terms of location — ni- (without) + padesa (place, location) + pariyādāna (exhausting, using up completely); the technical term for the divine ear's total spatial coverage, from another world-system down to one's own skin.
Developing the Divine Ear: From the Roar of a Lion to the Rustle of an Ant
The method for developing the divine ear works by systematic contrast rather than direct effort: the meditator first attends, in order from grossest to subtlest, to an entire catalogue of ordinary sounds — a lion's roar in the forest, a monastery gong, drums, conch-shells, novices reciting at full volume, ordinary conversation, birdsong, wind, footsteps, boiling water, palm-leaves crackling in the heat, down to the faintest sound of small insects — deliberately working through every one of the ten directions in turn. Once this contrast-based attention has been cultivated to full clarity, a single mind-door adverting toward any one of these sounds triggers the actual arising of the divine ear itself, in the same javana-sequence structure already explained for the power of resolve. From that point on, the meditator can hear at will, without needing to re-enter the basis-jhāna each time, and can even pick out one specific sound — a conch here, a drum there — from within an otherwise indistinguishable roar of celebration reaching all the way to the Brahmā-world.
Kathaṃ panāyaṃ uppādetabbāti? Tena bhikkhunā abhiññāpādakajjhānaṃ samāpajjitvā vuṭṭhāya parikammasamādhicittena paṭhamataraṃ pakatisotapathe dūre oḷāriko araññe sīhādīnaṃ saddo āvajjitabbo. Vihāre ghaṇḍisaddo, bherisaddo, saṅkhasaddo, sāmaṇeradaharabhikkhūnaṃ sabbathāmena sajjhāyantānaṃ sajjhāyanasaddo, pakatikathaṃ kathentānaṃ "kiṃ bhante, kimāvuso"tiādisaddo, sakuṇasaddo, vātasaddo, padasaddo, pakkuthitaudakassa cicciṭāyanasaddo, ātape sussamānatālapaṇṇasaddo, kunthakipillikādisaddoti evaṃ sabboḷārikato pabhuti yathākkamena sukhumasaddā āvajjitabbā. Tena puratthimāya disāya saddānaṃ saddanimittaṃ manasikātabbaṃ. Pacchimāya, uttarāya, dakkhiṇāya, heṭṭhimāya, uparimāya disāya, puratthimāya anudisāya, pacchimāya, uttarāya, dakkhiṇāya anudisāya saddānaṃ saddanimittaṃ manasikātabbaṃ. Oḷārikānampi sukhumānampi saddānaṃ saddanimittaṃ manasikātabbaṃ. Tassa te saddā pākatikacittassāpi pākaṭā honti. Parikammasamādhicittassa pana ativiya pākaṭā.
Tassevaṃ saddanimittaṃ manasikaroto idāni dibbasotadhātu uppajjissatīti tesu saddesu aññataraṃ ārammaṇaṃ katvā manodvārāvajjanaṃ uppajjati. Tasmiṃ niruddhe cattāri pañca vā javanāni javanti, yesaṃ purimāni tīṇi cattāri vā parikammaupacārānulomagotrabhunāmakāni kāmāvacarāni, catutthaṃ pañcamaṃ vā appanācittaṃ rūpāvacaraṃ catutthajjhānikaṃ. Tattha yaṃ tena appanācittena saddhiṃ uppannaṃ ñāṇaṃ, ayaṃ dibbasotadhātūti veditabbā. Tato paraṃ tasmiṃ sote patito hoti. Taṃ thāmajātaṃ karontena "etthantare saddaṃ suṇāmī"ti ekaṅgulamattaṃ paricchinditvā vaḍḍhetabbaṃ. Tato dvaṅgulacaturaṅgulaaṭṭhaṅgulavidatthiratanaantogabbhapamukhapāsādapariveṇasaṅghārāmagocaragāmajanapadādivasena yāva cakkavāḷaṃ tato vā bhiyyopi paricchinditvā paricchinditvā vaḍḍhetabbaṃ.
Evaṃ adhigatābhiñño esa pādakajjhānārammaṇena phuṭṭhokāsabbhantaragatepi sadde puna pādakajjhānaṃ asamāpajjitvāpi abhiññāñāṇena suṇātiyeva. Evaṃ suṇanto ca sacepi yāva brahmalokā saṅkhabheripaṇavādisaddehi ekakolāhalaṃ hoti, pāṭiyekkaṃ vavatthapetukāmatāya sati ayaṃ saṅkhasaddo ayaṃ bherisaddoti vavatthapetuṃ sakkotiyevāti.
Dibbasotadhātukathā niṭṭhitā.
But how should this be developed? Having entered the basis-jhāna for direct knowledge and emerged, that monk, with the preliminary-work consciousness of concentration, should first advert to the grosser sound, farther off in the ordinary path of hearing — the sound of lions and the like in the forest. Then, in the monastery: the sound of the gong, the sound of the drum, the sound of the conch, the sound of novices and young monks reciting with all their strength, the sound of those engaged in ordinary conversation — "what is it, venerable sir," "what is it, friend," and so on — the sound of birds, the sound of wind, the sound of footsteps, the sizzling sound of boiling water, the sound of palm-leaves drying and crackling in the heat, the sound of small ants and the like — thus, beginning from the grossest of all, subtler and subtler sounds should be adverted to in turn. By this, the sign of sounds in the eastern direction should be attended to. Likewise the sign of sounds in the western, northern, southern, lower, and upper directions, and in the south-eastern, south-western, north-western, and north-eastern intermediate directions. The sign of both gross and subtle sounds should be attended to. To him, those sounds become clear even to his ordinary consciousness — but to the consciousness of preliminary-work concentration, they become exceedingly clear.
To one attending to the sign of sounds in this way, thinking, "now the divine ear-element is about to arise," taking any one of those sounds as object, a mind-door adverting arises. When that has ceased, four or five javana-moments run their course, of which the first three or four — called preliminary work, access, conformity, and change-of-lineage — are of the sense sphere, while the fourth or fifth is the absorption-consciousness itself, of the fine-material sphere, pertaining to the fourth jhāna. Herein, the knowledge that arises together with that absorption-consciousness should be understood as this very divine ear-element. From then on, he has fallen, as it were, into that stream of hearing. Making it firmly established, thinking, "within this range I hear sound," he should delimit a space of just one finger-breadth and then expand it. From there, delimiting again and again by way of two finger-breadths, four finger-breadths, eight finger-breadths, a span, a cubit, the interior of a room, the front of a mansion, a monastery hall, a monastic compound, an alms-resort village, a country, and so on, up to a whole world-system, or even further still, he should expand it.
Having thus attained this direct knowledge, this monk, hearing sounds that have reached within the range already touched by the basis-jhāna's object, hears them by the power of direct knowledge alone, even without entering the basis-jhāna again. And hearing in this way, even if there is a single uproar reaching all the way to the Brahmā-world, made up of the sounds of conches, drums, and kettledrums together, if he wishes to distinguish them separately, he is indeed able to determine, "this is the sound of a conch, this is the sound of a drum."
The discussion of the divine ear-element is finished.
The method's opening move — starting with the grossest, most distant sound (a lion's roar in the forest) rather than the nearest and quietest — inverts what might seem the intuitive teaching order, and the reason becomes clear as the list continues: only a genuinely loud, unmistakable sound gives the beginner's still-untrained attention something to firmly grasp before it is asked to discriminate progressively subtler and subtler stimuli, ending at the threshold of audibility itself (the rustle of ants).
The closing image — picking out one specific sound, a conch here, a drum there, from within a single indistinguishable roar reaching the Brahmā-world — mirrors exactly the discriminating skill practiced during training itself, just performed now at a vastly larger scale: the whole method has been building, from its very first step, toward the ability to resolve one sound out of many, whether that many is a village's evening noise or an entire cosmos celebrating at once.
the sign of sound — sadda (sound) + nimitta (sign, mark); the mental image or trace of a sound taken as the meditation object, developed through directional and gross-to-subtle attention exactly as a kasiṇa's visual sign is developed.
become firm, firmly established — thāma (firmness, strength) + jāta (become, arisen); describing the divine ear once it has stabilized enough to be deliberately expanded outward by measured stages.
a single uproar, one great commotion — eka (one) + kolāhala (uproar, tumult); the test case for a fully matured divine ear — the ability to discriminate individual sounds within what would otherwise be pure undifferentiated noise.
Reading Another's Mind: The Color of the Heart's Blood
The chapter turns next to the knowledge of penetrating others' minds. Its etymology is deliberately compact — "pariya" simply means a delimiting or determining, so "cetopariyañāṇa" is knowledge that delimits the heart, that is, another's mind. Its actual method of development is genuinely striking: it is developed by way of the divine eye, using the divine eye as its own preliminary work. The meditator expands his light, then looks with the divine eye at the physical basis of the heart and observes the literal color of the blood flowing there — reddish like a banyan fruit for a joyful mind, blackish like a rose-apple for a sad mind, clear like refined sesame oil for an equanimous mind. Only once this color-based method has been made thoroughly firm does the ability generalize, so that a mind can eventually be read directly, mind meeting mind, without any further need to look at the heart's blood at all — a shift the commentary is careful to qualify with an old exchange from the Aṭṭhakathā about how, exactly, this same knowledge can possibly operate for beings in the formless realm, who have no heart-basis to look at in the first place.
Cetopariyañāṇakathāya cetopariyañāṇāyāti ettha pariyātīti pariyaṃ, paricchindatīti attho. Cetaso pariyaṃ cetopariyaṃ. Cetopariyañca taṃ ñāṇañcāti cetopariyañāṇaṃ. Tadatthāyāti vuttaṃ hoti. Parasattānanti attānaṃ ṭhapetvā sesasattānaṃ. Parapuggalānanti idampi iminā ekatthameva. Veneyyavasena pana desanāvilāsena ca byañjananānattaṃ kataṃ. Cetasā cetoti attano cittena tesaṃ cittaṃ. Paricca pajānātīti paricchinditvā sarāgādivasena nānappakārato jānāti.
Kathaṃ panetaṃ ñāṇaṃ uppādetabbanti? Etañhi dibbacakkhuvasena ijjhati, taṃ etassa parikammaṃ. Tasmā tena bhikkhunā ālokaṃ vaḍḍhetvā dibbena cakkhunā parassa hadayarūpaṃ nissāya vattamānassa lohitassa vaṇṇaṃ passitvā cittaṃ pariyesitabbaṃ. Yadā hi somanassacittaṃ vattati, tadā rattaṃ nigrodhapakkasadisaṃ hoti. Yadā domanassacittaṃ vattati, tadā kāḷakaṃ jambupakkasadisaṃ. Yadā upekkhācittaṃ vattati, tadā pasannatilatelasadisaṃ. Tasmā tena "idaṃ rūpaṃ somanassindriyasamuṭṭhānaṃ, idaṃ domanassindriyasamuṭṭhānaṃ, idaṃ upekkhindriyasamuṭṭhāna"nti parassa hadayalohitavaṇṇaṃ passitvā cittaṃ pariyesantena cetopariyañāṇaṃ thāmagataṃ kātabbaṃ. Evaṃ thāmagate hi tasmiṃ anukkamena sabbampi kāmāvacaracittaṃ rūpāvacarārūpāvacaracittañca pajānāti cittā cittameva saṅkamanto vināpi hadayarūpadassanena. Vuttampi cetaṃ aṭṭhakathāyaṃ "āruppe parassa cittaṃ jānitukāmo kassa hadayarūpaṃ passati, kassindriyavikāraṃ oloketīti? Na kassaci. Iddhimato visayo esa yadidaṃ yattha katthaci cittaṃ āvajjanto soḷasappabhedaṃ cittaṃ jānāti. Akatābhinivesassa pana vasena ayaṃ kathā"ti.
In the discussion of the knowledge of penetrating minds: herein, "for the sake of the knowledge of penetrating minds" — "pariyāti" means "pariyaṃ," in the sense of "delimits." The delimiting of the heart (ceto) is "cetopariyaṃ." That which is both a delimiting of the heart and knowledge is "cetopariyañāṇaṃ." "For its sake" is what is meant. "Of other beings": of the remaining beings, setting oneself aside. "Of other persons": this too is one in meaning with the preceding — the variation in wording is simply for the sake of those to be guided, and for the sake of elegance in teaching. "With his own heart, their heart": with his own mind, their mind. "He understands, having delimited": having delimited it, he knows it in its various forms, by way of being affected by passion and so on.
But how should this knowledge be developed? This is accomplished by means of the divine eye — that is its preliminary work. Therefore, that monk, having expanded his light, and having seen with the divine eye the color of the blood occurring in dependence on another's heart-basis, should search out the mind. For when a joyful mind is occurring, that blood is red, like a banyan fruit. When a sad mind is occurring, it is blackish, like a rose-apple fruit. When an equanimous mind is occurring, it is clear, like refined sesame oil. Therefore, by seeing the color of another's heart-blood and thereby searching out the mind, thinking, "this form arises from the joy faculty, this from the sadness faculty, this from the equanimity faculty" — in this way the knowledge of penetrating minds should be made firm. For when it has been made firm in this way, he comes, in due course, to understand all sense-sphere consciousness, and fine-material and immaterial-sphere consciousness as well, simply by passing from mind to mind, even without seeing the heart's physical form at all. This too has been said in the commentary: "In the formless realm, one wishing to know another's mind — whose heart-basis does he see, whose alteration of faculty does he observe? None at all. This is the domain of one possessing power: adverting to a mind, wherever it may be, he knows that mind in its sixteen-fold classification. This account, however, is given from the standpoint of one who has not yet made this attainment firm."
The heart's-blood-color method is a striking instance of this treatise's consistent pattern: even a power as seemingly abstract as reading another's mind is given an entirely concrete, physiologically specific starting point, treated no differently from learning to recognize a kasiṇa's visual sign. Only once that concrete method is mastered does the power become genuinely abstract, generalizing to a mind-to-mind reading that requires no physical basis at all.
The Aṭṭhakathā exchange about beings in the formless realm is a small but important piece of intellectual honesty on the commentary's part: rather than silently ignoring the case that its own physiological method cannot handle (a formless being has no heart at all), it explicitly raises the objection and answers it by relocating the power's true basis from the concrete method to the trained faculty itself — the color-reading was only ever training wheels, not the power's actual mechanism.
the knowledge of penetrating (others') minds — ceto (mind, heart) + pariya (delimiting, from pari + i, "to go around, encompass") + ñāṇa (knowledge); knowledge that determines and delimits the state of another's mind.
the heart's physical form, the heart-basis — hadaya (heart) + rūpa (form, matter); in Abhidhamma physiology, the material support on which mind-consciousness is said to depend, and the object this method's preliminary divine-eye work actually observes.
sixteen-fold classification — soḷasa (sixteen) + pabheda (division, classification); referring to the eight paired categories of mind (with-lust/without-lust, and so on) about to be detailed in the chapter's next section.
The Sixteen Kinds of Mind, Paired Two by Two
Having explained how the knowledge of penetrating minds is actually developed, the commentary now works through the full canonical list of sixteen mental states this knowledge is meant to discern, arranged as eight opposed pairs, matching each classification to its precise Abhidhamma boundary. Lust and its absence, hatred and its absence, delusion and its absence — each pair is drawn along strict technical lines rather than loose ordinary usage, and the commentary is careful to flag two places where different elder-lineages actually disagreed about exactly which borderline mental states belong on which side of the divide. The remaining five pairs — contracted/distracted, exalted/unexalted, surpassed/unsurpassed, concentrated/unconcentrated, and liberated/unliberated — extend the classification from momentary affective coloring to a mind's overall structural condition, closing with liberation itself, understood here through all five of its own classical types.
Sarāgaṃ vā cittantiādīsu pana aṭṭhavidhaṃ lobhasahagataṃ cittaṃ sarāgaṃ cittanti veditabbaṃ. Avasesaṃ catubhūmakaṃ kusalābyākataṃ cittaṃ vītarāgaṃ. Dve domanassacittāni dve vicikicchuddhaccacittānīti imāni pana cattāri cittāni imasmiṃ duke saṅgahaṃ na gacchanti. Keci pana therā tānipi saṅgaṇhanti. Duvidhaṃ pana domanassacittaṃ sadosaṃ cittaṃ nāma. Sabbampi catubhūmakaṃ kusalābyākataṃ vītadosaṃ. Sesāni dasākusalacittāni imasmiṃ duke saṅgahaṃ na gacchanti. Keci pana therā tānipi saṅgaṇhanti.
Samohaṃ vītamohanti ettha pana pāṭipuggalikanayena vicikicchuddhaccasahagatadvayameva samohaṃ, mohassa pana sabbākusalesu sambhavato dvādasavidhampi akusalacittaṃ samohaṃ cittanti veditabbaṃ. Avasesaṃ vītamohaṃ. Thinamiddhānugataṃ pana saṃkhittaṃ. Uddhaccānugataṃ vikkhittaṃ. Rūpāvacarārūpāvacaraṃ mahaggataṃ. Avasesaṃ amahaggataṃ. Sabbampi tebhūmakaṃ sauttaraṃ. Lokuttaraṃ anuttaraṃ. Upacārappattaṃ appanāppattañca samāhitaṃ. Ubhayamappattaṃ asamāhitaṃ. Tadaṅgavikkhambhanasamucchedapaṭipassaddhinissaraṇavimuttippattaṃ vimuttaṃ. Pañcavidhampi etaṃ vimuttimappattaṃ avimuttanti veditabbaṃ. Iti cetopariyañāṇalābhī bhikkhu sabbappakārampi idaṃ sarāgaṃ vā cittaṃ…pe… avimuttaṃ vā cittaṃ avimuttaṃ cittanti pajānātīti.
Cetopariyañāṇakathā niṭṭhitā.
As for "a mind with lust" and so on: the eightfold consciousness accompanied by greed should be understood as "a mind with lust." The remaining wholesome and indeterminate consciousness of the four planes is "a mind without lust." But these four states of mind — the two sad-minded consciousnesses and the two doubt-and-restlessness-accompanied consciousnesses — do not fall into this particular pair's classification. Some elders, however, do include them here as well. The two-fold sad-minded consciousness is called "a mind with hate." All wholesome and indeterminate consciousness of the four planes is "a mind without hate." The remaining ten unwholesome states of mind do not fall into this pair's classification. Some elders, however, do include them here as well.
As for "with delusion, without delusion": here, by the method proper to the individual pairing, only the two states accompanied by doubt and restlessness are "with delusion" — but since delusion is present in all unwholesome states, all twelve kinds of unwholesome consciousness should also be understood as "a mind with delusion." The remainder is "without delusion." Consciousness accompanied by sloth-and-torpor is "contracted." Consciousness accompanied by restlessness is "distracted." Fine-material and immaterial-sphere consciousness is "exalted." The remainder is "unexalted." All consciousness pertaining to the three planes is "surpassable." The supramundane is "unsurpassable." Consciousness that has reached access or absorption is "concentrated." Consciousness that has attained neither is "unconcentrated." Consciousness that has reached liberation by substitution of opposites, by suppression, by cutting off, by tranquilizing, or by escape is "liberated." This same five-fold classification, when it has not reached liberation, should be understood as "unliberated." Thus, the monk who has gained the knowledge of penetrating minds understands, in every one of these ways, whether it be a mind with lust ... or a mind unliberated, that it is a mind unliberated.
The discussion of the knowledge of penetrating minds is finished.
The commentary's twice-repeated aside — "some elders, however, do include them here as well" — is a small but genuine window into how this tradition handled unresolved technical disagreement: rather than silently picking a side or artificially forcing consensus, Buddhaghosa records the majority classification as the working position while explicitly preserving the dissenting lineage's view, leaving the boundary case (where exactly do sadness, doubt, and restlessness belong in a lust/non-lust or hatred/non-hatred binary) visibly unsettled rather than falsely resolved.
The five kinds of liberation closing this list — by substitution of opposites, suppression, cutting off, tranquilizing, and escape — form a graduated sequence moving from the weakest and most temporary (a single wholesome thought briefly displacing an unwholesome one) to the most permanent (full liberation itself), and their appearance here as the final classification a mind-reader must discern suggests that this power's deepest use is not gossip or surveillance but a genuinely diagnostic tool for gauging exactly how far another person's practice has actually progressed.
pertaining to the three planes — ti (three) + bhūmaka (plane, level); referring collectively to sense-sphere, fine-material, and immaterial consciousness, all of which are "surpassable" by the supramundane in the sauttara/anuttara pairing.
the five kinds of liberation — by substitution of opposites (tadaṅga), by suppression (vikkhambhana), by cutting off (samuccheda), by tranquilizing (paṭipassaddhi), and by escape (nissaraṇa); a standard Abhidhamma classification of increasingly permanent freedom from defilement.
the method proper to the individual case — pāṭipuggalika (pertaining to a particular person or instance) + naya (method); the narrower, case-specific classification the commentary contrasts against the broader rule that delusion technically pervades every unwholesome state.
Six Kinds of Rememberers, and How Far Back Each One Reaches
The chapter's third direct knowledge, recollection of past lives, opens with a careful etymology — "pubbenivāsa" names the aggregates that were once "dwelt in" during former existences, whether known through one's own consciousness or, in rarer cases, through another's report, a capacity the commentary notes is available only to Buddhas. It then ranks, with striking precision, exactly six kinds of beings capable of this recollection, each bounded by a fixed maximum reach measured in world-cycles: non-Buddhist ascetics can reach back only forty aeons, on account of their comparatively weak wisdom (lacking the analytical grasp of name-and-form); ordinary disciples can reach back a hundred or a thousand aeons; the eighty great disciples, a hundred thousand aeons; the two chief disciples, one incalculable period plus a hundred thousand aeons; Paccekabuddhas, two incalculable periods plus a hundred thousand aeons; and Buddhas alone have no limit whatsoever.
Pubbenivāsānussatiñāṇakathāyaṃ pubbenivāsānussatiñāṇāyāti pubbenivāsānussatimhi yaṃ ñāṇaṃ, tadatthāya. Pubbenivāsoti pubbe atītajātīsu nivutthakkhandhā. Nivutthāti ajjhāvutthā anubhūtā attano santāne uppajjitvā niruddhā. Nivutthadhammā vā. Nivutthāti gocaranivāsena nivutthā attano viññāṇena viññātā paricchinnā, paraviññāṇaviññātāpi vā chinnavaṭumakānussaraṇādīsu, te buddhānaṃyeva labbhanti. Pubbenivāsānussatīti yāya satiyā pubbenivāsaṃ anussarati, sā pubbenivāsānussati. Ñāṇanti tāya satiyā sampayuttañāṇaṃ. Evamimassa pubbenivāsānussatiñāṇassa atthāya pubbenivāsānussatiñāṇāya etassa ñāṇassa adhigamāya pattiyāti vuttaṃ hoti.
Anekavihitanti anekavidhaṃ, anekehi vā pakārehi pavattitaṃ, saṃvaṇṇitanti attho. Pubbenivāsanti samanantarātītabhavaṃ ādiṃ katvā tattha tattha nivutthasantānaṃ. Anussaratīti khandhapaṭipāṭivasena cutipaṭisandhivasena vā anugantvā anugantvā sarati. Imañhi pubbenivāsaṃ cha janā anussaranti – titthiyā, pakatisāvakā, mahāsāvakā, aggasāvakā, paccekabuddhā, buddhāti.
Tattha titthiyā cattālīsaṃyeva kappe anussaranti, na tato paraṃ. Kasmā, dubbalapaññattā. Tesañhi nāmarūpaparicchedavirahitattā dubbalā paññā hoti. Pakatisāvakā kappasatampi kappasahassampi anussarantiyeva, balavapaññattā. Asītimahāsāvakā satasahassakappe anussaranti. Dve aggasāvakā ekaṃ asaṅkhyeyyaṃ satasahassañca. Paccekabuddhā dve asaṅkhyeyyāni satasahassañca. Ettako hi etesaṃ abhinīhāro. Buddhānaṃ pana paricchedo nāma natthi.
In the discussion of the knowledge of recollecting past lives: "for the sake of the knowledge of recollecting past lives" — this is for the sake of whatever knowledge there is in the recollection of past lives. "Past lives": aggregates dwelt in, formerly, in past births. "Dwelt in" means inhabited, experienced — having arisen in one's own mental continuum and then ceased; or, alternatively, states that were dwelt in. "Dwelt in" also means dwelt in by way of resorting there, known and delimited by one's own consciousness — or else known by another's consciousness, as in the recollection of a severed connection and the like; but such knowing belongs to Buddhas alone. "Recollection of past lives" is the mindfulness by which one recollects past lives. "Knowledge" is the understanding associated with that mindfulness. Thus it is said: "for the sake of this knowledge of recollecting past lives, for the attainment, the achievement, of this very knowledge."
"Manifold": of many kinds, or brought about in many ways — the meaning is "described in detail." "Past lives": the mental continuum dwelt in, there and there, beginning with the life immediately past. "He recollects": he remembers, tracing back and back, either by way of the sequence of the aggregates, or by way of death and rebirth-linking. Now, six kinds of persons recollect this past-life experience: non-Buddhist ascetics, ordinary disciples, great disciples, chief disciples, Paccekabuddhas, and Buddhas.
Herein, non-Buddhist ascetics recollect only forty aeons, and no further. Why? Because their wisdom is weak. For their wisdom is weak, being devoid of the analytical grasp of name-and-form. Ordinary disciples recollect a hundred aeons, even a thousand aeons, on account of their strong wisdom. The eighty great disciples recollect a hundred thousand aeons. The two chief disciples recollect one incalculable period and a hundred thousand aeons. Paccekabuddhas recollect two incalculable periods and a hundred thousand aeons — for this much is the extent of their own resolve made long ago. But for Buddhas, there is no limit at all.
The explicit ranking of six kinds of rememberers by exact numerical reach turns what could have been a vague claim about spiritual attainment into something almost mathematically precise, and the stated reason for the weakest tier's limit — non-Buddhist ascetics lack the "analytical grasp of name-and-form" — quietly identifies the very same nāmarūpa-analysis this treatise devoted an entire earlier chapter to (chapter eleven's determining of the four elements) as the actual technical prerequisite separating a merely long memory from a genuinely well-founded one.
The brief, easily overlooked qualification that another's report can sometimes ground this knowledge too, "but this belongs to Buddhas alone," is a rare moment where the text acknowledges a route to knowing the past that isn't direct first-person recollection at all — testimony, in effect — while immediately restricting it so narrowly that it can't be mistaken for an easier shortcut available to ordinary meditators.
a non-Buddhist ascetic, a member of another sect — from titthaka ("ford," a place for spiritual "crossing"); here identified as the weakest of the six kinds of rememberer, limited to forty aeons for lack of nāmarūpa-analysis.
an incalculable period, an aeon beyond counting — a- (not) + saṅkhyeyya (countable); the vast unit of time used to measure the two chief disciples' and the Paccekabuddhas' recollective range, itself still finite next to a Buddha's unlimited reach.
devoid of the analytical delimitation of name-and-form — nāmarūpa (mind-and-matter) + paricchedavirahita (lacking delimitation, lacking analytical separation); the specific technical deficiency the commentary assigns to non-Buddhist ascetics' comparatively weak wisdom.
Firefly-Light to Sunlight: How Each Rememberer's Vision Differs
Having ranked the six kinds of rememberers by reach, the commentary now distinguishes them by method and by the very quality of the seeing itself. Non-Buddhist ascetics can only follow the aggregates forward in strict sequence, one life after another without skipping — like a blind man who cannot leave the stick he is following — while ordinary and great disciples can also jump directly by way of death and rebirth-linking. The two chief disciples and Paccekabuddhas dispense with sequence entirely, seeing one life's death and the very next life's rebirth directly, arrow-like, never missing or fumbling; and Buddhas need no procedure of any kind, any point in incalculable aeons being equally available to them at will. The commentary closes this comparison with two parallel sets of similes — the quality of light by which each sees, from firefly-glow up to a thousand-rayed autumn sun, and the quality of the path each walks, from a blind man's cane-tip journey up to travel along a great high road.
Titthiyā ca khandhapaṭipāṭimeva saranti, paṭipāṭiṃ muñcitvā cutipaṭisandhivasena sarituṃ na sakkonti. Tesañhi andhānaṃ viya icchitapadesokkamanaṃ natthi. Yathā pana andhā yaṭṭhiṃ amuñcitvāva gacchanti, evaṃ te khandhānaṃ paṭipāṭiṃ amuñcitvāva saranti. Pakatisāvakā khandhapaṭipāṭiyāpi anussaranti cutipaṭisandhivasenapi saṅkamanti. Tathā asītimahāsāvakā. Dvinnaṃ pana aggasāvakānaṃ khandhapaṭipāṭikiccaṃ natthi. Ekassa attabhāvassa cutiṃ disvā paṭisandhiṃ passanti, puna aparassa cutiṃ disvā paṭisandhinti evaṃ cutipaṭisandhivaseneva saṅkamantā gacchanti. Tathā paccekabuddhā.
Buddhānaṃ pana neva khandhapaṭipāṭikiccaṃ, na cutipaṭisandhivasena saṅkamanakiccaṃ atthi. Tesañhi anekāsu kappakoṭīsu heṭṭhā vā upari vā yaṃ yaṃ ṭhānaṃ icchanti, taṃ taṃ pākaṭameva hoti. Tasmā anekāpi kappakoṭiyo peyyālapāḷiṃ viya saṃkhipitvā yaṃ yaṃ icchanti, tatra tatreva okkamantā sīhokkantavasena gacchanti. Evaṃ gacchantānañca nesaṃ ñāṇaṃ yathā nāma katavālavedhaparicayassa sarabhaṅgasadisassa dhanuggahassa khitto saro antarā rukkhalatādīsu asajjamāno lakkheyeva patati, na sajjati, na virajjhati, evaṃ antarantarāsu jātīsu na sajjati, na virajjhati, asajjamānaṃ avirajjhamānaṃ icchiticchitaṭṭhānaṃyeva gaṇhāti.
Imesu ca pana pubbenivāsaṃ anussaraṇasattesu titthiyānaṃ pubbenivāsadassanaṃ khajjupanakapabhāsadisaṃ hutvā upaṭṭhāti. Pakatisāvakānaṃ dīpappabhāsadisaṃ. Mahāsāvakānaṃ ukkāpabhāsadisaṃ. Aggasāvakānaṃ osadhitārakappabhāsadisaṃ. Paccekabuddhānaṃ candappabhāsadisaṃ. Buddhānaṃ rasmisahassapaṭimaṇḍitasaradasūriyamaṇḍalasadisaṃ hutvā upaṭṭhāti.
Titthiyānañca pubbenivāsānussaraṇaṃ andhānaṃ yaṭṭhikoṭigamanaṃ viya hoti. Pakatisāvakānaṃ daṇḍakasetugamanaṃ viya. Mahāsāvakānaṃ jaṅghasetugamanaṃ viya. Aggasāvakānaṃ sakaṭasetugamanaṃ viya. Paccekabuddhānaṃ mahājaṅghamaggagamanaṃ viya. Buddhānaṃ mahāsakaṭamaggagamanaṃ viya.
Imasmiṃ pana adhikāre sāvakānaṃ pubbenivāsānussaraṇaṃ adhippetaṃ. Tena vuttaṃ "anussaratīti khandhapaṭipāṭivasena cutipaṭisandhivasena vā anugantvā anugantvā saratī"ti.
Non-Buddhist ascetics remember only by way of the sequence of the aggregates; leaving that sequence aside, they are unable to remember by way of death and rebirth-linking. For, like blind people, they have no way of stepping down at a desired point. Just as blind people go on without ever letting go of their stick, so they remember without ever letting go of the sequence of the aggregates. Ordinary disciples recollect both by way of the sequence of the aggregates and also make the transition by way of death and rebirth-linking. So too the eighty great disciples. But for the two chief disciples, there is no need for the sequence of the aggregates at all. Having seen the death of one personality, they see the rebirth-linking; then, having seen the death of yet another, the rebirth-linking again — thus they proceed, transitioning solely by way of death and rebirth-linking. So too the Paccekabuddhas.
But for Buddhas, there is neither any need for the sequence of the aggregates, nor any need to transition by way of death and rebirth-linking. For to them, in the many hundred-millions of aeons, whatever place, whether below or above, they wish for, that place simply becomes evident. Therefore, compressing the many hundred-millions of aeons as though it were an abbreviated canonical passage, they descend precisely wherever they wish, proceeding by way of a "lion's descent." And their knowledge, as they proceed in this way, is like that of an archer skilled in the practice of splitting a hair, resembling Sarabhaṅga: the arrow he shoots, never catching on any tree or creeper in between, lands exactly on the mark — it neither catches nor misses. Just so, that knowledge, moving between one birth and another, neither catches nor misses; without catching, without missing, it seizes exactly whatever place is wished for, one after another.
Now, among these beings who recollect past lives, the non-Buddhist ascetics' seeing of past lives appears like the light of a firefly. That of ordinary disciples is like lamplight. That of great disciples is like torchlight. That of the chief disciples is like the light of the morning star. That of Paccekabuddhas is like moonlight. That of Buddhas appears like the disc of the autumn sun adorned with a thousand rays.
And the non-Buddhist ascetics' recollection of past lives is like a blind person's journey holding the tip of a stick. That of ordinary disciples is like crossing on a plank bridge. That of great disciples is like crossing on a footbridge. That of the chief disciples is like crossing on a cart-bridge. That of Paccekabuddhas is like traveling a great footpath. That of Buddhas is like traveling a great cart-road.
But in this present context, it is the disciples' recollection of past lives that is intended. Hence it was said: "he recollects, tracing back and back, either by way of the sequence of the aggregates, or by way of death and rebirth-linking."
The two parallel simile-sequences — light quality and path quality — are actually tracking two distinct dimensions of the same six-way hierarchy: light measures clarity of vision (how well one sees what is recollected), while the road measures freedom of movement (how directly one can travel to any desired point in the past), and the two dimensions turn out to scale together perfectly, from a blind man's firefly-lit cane-journey up to a Buddha's high-road travel under a thousand-rayed sun.
The archer simile borrowed from the Sarabhaṅga Jātaka — an arrow that "neither catches nor misses" as it threads between trees and creepers to its mark — gives the chief disciples' and Paccekabuddhas' death-to-rebirth "leaping" method a vivid image of precision without wasted motion, in deliberate contrast to the ascetics' and ordinary disciples' plodding, sequence-bound crawl through every intervening life.
by way of a "lion's descent" — sīha (lion) + okkanta (descended, alighted) + vasena (by way of); the Buddha's unique method of landing directly and confidently on any chosen point across incalculable aeons, without traversing the intervening time at all.
a firefly, glow-worm — the dimmest of the six lights in the simile series, assigned to the non-Buddhist ascetics' comparatively weak vision of past lives.
the morning star, Venus — osadhi (medicinal, healing — an epithet of certain bright stars) + tārakā (star); the light assigned to the two chief disciples, brighter than a torch but still dimmer than the Paccekabuddhas' moonlight and the Buddhas' thousand-rayed sun.
Working Backward: From the Last Meal to the Moment of Conception
Paragraph 403 lays out the actual step-by-step method a beginner uses to recollect past lives — and it is, quite deliberately, a method of working strictly backward. Starting from the very last sitting posture just taken, the meditator reverses through the day's events in scrupulous reverse order: preparing the seat, entering the lodging, putting away bowl and robe, the meal itself, the walk back from the village, the almsround, leaving the monastery that morning, paying respects at the shrine and Bodhi tree, washing and receiving the bowl — all the way back through the previous night in its three watches. The same backward method is then repeated across ever-larger units of time — a second day, then several days, then ten days, a fortnight, a month, a year — until the meditator reaches back to the very moment of conception in this present life, and beyond it, to the moment of death in the life immediately prior. The commentary is candid that this final crossing is genuinely difficult, since the name-and-form of the previous existence has ceased without remainder, leaving that boundary point cloaked in what it calls "impenetrable darkness" — met not with discouragement, but with patient, repeated re-entry into the basis-jhāna, illustrated by the memorable simile of a strong man doggedly felling a great tree with a dulling axe, returning again and again to the forge to have it resharpened rather than ever abandoning the task.
Tasmā evamanussaritukāmena ādikammikena bhikkhunā pacchābhattaṃ piṇḍapātapaṭikkantena rahogatena paṭisallinena paṭipāṭiyā cattāri jhānāni samāpajjitvā abhiññāpādakacatutthajjhānato vuṭṭhāya sabbapacchimā nisajjā āvajjitabbā. Tato āsanapaññāpanaṃ, senāsanappavesanaṃ, pattacīvarapaṭisāmanaṃ, bhojanakālo, gāmato āgamanakālo, gāme piṇḍāya caritakālo, gāmaṃ piṇḍāya paviṭṭhakālo, vihārato nikkhamanakālo, cetiyaṅgaṇabodhiyaṅgaṇavandanakālo, pattadhovanakālo, pattapaṭiggahaṇakālo, pattapaṭiggahaṇato yāva mukhadhovanā katakiccaṃ, paccūsakāle katakiccaṃ, majjhimayāme katakiccaṃ, paṭhamayāme katakiccanti evaṃ paṭilomakkamena sakalaṃ rattindivaṃ katakiccaṃ āvajjitabbaṃ. Ettakaṃ pana pakaticittassapi pākaṭaṃ hoti. Parikammasamādhicittassa pana atipākaṭameva.
Sace panettha kiñci na pākaṭaṃ hoti, puna pādakajjhānaṃ samāpajjitvā vuṭṭhāya āvajjitabbaṃ. Ettakena dīpe jalite viya pākaṭaṃ hoti. Evaṃ paṭilomakkameneva dutiyadivasepi tatiyacatutthapañcamadivasepi dasāhepi aḍḍhamāsepi māsepi yāva saṃvaccharāpi katakiccaṃ āvajjitabbaṃ. Eteneva upāyena dasavassāni vīsativassānīti yāva imasmiṃ bhave attano paṭisandhi, tāva āvajjantena purimabhave cutikkhaṇe pavattitanāmarūpaṃ āvajjitabbaṃ. Pahoti hi paṇḍito bhikkhu paṭhamavāreneva paṭisandhiṃ ugghāṭetvā cutikkhaṇe nāmarūpamārammaṇaṃ kātuṃ.
Yasmā pana purimabhave nāmarūpaṃ asesaṃ niruddhaṃ aññaṃ uppannaṃ, tasmā taṃ ṭhānaṃ āhundarikaṃ andhatamamiva hoti duddasaṃ duppaññena. Tenāpi "na sakkomahaṃ paṭisandhiṃ ugghāṭetvā cutikkhaṇe pavattitanāmarūpamārammaṇaṃ kātu"nti dhuranikkhepo na kātabbo. Tadeva pana pādakajjhānaṃ punappunaṃ samāpajjitabbaṃ. Tato ca vuṭṭhāya vuṭṭhāya taṃ ṭhānaṃ āvajjitabbaṃ.
Evaṃ karonto hi seyyathāpi nāma balavā puriso kūṭāgārakaṇṇikatthāya mahārukkhaṃ chindanto sākhāpalāsacchedanamatteneva pharasudhārāya vipannāya mahārukkhaṃ chindituṃ asakkontopi dhuranikkhepaṃ akatvāva kammārasālaṃ gantvā tikhiṇaṃ pharasuṃ kārāpetvā puna āgantvā chindeyya, puna vipannāya ca punapi tatheva kāretvā chindeyya. So evaṃ chindanto chinnassa chinnassa puna chetabbābhāvato acchinnassa ca chedanato nacirasseva mahārukkhaṃ pāteyya, evamevaṃ pādakajjhānā vuṭṭhāya pubbe āvajjitaṃ anāvajjitvā paṭisandhimeva āvajjanto nacirasseva paṭisandhiṃ ugghāṭetvā cutikkhaṇe pavattitanāmarūpaṃ ārammaṇaṃ kareyyāti. Kaṭṭhaphālakakesohārakādīhipi ayamattho dīpetabbo.
Therefore, a beginning monk wishing to recollect in this way, having returned from his almsround after the meal, gone into solitude, and withdrawn to a secluded place, should enter each of the four jhānas in turn, and, emerging from the fourth jhāna serving as basis for direct knowledge, should advert to the very last sitting posture just taken. From there — the setting out of the seat, the entering of the lodging, the putting away of bowl and robe, the time of eating, the time of returning from the village, the time of walking for alms in the village, the time of entering the village for alms, the time of leaving the monastery, the time of paying homage at the shrine-court and the Bodhi-tree-court, the time of washing the bowl, the time of receiving the bowl, all duties done from the receiving of the bowl up to the washing of the face, duties done at the time of dawn, duties done in the middle watch, duties done in the first watch — thus, in reverse order, the deeds done throughout the whole day and night should be adverted to. This much is clear even to an ordinary mind — but to the mind of preliminary-work concentration, it is exceedingly clear.
If anything here is not clear, he should enter the basis-jhāna again, emerge, and then advert to it. By this much, it becomes clear, as though a lamp had been lit. In this same reverse order, the deeds done on the second day, and on the third, fourth, and fifth days, and over ten days, a fortnight, a month, and even a year, should be adverted to. By this same method, adverting through ten years, twenty years, and so on, up to his own rebirth-linking in this present existence, he should then advert to the name-and-form that occurred at the moment of death in the previous existence. For a wise monk is capable, on the very first attempt, of breaking through rebirth-linking and taking as object the name-and-form occurring at the moment of death.
But since, in the previous existence, name-and-form ceased without remainder and another arose, that point is, for one of weak wisdom, difficult to see, like a dense and impenetrable darkness. Even so, one should not lay down the task, thinking, "I am unable to break through rebirth-linking and take as object the name-and-form occurring at the moment of death." Rather, that same basis-jhāna should be entered again and again, and, emerging from it time after time, that point should be adverted to.
For one doing so is like a strong man who, felling a great tree in order to make the finial of a peaked roof-chamber, and, his axe-blade having become blunted by cutting nothing more than branches and leaves, finds himself unable to fell the great tree — yet, without laying down the task, goes to the smithy, has a sharp axe made, comes back, and cuts again; and, that blade having become blunted once more, has it sharpened in just the same way again, and cuts again. Cutting in this way, since what has already been cut need not be cut again, and what has not yet been cut is being cut, he would before long fell the great tree. Just so, emerging from the basis-jhāna, not adverting again to what was already adverted to before, but adverting only to the rebirth-linking itself, he would, before long, break through the rebirth-linking and take as object the name-and-form occurring at the moment of death. This same point can also be illustrated by the splitting of a block of wood, or by the drawing-out of a hair, and similar examples.
The insistence on strict reverse order is not incidental stylistic preference but the method's actual engine: each step backward is anchored to the step immediately following it in ordinary forward time, so that nothing can be skipped without breaking the chain of association the meditator is deliberately building — a structure that makes the entire method, in effect, an extremely long and rigorous exercise in autobiographical memory before it is ever extended past the boundary of the present life.
The blunted-axe simile earns its place among this text's most quietly instructive images precisely because of what it does not valorize: not raw effort applied harder to the same failing tool, but the humility to repeatedly stop, walk away to the smithy, and re-equip — patience about method, not mere doggedness, is what the simile is actually recommending to a meditator stuck at the darkness of the death-moment boundary.
reverse order, the backward method — paṭiloma (against the grain, reversed) + kkama (order, sequence); the technical name for this method's defining procedure, tracing events backward from the most recent to the most distant.
dense, impenetrable — describing the darkness that, for a meditator of weaker wisdom, obscures the exact boundary point between one life's death-moment and the next life's rebirth-linking.
laying down the burden, giving up the task — dhura (burden, responsibility) + nikkhepa (laying down, abandoning); explicitly what the meditator is instructed never to do when the death-moment boundary first proves too dark to penetrate.
Naming the Knowledge, and the Three Kinds of Buddha-Field
Having described the whole backward-tracing procedure, the commentary pauses to draw a precise technical line: everything from the last sitting posture up to the moment of rebirth-linking is not yet called "recollection of past lives" at all — it is merely preliminary-work knowledge, since it takes only this present existence as its object. Only once the meditator has broken through rebirth-linking and taken as object the name-and-form of the moment of death in the previous life does the mind-door process fire in the standard four-or-five-javana pattern already familiar from the divine ear, its culminating fourth-jhāna consciousness alone earning the name "knowledge of recollecting past lives" proper. With that technical point settled, paragraph 404 opens the chapter's long digression into cosmology proper — defining a single "birth" precisely, then introducing the two great categories of world-cycle, the contracting aeon and the expanding aeon, and the three-fold classification of "Buddha-field" (the birth-field, the command-field, and the boundless resort-field) needed to understand exactly how much of the universe is actually destroyed and reformed at each cycle's turn.
Tattha pacchimanisajjato pabhuti yāva paṭisandhito ārammaṇaṃ katvā pavattaṃ ñāṇaṃ pubbenivāsañāṇaṃ nāma na hoti. Taṃ pana parikammasamādhiñāṇaṃ nāma hoti. Atītaṃsañāṇantipi eke vadanti. Taṃ rūpāvacaraṃ sandhāya na yujjati. Yadā panassa bhikkhuno paṭisandhiṃ atikkamma cutikkhaṇe pavattitanāmarūpaṃ ārammaṇaṃ katvā manodvārāvajjanaṃ uppajjati, tasmiñca niruddhe tadevārammaṇaṃ katvā cattāri pañca vā javanāni javanti. Sesaṃ pubbe vuttanayeneva purimāni parikammādināmakāni kāmāvacarāni honti. Pacchimaṃ rūpāvacaraṃ catutthajjhānikaṃ appanācittaṃ. Tadāssa yaṃ tena cittena saha ñāṇaṃ uppajjati, idaṃ pubbenivāsānussatiñāṇaṃ nāma. Tena ñāṇena sampayuttāya satiyā anekavihitaṃ pubbenivāsaṃ anussarati. Seyyathidaṃ, ekampi jātiṃ dvepi jātiyo…pe… iti sākāraṃ sauddesaṃ anekavihitaṃ pubbenivāsaṃ anussaratīti.
Tattha ekampi jātinti ekampi paṭisandhimūlaṃ cutipariyosānaṃ ekabhavapariyāpannaṃ khandhasantānaṃ. Esa nayo dvepi jātiyotiādīsupi. Anekepi saṃvaṭṭakappetiādīsu pana parihāyamāno kappo saṃvaṭṭakappo, vaḍḍhamāno vivaṭṭakappoti veditabbo. Tattha saṃvaṭṭena saṃvaṭṭaṭṭhāyī gahito hoti, taṃmūlakattā. Vivaṭṭena ca vivaṭṭaṭṭhāyī, evañhi sati yāni tāni "cattārimāni, bhikkhave, kappassa asaṅkhyeyyāni. Katamāni cattāri? Saṃvaṭṭo, saṃvaṭṭaṭṭhāyī, vivaṭṭo, vivaṭṭaṭṭhāyīti vuttāni, tāni pariggahitāni honti.
Tattha tayo saṃvaṭṭā – āposaṃvaṭṭo, tejosaṃvaṭṭo, vāyosaṃvaṭṭoti. Tisso saṃvaṭṭasīmā – ābhassarā, subhakiṇhā, vehapphalāti. Yadā kappo tejena saṃvaṭṭati, ābhassarato heṭṭhā agginā ḍayhati. Yadā āpena saṃvaṭṭati, subhakiṇhato heṭṭhā udakena vilīyati. Yadā vāyunā saṃvaṭṭati, vehapphalato heṭṭhā vātena viddhaṃsati. Vitthārato pana sadāpi ekaṃ buddhakhettaṃ vinassati.
Buddhakhettaṃ nāma tividhaṃ hoti – jātikhettaṃ, āṇākhettaṃ, visayakhettañca. Tattha jātikhettaṃ dasasahassacakkavāḷapariyantaṃ hoti. Yaṃ tathāgatassa paṭisandhigahaṇādīsu kampati. Āṇākhettaṃ koṭisatasahassacakkavāḷapariyantaṃ, yattha ratanasuttaṃ khandhaparittaṃ dhajaggaparittaṃ āṭānāṭiyaparittaṃ moraparittanti imesaṃ parittānaṃ ānubhāvo vattati. Visayakhettaṃ anantamaparimāṇaṃ. Yaṃ "yāvatā vā pana ākaṅkheyyā"ti vuttaṃ, yattha yaṃ yaṃ tathāgato ākaṅkhati, taṃ taṃ jānāti. Evametesu tīsu buddhakhettesu ekaṃ āṇākhettaṃ vinassati. Tasmiṃ pana vinassante jātikhettampi vinaṭṭhameva hoti. Vinassantañca ekatova vinassati, saṇṭhahantampi ekato saṇṭhahati. Tassevaṃ vināso ca saṇṭhahanañca veditabbaṃ.
Herein, the knowledge that occurs, from the last sitting posture up to rebirth-linking, taking that as its object, is not yet called "knowledge of recollecting past lives" — it is called "knowledge of preliminary-work concentration." Some call it "knowledge of the past portion," but this does not fit, with reference to its being of the fine-material sphere. But when, for that monk, having broken through rebirth-linking, a mind-door adverting arises taking as object the name-and-form occurring at the moment of death, and, when that has ceased, four or five javana-moments run their course taking that same object — the rest is as stated before: the earlier ones, called preliminary work and so on, are of the sense sphere, while the last is the absorption-consciousness of the fine-material sphere, pertaining to the fourth jhāna. Then, the knowledge that arises together with that consciousness is called "knowledge of recollecting past lives." By the mindfulness associated with that knowledge, one recollects manifold past lives — that is: one life, two lives ... thus he recollects manifold past lives, with their modes and details.
Herein, "even one life" means even one continuum of aggregates, rooted in a single rebirth-linking, ending in death, comprised within a single existence. The same method applies to "even two lives" and so on. As for "even many contracting aeons" and so on: a diminishing aeon should be understood as a "contracting aeon," an expanding one as an "expanding aeon." Herein, by "contraction" is meant also "the state of standing-contracted," since the latter is rooted in the former. And by "expansion" is meant also "the state of standing-expanded" — for, this being so, those four things stated as "these, monks, are the four incalculable periods of an aeon. What four? Contraction, the state of standing-contracted, expansion, and the state of standing-expanded" are thereby all accounted for.
Herein, there are three kinds of contraction: contraction by water, contraction by fire, contraction by wind. There are three boundaries of contraction: the Ābhassara, the Subhakiṇha, and the Vehapphala. When an aeon contracts by fire, everything below the Ābhassara is burned by fire. When it contracts by water, everything below the Subhakiṇha is dissolved by water. When it contracts by wind, everything below the Vehapphala is destroyed by wind. In extent, however, it is always just one Buddha-field that is destroyed at a time.
Now, a "Buddha-field" is of three kinds: the birth-field, the command-field, and the resort-field. Herein, the birth-field extends as far as ten thousand world-systems — this is what trembles at the Tathāgata's conception and the like. The command-field extends as far as a hundred thousand million world-systems, the range within which the power of such protective discourses as the Ratana Sutta, the Khandha Protection, the Dhajagga Protection, the Āṭānāṭiya Protection, and the Peacock Protection operates. The resort-field is boundless, without limit — it is what is meant by "or indeed, as far as he might wish"; within it, whatever the Tathāgata wishes to know, that he knows. Now, among these three Buddha-fields, it is one command-field that is destroyed. And when that is destroyed, the birth-field too is thereby destroyed. And what is destroyed is destroyed all together, and what is re-formed is re-formed all together. In this way should its destruction and re-formation be understood.
The careful technical distinction between "preliminary-work knowledge" and genuine "recollection of past lives" mirrors exactly the same structural move made throughout chapter twelve for the power of resolve: an elaborate, effortful preparatory phase is deliberately not credited with the power's actual name, which is reserved strictly for the single moment the fourth-jhāna consciousness itself arises — a recurring insistence throughout this treatise that a power's name tracks a precise causal event, not the surrounding effort that makes that event possible.
The three-fold Buddha-field classification quietly resolves what could otherwise look like a scale contradiction in Buddhist cosmology: the "boundless resort-field" affirms a Buddha's knowledge is genuinely unlimited, while the much smaller "command-field" (still an almost incomprehensibly vast hundred thousand million world-systems) is what actually gets destroyed and reformed at each cosmic cycle — an unlimited knowing capacity coexisting perfectly well with a finite, cyclically renewed physical domain.
contraction and expansion — the two halves of the great cosmic cycle, saṃvaṭṭa (the aeon's destruction and dissolution) and vivaṭṭa (its re-formation and growth), each further divided into an active phase and a subsequent "standing" phase.
a Buddha-field — buddha + khetta (field, domain); classified here into three concentric scopes of vastly different size: the birth-field, the command-field, and the unlimited resort-field.
a protective discourse, a safeguard-text — here naming five specific canonical suttas (the Ratana, Khandha, Dhajagga, Āṭānāṭiya, and Mora protections) whose protective power is said to operate throughout the entire command-field.
The Long Drought and the Weeping Messenger-Gods
Paragraph 405 opens the treatise's full narrative account of a world destroyed by fire, beginning long before any actual burning starts. The first sign is agricultural rather than cosmic: an initially promising great rainfall, followed by a drought so complete that not a single further drop falls for what the Buddha himself describes, in the Sevens Discourse, as many hundreds of thousands of years, until every water-dependent being and deity has died and been reborn in the Brahmā-world purely by virtue of jhāna attained there. The commentary pauses to address an obvious objection — how can beings crippled by famine or naturally incapable of jhāna possibly be reborn among the Brahmās at all? — and answers that the necessary jhāna is itself attained only after death, in the deva-world, through kasiṇa practice on the very wind-element responsible for keeping the world's collapsing sun-scorched water aloft. Once the drought's warning has fully run its course, a class of dishevelled, weeping messenger-deities appears across the human world, urging universal loving-kindness and filial devotion as the only fitting response to the coming end, before the account turns to the successive appearance of a second, third, fourth, fifth, sixth, and finally seventh sun, each one drying up progressively larger bodies of water — rivers, then the seven great Himalayan lakes, then the ocean itself — until, with the seventh sun's appearance, every world-system alike is engulfed in flame reaching all the way up to the first-jhāna Brahmā-worlds.
Yasmiṃ hi samaye kappo agginā nassati, āditova kappavināsakamahāmegho vuṭṭhahitvā koṭisatasahassacakkavāḷe ekaṃ mahāvassaṃ vassati. Manussā tuṭṭhahaṭṭhā sabbabījāni nīharitvā vapanti. Sassesu pana gokhāyitakamattesu jātesu gadrabharavaṃ ravanto ekabindumpi na vassati, tadā pacchinnaṃ pacchinnameva vassaṃ hoti. Idaṃ sandhāya hi bhagavatā "hoti kho so, bhikkhave, samayo yaṃ bahūni vassāni bahūni vassasatāni bahūni vassasahassāni bahūni vassasatasahassāni devo na vassatī"ti vuttaṃ. Vassūpajīvino sattā kālaṅkatvā brahmaloke nibbattanti, pupphaphalūpajīviniyo ca devatā. Evaṃ dīghe addhāne vītivatte tattha tattha udakaṃ parikkhayaṃ gacchati, athānupubbena macchakacchapāpi kālaṅkatvā brahmaloke nibbattanti, nerayikasattāpi. Tattha nerayikā sattamasūriyapātubhāve vinassantīti eke.
Jhānaṃ vinā natthi brahmaloke nibbatti, etesañca keci dubbhikkhapīḷitā keci abhabbā jhānādhigamāya, te kathaṃ tattha nibbattantīti. Devaloke paṭiladdhajjhānavasena. Tadā hi "vassasatasahassassaccayena kappuṭṭhānaṃ bhavissatī"ti lokabyūhā nāma kāmāvacaradevā muttasirā vikiṇṇakesā rudamukhā assūni hatthehi puñchamānā rattavatthanivatthā ativiya virūpavesadhārino hutvā manussapathe vicarantā evaṃ ārocenti "mārisā ito vassasatasahassassaccayena kappavuṭṭhānaṃ bhavissati, ayaṃ loko vinassissati, mahāsamuddopi ussussissati, ayañca mahāpathavī sineru ca pabbatarājā uddayhissanti vinassissanti. Yāva brahmalokā lokavināso bhavissati. Mettaṃ mārisā bhāvetha, karuṇaṃ, muditaṃ, upekkhaṃ mārisā bhāvetha, mātaraṃ upaṭṭhahatha, pitaraṃ upaṭṭhahatha, kule jeṭṭhāpacāyino hothā"ti.
Tesaṃ vacanaṃ sutvā yebhuyyena manussā ca bhummadevatā ca saṃvegajātā aññamaññaṃ muducittā hutvā mettādīni puññāni karitvā devaloke nibbattanti. Tattha dibbasudhābhojanaṃ bhuñjitvā vāyokasiṇe parikammaṃ katvā jhānaṃ paṭilabhanti. Tadaññe pana aparāpariyavedanīyena kammena devaloke nibbattanti. Aparāpariyavedanīyakammarahito hi saṃsāre saṃsaramāno satto nāma natthi. Tepi tattha tatheva jhānaṃ paṭilabhanti. Evaṃ devaloke paṭiladdhajjhānavasena sabbepi brahmaloke nibbattantīti.
Vassūpacchedato pana uddhaṃ dīghassa addhuno accayena dutiyo sūriyo pātubhavati. Vuttampi cetaṃ bhagavatā "hoti kho so, bhikkhave, samayo"ti sattasūriyaṃ vitthāretabbaṃ. Pātubhūte ca pana tasmiṃ neva rattiparicchedo, na divāparicchedo paññāyati. Eko sūriyo uṭṭheti, eko atthaṃ gacchati. Avicchinnasūriyasantāpova loko hoti. Yathā ca pakatisūriye sūriyadevaputto hoti, evaṃ kappavināsakasūriye natthi. Tattha pakatisūriye vattamāne ākāse valāhakāpi dhūmasikhāpi caranti. Kappavināsakasūriye vattamāne vigatadhūmavalāhakaṃ ādāsamaṇḍalaṃ viya nimmalaṃ nabhaṃ hoti. Ṭhapetvā pañca mahānadiyo sesakunnadīādīsu udakaṃ sussati.
Tatopi dīghassa addhuno accayena tatiyo sūriyo pātubhavati. Yassa pātubhāvā mahānadiyopi sussanti. Tatopi dīghassa addhuno accayena catuttho sūriyo pātubhavati. Yassa pātubhāvā himavati mahānadīnaṃ pabhavā "sīhapapāto haṃsapātano kaṇṇamuṇḍako rathakāradaho anotattadaho chaddantadaho kuṇāladaho"ti ime satta mahāsarā sussanti. Tatopi dīghassa addhuno accayena pañcamo sūriyo pātubhavati. Yassa pātubhāvā anupubbena mahāsamudde aṅgulipabbatemanamattampi udakaṃ na saṇṭhāti. Tatopi dīghassa addhuno accayena chaṭṭho sūriyo pātubhavati. Yassa pātubhāvā sakalacakkavāḷaṃ ekadhūmaṃ hoti. Pariyādiṇṇasinehaṃ dhūmena. Yathā cidaṃ, evaṃ koṭisatasahassacakkavāḷānipi. Tatopi dīghassa addhuno accayena sattamo sūriyo pātubhavati. Yassa pātubhāvā sakalacakkavāḷaṃ ekajālaṃ hoti saddhiṃ koṭisatasahassacakkavāḷehi. Yojanasatikādibhedāni sinerukūṭānipi palujjitvā ākāseyeva antaradhāyanti. Sā aggijālā uṭṭhahitvā cātumahārājike gaṇhāti. Tattha kanakavimānaratanavimānamaṇivimānāni jhāpetvā tāvatiṃsabhavanaṃ gaṇhāti. Eteneva upāyena yāva paṭhamajjhānabhūmiṃ gaṇhāti. Tattha tayopi brahmaloke jhāpetvā ābhassare āhacca tiṭṭhati. Sā yāva aṇumattampi saṅkhāragataṃ atthi, tāva na nibbāyati. Sabbasaṅkhāraparikkhayā pana sappitelajhāpanaggisikhā viya chārikampi anavasesetvā nibbāyati. Heṭṭhāākāsena saha upariākāso eko hoti mahandhakāro.
For at the time when an aeon is destroyed by fire, first of all, an aeon-destroying great cloud rises up and pours down one great rain over a hundred thousand million world-systems. People, delighted, take out every kind of seed and sow them. But when the crops have grown to just the size that cattle can graze on, then, braying like a donkey, not even a single drop falls — from that time, the rain is cut off entirely. It is with reference to this that the Blessed One said: "There comes a time, monks, when for many years, many hundreds of years, many thousands of years, many hundreds of thousands of years, the sky does not rain." Beings dependent on rain die and are reborn in the Brahmā-world, as are the deities that depend on flowers and fruit. As this long span of time passes in this way, water everywhere gradually runs out; then, in due course, even fish and turtles die and are reborn in the Brahmā-world, as do the beings in hell. Some say that the hell-beings perish only at the appearance of the seventh sun.
But there is no rebirth in the Brahmā-world without jhāna — and some of these beings are afflicted by famine, others simply incapable of attaining jhāna at all; how, then, are they reborn there? By virtue of jhāna attained in the deva-world. For at that time, thinking, "at the end of a hundred thousand years, the arising of the aeon's end will occur," deities of the sense sphere called Lokabyūhā, with hair unbound and disheveled, weeping, wiping away their tears with their hands, clad in red garments, appearing in an exceedingly disfigured guise, wander throughout the human world, making this announcement: "Good sirs, at the end of a hundred thousand years from now, the end of the aeon will occur. This world will be destroyed. The great ocean itself will dry up. This great earth, and Sineru the king of mountains, will burn and be destroyed. The destruction of the world will reach as far as the Brahmā-world. Develop loving-kindness, good sirs; develop compassion, sympathetic joy, and equanimity, good sirs. Attend upon your mother, attend upon your father; honor the elders of your clan."
Hearing their words, the majority of human beings and earth-bound deities, moved to a sense of urgency, becoming tender-hearted toward one another, perform such meritorious deeds as loving-kindness, and are reborn in the deva-world. There, having eaten divine ambrosial food, and having done the preliminary work on the wind-kasiṇa, they attain jhāna. Others still are reborn in the deva-world by virtue of kamma to be experienced at some indefinite future time — for there is no being at all, wandering on in the round of rebirth, devoid of kamma to be experienced at an indefinite future time. They too attain jhāna there in that same way. Thus, all of them, by virtue of jhāna attained in the deva-world, are reborn in the Brahmā-world.
But after the cutting-off of the rain, at the end of a long span of time, a second sun appears. This too was spoken of by the Blessed One: "There comes a time, monks..." — the discourse on the seven suns should be given in full. And when it has appeared, neither the boundary of night nor of day is discerned; one sun rises, another sets — the world is under the unbroken heat of the sun. And just as with the ordinary sun there is a sun-deity, so with the aeon-destroying sun there is none. When the ordinary sun is present, clouds and wisps of smoke still move across the sky; but when the aeon-destroying sun is present, the sky is stainless, like the disc of a mirror, free of cloud and smoke. Apart from the five great rivers, the water in the remaining lesser rivers and so on dries up.
Then, at the end of a further long span of time, a third sun appears, at whose appearance even the great rivers dry up. Then, at the end of a further long span, a fourth sun appears, at whose appearance the seven great lakes that are the source of the great Himalayan rivers — Sīhapapāta, Haṃsapātana, Kaṇṇamuṇḍaka, Rathakāra, Anotatta, Chaddanta, and Kuṇāla — dry up. Then, at the end of a further long span, a fifth sun appears, at whose appearance the water in the great ocean gradually recedes until not even enough remains to wet a finger-joint. Then, at the end of a further long span, a sixth sun appears, at whose appearance the entire world-system becomes a single mass of smoke, its moisture entirely consumed by smoke — and just as with this world-system, so too with the hundred thousand million world-systems. Then, at the end of a further long span, a seventh sun appears, at whose appearance the entire world-system, together with the hundred thousand million world-systems, becomes a single mass of flame. The peaks of Sineru, though a hundred leagues and more in height, crumble and vanish into the very sky. That fire-blaze, rising up, seizes the realm of the Four Great Kings; there, having burned up the golden mansions, the jeweled mansions, and the gem mansions, it seizes the Tāvatiṃsa realm. By this same method, it seizes up to the first-jhāna plane; there, having burned up all three Brahmā-worlds as well, it comes to rest, having reached the Ābhassara realm. As long as even the slightest trace of conditioned phenomena remains, it does not go out. But with the complete exhaustion of all conditioned phenomena, like a flame burning up ghee and oil, it goes out without leaving even ash behind. The space below and the space above become one, a single great darkness.
The commentary's answer to its own objection — how can famine-crippled or jhāna-incapable beings reach the Brahmā-world when rebirth there strictly requires jhāna — is a small masterclass in this tradition's careful causal bookkeeping: rather than softening the strict rule, it simply relocates the necessary jhāna's attainment to an intermediate deva-world existence, reached first by ordinary merit or by ripening long-dormant kamma, so that the Brahmā-world's own entry requirement remains completely intact for absolutely everyone who arrives there.
The weeping Lokabyūhā deities are a genuinely unusual figure in this literature: messengers of catastrophe who appear not triumphant or threatening but visibly grieving, disheveled, and in tears — their own emotional state modeling exactly the response (saṃvega, a shaken sense of urgency) they are trying to provoke in their human audience, and their closing advice is strikingly ordinary and domestic (attend to your parents, honor your elders) rather than esoteric, grounding the coming end of a universe in the most basic, everyday ethical relationships.
a shaken sense of urgency, spiritual agitation — the specific emotional response the Lokabyūhā deities' announcement produces in the majority of human beings and earth-deities, driving them to sudden merit-making.
kamma to be experienced at an indefinite future time — apara-apariya (further, later) + vedanīya (to be experienced) + kamma (action); the category of kamma the commentary invokes to explain how even beings without prior merit-making still end up reborn in the deva-world before the great fire.
one of the seven great Himalayan lakes said to be the source of the major rivers — its drying-up at the fourth sun's appearance marks one of the successive, escalating stages of the great drought preceding total conflagration.
The World Reforms: Savor-Earth, and the Loss of Self-Luminescence
Paragraph 406 turns from destruction to re-formation. After the long darkness, a new great cloud rises and begins to rain, at first in the finest possible drops, then in ever-thicker streams — compared to a bamboo stalk, a pestle, a palm-trunk — steadily filling every scorched world-system before finally vanishing, at which point wind, working both from below and from the sides, compresses the accumulated water the way it might round a single drop into a ball on a lotus leaf, letting it gradually subside until Brahmā-worlds and deva-worlds alike reappear at their proper heights within it. As the water recedes past the level of the former earth, a fragrant "savor-earth" (rasapathavī) forms on its surface, resembling the skin that forms on cooling rice-milk — and it is precisely this savor-earth that draws down the first inhabitants of the newly re-formed world: self-luminous, sky-flying beings from the Ābhassara Brahmā-world, whose lifespan or merit there has simply run out. Tasting the savor-earth out of craving, exactly as the Aggañña Sutta describes, these beings lose their own self-luminescence the very moment greed takes hold, plunging the new world into darkness and terror — until the sun and moon themselves are called into being, quite literally named "sun" and "moon" by the very beings whose fear and longing conjured them into appearing.
Atha dīghassa addhuno accayena mahāmegho uṭṭhahitvā paṭhamaṃ sukhumaṃ sukhumaṃ vassati. Anupubbena kumudanāḷayaṭṭhimusalatālakkhandhādippamāṇāhi dhārāhi vassanto koṭisatasahassacakkavāḷesu sabbaṃ daḍḍhaṭṭhānaṃ pūretvā antaradhāyati. Taṃ udakaṃ heṭṭhā ca tiriyañca vāto samuṭṭhahitvā ghanaṃ karoti parivaṭumaṃ paduminipatte udakabindusadisaṃ. Kathaṃ tāva mahantaṃ udakarāsiṃ ghanaṃ karotīti ce? Vivarasampadānato. Tañhissa tamhi tamhi vivaraṃ deti. Taṃ evaṃ vātena sampiṇḍiyamānaṃ ghanaṃ kariyamānaṃ parikkhayamānaṃ anupubbena heṭṭhā otarati. Otiṇṇe otiṇṇe udake brahmalokaṭṭhāne brahmalokā, upari catukāmāvacaradevalokaṭṭhāne ca devalokā pātubhavanti.
Purimapathaviṭṭhānaṃ otiṇṇe pana balavavātā uppajjanti. Te taṃ pihitadvāre dhamakaraṇe ṭhitaudakamiva nirassāsaṃ katvā rundhanti. Madhurodakaṃ parikkhayaṃ gacchamānaṃ upari rasapathaviṃ samuṭṭhāpeti. Sā vaṇṇasampannā ceva hoti gandharasasampannā ca nirudakapāyāsassa upari paṭalaṃ viya.
Tadā ca ābhassarabrahmaloke paṭhamatarābhinibbattā sattā āyukkhayā vā puññakkhayā vā tato cavitvā idhūpapajjanti. Te honti sayaṃpabhā antalikkhacarā. Te aggaññasutte vuttanayena taṃ rasapathaviṃ sāyitvā taṇhābhibhūtā āluppakārakaṃ paribhuñjituṃ upakkamanti. Atha nesaṃ sayaṃpabhā antaradhāyati, andhakāro hoti. Te andhakāraṃ disvā bhāyanti.
Tato nesaṃ bhayaṃ nāsetvā sūrabhāvaṃ janayantaṃ paripuṇṇapaṇṇāsayojanaṃ sūriyamaṇḍalaṃ pātubhavati, te taṃ disvā "ālokaṃ paṭilabhimhā"ti haṭṭhatuṭṭhā hutvā "amhākaṃ bhītānaṃ bhayaṃ nāsetvā sūrabhāvaṃ janayanto uṭṭhito, tasmā 'sūriyo hotū'"ti sūriyotvevassa nāmaṃ karonti.
Atha sūriye divasaṃ ālokaṃ katvā atthaṅgate yampi ālokaṃ labhimhā, sopi no naṭṭhoti puna bhītā honti. Tesaṃ evaṃ hoti "sādhu vatassa sace aññaṃ ālokaṃ labheyyāmā"ti. Tesaṃ cittaṃ ñatvā viya ekūnapaṇṇāsayojanaṃ candamaṇḍalaṃ pātubhavati. Te taṃ disvā bhiyyoso mattāya haṭṭhatuṭṭhā hutvā "amhākaṃ chandaṃ ñatvā viya uṭṭhito, tasmā cando hotū"ti candotvevassa nāmaṃ karonti. Evaṃ candimasūriyesu pātubhūtesu nakkhattāni tārakarūpāni pātubhavanti.
Then, at the end of a long span of time, a great cloud rises up and, at first, rains down in the finest possible drops. Gradually, raining in streams the size of lotus-stalks, pestles, and palm-trunks, it fills every scorched place across the hundred thousand million world-systems, and then vanishes. Wind, arising both from below and from the sides, makes that water dense and round, like a drop of water on a lotus leaf. How, one might ask, does it make so great a mass of water dense? By giving it, here and there, an opening to escape through. That water, being thus compressed by the wind, made dense, and diminishing, gradually descends. As it descends further and further, Brahmā-worlds appear at the level of the Brahmā-world, and, above, deva-worlds appear at the level of the four sense-sphere deva-realms.
But when it has descended to the level of the former earth, powerful winds arise. These hold it back, motionless, the way water held in a closed-mouth water-strainer is held without any outflow. That sweet water, as it gradually diminishes, gives rise, on its surface, to a savor-earth. This is endowed with color and with fragrance and flavor, like the skin that forms on the surface of rice-milk cooked without water added.
At that time, beings who had earlier been reborn in the Ābhassara Brahmā-world, their lifespan or their merit exhausted, pass away from there and are reborn here. They are self-luminous and move through the sky. They, in the manner described in the Aggañña Sutta, taste that savor-earth, and, overcome by craving, set about consuming it greedily by the handful. Then their self-luminescence vanishes, and there is darkness. Seeing the darkness, they become afraid.
Then, dispelling their fear and producing a sense of courage, a sun-disc, fully fifty leagues across, appears. Seeing it, they are delighted and glad, thinking, "we have regained light," and they say, "having dispelled the fear of us who were afraid, and having produced a sense of courage, it has arisen — therefore, let it be 'the sun'"; and so they give it the name "sun."
Then, when the sun, having given light for the day, sets, they become afraid once more, thinking, "even the light we had gained, that too is lost to us." It occurs to them, "how good it would be if we could obtain another light." As though knowing their thought, a moon-disc, forty-nine leagues across, appears. Seeing it, delighted and glad to an even greater degree, they say, "as though knowing our wish, it has arisen — therefore, let it be 'the moon'"; and so they give it the name "moon." Thus, when the sun and moon have appeared, the constellations and the forms of the stars appear as well.
The naming of the sun and moon is a small etiological myth folded directly into the cosmological account, and its logic is worth noticing: both names are acts of grateful naming by frightened beings responding to relief from fear, not descriptions of any inherent property of the object itself — the sun is "sun" because it dispelled fear and produced courage, exactly as a person might be named for a quality first noticed at their birth, making language itself, in this account, born out of an emotional response to darkness and its remedy.
The self-luminous Ābhassara beings' loss of their own light at the exact moment they act on craving draws a quietly severe moral equation: greed does not merely fail to obtain what it wants, it actively extinguishes a prior good already possessed — the very same beings who could light their own way through the sky lose that capacity the instant they grasp at something else instead.
the "savor-earth" — rasa (flavor, essence) + pathavī (earth); the fragrant, richly flavored skin-like layer that forms on the surface of the newly settled primordial waters, the first food available in the re-formed world.
self-luminous, radiant by one's own light — sayaṃ (by oneself) + pabhā (light, radiance); the defining characteristic of the Ābhassara beings before their fateful taste of the savor-earth, lost the instant craving takes hold.
the "Discourse on Beginnings," Dīgha Nikāya 27 — the canonical source this whole passage draws on and cross-references directly, an origin-narrative for the physical world and for human social and political institutions alike.
Bubbling Porridge: How Mountains, Oceans, and Continents Take Shape
The narrative continues with a homely but exact simile for how the world's basic geography first takes form: exactly as bubbles rise unevenly across the surface of millet porridge as it cooks, some patches heaping up, others sinking, others staying level, so too the newly settled earth takes shape unevenly wherever it happens to sit — the heaped-up patches becoming mountains, the sunken patches becoming oceans, the level patches becoming continents. And this geographic settling, the text specifies, occurs on one single day above all others: the full-moon day of the month of Phagguṇa, never earlier and never later, so that Sineru, the surrounding world-ring, and the Himalayas all spring into being on that same appointed date, every single time a world reforms.
Tato pabhuti rattindivā paññāyanti, anukkamena ca māsaddhamāsautusaṃvaccharā. Candimasūriyānaṃ pana pātubhūtadivaseyeva sinerucakkavāḷahimavantapabbatā pātubhavanti. Te ca kho apubbaṃ acarimaṃ phagguṇapuṇṇamadivaseyeva pātubhavanti. Kathaṃ? Yathā nāma kaṅgubhatte paccamāne ekappahāreneva pupphuḷakāni uṭṭhahanti. Eke padesā thūpathūpā honti, eke ninnaninnā, eke samasamā. Evamevaṃ thūpathūpaṭṭhāne pabbatā honti, ninnaninnaṭṭhāne samuddā, samasamaṭṭhāne dīpāti.
From then on, night and day become distinguishable, and in due course, months, half-months, seasons, and years. But it is on the very day the sun and moon appear that Mount Sineru, the ring of the world-system, and the Himalayan mountains appear as well. And they appear neither earlier nor later than this — precisely on the full-moon day of the month of Phagguṇa. How so? It is just as, when millet-porridge is being cooked, bubbles arise all at once across its surface: certain patches become heaped up, certain patches become depressed, certain patches remain level. In just the same way, mountains form where the ground is heaped up, oceans where it is depressed, and continents where it remains level.
The precision of naming an exact calendar date — the full-moon day of Phagguṇa — for a cosmogonic event of this scale is a distinctive feature of this cosmology's style throughout: even at the grandest possible scale of world-formation, the text insists on the same specificity of date, measurement, and named location it uses for the most ordinary monastic events, refusing to let scale become an excuse for vagueness.
The porridge-bubble simile is disarmingly domestic for the subject it illustrates: a phenomenon of literally cosmic proportions (why is the earth's surface uneven at all, forming mountains here and ocean basins there) is explained by pointing to something any listener could have watched happen in their own cooking pot that very morning, exemplifying this text's recurring commitment to grounding even its most extraordinary claims in observable, everyday experience.
the lunar month roughly corresponding to February–March — named here as the fixed, unchanging calendar date on which Sineru, the world-ring, and the Himalayas appear at the start of every re-formed world-cycle.
millet-porridge — kaṅgu (millet) + bhatta (cooked food, rice); the everyday cooking simile chosen to illustrate the uneven rising and settling that produces mountains, oceans, and continents alike.
a bubble, a swelling — the specific term for the bubbles rising unevenly across porridge as it cooks, mapped directly onto the heaped, sunken, and level patches of the newly re-formed earth's surface.
Pride, Loss, and Hoarding: The Descent Into Ordinary Human Life
The narrative now traces a repeating pattern of pride and loss across four successive food-sources, each one coarser and less immediately edible than the last. The beings feeding on the fragrant savor-earth develop different degrees of complexion depending on how much they eat; those with better complexion come to despise the others, and precisely this contempt causes the savor-earth itself to vanish, replaced by a coarser "earth-crust." The same cycle of pride and loss repeats with the earth-crust, replaced by a spreading creeper, and again with the creeper, finally giving way to a wild, self-propagating rice needing no cultivation at all — husked, fragrant, and pure. Only with this rice does the narrative turn from diet to anatomy and society in quick succession: cooking pots that need no fire, the eventual appearance of distinguishing male and female organs, obsessive mutual staring, sexual desire, intercourse condemned by onlookers, houses built to hide the act, hoarding by a lazy individual that causes rice to stop regenerating on its own, boundary-marking of fields, theft, denial, and finally physical punishment — until society itself, exhausted by escalating conflict, invents government by mutual agreement, electing a "Great Elect" (mahāsammata) who is none other than the future Buddha in a former life, the very first bodhisatta among the newly formed khattiya caste from which the brahmin and other castes subsequently branch off.
Atha tesaṃ sattānaṃ rasapathaviṃ paribhuñjantānaṃ kamena ekacce vaṇṇavanto, ekacce dubbaṇṇā honti. Tattha vaṇṇavanto dubbaṇṇe atimaññanti. Tesaṃ atimānapaccayā sāpi rasapathavī antaradhāyati. Bhūmipappaṭako pātubhavati. Atha nesaṃ teneva nayena sopi antaradhāyati. Padālatā pātubhavati. Teneva nayena sāpi antaradhāyati. Akaṭṭhapāko sāli pātubhavati akaṇo athuso suddho sugandho taṇḍulapphalo.
Tato nesaṃ bhājanāni uppajjanti. Te sāliṃ bhājane ṭhapetvā pāsāṇapiṭṭhiyā ṭhapenti, sayameva jālasikhā uṭṭhahitvā taṃ pacati. So hoti odano sumanajātipupphasadiso, na tassa sūpena vā byañjanena vā karaṇīyaṃ atthi. Yaṃ yaṃ rasaṃ bhuñjitukāmā honti, taṃ taṃ rasova hoti. Tesaṃ taṃ oḷārikaṃ āhāraṃ āharayataṃ tato pabhuti muttakarīsaṃ sañjāyati. Atha nesaṃ tassa nikkhamanatthāya vaṇamukhāni pabhijjanti, purisassa purisabhāvo, itthiyāpi itthibhāvo pātubhavati.
Tatra sudaṃ itthī purisaṃ, puriso ca itthiṃ ativelaṃ upanijjhāyati. Tesaṃ ativelaṃ upanijjhāyanapaccayā kāmapariḷāho uppajjati. Tato methunadhammaṃ paṭisevanti. Te asaddhammapaṭisevanapaccayā viññūhi garahiyamānā viheṭhiyamānā tassa asaddhammassa paṭicchādanahetu agārāni karonti. Te agāraṃ ajjhāvasamānā anukkamena aññatarassa alasajātikassa sattassa diṭṭhānugatiṃ āpajjantā sannidhiṃ karonti. Tato pabhuti kaṇopi thusopi taṇḍulaṃ pariyonandhati, lāyitaṭṭhānampi na paṭivirūhati.
Te sannipatitvā anutthunanti "pāpakā vata bho dhammā sattesu pātubhūtā, mayaṃ hi pubbe manomayā ahumhā"ti aggaññasutte vuttanayena vitthāretabbaṃ. Tato mariyādaṃ ṭhapenti. Atha aññataro satto aññassa bhāgaṃ adinnaṃ ādiyati. Taṃ dvikkhattuṃ paribhāsetvā tatiyavāre pāṇileṭṭudaṇḍehi paharanti. Te evaṃ adinnādānagarahamusāvādadaṇḍādānesu uppannesu sannipatitvā cintayanti "yaṃnūna mayaṃ ekaṃ sattaṃ sammanneyyāma, yo no sammā khīyitabbaṃ khīyeyya, garahitabbaṃ garaheyya, pabbājetabbaṃ pabbājeyya, mayaṃ panassa sālīnaṃ bhāgaṃ anuppadassāmā"ti.
Evaṃ katasanniṭṭhānesu pana sattesu imasmiṃ tāva kappe ayameva bhagavā bodhisattabhūto tena samayena tesu sattesu abhirūpataro ca dassanīyataro ca mahesakkhataro ca buddhisampanno paṭibalo niggahapaggahaṃ kātuṃ. Te taṃ upasaṅkamitvā yācitvā sammanniṃsu. So tena mahājanena sammatoti mahāsammato, khettānaṃ adhipatīti khattiyo, dhammena samena pare rañjetīti rājāti tīhi nāmehi paññāyittha. Yañhi loke acchariyaṭṭhānaṃ, bodhisattova tattha ādipurisoti evaṃ bodhisattaṃ ādiṃ katvā khattiyamaṇḍale saṇṭhite anupubbena brāhmaṇādayopi vaṇṇā saṇṭhahiṃsu.
Then, as these beings feed on the savor-earth, in due course some become endowed with good complexion, others of poor complexion. Among these, those of good complexion come to despise those of poor complexion. On account of their conceit, that savor-earth itself vanishes. An earth-crust appears. Then, by that same pattern, this too vanishes. A spreading creeper appears. By that same pattern, this too vanishes. Self-propagating rice appears — huskless, chaffless, pure, fragrant, and yielding grain.
Then vessels arise for them. They put the rice into a vessel and set it upon the surface of a rock; a flame rises up by itself and cooks it. That boiled rice becomes like a jasmine blossom, and it needs no curry or condiment at all — whatever flavor they wish to eat, that very flavor it becomes. As they consume this coarse food, from that time excrement and urine come to be produced in them. Then wound-openings burst forth for their elimination, and the state of manhood appears in the man, and the state of womanhood in the woman.
Then, indeed, the woman gazes overlong upon the man, and the man upon the woman. On account of their overlong gazing, sensual fever arises in them. Then they engage in sexual intercourse. Being reproached and troubled by the wise on account of this indulgence in an unrighteous practice, they build houses for the purpose of concealing that unrighteous act. Dwelling in a house, in due course, following the example set by a certain lazy-natured being, they begin to hoard provisions. From that time, bran and husk come to enclose the rice-grain, and what has been reaped no longer grows again on its own.
Gathering together, they lament: "Evil states, indeed, sirs, have appeared among beings — for we were formerly mind-made" — this should be given in full detail in the manner stated in the Aggañña Sutta. Then they establish boundary-marks. Then a certain being takes, without its being given, another's share. Having been rebuked twice, on the third occasion they strike him with hand, clod, or stick. Thus, when taking what is not given, reproach, false speech, and the taking up of the stick have arisen, they gather together and think: "suppose we were to appoint one being who, on our behalf, would properly rebuke whoever should be rebuked, properly reproach whoever should be reproached, properly banish whoever should be banished — and we, in turn, would grant him a share of our rice."
Now, among beings who had thus come to this resolution, it was this very Blessed One, in this present aeon, then existing as a bodhisatta, who was, at that time, among those beings, the more handsome, the more comely to look upon, the more majestic, and endowed with wisdom, capable of restraint and encouragement alike. They approached him, requested him, and appointed him. He became known by three names: "the Great Elect" (Mahāsammata), because he was elected by the great body of the people; "the Lord of the Fields" (Khattiya), because he was lord over the fields; and "the King" (Rājā), because he delighted others fairly, by righteous means. For whatever is a wondrous matter in the world, the bodhisatta is always the first person in it — thus, with the bodhisatta established first in the circle of nobles, in due course the brahmin and other classes were established as well.
The recurring three-beat pattern — a food source appears, pride or greed toward it develops, that very pride causes it to vanish and be replaced by something coarser — repeats four full times (savor-earth, earth-crust, creeper, wild rice's own eventual husking) before the narrative even reaches sexuality or property, making unmistakably clear that this text locates the root cause of humanity's entire physical and social condition in a single recurring moral failure, not four separate unrelated declines.
The account of government's origin is remarkable for grounding political authority in nothing more exalted than a practical, mutually agreed solution to an escalating cycle of theft and violence — the Mahāsammata is elected, not divinely appointed, "sammata" itself meaning simply "agreed upon" — and the three etymologies given for his resulting titles (elected, lord of the fields, one who delights others fairly) each trace legitimate kingship back to service performed for the community's benefit, not to inherited status or conquest.
hoarding, storing up provisions — the specific act, first performed by "a certain lazy-natured being," that causes self-propagating rice to lose its ability to regenerate on its own, requiring husk and bran and, eventually, cultivation.
"the Great Elect" — mahā (great) + sammata (agreed upon, elected, from sam + man, "to think together, agree"); the first title given to the bodhisatta upon his election as society's first ruler, emphasizing communal agreement rather than inherited or divine right.
the noble/warrior caste — here explicitly etymologized as khetta (field) + adhipati (lord, master), "lord of the fields," rather than derived from any notion of birth or blood, tracing the caste's origin to a specific, dateable social function.
The Four Measureless Periods, and When Water and Wind Take Their Turn
With the full fire-cycle narrated end to end, the commentary now names its four constituent phases precisely: from the appearance of the aeon-destroying cloud until the flame finally goes out is one incalculable period, called "contraction"; from that point until the great cloud that fills the hundred thousand million world-systems with water is a second incalculable period, "the state of standing-contracted"; from that filling until the sun and moon appear is a third, "expansion"; and from the sun and moon's appearance until the next aeon-destroying cloud arises is a fourth, "the state of standing-expanded" — the four together making up one complete great aeon. Paragraphs 407 and 408 then narrate the two remaining modes of destruction with matching structure but distinct mechanics: an aeon destroyed by water begins the same way, but its destroying cloud rains caustic water that dissolves earth and mountains outright rather than burning them, reaching this time all the way up to the second-jhāna Brahmā-worlds before coming to rest at the Subhakiṇha realm; while an aeon destroyed by wind dispenses with cloud and rain altogether, a violent windstorm instead lifting dust, sand, gravel, boulders, and finally entire mountain ranges — Sineru and the world-ring themselves — into the sky to grind each other to powder, reaching furthest of all, up to the third-jhāna Brahmā-worlds, and coming to rest only at the Vehapphala realm.
Tattha kappavināsakamahāmeghato yāva jālupacchedo, idamekaṃ asaṅkhyeyyaṃ saṃvaṭṭoti vuccati. Kappavināsakajālupacchedato yāva koṭisatasahassacakkavāḷaparipūrako sampattimahāmegho, idaṃ dutiyaṃ asaṅkhyeyyaṃ saṃvaṭṭaṭṭhāyīti vuccati. Sampattimahāmeghato yāva candimasūriyapātubhāvo, idaṃ tatiyaṃ asaṅkhyeyyaṃ vivaṭṭoti vuccati. Candimasūriyapātubhāvato yāva puna kappavināsakamahāmegho, idaṃ catutthaṃ asaṅkhyeyyaṃ vivaṭṭaṭṭhāyīti vuccati. Imāni cattāri asaṅkhyeyyāni eko mahākappo hoti. Evaṃ tāva agginā vināso ca saṇṭhahanañca veditabbaṃ.
Yasmiṃ pana samaye kappo udakena nassati, āditova kappavināsakamahāmegho uṭṭhahitvāti pubbe vuttanayeneva vitthāretabbaṃ. Ayaṃ pana viseso, yathā tattha dutiyasūriyo, evamidha kappavināsako khārudakamahāmegho vuṭṭhāti. So ādito sukhumaṃ sukhumaṃ vassanto anukkamena mahādhārāhi koṭisatasahassacakkavāḷānaṃ pūrento vassati. Khārudakena phuṭṭhaphuṭṭhā pathavīpabbatādayo vilīyanti, udakaṃ samantato vātehi dhāriyati. Pathavito yāva dutiyajjhānabhūmiṃ udakaṃ gaṇhāti. Tattha tayopi brahmaloke vilīyāpetvā subhakiṇhe āhacca tiṭṭhati. Taṃ yāva aṇumattampi saṅkhāragataṃ atthi, tāva na vūpasammati. Udakānugataṃ pana sabbasaṅkhāragataṃ abhibhavitvā sahasā vūpasammati antaradhānaṃ gacchati. Heṭṭhāākāsena saha upariākāso eko hoti mahandhakāroti sabbaṃ vuttasadisaṃ. Kevalaṃ panidha ābhassarabrahmalokaṃ ādiṃ katvā loko pātubhavati. Subhakiṇhato ca cavitvā ābhassaraṭṭhānādīsu sattā nibbattanti.
Tattha kappavināsakamahāmeghato yāva kappavināsakudakūpacchedo, idamekaṃ asaṅkhyeyyaṃ. Udakūpacchedato yāva sampattimahāmegho, idaṃ dutiyaṃ asaṅkhyeyyaṃ. Sampattimahāmeghato…pe… imāni cattāri asaṅkhyeyyāni eko mahākappo hoti. Evaṃ udakena vināso ca saṇṭhahanañca veditabbaṃ.
Yasmiṃ samaye kappo vātena vinassati, āditova kappavināsakamahāmegho uṭṭhahitvāti pubbe vuttanayeneva vitthāretabbaṃ. Ayaṃ pana viseso, yathā tattha dutiyasūriyo, evamidha kappavināsanatthaṃ vāto samuṭṭhāti. So paṭhamaṃ thūlarajaṃ uṭṭhāpeti. Tato saṇharajaṃ sukhumavālikaṃ thūlavālikaṃ sakkharapāsāṇādayoti yāva kūṭāgāramatte pāsāṇe visamaṭṭhāne ṭhitamahārukkhe ca uṭṭhāpeti. Te pathavito nabhamuggatā na ca puna patanti. Tattheva cuṇṇavicuṇṇā hutvā abhāvaṃ gacchanti.
Athānukkamena heṭṭhā mahāpathaviyā vāto samuṭṭhahitvā pathaviṃ parivattetvā uddhaṃmūlaṃ katvā ākāse khipati. Yojanasatappamāṇāpi pathavippadesā dviyojanatiyojanacatuyojanapañcayojanasatappamāṇāpi bhijjitvā vātavegena khittā ākāseyeva cuṇṇavicuṇṇā hutvā abhāvaṃ gacchanti. Cakkavāḷapabbatampi sinerupabbatampi vāto ukkhipitvā ākāse khipati. Te aññamaññaṃ abhihantvā cuṇṇavicuṇṇā hutvā vinassanti. Eteneva upāyena bhummaṭṭhakavimānāni ca ākāsaṭṭhakavimānāni ca vināsento chakāmāvacaradevaloke vināsetvā koṭisatasahassacakkavāḷāni vināseti. Tattha cakkavāḷā cakkavāḷehi himavantā himavantehi sinerū sinerūhi aññamaññaṃ samāgantvā cuṇṇavicuṇṇā hutvā vinassanti. Pathavito yāva tatiyajjhānabhūmiṃ vāto gaṇhāti. Tattha tayopi brahmaloke vināsetvā vehapphalaṃ āhacca tiṭṭhati. Evaṃ sabbasaṅkhāragataṃ vināsetvā sayampi vinassati. Heṭṭhāākāsena saha upariākāso eko hoti mahandhakāroti sabbaṃ vuttasadisaṃ. Idha pana subhakiṇhabrahmalokaṃ ādiṃ katvā loko pātubhavati. Vehapphalato ca cavitvā subhakiṇhaṭṭhānādīsu sattā nibbattanti.
Tattha kappavināsakamahāmeghato yāva kappavināsakavātūpacchedo, idamekaṃ asaṅkhyeyyaṃ. Vātūpacchedato yāva sampattimahāmegho, idaṃ dutiyaṃ asaṅkhyeyyaṃ…pe… imāni cattāri asaṅkhyeyyāni eko mahākappo hoti. Evaṃ vātena vināso ca saṇṭhahanañca veditabbaṃ.
Herein, from the appearance of the aeon-destroying great cloud until the cutting-off of the flame, this is called the first incalculable period, "contraction." From the cutting-off of the aeon-destroying flame until the great cloud that fills up the hundred thousand million world-systems, bringing about the re-formation, this is called the second incalculable period, "the state of standing-contracted." From that great cloud of re-formation until the appearance of the sun and moon, this is called the third incalculable period, "expansion." From the appearance of the sun and moon until the next aeon-destroying great cloud, this is called the fourth incalculable period, "the state of standing-expanded." These four incalculable periods together make one great aeon. Thus, firstly, should destruction and re-formation by fire be understood.
But at the time when an aeon is destroyed by water, from the very outset, it should be elaborated in exactly the same way as stated before, beginning with the appearance of the aeon-destroying great cloud. This, however, is the difference: just as, in the previous case, a second sun appeared, so here, a caustic-water aeon-destroying great cloud arises instead. Raining at first in the finest drops, it gradually rains in great streams, filling the hundred thousand million world-systems. Wherever this caustic water touches, the earth, the mountains, and the rest dissolve away; the water is held everywhere by winds. The water rises from the earth up to the second-jhāna plane; there, having dissolved all three of the Brahmā-worlds as well, it comes to rest, having reached the Subhakiṇha realm. As long as even the slightest trace of conditioned phenomena remains, it does not subside. But, overwhelming all conditioned phenomena that remain within its reach, it suddenly subsides and vanishes entirely. The space below and the space above become one, a single great darkness — all just as described before. The only difference here is that the world reappears beginning with the Ābhassara Brahmā-world, and beings, passing away from the Subhakiṇha realm, are reborn in the Ābhassara realm and the like.
Herein, from the appearance of the aeon-destroying great cloud until the cutting-off of the aeon-destroying water, this is one incalculable period. From the cutting-off of the water until the great cloud of re-formation, this is a second incalculable period ... these four incalculable periods together make one great aeon. Thus should destruction and re-formation by water be understood.
At the time when an aeon is destroyed by wind, from the very outset, it should be elaborated in exactly the same way as stated before, beginning with the appearance of the aeon-destroying great cloud. This, however, is the difference: just as, in the previous case, a second sun appeared, so here, a wind arises for the purpose of destroying the aeon instead. It first raises coarse dust. Then it raises fine dust, fine sand, coarse sand, gravel, stones, and so on, up to boulders the size of a peaked roof-chamber, and even great trees standing in uneven places. These, having risen from the earth into the sky, do not fall back again — they simply crumble to powder there and vanish.
Then, in due course, wind arises from beneath the great earth, turns the earth upside down, roots uppermost, and flings it into the sky. Sections of earth even a hundred leagues across break apart into pieces two, three, four, and up to five hundred leagues in size and, flung by the force of the wind, crumble to powder in the very sky and vanish. The wind lifts up the mountains of the world-ring and Mount Sineru itself and flings them into the sky; these, striking against one another, crumble to powder and are destroyed. By this same method, destroying the mansions on the earth and the mansions in the sky, and destroying the six sense-sphere deva-worlds, it destroys the hundred thousand million world-systems. There, world-systems collide with world-systems, Himalayas with Himalayas, Sinerus with Sinerus, colliding with one another and crumbling to powder and perishing. The wind takes hold from the earth up to the third-jhāna plane; there, having destroyed all three Brahmā-worlds as well, it comes to rest, having reached the Vehapphala realm. Thus, having destroyed all conditioned phenomena, it destroys itself as well. The space below and the space above become one, a single great darkness — all just as described before. Here, however, the world reappears beginning with the Subhakiṇha Brahmā-world, and beings, passing away from the Vehapphala realm, are reborn in the Subhakiṇha realm and the like.
Herein, from the appearance of the aeon-destroying great cloud until the cutting-off of the aeon-destroying wind, this is one incalculable period. From the cutting-off of the wind until the great cloud of re-formation, this is a second incalculable period ... these four incalculable periods together make one great aeon. Thus should destruction and re-formation by wind be understood.
The parallel structure across all three destruction-modes — fire, water, wind — is nearly total, right down to the four-incalculable-period accounting scheme, but the one deliberate variable is exactly how high each mode reaches (first jhāna for fire, second for water, third for wind) and correspondingly how far the newly re-formed world must descend before life can begin again: a strict, escalating hierarchy in which wind is established as the single most far-reaching of the three destructive forces, precisely because delusion — its associated root cause, given in the next section — is treated as harder to eradicate than either greed or hatred.
The description of the wind-destruction's mechanics — mountains, and even Sineru itself, ground to powder by mutual collision in mid-air rather than dissolved or burned — is the most violently kinetic of the three accounts, matching a destructive force whose defining property (unlike fire's heat or water's dissolving) is sheer uncontrolled motion.
caustic water, alkaline water — khāra (caustic, alkaline) + udaka (water); the specific corrosive rain that dissolves earth and mountain alike during a water-destruction, distinct from the ordinary rain that later re-forms the world.
two of the higher Brahmā-world realms, corresponding respectively to the third and fourth jhānas — named here as the exact upper boundaries reached by water-destruction and wind-destruction respectively, one tier higher each time.
the state of standing-contracted / the state of standing-expanded — ṭhāyī (standing, remaining) appended to saṃvaṭṭa/vivaṭṭa; the two "resting" incalculable periods bookending the active contraction and expansion phases within each complete great aeon.
Seven Fires, Then a Flood: The Rhythm of Cosmic Destruction
Paragraph 409 asks the obvious question directly — why does the world get destroyed at all? — and answers it by tracing destruction back to the three unwholesome roots. When greed predominates, the world is destroyed by fire; when hatred predominates, by water (though some elders reverse this pairing); and when delusion predominates, by wind. But these three do not simply alternate freely: fire destroys the world seven times running, and only on the eighth occasion is it destroyed by water instead; this pattern of seven-fire-then-one-water repeats a further seven times, so that the world is burned forty-nine times and flooded seven times before the sixty-third destruction is reached — at which point, with the water-destruction's "turn" now used up, wind is finally given its opportunity, destroying a Subhakiṇha realm that has, uniquely, endured for a full sixty-four aeons without ever previously being reached by fire or water at all. The section closes by confirming that a monk recollecting past lives genuinely does perceive all of this directly, contracting and expanding aeons alike, by means of the formula given in the canonical text itself: "I was in such a place..."
Kiṃkāraṇā evaṃ loko vinassati? Akusalamūlakāraṇā. Akusalamūlesu hi ussannesu evaṃ loko vinassati. So ca kho rāge ussannatare agginā vinassati. Dose ussannatare udakena vinassati. Keci pana dose ussannatare agginā. Rāge ussannatare udakenāti vadanti. Mohe ussannatare vātena vinassati. Evaṃ vinassantopi ca nirantarameva sattavāre agginā vinassati. Aṭṭhame vāre udakena. Puna sattavāre agginā. Aṭṭhame vāre udakenāti evaṃ aṭṭhame aṭṭhame vāre vinassanto sattakkhattuṃ udakena vinassitvā puna sattavāre agginā nassati. Ettāvatā tesaṭṭhi kappā atītā honti. Etthantare udakena nassanavāraṃ sampattampi paṭibāhitvā laddhokāso vāto paripuṇṇacatusaṭṭhikappāyuke subhakiṇhe viddhaṃsento lokaṃ vināseti.
Pubbenivāsaṃ anussarantopi ca kappānussaraṇako bhikkhu etesu kappesu anekepi saṃvaṭṭakappe anekepi vivaṭṭakappe anekepi saṃvaṭṭavivaṭṭakappe anussarati. Kathaṃ? "Amutrāsi"ntiādinā nayena.
For what reason is the world destroyed in this way? By reason of the unwholesome roots. For when the unwholesome roots are predominant, the world is destroyed in this way. When lust is the more predominant, it is destroyed by fire. When hatred is the more predominant, it is destroyed by water — though some say that when hatred is the more predominant, it is destroyed by fire, and when lust is the more predominant, by water. When delusion is the more predominant, it is destroyed by wind. And, being destroyed in this way, it is destroyed by fire seven times in unbroken succession; on the eighth occasion, by water. Then again seven times by fire, and on the eighth occasion, by water — thus, being destroyed on every eighth occasion in this way, having been destroyed seven times by water, it is destroyed a further seven times by fire. By this point, sixty-three aeons have passed. At this point, having forestalled even the arrived turn for destruction by water, wind, now given its opportunity, destroys the world, annihilating a Subhakiṇha realm whose full lifespan of sixty-four aeons has been completed.
And a monk who is recollecting past lives, one who is recollecting aeons, does indeed recollect, among these aeons, many contracting aeons, many expanding aeons, and many contracting-and-expanding aeons. How? By the method beginning, "I was in such a place..."
The commentary's willingness to record a dissenting view on which root causes which destruction (some elders reverse lust/fire and hatred/water) while confidently keeping delusion fixed to wind in both accounts is a small but telling detail: delusion's association with wind — the destructive force that reaches highest and destroys most thoroughly — goes unchallenged in either version, suggesting a shared underlying conviction that ignorance is simply the deepest-rooted and hardest-to-eradicate of the three poisons, whatever disagreement exists about the other two.
The sixty-three-then-sixty-four-aeon arithmetic (seven cycles of seven-fire-plus-one-water, then one final wind-destruction after a full uninterrupted sixty-four-aeon Subhakiṇha lifespan) gives cosmic history an oddly bureaucratic precision — destruction operates on a fixed, calculable schedule rather than arbitrary divine whim, in keeping with this entire chapter's insistence on quantifying even its most enormous claims exactly.
an unwholesome root — akusala (unwholesome) + mūla (root); the three roots of greed, hatred, and delusion identified here as the underlying moral cause behind which of the three destructive forces (fire, water, wind) ends any given aeon.
predominant, prevalent, in excess — describing whichever of the three unwholesome roots happens to be most heavily accumulated among beings at the time an aeon comes to its end, determining the specific mode of that aeon's destruction.
having a full lifespan of sixty-four aeons — paripuṇṇa (complete, full) + catusaṭṭhi (sixty-four) + kappa (aeon) + āyuka (having a lifespan of); describing the uniquely long-lived Subhakiṇha realm finally destroyed by wind after sixty-three prior aeons of fire-and-water cycles elsewhere.
"I Was There": Unpacking the Canonical Recollection Formula
The recollection-of-past-lives section closes with a careful, phrase-by-phrase commentary on the canonical formula itself — the very words a meditator's recollection actually takes the shape of. "I was there" can mean any of six things: a particular existence, birth-realm, destiny, station of consciousness, abode of beings, or class of beings once occupied. "Such was my name, such my clan" is explained straightforwardly as remembering one's own former name and family line, while "such was my appearance, such my food, such my experience of pleasure and pain, such the limit of my life" extend the same recollection to physical complexion, diet, feeling, and lifespan, should the meditator wish to recall them. The formula's final movement — passing away from there and arising here, and here again — the commentary explains as ordinary forward-moving review after the meditator has first climbed as far back as he wishes, distinguishing the initial "ascent" from the subsequent "descent" back toward the present, and closing with a precise grammatical point: name and clan are what is properly "designated," while appearance, food, feeling, and lifespan are merely the accompanying "modes" that flesh out that designation.
Tattha amutrāsinti amumhi saṃvaṭṭakappe ahaṃ amumhi bhave vā yoniyā vā gatiyā vā viññāṇaṭṭhitiyā vā sattāvāse vā sattanikāye vā āsiṃ. Evaṃnāmoti tisso vā phusso vā. Evaṃgottoti kaccāno vā kassapo vā. Idamassa atītabhave attano nāmagottānussaraṇavasena vuttaṃ. Sace pana tasmiṃ kāle attano vaṇṇasampattiṃ vā lūkhapaṇītajīvikabhāvaṃ vā sukhadukkhabahulataṃ vā appāyukadīghāyukabhāvaṃ vā anussaritukāmo hoti, tampi anussaratiyeva. Tenāha "evaṃvaṇṇo…pe… evamāyupariyanto"ti.
Tattha evaṃvaṇṇoti odāto vā sāmo vā. Evamāhāroti sālimaṃsodanāhāro vā pavattaphalabhojano vā. Evaṃ sukhadukkhapaṭisaṃvedīti anekappakārena kāyikacetasikānaṃ sāmisanirāmisādippabhedānaṃ vā sukhadukkhānaṃ paṭisaṃvedī. Evamāyupariyantoti evaṃ vassasataparimāṇāyupariyanto vā caturāsītikappasatasahassāyupariyanto vā. So tato cuto amutra udapādinti sohaṃ tato bhavato yonito gatito viññāṇaṭṭhitito sattāvāsato sattanikāyato vā cuto puna amukasmiṃ nāma bhave yoniyā gatiyā viññāṇaṭṭhitiyā sattāvāse sattanikāye vā udapādiṃ. Tatrāpāsinti atha tatrāpi bhave yoniyā gatiyā viññāṇaṭṭhitiyā sattāvāse sattanikāye vā puna ahosiṃ. Evaṃnāmotiādi vuttanayameva.
Apica yasmā amutrāsinti idaṃ anupubbena ārohantassa yāvadicchakaṃ anussaraṇaṃ. So tato cutoti paṭinivattantassa paccavekkhaṇaṃ, tasmā "idhūpapanno"ti imissā idhūpapattiyā anantaramevassa upapattiṭṭhānaṃ sandhāya "amutra udapādi"nti idaṃ vuttanti veditabbaṃ. Tatrāpāsinti evamādi panassa tatra imissā upapattiyā anantare upapattiṭṭhāne nāmagottādīnaṃ anussaraṇadassanatthaṃ vuttaṃ. So tato cuto idhūpapannoti svāhaṃ tato anantarūpapattiṭṭhānato cuto idha asukasmiṃ nāma khattiyakule vā brāhmaṇakule vā nibbattoti. Itīti evaṃ. Sākāraṃ sauddesanti nāmagottavasena sauddesaṃ, vaṇṇādivasena sākāraṃ. Nāmagottena hi satto tisso kassapoti uddisīyati. Vaṇṇādīhi sāmo odātoti nānattato paññāyati. Tasmā nāmagottaṃ uddeso, itare ākārā. Anekavihitaṃ pubbenivāsamanussaratīti idaṃ uttānatthamevāti.
Pubbenivāsānussatiñāṇakathā niṭṭhitā.
Herein, "I was there" means: in such a contracting aeon, I was in such an existence, or birth-realm, or destiny, or station of consciousness, or abode of beings, or class of beings. "Such was my name": Tissa, or Phussa. "Such was my clan": Kaccāna, or Kassapa. This is said with reference to recollecting one's own name and clan in that past existence. But if, at that time, he also wishes to recollect his own good or poor complexion, his coarse or refined manner of livelihood, his abundance of pleasure or of pain, or his short or long lifespan, he recollects that as well. Hence it is said, "such was my appearance ... such the limit of my life."
Herein, "such was my appearance" means fair or dark. "Such was my food" means having rice-and-meat as food, or living on windfall fruit. "Such my experience of pleasure and pain" means the experiencing, in many different ways, of bodily and mental pleasures and pains, whether carnal, non-carnal, or otherwise classified. "Such the limit of my life" means a lifespan bounded, say, by a measure of a hundred years, or by eighty-four hundred thousand aeons. "Passing away from there, I arose there": meaning, I, having passed away from that existence, birth-realm, destiny, station of consciousness, abode of beings, or class of beings, arose again in such-and-such a named existence, birth-realm, destiny, station of consciousness, abode of beings, or class of beings. "And there too I was": then, in that existence, birth-realm, destiny, station of consciousness, abode of beings, or class of beings as well, I existed once more. "Such was my name" and so on follows the method already stated.
Moreover, since "I was there" refers to the recollection, ascending step by step, of as much as one wishes, while "passing away from there" is the reviewing of one who is now turning back — it should be understood that "arose there" is said with reference to the place of rebirth immediately following this present rebirth here. "And there too I was" and so on is said for the purpose of showing the recollection of name, clan, and the rest at the place of rebirth immediately following that rebirth. "Passing away from there, I was reborn here" means: I, having passed away from that immediately preceding place of rebirth, was reborn here, in such-and-such a named noble family or brahmin family. "Thus" means "in this way." "With its modes, with its designation": with its designation by way of name and clan, with its modes by way of complexion and the rest. For a being is designated by name and clan — "Tissa," "Kassapa" — while by complexion and the rest, one is known by way of variety — "dark," "fair." Therefore, name and clan are the designation; the others are the modes. "He recollects manifold past lives" — this much is self-evident in meaning.
The discussion of the knowledge of recollecting past lives is finished.
The distinction drawn between "designation" (name and clan) and mere "modes" (complexion, diet, feeling, lifespan) is a small but precise piece of Abhidhamma-style linguistic analysis embedded within an otherwise narrative-driven formula: a being is properly identified, referred to, picked out by name and lineage, while everything else recollected about a past life — however vivid or significant — is classified as descriptive coloring around that core identification, never the identification itself.
The careful separation of "ascending" (climbing backward as far as one wishes to go) from "descending" (the subsequent forward review back toward the present) reveals that the seemingly single, continuous act of "recollecting a past life" is actually two distinct cognitive operations performed in sequence — first an unbounded backward search, then a bounded, step-by-step return — mirroring, on a small scale, the same two-directional structure (a free climb followed by a controlled descent) found in the tree-felling method described earlier in this same section.
designation / mode — uddesa (a pointing-out, a naming) and ākāra (a manner, an appearance); the commentary's precise grammatical distinction between what actually identifies a being (name and clan) and the descriptive qualities (complexion, diet, and so on) that merely accompany that identification.
an abode of beings / a class of beings — two of the six technical categories (alongside existence, birth-realm, destiny, and station of consciousness) any one of which the formula "I was there" might refer to, depending on exactly what kind of past state is being recollected.
one who is turning back, reversing direction — paṭi (back, against) + nivattanta (turning, from ni + vṛt); describing the meditator's shift from the initial backward "ascent" into the past to the subsequent forward "descent" back toward the present.
The Divine Eye: Knowledge of Passing Away and Rebirth
The chapter's fourth direct knowledge, knowledge of the passing away and rebirth of beings, is named for its purpose rather than its mechanism — it exists for the sake of the divine eye's own knowledge, since it is by the divine eye that beings' death and rebirth become known. The formula's opening phrase, "he directs and inclines his mind," names the ordinary preliminary-work consciousness that any meditator brings before actually developing this power, and its etymology of "divine" follows the identical three-fold pattern already given for the divine ear: the eye resembles a deva's own faculty (unclouded by bile, phlegm, and blood, and so able to receive even a distant object), it arises from the very same knowledge-based power that produces every direct knowledge, and it is divine both because it is acquired through, and grounded in, the divine abidings. Two further qualities round out the etymology — its exceptional brightness, gained through mastery of light, and its exceptional reach, extending to forms hidden behind walls and other obstructions — both of which, the commentary notes, are best pursued through the general grammatical treatises rather than repeated here.
Sattānaṃ cutūpapātañāṇakathāya cutūpapātañāṇāyāti cutiyā ca upapāte ca ñāṇāya. Yena ñāṇena sattānaṃ cuti ca upapāto ca ñāyati, tadatthaṃ dibbacakkhuñāṇatthanti vuttaṃ hoti. Cittaṃ abhinīharati abhininnāmetīti parikammacittaṃ abhinīharati ceva abhininnāmeti ca. Soti so katacittābhinīhāro bhikkhu. Dibbenātiādīsu pana dibbasadisattā dibbaṃ. Devatānañhi sucaritakammanibbattaṃ pittasemharuhirādīhi apalibuddhaṃ upakkilesavimuttatāya dūrepi ārammaṇaṃ sampaṭicchanasamatthaṃ dibbaṃ pasādacakkhu hoti. Idañcāpi vīriyabhāvanābalanibbattaṃ ñāṇacakkhu tādisamevāti dibbasadisattā dibbaṃ. Dibbavihāravasena paṭiladdhattā attanā ca dibbavihārasannissitattāpi dibbaṃ. Ālokapariggahena mahājutikattāpi dibbaṃ. Tirokuṭṭādigatarūpadassanena mahāgatikattāpi dibbaṃ. Taṃ sabbaṃ saddasatthānusāreneva veditabbaṃ.
Dassanaṭṭhena cakkhu. Cakkhukiccakaraṇena cakkhumivātipi cakkhu. Cutūpapātadassanena diṭṭhivisuddhihetuttā visuddhaṃ. Yo hi cutimattameva passati, na upapātaṃ. So ucchedadiṭṭhiṃ gaṇhāti. Yo upapātamattameva passati, na cutiṃ, so navasattapātubhāvadiṭṭhiṃ gaṇhāti. Yo pana tadubhayaṃ passati, so yasmā duvidhampi taṃ diṭṭhigataṃ ativattati. Tasmāssa taṃdassanaṃ diṭṭhivisuddhihetu hoti. Ubhayampi cetaṃ buddhaputtā passanti. Tena vuttaṃ "cutūpapātadassanena diṭṭhivisuddhihetuttā visuddha"nti.
Manussūpacāraṃ atikkamitvā rūpadassanena atikkantamānusakaṃ, mānusakaṃ vā maṃsacakkhuṃ atikkantattā atikkantamānusakanti veditabbaṃ. Tena dibbena cakkhunā visuddhena atikkantamānusakena. Satte passatīti manussānaṃ maṃsacakkhunā viya satte oloketi.
In the discussion of beings' knowledge of passing away and rebirth: "for the sake of the knowledge of passing away and rebirth" means for the sake of the knowledge of passing away and of rebirth. This is said to mean: for the sake of that knowledge — namely, the divine eye's own knowledge — by which beings' passing away and rebirth are known. "He directs and inclines his mind": he both directs and inclines the preliminary-work consciousness. "He": that monk who has made this directing of the mind. As for "with the divine" and so on: it is divine because it resembles the divine. For devas possess a divine, faculty-based eye, produced by good conduct, unobstructed by bile, phlegm, blood, and the like, and, through its freedom from such impurities, able to receive an object even at a distance. And this knowledge-based eye too, produced by the power of developed effort, is exactly of that same kind — hence it is divine, because it resembles the divine. It is also divine because it is acquired by means of a divine abiding, and because it is itself grounded in a divine abiding. It is also divine on account of its exceptional brightness, gained through the mastery of light. It is also divine on account of its exceptional reach, through its seeing of forms concealed behind walls and the like. All of this should be understood by following the grammatical treatises.
It is an "eye" in the sense of seeing. It is also called an "eye" because it performs the function of an eye. "Purified": because seeing both passing away and rebirth is the cause of the purification of view. For one who sees only passing away, and not rebirth, adopts the view of annihilation. One who sees only rebirth, and not passing away, adopts the view of the sudden coming-into-being of a new being. But one who sees both of these transcends both kinds of wrong view — therefore, that seeing is, for him, the cause of the purification of view. And the Buddha's own children see both of these. Hence it was said: "purified, because seeing both passing away and rebirth is the cause of the purification of view."
"Surpassing the human" should be understood as having gone beyond the range of the human by seeing forms, or as having surpassed the fleshly eye, which is human. "With that divine eye, purified, surpassing the human." "He sees beings": he observes beings just as human beings observe them with the fleshly eye.
The two wrong views the commentary pairs against seeing only half of the cuti-upapāta pattern are precisely matched to the two classical extremes this entire tradition defines itself against: seeing only death without any corresponding rebirth naturally suggests annihilationism (nothing continues), while seeing only rebirth without any corresponding prior death suggests something like spontaneous creation ex nihilo — and the divine eye's actual defining achievement, seeing both together in a single continuous act, is presented as literally identical with the "purification of view" that steers a middle course between them.
The phrase "the Buddha's own children" (buddhaputtā) for those who see this middle path directly is a warm, familial way of naming the noble disciples, and its placement here — immediately after defining the very knowledge that avoids both eternalism and annihilationism — quietly identifies correct view on this exact question as something like a family trait shared by everyone genuinely descended from the Buddha's own teaching.
the view of annihilation — uccheda (cutting off, destruction) + diṭṭhi (view); the wrong view that arises from seeing only a being's death without its corresponding rebirth, one of the two extremes the divine eye's complete vision is said to overcome.
the view of the sudden coming-into-being of a new being — nava (new) + satta (being) + pātubhāva (appearance, manifestation) + diṭṭhi (view); the opposite extreme, arising from seeing only rebirth without its corresponding prior death.
a child of the Buddha — buddha + putta (child, son); an affectionate term for the noble disciples, invoked here as those who correctly see both passing away and rebirth together, avoiding both extreme views.
Base and Excellent, Fair and Ugly: Reading a Being's Kamma at a Glance
The commentary now works through the formula's remaining technical terms one by one. "Passing away, being reborn" is carefully restricted to beings on the very verge of death or freshly arrived in a new existence — the actual instants of death and rebirth-linking themselves are too fleeting even for the divine eye to catch directly. The paired terms "base" and "excellent," "fair" and "ugly," "fortunate" and "unfortunate" are each traced to one of the three wholesome or unwholesome roots: delusion's residue produces low birth and looked-down-upon status, hatred's residue produces unattractive appearance, and greed's residue (or its absence) produces wealth or poverty. The final term, "faring according to their deeds," introduces a distinct but closely related knowledge — one that does not merely see a being's present circumstances but actually identifies which past action produced them, arising when the meditator, having first seen hell-beings undergoing suffering or heaven-beings enjoying bliss purely through the divine eye, then wonders what deed could account for what he sees, and a further knowledge arises spontaneously to answer that very question.
Cavamāne upapajjamāneti ettha cutikkhaṇe upapattikkhaṇe vā dibbacakkhunā daṭṭhuṃ na sakkā. Ye pana āsannacutikā idāni cavissanti, te cavamānā. Ye ca gahitapaṭisandhikā sampatinibbattāva, te upapajjamānāti adhippetā. Te evarūpe cavamāne ca upapajjamāne ca passatīti dasseti.
Hīneti mohanissandayuttattā hīnānaṃ jātikulabhogādīnaṃ vasena hīḷite ohīḷite oññāte avaññāte. Paṇīteti amohanissandayuttattā tabbiparīte. Suvaṇṇeti adosanissandayuttattā iṭṭhakantamanāpavaṇṇayutte. Dubbaṇṇeti dosanissandayuttattā aniṭṭhākantaamanāpavaṇṇayutte. Anabhirūpe virūpetipi attho. Sugateti sugatigate. Alobhanissandayuttattā vā aḍḍhe mahaddhane. Duggateti duggatigate. Lobhanissandayuttattā vā dalidde appannapāne.
Yathākammupageti yaṃ yaṃ kammaṃ upacitaṃ, tena tena upagate. Tattha purimehi cavamānetiādīhi dibbacakkhukiccaṃ vuttaṃ. Iminā pana padena yathākammupagañāṇakiccaṃ. Tassa ca ñāṇassa ayamuppattikkamo, idha bhikkhu heṭṭhā nirayābhimukhaṃ ālokaṃ vaḍḍhetvā nerayike satte passati mahādukkhamanubhavamāne. Taṃ dassanaṃ dibbacakkhukiccameva. So evaṃ manasikaroti "kiṃ nu kho kammaṃ katvā ime sattā etaṃ dukkhaṃ anubhavantī"ti. Athassa idaṃ nāma katvāti taṃkammārammaṇaṃ ñāṇaṃ uppajjati. Tathā uparidevalokābhimukhaṃ ālokaṃ vaḍḍhetvā nandanavanamissakavanaphārusakavanādīsu satte passati mahāsampattiṃ anubhavamāne. Tampi dassanaṃ dibbacakkhukiccameva. So evaṃ manasikaroti "kiṃ nu kho kammaṃ katvā ime sattā etaṃ sampattiṃ anubhavantī"ti. Athassa idaṃ nāma katvāti taṃkammārammaṇaṃ ñāṇaṃ uppajjati. Idaṃ yathākammupagañāṇaṃ nāma. Imassa visuṃ parikammaṃ nāma natthi, yathā cimassa, evaṃ anāgataṃsañāṇassāpi. Dibbacakkhupādakāneva hi imāni dibbacakkhunā saheva ijjhanti.
As for "passing away, being reborn": it is not possible to see, with the divine eye, the actual moment of death or the actual moment of rebirth-linking. Rather, what is meant by "passing away" are those who are on the verge of death, about to pass away now; and what is meant by "being reborn" are those who have already taken rebirth-linking and have just newly come into being. This shows that he sees beings passing away and being reborn in this sense.
"Base": on account of being affected by the outflow of delusion, looked down upon, despised, disdained, held in contempt, by way of low birth, family, possessions, and the like. "Excellent": the opposite of this, on account of being affected by the outflow of non-delusion. "Fair-complexioned": on account of being affected by the outflow of non-hatred, endowed with a desirable, pleasing, agreeable appearance. "Ugly": on account of being affected by the outflow of hatred, endowed with an undesirable, displeasing, disagreeable appearance — the meaning is also "deformed." "Fortunate": gone to a fortunate destiny; or, on account of being affected by the outflow of non-greed, wealthy, possessed of great riches. "Unfortunate": gone to an unfortunate destiny; or, on account of being affected by the outflow of greed, poor, without enough to eat or drink.
"Faring according to their deeds": having gone according to whatever deed has been accumulated. Herein, by the preceding terms such as "passing away" and so on, the function of the divine eye has been described. But by this term, the function of the knowledge of faring according to deeds is described. And this is the order in which that knowledge arises: here, a monk, having expanded his light downward, toward hell, sees hell-beings undergoing great suffering. That seeing is simply the function of the divine eye. He then reflects thus: "having done what deed, I wonder, do these beings undergo this suffering?" Then, a knowledge having that deed as its object arises in him: "having done such-and-such, indeed." Likewise, having expanded his light upward, toward the deva-world, he sees beings in the Nandana grove, the Missaka grove, the Phārusaka grove, and the like, undergoing great fortune. That seeing, too, is simply the function of the divine eye. He then reflects thus: "having done what deed, I wonder, do these beings undergo this fortune?" Then, a knowledge having that deed as its object arises in him: "having done such-and-such, indeed." This is called the knowledge of faring according to deeds. For this knowledge, there is no separate preliminary work of its own — and the same is true for the knowledge of the future as well. For these are accomplished together with the divine eye itself, having the divine eye alone as their basis.
The careful restriction of "passing away" and "being reborn" to the states immediately before death and immediately after rebirth-linking — never the actual transitional instants themselves — is a small but important admission of a genuine limit: even the divine eye, for all its cosmic reach, cannot see the single moment of transition itself, only its surrounding approach and aftermath, a boundary that quietly parallels the "impenetrable darkness" the previous section identified at the equivalent transition point for recollection of past lives.
The tracing of "base/excellent," "fair/ugly," and "fortunate/unfortunate" each to a specific one of the three unwholesome roots' residue turns what could be read as simple physiognomic or social observation into a rigorously causal diagnostic: a being's outward station is never treated as arbitrary or merely social, but as the direct visible signature of a specific, namable prior mental state.
outflow, result, consequence — from ni + syand (to flow); the specific term the commentary uses to describe how a being's present low or high status "flows out from" one of the three unwholesome or wholesome roots accumulated in the past.
knowledge of faring according to (one's) deeds — yathā (according to) + kamma (deed) + upaga (going to, arriving at) + ñāṇa (knowledge); a knowledge distinct from, but arising directly alongside, the divine eye, identifying the specific past action responsible for a being's observed present state.
three of the celebrated pleasure-groves of the Tāvatiṃsa heaven — named here as the specific locations a meditator's expanded divine eye might observe beings enjoying great fortune, paired against the hell-realm's suffering in the same passage.
Reviling the Noble Ones: A Grave Deed, and How to Undo It
The commentary's word-list continues into the formula's catalogue of unwholesome conduct, singling out one item — reviling the noble ones — for extended, careful treatment because of its exceptional gravity. Whether spoken knowingly or unknowingly, reviling a noble one by denying their attainment or disparaging their virtue is classed as a grave deed, obstructive to both heaven and the path, comparable in weight to the five deeds of immediate retribution, yet crucially still remediable through confession — unlike those five, which are not. A story from an unnamed village illustrates the danger vividly: an elderly monk, suffering intestinal wind, drinks hot gruel while seated on a piece of firewood rather than waiting for it to cool, prompting a junior companion to reproach him with contempt as a greedy old man behaving shamefully — only for the elder, once safely back at the monastery, to quietly reveal that he is in fact a stream-enterer, at which point the junior monk immediately begs forgiveness. Generalizing from this cautionary tale, the commentary lays out a full graduated procedure for making amends after unknowingly reviling a noble one — apologizing in person according to relative seniority, sending a messenger if travel is impossible, appealing to a wise monk as intermediary if the offended party's whereabouts are unknown, and, if that person has already attained final Nibbāna, traveling all the way to the cremation ground itself to complete the apology there.
Kāyaduccaritenātiādīsu duṭṭhu caritaṃ, duṭṭhaṃ vā caritaṃ kilesapūtikattāti duccaritaṃ. Kāyena duccaritaṃ, kāyato vā uppannaṃ duccaritanti kāyaduccaritaṃ, itaresupi eseva nayo. Samannāgatāti samaṅgībhūtā. Ariyānaṃ upavādakāti buddhapaccekabuddhasāvakānaṃ ariyānaṃ antamaso gihisotāpannānampi anatthakāmā hutvā antimavatthunā vā guṇaparidhaṃsanena vā upavādakā akkosakā garahakāti vuttaṃ hoti. Tattha natthi imesaṃ samaṇadhammo, assamaṇā eteti vadanto antimavatthunā upavadati. Natthi imesaṃ jhānaṃ vā vimokkho vā maggo vā phalaṃ vātiādīni vadanto guṇaparidhaṃsanavasena upavadatīti veditabbo. So ca jānaṃ vā upavadeyya ajānaṃ vā, ubhayathāpi ariyūpavādova hoti. Bhāriyaṃ kammaṃ ānantariyasadisaṃ saggāvaraṇañca maggāvaraṇañca, satekicchaṃ pana hoti. Tassa āvibhāvatthaṃ idaṃ vatthu veditabbaṃ.
Aññatarasmiṃ kira gāme eko thero ca daharabhikkhu ca piṇḍāya caranti. Te paṭhamaghareyeva uḷuṅkamattaṃ uṇhayāguṃ labhiṃsu. Therassa ca kucchivāto rujjhati. So cintesi "ayaṃ yāgu mayhaṃ sappāyā, yāva na sītalā hoti, tāva naṃ pivāmī"ti. So manussehi ummāratthāya āhaṭe dārukhaṇḍe nisīditvā pivi. Itaro taṃ jigucchanto "atikhuddābhibhūto mahallako, amhākaṃ lajjitabbakaṃ akāsī"ti āha. Thero gāme caritvā vihāraṃ gantvā daharabhikkhuṃ āha "atthi te, āvuso, imasmiṃ sāsane patiṭṭhā"ti? Āma, bhante, sotāpanno ahanti. Tena hāvuso, uparimaggatthāya vāyāmaṃ mā akāsi. Khīṇāsavo tayā upavaditoti. So taṃ khamāpesi. Tenassa taṃ kammaṃ pākatikaṃ ahosi.
Tasmā yo aññopi ariyaṃ upavadati, tena gantvā sace attanā vuḍḍhataro hoti, ukkuṭikaṃ nisīditvā "ahaṃ āyasmantaṃ idañcidañca avacaṃ, taṃ me khamāhī"ti khamāpetabbo. Sace navakataro hoti, vanditvā ukkuṭikaṃ nisīditvā añjaliṃ paggahetvā "ahaṃ, bhante, tumhe idañcidañca avacaṃ, taṃ me khamathā"ti khamāpetabbo. Sace disāpakkanto hoti, sayaṃ vā gantvā saddhivihārikādike vā pesetvā khamāpetabbo.
Sace ca nāpi gantuṃ, na pesetuṃ sakkā hoti, ye tasmiṃ vihāre bhikkhū vasanti, tesaṃ santikaṃ gantvā sace navakatarā honti, ukkuṭikaṃ nisīditvā, sace vuḍḍhatarā, vuḍḍhe vuttanayeneva paṭipajjitvā "ahaṃ, bhante, asukaṃ nāma āyasmantaṃ idañcidañca avacaṃ, khamatu me so āyasmā"ti vatvā khamāpetabbaṃ. Sammukhā akhamantepi etadeva kattabbaṃ.
Sace ekacārikabhikkhu hoti, nevassa vasanaṭṭhānaṃ, na gataṭṭhānaṃ paññāyati, ekassa paṇḍitassa bhikkhuno santikaṃ gantvā "ahaṃ, bhante, asukaṃ nāma āyasmantaṃ idañcidañca avacaṃ, taṃ me anussarato vippaṭisāro hoti, kiṃ karomī"ti vattabbaṃ. So vakkhati "tumhe mā cintayittha, thero tumhākaṃ khamati, cittaṃ vūpasamethā"ti. Tenāpi ariyassa gatadisābhimukhena añjaliṃ paggahetvā khamatūti vattabbaṃ. Sace so parinibbuto hoti, parinibbutamañcaṭṭhānaṃ gantvā yāvasivathikaṃ gantvāpi khamāpetabbaṃ. Evaṃ kate neva saggāvaraṇaṃ, na maggāvaraṇaṃ hoti, pākatikameva hotīti.
As for "by bodily misconduct" and so on: conduct that is badly done, or conduct that is bad because it is fouled by defilement, is "misconduct." Misconduct by way of the body, or misconduct arisen from the body, is "bodily misconduct" — the same method applies to the others. "Endowed with": possessed of, having become one with. "Revilers of the noble ones": this means those who, wishing harm to noble ones — Buddhas, Paccekabuddhas, and disciples, down to even lay stream-enterers — become their revilers, their abusers, their denouncers, either by way of an ultimate charge or by way of disparaging their qualities. Herein, one who says, "these have no ascetic quality at all, they are not true ascetics," reviles by way of an ultimate charge. One who says, "these have no jhāna, no liberation, no path, no fruit," and so on, should be understood to revile by way of disparaging their qualities. And whether he reviles knowingly or unknowingly, in either case it is indeed reviling of the noble ones. It is a grave deed, comparable to the deeds of immediate retribution, an obstruction both to heaven and to the path — yet it is remediable. In order to make this clear, the following story should be known.
It is told that, in a certain village, an elder and a young monk were walking for alms. At the very first house, they received just a ladleful of hot gruel. Now, the elder was troubled by intestinal wind. He thought, "this gruel suits my condition — I shall drink it before it grows cold." Sitting down on a piece of firewood that people had brought for use as a doorsill, he drank it. The other, disgusted at this, said, "overcome by the merest trifle, this old man has done something we ought to be ashamed of." The elder, having gone for alms in the village, returned to the monastery and said to the young monk, "friend, have you attained any firm footing in this dispensation?" "Yes, venerable sir, I am a stream-enterer." "Then, friend, make no further effort toward the higher path — you have reviled one whose taints are destroyed." The young monk then asked the elder's forgiveness. By this, that deed of his became merely ordinary once more.
Therefore, whoever else reviles a noble one should go to that person and, if he himself is senior, should sit in the crouching posture and say, "I said such-and-such to the venerable one — forgive me for that," and thus ask forgiveness. If he is junior, having paid respects, he should sit in the crouching posture, raise his joined hands, and say, "venerable sir, I said such-and-such to you — please forgive me for that," and thus ask forgiveness. If that person has gone abroad, he should either go himself, or send a fellow resident or the like, to ask forgiveness on his behalf.
And if it is possible neither to go himself nor to send someone, he should go to whatever monks reside in that monastery and, if they are junior, sit in the crouching posture; if senior, having proceeded toward them in the manner already stated for seniors, say, "venerable sirs, I said such-and-such to the venerable one named so-and-so — may that venerable one forgive me," and thus ask forgiveness. Even if that person, present in person, does not grant forgiveness, this alone is still what should be done.
If that person is a solitary wanderer, and neither his dwelling-place nor his present whereabouts can be determined, he should go to some wise monk and say, "venerable sir, I said such-and-such to the venerable one named so-and-so; remembering it, I feel remorse — what should I do?" That monk will say, "do not be troubled — the elder forgives you; calm your mind." He should then, facing the direction in which that noble one went, raise his joined hands and say, "may he forgive me." If that person has attained final Nibbāna, he should go to the place of the deathbed, or even all the way to the charnel-ground, and ask forgiveness there as well. When this has been done, there is neither an obstruction to heaven nor an obstruction to the path — the deed becomes merely ordinary once again.
The elder's own contribution to the misunderstanding — sitting on a piece of firewood to drink gruel too impatient to wait for it to cool — is deliberately unglamorous: he is not a figure of dignified restraint in this story, and the whole incident could easily have been read as a young monk's entirely reasonable complaint about an old man's undignified behavior, right up until the single line that reframes everything: the "greedy old man" is a stream-enterer, and what looked like a harmless jab at bad manners turns out to have been aimed, unknowingly, at a noble one.
The graduated apology procedure — escalating carefully from an in-person visit, to a sent messenger, to an intermediary monk, to a journey to the cremation ground itself for someone already deceased — treats no circumstance whatsoever as an excuse for simply letting the matter lie, and the explicit provision for a case where "that person, present in person, does not grant forgiveness" is a striking detail: the text specifies that the remedy lies in the sincere act of asking, not in the offended party's actual response, since even an unaccepted apology, properly and sincerely made, is sufficient to lift the obstruction.
reviling of the noble ones — ariya (noble) + upavāda (reviling, disparagement); classed here as a grave deed comparable in weight to the five deeds of immediate retribution, yet — unlike those five — genuinely remediable through sincere confession and apology.
an ultimate charge, a final accusation — antima (ultimate, final) + vatthu (matter, ground); the specific accusation that someone is not truly an ascetic at all, one of the two forms reviling a noble one can take.
crouching, squatting on the heels — the specific posture of humility prescribed for a junior monk when formally asking forgiveness of someone he has reviled, whether that person is senior or junior to him.
Wrong View, and the Four Names for a Bad Rebirth
The commentary flags wrong view as the gravest of all the listed unwholesome states, more blameworthy than any other single thing named in the entire canon, and quotes the Buddha's own unequivocal ranking of it as the worst of all faults. It then works through the formula's closing cluster of destination-terms with careful etymological precision: "apāya" (a woeful state) is so called because it is devoid of the auspicious "coming" that leads to heaven and liberation; "duggati" (a bad destiny) because it is a resort born of ill conduct; "vinipāta" (a fall) because beings collapse there against their will, limbs breaking as they fall; and "niraya" (hell proper) because it is devoid of the happiness ordinary beings imagine must exist even there. The commentary further clarifies that these four terms are not simply synonyms piled up for rhetorical effect, but pick out four genuinely distinct realms — the animal kingdom (a woeful state, yet not truly a "bad destiny" given the eminence of beings like great nāga kings), the ghost realm (both woeful and a bad destiny, yet not a "fall" in the full sense), the asura host (all three), and hell itself, in all its many varieties, uniquely earning all four names at once.
Micchādiṭṭhikāti viparītadassanā. Micchādiṭṭhikammasamādānāti micchādiṭṭhivasena samādinnanānāvidhakammā, ye ca micchādiṭṭhimūlakesu kāyakammādīsu aññepi samādapenti. Mahāsāvajjo hi ariyūpavādo, ānantariyasadisattā. Micchādiṭṭhito ca mahāsāvajjataraṃ nāma aññaṃ natthi. Yathāha "nāhaṃ, bhikkhave, aññaṃ ekadhammampi samanupassāmi, yaṃ evaṃ mahāsāvajjaṃ, yathayidaṃ, bhikkhave, micchādiṭṭhi. Micchādiṭṭhiparamāni, bhikkhave, vajjānī"ti.
Kāyassa bhedāti upādiṇṇakkhandhapariccāgā. Parammaraṇāti tadanantaraṃ abhinibbattikkhandhaggahaṇe. Apāyanti evamādi sabbaṃ nirayavevacanameva. Nirayo hi saggamokkhahetubhūtā puññasammatā ayā apetattā, sukhānaṃ vā āyassa abhāvā apāyo. Dukkhassa gati paṭisaraṇanti duggati, dosabahulatāya vā duṭṭhena kammunā nibbattā gatīti duggati. Vivasā nipatanti ettha dukkaṭakārinoti vinipāto. Vinassantā vā ettha patanti saṃbhijjamānaṅgapaccaṅgātipi vinipāto. Natthi ettha assādasaññito ayoti nirayo.
Atha vā apāyaggahaṇena tiracchānayoniṃ dīpeti. Tiracchānayoni hi apāyo sugatito apetattā, na duggati mahesakkhānaṃ nāgarājādīnaṃ sambhavato. Duggatiggahaṇena pettivisayaṃ. So hi apāyo ceva duggati ca, sugatito apetattā dukkhassa ca gatibhūtattā. Na tu vinipāto asurasadisaṃ avinipatitattā. Vinipātaggahaṇena asurakāyaṃ. So hi yathāvuttena atthena apāyo ceva duggati ca sabbasamussayehi ca vinipatitattā vinipātoti vuccati. Nirayaggahaṇena avīciādianekappakāraṃ nirayamevāti. Upapannāti upagatā, tattha abhinibbattāti adhippāyo. Vuttavipariyāyena sukkapakkho veditabbo.
Ayaṃ pana viseso, tattha sugatiggahaṇena manussagatipi saṅgayhati. Saggaggahaṇena devagatiyeva. Tattha sundarā gatīti sugati. Rūpādīhi visayehi suṭṭhu aggoti saggo. So sabbopi lujjanapalujjanaṭṭhena lokoti ayaṃ vacanattho.
"Of wrong view" means of distorted vision. "Holders of wrong-view-based courses of action" means those who have undertaken various kinds of action by way of wrong view, and who also induce others into bodily action and the rest rooted in wrong view. Reviling the noble ones is indeed a grave fault, comparable to the deeds of immediate retribution — yet there is no fault graver still than wrong view itself. As the Blessed One said: "Monks, I do not see even a single other thing so greatly blameworthy as this, namely, wrong view. Wrong view, monks, is the worst of all faults."
"With the breakup of the body" means with the relinquishing of the aggregates that have been clung to. "After death" means at the taking-hold, immediately following, of the aggregates that then arise. "A woeful state" and the terms that follow are all simply synonyms for hell. For it is a "woeful state" (apāya) because it is devoid (apeta) of the "coming" (aya) that is the cause of heaven and liberation, deemed meritorious — or because it is devoid of the coming of any happiness. It is "a bad destiny" (duggati) because it is a resort, a refuge, for suffering — or because it is a destiny born of an evil deed, on account of an abundance of hatred. It is "a fall" (vinipāta) because those who have done evil deeds collapse there against their will — or because beings, being destroyed, fall there with their limbs breaking apart. It is "hell" (niraya) because it is devoid of the happiness (aya) that is imagined to exist there.
Or alternatively: by the term "woeful state," the animal kingdom is indicated. For the animal kingdom is a woeful state, being devoid of a fortunate destiny, but it is not "a bad destiny" in the full sense, given the existence there of highly eminent beings such as great nāga kings. By the term "a bad destiny," the ghost-realm is indicated. For that realm is both a woeful state and a bad destiny, being devoid of a fortunate destiny and being a resort for suffering — but it is not "a fall" in the full sense, not having fallen there in the manner of the asuras. By the term "a fall," the asura host is indicated. For that host, in the sense already stated, is both a woeful state and a bad destiny, and, on account of having fallen there with the complete collapse of their whole being, is called "a fall." By the term "hell," the many varieties of hell itself, beginning with Avīci, are indicated. "Reborn" means gone to, come into being there — this is the intended meaning. By the reverse of what has been said, the wholesome side should be understood.
This, however, is the difference: there, by the term "a fortunate destiny," the human destiny too is included; by the term "heaven," only the divine destiny is meant. Herein, it is "a fortunate destiny" (sugati) because it is a beautiful destiny. It is "heaven" (sagga) because it is thoroughly excellent (suṭṭhu agga) by way of its objects such as visible forms. And the whole of it is called "world" (loka) in the sense of crumbling and disintegrating — this is the etymological meaning here.
Placing the Buddha's own unqualified ranking of wrong view as the single most blameworthy thing in existence directly after the extended treatment of reviling the noble ones — itself already ranked as gravely as the five deeds of immediate retribution — establishes a clear hierarchy of fault running through this whole passage: wrong action toward a noble person is extremely serious, but wrong view about reality itself outranks even that, since wrong view is what generates wrong action in the first place, including reviling.
The four-way discrimination among woeful state, bad destiny, fall, and hell proper is a genuinely careful piece of doctrinal fine-tuning: rather than treating "bad rebirth" as one undifferentiated category, the commentary insists on real, textured distinctions even among unfortunate destinies — the animal kingdom's inclusion of "highly eminent beings such as great nāga kings" is a small but telling admission that even a woeful state admits of its own internal hierarchy and dignity.
the lowest and most severe of the hell-realms — a- (without) + vīci (wave, interval); named here as the paradigm example within the broader term "niraya," which covers "many varieties of hell."
the ghost-realm, the domain of departed spirits — petti (relating to the deceased) + visaya (domain, sphere); classified here as both a "woeful state" and "a bad destiny," but not a "fall" in the technical sense reserved for the asuras.
crumbling and disintegrating — a doubled intensive construction from lujjati (to break up, decay); the etymological basis given here for calling the entirety of saṃsāra, fortunate and unfortunate destinies alike, "the world" (loka).
Developing the Divine Eye: Choosing the Fire, White, or Light Kasiṇa
With the formula's every clause now explained, the commentary closes the word-commentary with a brief summarizing statement, then turns, in paragraph 412, to the actual method a beginner uses to develop the divine eye. Three kasiṇas alone are suitable as its foundation — fire, white, and light — and among these three, the light kasiṇa is explicitly ranked best. Crucially, the meditator must stop short of full absorption when developing any of these three for this particular purpose: only access concentration should be cultivated and then deliberately held there, never allowed to deepen into full jhāna, since full absorption would make the resulting light dependent on the basis-jhāna itself rather than on the flexible, freely-directed preliminary-work concentration the divine eye actually requires.
"Iti dibbena cakkhunā"tiādi sabbaṃ nigamanavacanaṃ. Evaṃ dibbena cakkhunā…pe… passatīti ayamettha saṅkhepattho.
Evaṃ passitukāmena pana ādikammikena kulaputtena kasiṇārammaṇaṃ abhiññāpādakajjhānaṃ sabbākārena abhinīhārakkhamaṃ katvā "tejokasiṇaṃ, odātakasiṇaṃ, ālokakasiṇa"nti imesu tīsu kasiṇesu aññataraṃ āsannaṃ kātabbaṃ. Upacārajjhānagocaraṃ katvā vaḍḍhetvā ṭhapetabbaṃ. Na tattha appanā uppādetabbāti adhippāyo. Sace hi uppādeti, pādakajjhānanissayaṃ hoti, na parikammanissayaṃ. Imesu ca pana tīsu ālokakasiṇaṃyeva seṭṭhataraṃ. Tasmā taṃ vā itaresaṃ vā aññataraṃ kasiṇaniddese vuttanayena uppādetvā upacārabhūmiyaṃyeva ṭhatvā vaḍḍhetabbaṃ. Vaḍḍhanānayopi cassa tattha vuttanayeneva veditabbo.
"Thus, with the divine eye" and so on is entirely a summarizing statement. "Thus, with the divine eye ... he sees" — this is the concise meaning here.
Now, a clansman just beginning this practice, wishing to see in this way, having made the basis-jhāna for direct knowledge, with a kasiṇa as its object, thoroughly capable in every respect of being directed at will, should bring near whichever one of these three kasiṇas — the fire kasiṇa, the white kasiṇa, or the light kasiṇa — he chooses. Having made it the object of access concentration, it should be developed and then held there. The intention is that full absorption should not be produced in that context — for if he does produce full absorption, it becomes dependent on the basis-jhāna, not on the preliminary work. Now, among these three, the light kasiṇa alone is the best. Therefore, having produced either that one, or whichever of the other two, in the manner stated in the section on the kasiṇas, it should be developed while remaining fixed precisely at the level of access. The method of its development, too, should be understood in the very manner stated there.
The instruction to deliberately hold the kasiṇa work at access concentration, never letting it deepen into full absorption, is a rare case in this treatise of a meditator being told to stop short of the very attainment kasiṇa practice normally aims at — and the stated reason is precise and mechanical rather than merely cautious: full absorption would bind the resulting light to that one basis-jhāna specifically, whereas access concentration keeps it tied to the more flexible preliminary work that the divine eye's later, freely-directed expansion actually depends on.
The light kasiṇa's ranking as "best" among the three eligible options quietly reinforces a pattern visible throughout this chapter: light itself, whether as the divine eye's own defining brightness or as the meditation object used to cultivate it, keeps surfacing as this power's most natural and privileged medium, more so than fire or the color white, both of which remain valid but secondary alternatives.
access jhāna, access concentration — upacāra (approach, access) + jhāna (absorption); the threshold level of concentration deliberately held short of full absorption throughout this method's preliminary kasiṇa work.
the light kasiṇa — āloka (light, illumination) + kasiṇa (a meditation device); explicitly ranked as the best of the three kasiṇas suitable for developing the divine eye, ahead of the fire and white kasiṇas.
capable of being directed at will, fit for being applied in any direction — abhinīhāra (a directing forth, an application) + khama (capable, able to withstand); describing the fully matured basis-jhāna a beginner must first establish before attempting the divine eye's own development.
The Grass-Torch and the Sunrise: Expanding Light Into Sight
Having chosen a kasiṇa, the meditator must actually see physical forms within the space his expanded light now fills — and this initial phase, the commentary notes, is fragile: the moment the preliminary-work period lapses, the light itself vanishes, and the forms disappear along with it, requiring the meditator to re-enter the basis-jhāna and re-project the light all over again. Only gradual, repeated practice makes the light genuinely firm. The whole process is illustrated by an unforgettable extended simile: a man walking a road at night by the light of a bundle of burning grass, whose flame keeps guttering out, forcing him to rub it against the ground and relight it again and again, each relighting producing a slightly larger flame than the last — until, eventually, the sun itself rises, and the torch, now entirely unnecessary, is simply discarded, its bearer walking on through the day by sunlight alone. Every element of the simile maps directly onto the meditator's own experience: the guttering torch is the light of preliminary work; the relighting is repeated re-entry into the basis-jhāna; and the sunrise is the light of the divine eye itself, finally made permanently firm and no longer needing renewal at all.
Vaḍḍhitaṭṭhānassa antoyeva rūpagataṃ passitabbaṃ. Rūpagataṃ passato panassa parikammassa vāro atikkamati. Tato āloko antaradhāyati. Tasmiṃ antarahite rūpagatampi na dissati. Athānena punappunaṃ pādakajjhānameva pavisitvā tato vuṭṭhāya āloko pharitabbo. Evaṃ anukkamena āloko thāmagato hotīti ettha āloko hotūti yattakaṃ ṭhānaṃ paricchindati, tattha āloko tiṭṭhatiyeva. Divasampi nisīditvā passato rūpadassanaṃ hoti. Rattiṃ tiṇukkāya maggapaṭipanno cettha puriso opammaṃ.
Eko kira rattiṃ tiṇukkāya maggaṃ paṭipajji. Tassa sā tiṇukkā vijjhāyi. Athassa samavisamāni na paññāyiṃsu. So taṃ tiṇukkaṃ bhūmiyaṃ ghaṃsitvā tiṇukkā puna ujjālesi. Sā pajjalitvā purimālokato mahantataraṃ ālokaṃ akāsi. Evaṃ punappunaṃ vijjhātaṃ ujjālayato kamena sūriyo uṭṭhāsi. Sūriye uṭṭhite ukkāya kammaṃ natthīti taṃ chaḍḍetvā divasampi agamāsi. Tattha ukkāloko viya parikammakāle kasiṇāloko. Ukkāya vijjhātāya samavisamānaṃ adassanaṃ viya rūpagataṃ passato parikammassa vārātikkamena āloke antarahite rūpagatānaṃ adassanaṃ. Ukkāya ghaṃsanaṃ viya punappunaṃ pavesanaṃ. Ukkāya purimālokato mahantatarālokakaraṇaṃ viya puna parikammaṃ karoto balavatarālokapharaṇaṃ. Sūriyuṭṭhānaṃ viya thāmagatālokassa yathāparicchedena ṭhānaṃ. Tiṇukkaṃ chaḍḍetvā divasampi gamanaṃ viya parittālokaṃ chaḍḍetvā thāmagatenālokena divasampi rūpadassanaṃ.
Within the very area that has been developed, forms should be seen. But for one seeing forms in this way, the period of preliminary work eventually lapses. Then the light vanishes. When it has vanished, the forms too are no longer seen. He should then, again and again, enter that same basis-jhāna, and, emerging from it, project the light once more. In this way, the light gradually becomes firm. Herein, "let there be light" — to whatever extent he delimits an area, the light simply remains established there. Even sitting for a whole day, he has the seeing of forms. And a man walking a road at night by the light of a grass-torch is here the illustration.
It is told that a certain man once took to a road at night by the light of a grass-torch. His grass-torch went out. Then the smooth and uneven places were no longer visible to him. He rubbed that grass-torch against the ground and relit it. Once relit, it produced a light greater than the previous one. Thus, relighting it again and again as it went out, in due course the sun rose. When the sun had risen, he discarded the torch, since there was no more need for it, and went on through the day by sunlight alone. Herein, the light of the torch is like the kasiṇa-light at the time of preliminary work. The non-seeing of smooth and uneven places once the torch has gone out is like the non-seeing of forms, once the light has vanished through the lapsing of the period of preliminary work, for one who had been seeing forms. The rubbing of the torch against the ground is like the repeated re-entry into the basis-jhāna. The torch's producing a greater light than before is like the stronger projection of light produced by one performing the preliminary work yet again. The rising of the sun is like the firmly established light standing fixed according to its own delimitation. The discarding of the grass-torch and going on through the day is like discarding the limited light and seeing forms through the whole day by means of the now firmly established light.
The simile's genuine elegance lies in how completely it maps the meditator's frustrating, repetitive early practice onto something every listener would recognize immediately from ordinary travel — the point is not that the man is unusually skilled or persistent in some abstract sense, but that relighting a dying torch again and again is simply what anyone does, without a second thought, when the alternative is walking blind; the meditator's repeated re-entry into the basis-jhāna is framed as equally unremarkable, equally worth doing without complaint.
The final image — discarding the torch entirely once the sun has risen — makes a subtle but important point about this whole method's ultimate relationship to its own preliminary techniques: the kasiṇa-light that got the meditator started becomes, once the divine eye is firmly established, not merely unnecessary but actively set aside, exactly as a traveler wouldn't dream of carrying a spent torch through broad daylight.
a grass-torch, a bundle of burning grass — tiṇa (grass) + ukkā (torch, firebrand); the central image of this section's extended simile for the fragile, repeatedly-renewed light of preliminary-work kasiṇa practice.
the period, the "turn," of preliminary work — vāra (turn, occasion, period); the limited span of time during which the kasiṇa-light produced by preliminary-work concentration remains active before lapsing.
become firm, firmly established — already met in the divine ear's own development; here describing the divine eye's light once it no longer requires repeated re-kindling through re-entry into the basis-jhāna.
When the Divine Eye Actually Arises — and Its Danger for the Unenlightened
The commentary now states precisely the moment the divine eye can be said to have genuinely arisen: when forms otherwise entirely outside the range of the fleshly eye — hidden inside the belly, resting on the heart-basis, beneath the earth's surface, behind walls, mountains, and ramparts, or in another world-system entirely — come within range of the meditator's knowledge-eye exactly as if they were being seen with ordinary vision. It is this actual capacity for seeing form, the commentary stresses, and not any of the preliminary mind-moments leading up to it, that constitutes the power itself. But the very same passage carries a sobering warning: for an unawakened worldling, this power is a genuine hazard rather than an unqualified achievement, since determining "let there be light" anywhere he wishes can suddenly illuminate terrifying sights — yakkhas, rakkhasas, and other fearsome forms — capable of provoking a fright so severe that his mind becomes deranged and his jhāna itself collapses entirely, making vigilant care in the exercise of this particular power absolutely essential. The section then closes with the same standard arising-process already given for the divine ear and past-life recollection, and its own formal colophon.
Tattha yadā tassa bhikkhuno maṃsacakkhussa anāpāthagataṃ antokucchigataṃ hadayavatthunissitaṃ heṭṭhāpathavītalanissitaṃ tirokuṭṭapabbatapākāragataṃ paracakkavāḷagatanti idaṃ rūpaṃ ñāṇacakkhussa āpāthaṃ āgacchati, maṃsacakkhunā dissamānaṃ viya hoti, tadā dibbacakkhu uppannaṃ hotīti veditabbaṃ. Tadeva cettha rūpadassanasamatthaṃ, na pubbabhāgacittāni.
Taṃ panetaṃ puthujjanassa paribandho hoti. Kasmā? So hi yasmā yattha yattha āloko hotūti adhiṭṭhāti, taṃ taṃ pathavīsamuddapabbate vinivijjhitvāpi ekālokaṃ hoti, athassa tattha bhayānakāni yakkharakkhasādirūpāni passato bhayaṃ uppajjati. Yena cittavikkhepaṃ patvā jhānavibbhantako hoti, tasmā rūpadassane appamattena bhavitabbaṃ.
Tatrāyaṃ dibbacakkhuno uppattikkamo. Vuttappakārametaṃ rūpamārammaṇaṃ katvā manodvārāvajjane uppajjitvā niruddhe tadeva rūpaṃ ārammaṇaṃ katvā cattāri pañca vā javanāni uppajjantīti sabbaṃ purimanayeneva veditabbaṃ. Idhāpi pubbabhāgacittāni savitakkasavicārāni kāmāvacarāni. Pariyosāne atthasādhakacittaṃ catutthajjhānikaṃ rūpāvacaraṃ. Tena sahajātaṃ ñāṇaṃ sattānaṃ cutūpapāte ñāṇantipi dibbacakkhuñāṇantipi vuccatīti.
Cutūpapātañāṇakathā niṭṭhitā.
Herein, when a form that is outside the range of that monk's fleshly eye — hidden inside the belly, resting on the heart-basis, lying beneath the surface of the earth, situated behind a wall, a mountain, or a rampart, or situated in another world-system entirely — comes within the range of his knowledge-eye, appearing just as if it were being seen with the fleshly eye, then the divine eye should be understood to have arisen. It is that very capacity for seeing form, and not the preceding mind-moments, that is meant here.
But this is a genuine hazard for a worldling. Why? Because, since he determines, "let there be light," in whatever place he wishes, and that place — even having penetrated through earth, ocean, or mountain — becomes filled with a single light, fear arises in him upon seeing, there, terrifying forms such as yakkhas and rakkhasas. On account of this, having fallen into mental derangement, he becomes one whose jhāna is deranged. Therefore, one must be diligent in the seeing of forms.
This, then, is the order in which the divine eye arises: having made a form of the kind described its object, a mind-door adverting arises; when that has ceased, taking that same object, four or five javana-moments arise — all of this should be understood in exactly the manner already stated. Here too, the preceding mind-moments are of the sense sphere, accompanied by initial and sustained thought. The final, purpose-accomplishing consciousness is of the fine-material sphere, pertaining to the fourth jhāna. The knowledge born together with it is called both "knowledge of beings' passing away and rebirth" and "knowledge of the divine eye."
The discussion of the knowledge of passing away and rebirth is finished.
The frank admission that this power is "a genuine hazard for a worldling" is a rare moment where the treatise flags real psychological risk in the very practice it is teaching, rather than presenting every meditative attainment as an unqualified good — the specific danger named (encountering a terrifying sight that derails the mind and collapses the jhāna itself) treats the divine eye's unlimited reach as a double-edged capability, powerful precisely because it can show the meditator things he is not emotionally prepared to see.
The precise identification of the divine eye's actual arising with "that very capacity for seeing form, and not the preceding mind-moments" repeats, for the third time in this chapter alone, the same insistence on distinguishing a power's genuine arising from its surrounding preparatory apparatus — a consistency of technical rigor that runs through the divine ear, past-life recollection, and now the divine eye alike.
one whose jhāna has been deranged, disturbed — jhāna + vibbhantaka (deranged, distracted, from vi + bhram, "to wander, err"); the specific danger a worldling risks when the divine eye's light suddenly reveals a terrifying sight.
two classes of fearsome non-human beings in Pāli cosmology — named here as examples of the kind of frightening forms that might unexpectedly appear within a meditator's expanded divine-eye light, with genuinely destabilizing effect.
range, reach, the field within which something falls — used here for both the fleshly eye's limited range and the far greater range of the "knowledge-eye" (ñāṇacakkhu), the divine eye's own alternate designation.
Miscellaneous Discussion: Seven Knowledges, Four Kinds of Object
With all five remaining direct knowledges now explained, the chapter's closing "miscellaneous discussion" opens with a pair of summarizing verses: the knower of the five aggregates, the Protector, spoke of five direct knowledges — the divine ear, mind-reading, past-life recollection, the divine eye, and the power of resolve already covered in chapter twelve — and having understood them, this miscellaneous discussion should also be known. The discussion's actual purpose is to prevent confusion about exactly what kind of object each of these knowledges takes, since the single power of the divine eye (renamed here "knowledge of passing away and rebirth") actually yields two further subsidiary knowledges — the knowledge of the future and the knowledge of faring according to deeds — bringing the total under discussion to seven direct knowledges in all. The Great Sage himself, the verses continue, spoke of four "triads of object" in the Abhidhamma matrices — objects that are limited, objects belonging to the path, objects that are past, and objects that are internal — and the discussion now sets out to show precisely how each of the seven knowledges' own activity maps onto this fourfold scheme, beginning with the power of resolve itself.
Iti pañcakkhandhavidū, pañca abhiññā avoca yā nātho; Tā ñatvā tāsu ayaṃ, pakiṇṇakakathāpi viññeyyā.
Etāsu hi yadetaṃ cutūpapātañāṇasaṅkhātaṃ dibbacakkhu, tassa anāgataṃsañāṇañca yathākammupagañāṇañcāti dvepi paribhaṇḍañāṇāni honti. Iti imāni ca dve iddhividhādīni ca pañcāti satta abhiññāñāṇāni idhāgatāni. Idāni tesaṃ ārammaṇavibhāge asammohatthaṃ –
Ārammaṇattikā vuttā, ye cattāro mahesinā; Sattannamapi ñāṇānaṃ, pavattiṃ tesu dīpaye.
Tatrāyaṃ dīpanā. Cattāro hi ārammaṇattikā mahesinā vuttā. Katame cattāro? Parittārammaṇattiko, maggārammaṇattiko, atītārammaṇattiko, ajjhattārammaṇattikoti.
Tattha iddhividhañāṇaṃ parittamahaggataatītānāgatapaccuppannaajjhattabahiddhārammaṇavasena sattasu ārammaṇesu pavattati. Kathaṃ? Tañhi yadā kāyaṃ cittasannissitaṃ katvā adissamānena kāyena gantukāmo cittavasena kāyaṃ pariṇāmeti, mahaggatacitte samodahati samāropeti, tadā upayogaladdhaṃ ārammaṇaṃ hotīti katvā rūpakāyārammaṇato parittārammaṇaṃ hoti. Yadā cittaṃ kāyasannissitaṃ katvā dissamānena kāyena gantukāmo kāyavasena cittaṃ pariṇāmeti, pādakajjhānacittaṃ rūpakāye samodahati samāropeti, tadā upayogaladdhaṃ ārammaṇaṃ hotīti katvā mahaggatacittārammaṇato mahaggatārammaṇaṃ hoti.
Yasmā pana tadeva cittaṃ atītaṃ niruddhaṃ ārammaṇaṃ karoti, tasmā atītārammaṇaṃ hoti. Mahādhātunidhāne mahākassapattherādīnaṃ viya anāgataṃ adhiṭṭhahantānaṃ anāgatārammaṇaṃ hoti. Mahākassapatthero kira mahādhātunidhānaṃ karonto "anāgate aṭṭhārasavassādhikāni dvevassasatāni ime gandhā mā sussiṃsu, pupphāni mā milāyiṃsu, dīpā mā nibbāyiṃsū"ti adhiṭṭhahi. Sabbaṃ tatheva ahosi. Assaguttatthero vattaniyasenāsane bhikkhusaṅghaṃ sukkhabhattaṃ bhuñjamānaṃ disvā udakasoṇḍiṃ divase divase purebhatte dadhirasaṃ hotūti adhiṭṭhāsi. Purebhatte gahitaṃ dadhirasaṃ hoti. Pacchābhatte pākatikaudakameva. Kāyaṃ pana cittasannissitaṃ katvā adissamānena kāyena gamanakāle paccuppannārammaṇaṃ hoti.
Kāyavasena cittaṃ, cittavasena vā kāyaṃ pariṇāmanakāle attano kumārakavaṇṇādinimmānakāle ca sakāyacittānaṃ ārammaṇakaraṇato ajjhattārammaṇaṃ hoti. Bahiddhā hatthiassādidassanakāle pana bahiddhārammaṇanti evaṃ tāva iddhividhañāṇassa sattasu ārammaṇesu pavatti veditabbā.
Thus the knower of the five aggregates, the Protector, spoke of five direct knowledges; having understood these, this miscellaneous discussion, too, should be known.
For, among these, that which is reckoned the divine eye — the knowledge of passing away and rebirth — has two further ancillary knowledges of its own: the knowledge of the future, and the knowledge of faring according to deeds. Thus these two, together with the power of resolve and the remaining four, make seven direct knowledges arrived at here. Now, in order to prevent confusion in the classification of their objects —
the Great Sage spoke of four triads of object; let their occurrence be shown among these seven knowledges as well.
Here is the exposition. The Great Sage indeed spoke of four triads of object. What four? The triad of the limited object, the triad of the path-object, the triad of the past object, and the triad of the internal object.
Herein, the knowledge of the kinds of supernormal power occurs by way of seven objects: limited, exalted, past, future, present, internal, and external. How? For when he, having made the body dependent on the mind, wishing to go with an invisible body, brings the body under the mind's influence, causing it to sink into and mount upon the exalted consciousness — since the object then obtained by application is thus described, it is a limited object, on account of the object being the physical body. When he, having made the mind dependent on the body, wishing to go with a visible body, brings the mind under the body's influence, causing the basis-jhāna consciousness to sink into and mount upon the physical body — since the object then obtained by application is thus described, it is an exalted object, on account of the object being the exalted consciousness.
But since that very consciousness, having ceased, takes as its object something past, it is a past object. For those determining a future event, such as Elder Mahākassapa and others at the great relic-deposit, it is a future object. It is told that Elder Mahākassapa, while carrying out the great relic-deposit, determined: "in the future, for two hundred and eighteen years, may these perfumes not dry up, may these flowers not wither, may these lamps not go out." And everything happened exactly so. Elder Assagutta, seeing the community of monks eating dry food at the Vattaniya lodging, determined that a pool of water should become a curd-essence every day, before the meal. What was taken before the meal was curd-essence; after the meal, it was ordinary water once more. But at the time of going with an invisible body, having made the body dependent on the mind, it is a present object.
At the time of bringing the mind under the body's influence, or the body under the mind's influence, and at the time of creating an appearance such as that of a child for oneself, it is an internal object, on account of the object being one's own body and mind. But at the time of showing something external, such as an elephant or a horse, it is an external object. Thus, firstly, should the occurrence of the knowledge of the kinds of supernormal power among its seven objects be understood.
This closing discussion performs a genuinely different kind of analysis than everything preceding it in the chapter: rather than explaining how each power is developed or what it accomplishes, it retroactively classifies every power already explained according to a wholly separate Abhidhamma framework (the object-triads), demonstrating that these seven direct knowledges, however exotic their effects, remain fully governed by the same technical apparatus that describes ordinary consciousness — nothing about supernormal power exempts it from standard categorization.
Mahākassapa's relic-preservation determination and Assagutta's daily curd-essence both function as worked examples of "future object" — a category easy to state abstractly but genuinely difficult to picture concretely, and the choice of two such vivid, well-attested stories to anchor it shows the commentary's consistent habit of pairing every abstract classification with a memorable narrative instance.
a triad of object — ārammaṇa (object) + attika (a triad, threefold grouping); one of the standard Abhidhamma matrix-categories used to classify mental states by the kind of object they take, applied here retroactively to all seven direct knowledges.
an ancillary or subsidiary knowledge — paribhaṇḍa (accessory, auxiliary) + ñāṇa (knowledge); the technical term for the knowledge of the future and the knowledge of faring according to deeds, both arising directly alongside the divine eye rather than through separate development.
the great relic-deposit — mahā (great) + dhātu (relic, element) + nidhāna (a placing, depositing); the historic event during which Mahākassapa is said to have used the power of resolve to preserve offerings intact for over two centuries into the future.
The Divine Ear's Four Objects, and the Sixteen-Fold Mind Reconsidered
The object-classification survey continues with the divine ear, whose range turns out to be considerably narrower than the power of resolve's: since sound itself is always a "limited" object, and since sound can only ever be heard as it is actually occurring, the divine ear-knowledge is confined to just four of the seven possible categories — limited, present, internal (when hearing a sound within one's own body), and external (when hearing another's). The commentary then turns to mind-reading, whose range is considerably wider precisely because a mind, unlike a sound, can belong to any of the three planes of existence or even be supramundane — sense-sphere minds are limited objects, fine-material and immaterial minds are exalted objects, and path-and-fruit minds are measureless objects, giving this single knowledge access to fully eight of the framework's object-categories at once.
Dibbasotadhātuñāṇaṃ parittapaccuppannaajjhattabahiddhārammaṇavasena catūsu ārammaṇesu pavattati. Kathaṃ? Tañhi yasmā saddaṃ ārammaṇaṃ karoti, saddo ca paritto, tasmā parittārammaṇaṃ hoti. Vijjamānaṃyeva pana saddaṃ ārammaṇaṃ katvā pavattanato paccuppannārammaṇaṃ hoti. Taṃ attano kucchisaddasavanakāle ajjhattārammaṇaṃ. Paresaṃ saddasavanakāle bahiddhārammaṇanti evaṃ dibbasotadhātuñāṇassa catūsu ārammaṇesu pavatti veditabbā.
Cetopariyañāṇaṃ parittamahaggataappamāṇamaggaatītānāgatapaccuppannabahiddhārammaṇavasena aṭṭhasu ārammaṇesu pavattati. Kathaṃ? Tañhi paresaṃ kāmāvacaracittajānanakāle parittārammaṇaṃ hoti. Rūpāvacaraarūpāvacaracittajānanakāle mahaggatārammaṇaṃ hoti. Maggaphalajānanakāle appamāṇārammaṇaṃ hoti.
Ettha ca puthujjano sotāpannassa cittaṃ na jānāti. Sotāpanno vā sakadāgāmissāti evaṃ yāva arahato netabbaṃ. Arahā pana sabbesaṃ cittaṃ jānāti. Aññopi ca uparimo heṭṭhimassāti ayaṃ viseso veditabbo. Maggacittārammaṇakāle maggārammaṇaṃ hoti. Yadā pana atīte sattadivasabbhantare ca anāgate sattadivasabbhantare ca paresaṃ cittaṃ jānāti, tadā atītārammaṇaṃ anāgatārammaṇañca hoti.
The knowledge of the divine ear-element occurs by way of four objects: limited, present, internal, and external. How? Since it makes sound its object, and sound is limited, it is a limited object. And since it occurs by taking as object only a sound that actually exists, it is a present object. When hearing a sound within one's own body, it is an internal object. When hearing others' sound, it is an external object. Thus should the occurrence of the knowledge of the divine ear-element among its four objects be understood.
The knowledge of penetrating minds occurs by way of eight objects: limited, exalted, measureless, path-related, past, future, present, and external. How? At the time of knowing others' sense-sphere consciousness, it is a limited object. At the time of knowing fine-material and immaterial-sphere consciousness, it is an exalted object. At the time of knowing path-and-fruit consciousness, it is a measureless object.
And here, an ordinary worldling does not know a stream-enterer's mind; nor does a stream-enterer know a once-returner's — and so it should be understood, right up to the level of an Arahant. But an Arahant knows the minds of all. This distinctive point should also be understood: one at a higher stage can know the mind of one below, but not the reverse. At the time the path-consciousness itself is the object, it is a path-object. But when one knows others' minds within the preceding seven days, or within the following seven days, it is then a past object and a future object respectively.
The strict one-directional rule — a higher stage of attainment can read a lower mind, but never the reverse — quietly encodes a whole theory of spiritual hierarchy into a single technical remark about mind-reading: understanding is treated as something that scales with attainment itself, so that an Arahant's comprehensive access to every mind is not merely a stronger version of an ordinary worldling's total blindness to a stream-enterer's mind, but a difference in kind tracking the actual structure of the path.
The divine ear's comparatively narrow four-object range, set right next to mind-reading's eight, is a useful corrective to any assumption that "more exotic-sounding power" automatically means "wider technical scope" — sound's own inherent nature (always limited, always occurring only in the present) constrains what can be known about it no matter how refined the perceiving faculty becomes, while a mind's much greater possible variety (spanning three planes plus the supramundane) simply gives mind-reading more genuine categories to range across.
a measureless object — appamāṇa (immeasurable, unlimited) + ārammaṇa (object); the technical classification for path-and-fruit consciousness as an object of knowledge, reflecting the supramundane's freedom from the ordinary threefold-plane scheme.
a path-object — describing the specific case where the very consciousness that constitutes path-attainment itself becomes the object known by another's mind-reading knowledge, distinct from the broader "measureless" category.
a once-returner — the second of the four stages of awakening, invoked here in the strict hierarchy of who can and cannot read whose mind: a stream-enterer cannot know a once-returner's mind, though the reverse is possible at a sufficiently advanced stage.
Three Kinds of "Present": A Flower-Bunch Thrown Into the Air
Before mind-reading's object-classification can be finished, the commentary must settle exactly what "present" means for a mind-moment that, by nature, lasts only an instant — and it distinguishes three technical grades: momentary-present (a state actually undergoing arising, persisting, and dissolving right now), continuity-present (anything falling within one or two or three sequences of mental process), and duration-present (anything bounded within a single existence, the sense used in the Bhaddekaratta Sutta). Some teachers had argued that mind-reading takes even the razor-thin momentary-present as its object, illustrated by the striking image of a handful of flowers thrown into the air, where each flower's stem inevitably meets another flower's stem at the very same instant they scatter — implying that the meditator's own cognizing mind and the target's cognized mind must likewise coincide at a single identical moment. But the commentaries firmly reject this account as technically impossible, since the mind that adverts and the mind that actually knows cannot occupy the same location in the mental process, and the text instead settles on continuity-present and duration-present as the only genuinely correct answer — illustrated by two further similes from a differing group of reciter-elders: a footprint left in water that has not yet faded, warmth in the body not yet cooled after a journey, and the still-flickering afterimage in the eyes when first stepping from sunlight into a darkened room.
Kathaṃ paccuppannārammaṇaṃ hoti. Paccuppannaṃ nāma tividhaṃ – khaṇapaccuppannaṃ, santatipaccuppannaṃ, addhāpaccuppannañca. Tattha uppādaṭṭhitibhaṅgappattaṃ khaṇapaccuppannaṃ. Ekadvesantativārapariyāpannaṃ santatipaccuppannaṃ. Tattha andhakāre nisīditvā ālokaṭṭhānaṃ gatassa na tāva ārammaṇaṃ pākaṭaṃ hoti, yāva pana taṃ pākaṭaṃ hoti, etthantare ekadvesantativārā veditabbā. Ālokaṭṭhāne vicaritvā ovarakaṃ paviṭṭhassāpi na tāva sahasā rūpaṃ pākaṭaṃ hoti, yāva pana taṃ pākaṭaṃ hoti, etthantare ekadvesantativārā veditabbā. Dūre ṭhatvā pana rajakānaṃ hatthavikāraṃ, ghaṇḍibherīākoṭanavikārañca disvāpi na tāva saddaṃ suṇāti, yāva pana taṃ suṇāti, etasmimpi antare ekadvesantativārā veditabbā. Evaṃ tāva majjhimabhāṇakā.
Saṃyuttabhāṇakā pana rūpasantati arūpasantatīti dve santatiyo vatvā udakaṃ akkamitvā gatassa yāva tīre akkantaudakalekhā na vippasīdati, addhānato āgatassa yāva kāye usumabhāvo na vūpasammati, ātapā āgantvā gabbhaṃ paviṭṭhassa yāva andhakārabhāvo na vigacchati, antogabbhe kammaṭṭhānaṃ manasi karitvā divā vātapānaṃ vivaritvā olokentassa yāva akkhīnaṃ phandanabhāvo na vūpasammati, ayaṃ rūpasantati nāma. Dve tayo javanavārā arūpasantati nāmāti vatvā tadubhayampi santatipaccuppannaṃ nāmāti vadanti.
Ekabhavaparicchinnaṃ pana addhāpaccuppannaṃ nāma. Yaṃ sandhāya bhaddekarattasutte "yo cāvuso, mano ye ca dhammā ubhayametaṃ paccuppannaṃ, tasmiṃ ce paccuppanne chandarāgappaṭibaddhaṃ hoti viññāṇaṃ, chandarāgappaṭibaddhattā viññāṇassa tadabhinandati, tadabhinandanto paccuppannesu dhammesu saṃhīratī"ti vuttaṃ. Santatipaccuppannañcettha aṭṭhakathāsu āgataṃ. Addhāpaccuppannaṃ sutte.
Tattha keci khaṇapaccuppannaṃ cittaṃ cetopariyañāṇassa ārammaṇaṃ hotīti vadanti. Kiṃ kāraṇā? Yasmā iddhimato ca parassa ca ekakkhaṇe cittaṃ uppajjatīti. Idañca nesaṃ opammaṃ, yathā ākāse khitte pupphamuṭṭhimhi avassaṃ ekaṃ pupphaṃ ekassa vaṇṭena vaṇṭaṃ paṭivijjhati, evaṃ parassa cittaṃ jānissāmīti rāsivasena mahājanassa citte āvajjite avassaṃ ekassa cittaṃ ekena cittena uppādakkhaṇe vā ṭhitikkhaṇe vā bhaṅgakkhaṇe vā paṭivijjhatīti. Taṃ pana vassasatampi vassasahassampi āvajjanto yena ca cittena āvajjati, yena ca jānāti. Tesaṃ dvinnaṃ sahaṭhānābhāvato āvajjanajavanānañca aniṭṭhaṭṭhāne nānārammaṇabhāvappattidosato ayuttanti aṭṭhakathāsu paṭikkhittaṃ.
Santatipaccuppannaṃ pana addhāpaccuppannañca ārammaṇaṃ hotīti veditabbaṃ. Tattha yaṃ vattamānajavanavīthito atītānāgatavasena dvittijavanavīthiparimāṇe kāle parassa cittaṃ, taṃ sabbampi santatipaccuppannaṃ nāma. "Addhāpaccuppannaṃ pana javanavārena dīpetabba"nti saṃyuttaṭṭhakathāyaṃ vuttaṃ. Taṃ suṭṭhu vuttaṃ.
Tatrāyaṃ dīpanā, iddhimā parassa cittaṃ jānitukāmo āvajjati, āvajjanaṃ khaṇapaccuppannaṃ ārammaṇaṃ katvā teneva saha nirujjhati. Tato cattāri pañca vā javanāni. Yesaṃ pacchimaṃ iddhicittaṃ, sesāni kāmāvacarāni, tesaṃ sabbesampi tadeva niruddhaṃ cittamārammaṇaṃ hoti, na ca tāni nānārammaṇāni honti, addhāvasena paccuppannārammaṇattā. Ekārammaṇattepi ca iddhicittameva parassa cittaṃ jānāti, na itarāni. Yathā cakkhudvāre cakkhuviññāṇameva rūpaṃ passati, na itarānīti. Iti idaṃ santatipaccuppannassa ceva addhāpaccuppannassa ca vasena paccuppannārammaṇaṃ hoti. Yasmā vā santatipaccuppannampi addhāpaccuppanneyeva patati, tasmā addhāpaccuppannavasenevetaṃ paccuppannārammaṇanti veditabbaṃ. Parassa cittārammaṇattāyeva pana bahiddhārammaṇaṃ hotīti evaṃ cetopariyañāṇassa aṭṭhasu ārammaṇesu pavatti veditabbā.
How is it a present object? "Present" is of three kinds: momentary-present, continuity-present, and duration-present. Herein, that which has reached arising, persisting, and dissolution is "momentary-present." That which is comprised within one, two, or three sequences of mental process is "continuity-present." Herein, for one who, sitting in darkness, has gone to a lighted place, the object does not become clear all at once; the interval before it becomes clear should be understood as one, two, or three sequences. Likewise, for one who, having wandered in a lighted place, has entered an inner room, form does not suddenly become clear; the interval before it becomes clear should likewise be understood as one, two, or three sequences. And for one standing at a distance who, seeing the hand-movements of washer-men or the striking-motions upon a gong or drum, does not yet hear the sound, the interval before he hears it should also be understood as one, two, or three sequences. Thus, firstly, say the reciters of the Majjhima.
But the reciters of the Saṃyutta, having spoken of two continuities — material continuity and immaterial continuity — say: for one who, having stepped into water, has come out, as long as the water-line left by his stepping has not yet faded from the bank; for one who has come from a journey, as long as the warmth in his body has not yet subsided; for one who has come in from the sunlight and entered an inner room, as long as the sense of darkness has not yet passed; for one who, having attended to a meditation subject inside a room, opens a window by day and looks out, as long as the flickering in his eyes has not yet subsided — this is called "material continuity." Two or three sequences of javana-consciousness are called "immaterial continuity." Both of these together, they say, are called "continuity-present."
But that which is bounded within a single existence is called "duration-present." It is with reference to this that it was said in the Bhaddekaratta Sutta: "and, friend, that mind, and those phenomena, both of these are present; if, in that present, consciousness is bound by desire and lust, then, being so bound, one delights in it; delighting in it, one is carried away by present phenomena." Continuity-present is what appears in the commentaries; duration-present, in the discourse itself.
Herein, some say that momentary-present consciousness is the object of the knowledge of penetrating minds. For what reason? Because the mind of the possessor of power and the mind of the other person arise at one and the same moment. And this is their simile: just as, when a handful of flowers is thrown into the air, one flower's stem inevitably meets another flower's stem — so too, when the mind of the great multitude of people is adverted to collectively, thinking, "I shall know another's mind," one particular mind inevitably meets one particular mind, whether at the moment of its arising, its persisting, or its dissolving. But one who adverts in this way for even a hundred or a thousand years — the mind with which he adverts, and the mind with which he knows, cannot both occupy the same place at once, since adverting and javana cannot occur in the same location; and there is the further fault that, at the moment of failure, the object would then have to become something entirely different. For these reasons, this view is rejected in the commentaries as untenable.
Rather, it should be understood that continuity-present and duration-present are what serve as the object. Herein, another's mind occurring within a period equivalent to two or three mind-process-courses of javana, whether past or future relative to the currently occurring javana-course, is entirely called "continuity-present." "But duration-present should be illustrated by way of a single javana-course" — so it is said in the Saṃyutta commentary, and this is well said.
Here is the explanation. A possessor of power, wishing to know another's mind, adverts; that adverting, having taken the momentary-present as its object, ceases together with it. Then follow four or five javana-moments. Of these, the last is the knowledge-of-power consciousness; the rest are of the sense sphere. For all of these, that same ceased consciousness is the object — they do not have differing objects, since, by way of duration, it counts as a present object. And even where the object is thus one and the same, it is the knowledge-of-power consciousness alone, and not the others, that actually knows another's mind — just as, at the eye-door, it is eye-consciousness alone, and not the others, that sees a visible form. Thus, this is a present object by way of both continuity-present and duration-present. Or, since continuity-present itself also falls within duration-present, it should be understood that this is a present object by way of duration-present specifically. And it is an external object simply because its object is another's mind. Thus should the occurrence of the knowledge of penetrating minds among its eight objects be understood.
The flower-bunch simile is genuinely elegant on its own terms — a handful of flowers thrown into the air really will scatter so that stems meet stems by simple probability — but the commentary's rejection of the theory it illustrates is worth following closely: the actual technical objection isn't that the image is inapt, but that adverting-consciousness and knowing-consciousness structurally cannot occupy the identical location within a single mental process, a purely architectural constraint on how consciousness is built that no amount of vivid illustration can talk around.
The choice to preserve two rival monastic reciting-traditions' differing accounts of "continuity-present" side by side — the Majjhima reciters' three ordinary-experience examples (adjusting to light, adjusting to sound) against the Saṃyutta reciters' more precise material/immaterial split — continues this treatise's consistent practice of showing its work: rather than silently synthesizing a single official position, it lets the reader see exactly how two respected lineages independently converged on compatible, if differently framed, answers.
momentary-present — khaṇa (a moment, an instant) + paccuppanna (present); the narrowest of the three grades of "present," confined to a single mind-moment's own arising, persisting, and dissolving, and explicitly rejected here as mind-reading's actual object.
continuity-present — santati (a continuity, a series) + paccuppanna (present); a broader grade of "present" spanning one to three sequences of mental process, ultimately identified, along with duration-present, as mind-reading's genuine object.
the reciters of the Majjhima Nikāya / the reciters of the Saṃyutta Nikāya — two distinct monastic lineages responsible for transmitting different sections of the canon, each preserving its own slightly different technical account of "continuity-present," both recorded here without being forced into artificial agreement.
Past-Life Recollection's Eight Objects, the Divine Eye's Four
The survey turns next to recollection of past lives, whose object-range matches mind-reading's eight categories almost exactly but for one telling substitution: in place of an external object, past-life recollection instead admits an "inexpressible" object, needed to accommodate name, clan, and similar designations that are conventionally real but not, strictly speaking, any of the standard ultimate categories. The commentary pauses here to draw a further fine distinction against mind-reading and knowledge of faring according to deeds, both of which likewise touch the past: mind-reading is confined to another's mind occurring within the preceding seven days, and knowledge of faring according to deeds touches only past volition, whereas past-life recollection alone ranges freely across the aggregates of any past existence whatsoever, with no comparable restriction — a scope the commentary backs with a direct citation from the Paṭṭhāna itself. The divine eye, treated next, returns to a narrower four-object scope closely paralleling the divine ear's own: visible form is always a limited object, always present, and either internal or external depending on whose body is being observed.
Pubbenivāsañāṇaṃ parittamahaggataappamāṇamaggaatītaajjhattabahiddhānavattabbārammaṇavasena aṭṭhasu ārammaṇesu pavattati. Kathaṃ? Tañhi kāmāvacarakkhandhānussaraṇakāle parittārammaṇaṃ hoti. Rūpāvacarārūpāvacarakkhandhānussaraṇakāle mahaggatārammaṇaṃ. Atīte attanā parehi vā bhāvitamaggaṃ sacchikataphalañca anussaraṇakāle appamāṇārammaṇaṃ. Bhāvitamaggameva anussaraṇakāle maggārammaṇaṃ. Niyamato panetaṃ atītārammaṇameva.
Tattha kiñcāpi cetopariyañāṇayathākammupagañāṇānipi atītārammaṇāni honti, atha kho tesaṃ cetopariyañāṇassa sattadivasabbhantarātītaṃ cittameva ārammaṇaṃ. Tañhi aññaṃ khandhaṃ vā khandhapaṭibaddhaṃ vā na jānāti. Maggasampayuttacittārammaṇattā pana pariyāyato maggārammaṇanti vuttaṃ. Yathākammupagañāṇassa ca atītaṃ cetanāmattameva ārammaṇaṃ. Pubbenivāsañāṇassa pana atītā khandhā khandhapaṭibaddhañca kiñci anārammaṇaṃ nāma natthi. Tañhi atītakkhandhakhandhapaṭibaddhesu dhammesu sabbaññutaññāṇagatikaṃ hotīti ayaṃ viseso veditabbo. Ayamettha aṭṭhakathānayo. Yasmā pana "kusalā khandhā iddhividhañāṇassa cetopariyañāṇassa pubbenivāsānussatiñāṇassa yathākammupagañāṇassa anāgataṃsañāṇassa ārammaṇapaccayena paccayo"ti paṭṭhāne vuttaṃ. Tasmā cattāropi khandhā cetopariyañāṇayathākammupagañāṇānaṃ ārammaṇā honti. Tatrāpi yathākammupagañāṇassa kusalākusalā evāti.
Attano khandhānussaraṇakāle panetaṃ ajjhattārammaṇaṃ. Parassa khandhānussaraṇakāle bahiddhārammaṇaṃ. "Atīte vipassī bhagavā ahosi. Tassa mātā bandhumatī, pitā bandhumā"tiādinā nayena nāmagottapathavīnimittādianussaraṇakāle navattabbārammaṇaṃ hoti. Nāmagottanti cettha khandhūpanibandho sammutisiddho byañjanattho daṭṭhabbo, na byañjanaṃ. Byañjanañhi saddāyatanasaṅgahitattā parittaṃ hoti. Yathāha "niruttipaṭisambhidā parittārammaṇā"ti. Ayamettha amhākaṃ khanti. Evaṃ pubbenivāsañāṇassa aṭṭhasu ārammaṇesu pavatti veditabbā.
Dibbacakkhuñāṇaṃ parittapaccuppannaajjhattabahiddhārammaṇavasena catūsu ārammaṇesu pavattati. Kathaṃ? Tañhi yasmā rūpaṃ ārammaṇaṃ karoti, rūpañca parittaṃ, tasmā parittārammaṇaṃ hoti. Vijjamāneyeva ca rūpe pavattattā paccuppannārammaṇaṃ. Attano kucchigatādirūpadassanakāle ajjhattārammaṇaṃ. Parassa rūpadassanakāle bahiddhārammaṇanti evaṃ dibbacakkhuñāṇassa catūsu ārammaṇesu pavatti veditabbā.
The knowledge of recollecting past lives occurs by way of eight objects: limited, exalted, measureless, path-related, past, internal, external, and inexpressible. How? At the time of recollecting sense-sphere aggregates, it is a limited object. At the time of recollecting fine-material or immaterial-sphere aggregates, it is an exalted object. At the time of recollecting the path developed and the fruit realized, whether by oneself or by others, in the past, it is a measureless object. At the time of recollecting only the path developed, it is a path-object. This knowledge, however, is by rule always a past object as well.
Herein, although the knowledge of penetrating minds and the knowledge of faring according to deeds also take past objects, still, for the knowledge of penetrating minds, the object is only a mind that is past within the preceding seven days — for it does not know any other aggregate, or anything bound up with the aggregates. It is called a path-object only in a figurative sense, on account of its object being consciousness associated with the path. For the knowledge of faring according to deeds, the past object is only volition itself. But for the knowledge of recollecting past lives, there is nothing among past aggregates or things bound up with the aggregates that is not its object. For, with respect to past aggregates and things bound up with the aggregates, it partakes of the range of omniscient knowledge itself — this distinction should be understood. This is the commentarial method here. But since it is said in the Paṭṭhāna, "wholesome aggregates are a condition, by way of object-condition, for the knowledge of the kinds of supernormal power, for the knowledge of penetrating minds, for the knowledge of recollecting past lives, for the knowledge of faring according to deeds, and for the knowledge of the future" — therefore, all four aggregates are objects for the knowledge of penetrating minds and the knowledge of faring according to deeds as well; and among these, for the knowledge of faring according to deeds specifically, they are wholesome and unwholesome aggregates alone.
At the time of recollecting one's own aggregates, this is an internal object. At the time of recollecting another's aggregates, it is an external object. By the method of "in the past, the Blessed One Vipassī existed; his mother was Bandhumatī, his father was Bandhumā," and so on, at the time of recollecting name, clan, earth-signs, and the like, it is an inexpressible object. Herein, "name and clan" should be understood as the connection to the aggregates established by convention — that is, the sense conveyed by the term, not the term itself. For the term itself, being included within the sound-base, is a limited object. As it is said: "analytical knowledge of language has a limited object." This is our own preferred position here. Thus should the occurrence of the knowledge of recollecting past lives among its eight objects be understood.
The knowledge of the divine eye occurs by way of four objects: limited, present, internal, and external. How? Since it makes visible form its object, and visible form is limited, it is a limited object. And since it occurs only with respect to visible form that actually exists, it is a present object. At the time of seeing form within one's own body and the like, it is an internal object. At the time of seeing another's form, it is an external object. Thus should the occurrence of the knowledge of the divine eye among its four objects be understood.
The distinction the commentary draws between the term itself ("Bandhumatī" as a mere sound, a limited object) and the sense it conveys (the actual connection to a specific person's aggregates, an inexpressible object) is a genuinely subtle piece of philosophy of language embedded in what looks at first like a routine classification exercise — the commentary is insisting that recollecting someone's name is not simply recollecting a sound, but recollecting the conventional link between that sound and a real, if long-vanished, continuum of aggregates.
The explicit citation from the Paṭṭhāna, introduced specifically to correct or supplement "the commentarial method," is a rare and valuable glimpse of Buddhaghosa checking secondary exegesis directly against the primary Abhidhamma text and preferring the primary source's own broader statement — a small but genuine instance of textual rigor winning out over received commentarial convention.
an inexpressible object — na (not) + vattabba (to be expressed, statable) + ārammaṇa (object); the special eighth category needed to classify conventional designations like name and clan, which are neither strictly limited, exalted, nor any other standard type of object.
partaking of the range of omniscient knowledge — sabbaññu (all-knowing) + ñāṇa (knowledge) + gatika (having the range or course of); the striking phrase used to describe past-life recollection's exceptionally unrestricted scope across past aggregates, likened to the Buddha's own omniscience in this one narrow respect.
analytical knowledge of language, etymological discernment — nirutti (etymology, language) + paṭisambhidā (analytical knowledge); cited here from elsewhere in the canon to support the claim that a mere linguistic term, as opposed to its conventional sense, is always a limited object.
Foreknowledge's Eight Objects, and the Deed-Knowledge's Five
The survey closes with its final two knowledges. Knowledge of the future mirrors past-life recollection's eight-category range almost exactly, substituting "future" for "past" throughout — sense-sphere rebirths as limited objects, fine-material and immaterial rebirths as exalted objects, future path-and-fruit as measureless, future path alone as path-related — while carrying over the very same restriction already noted for mind-reading: it too is confined to what will occur within a bounded seven-day window, and to consciousness alone rather than the full range of past or future aggregates that past-life recollection alone can access. Knowledge of faring according to deeds, treated last, has the narrowest range of all the direct knowledges discussed in this survey, occurring by way of just five objects — limited, exalted, past, internal, and external — corresponding neatly to actions belonging to the sense sphere, actions belonging to the fine-material and immaterial spheres, the strictly past nature of any deed already performed, and one's own deeds as against another's. With this final classification complete, the chapter's technical work is finished, and Buddhaghosa closes with the traditional colophon marking its completion.
Anāgataṃsañāṇaṃ parittamahaggataappamāṇamaggaanāgataajjhattabahiddhānavattabbārammaṇavasena aṭṭhasu ārammaṇesu pavattati. Kathaṃ? Tañhi "ayaṃ anāgate kāmāvacare nibbattissatī"ti jānanakāle parittārammaṇaṃ hoti. "Rūpāvacare arūpāvacare vā nibbattissatī"ti jānanakāle mahaggatārammaṇaṃ. "Maggaṃ bhāvessati, phalaṃ sacchikarissatī"ti jānanakāle appamāṇārammaṇaṃ. "Maggaṃ bhāvessati"cceva jānanakāle maggārammaṇaṃ. Niyamato pana taṃ anāgatārammaṇameva.
Tattha kiñcāpi cetopariyañāṇampi anāgatārammaṇaṃ hoti, atha kho tassa sattadivasabbhantarānāgataṃ cittameva ārammaṇaṃ. Tañhi aññaṃ khandhaṃ vā khandhapaṭibaddhaṃ vā na jānāti. Anāgataṃsañāṇassa pubbenivāsañāṇe vuttanayena anāgate anārammaṇaṃ nāma natthi. "Ahaṃ amutra nibbattissāmī"ti jānanakāle ajjhattārammaṇaṃ. "Asuko amutra nibbattissatī"ti jānanakāle bahiddhārammaṇaṃ. "Anāgate metteyyo bhagavā uppajjissati. Subrahmā nāmassa brāhmaṇo pitā bhavissati. Brahmavatī nāma brāhmaṇī mātā"tiādinā pana nayena nāmagottajānanakāle pubbenivāsañāṇe vuttanayeneva na vattabbārammaṇaṃ hotīti evaṃ anāgataṃsañāṇassa aṭṭhasu ārammaṇesu pavatti veditabbā.
Yathākammupagañāṇaṃ parittamahaggataatītaajjhattabahiddhārammaṇavasena pañcasu ārammaṇesu pavattati. Kathaṃ? Tañhi kāmāvacarakammajānanakāle parittārammaṇaṃ hoti. Rūpāvacarārūpāvacarakammajānanakāle mahaggatārammaṇaṃ. Atītameva jānātīti atītārammaṇaṃ. Attano kammaṃ jānanakāle ajjhattārammaṇaṃ. Parassa kammaṃ jānanakāle bahiddhārammaṇaṃ hoti. Evaṃ yathākammupagañāṇassa pañcasu ārammaṇesu pavatti veditabbā. Yañcettha ajjhattārammaṇañceva bahiddhārammaṇañcāti vuttaṃ, taṃ kālena ajjhattaṃ kālena bahiddhā jānanakāle ajjhattabahiddhārammaṇampi hotiyevāti.
Iti sādhujanapāmojjatthāya kate visuddhimagge
Abhiññāniddeso nāma
Terasamo paricchedo.
The knowledge of the future occurs by way of eight objects: limited, exalted, measureless, path-related, future, internal, external, and inexpressible. How? At the time of knowing, "this one will be reborn, in the future, in the sense sphere," it is a limited object. At the time of knowing, "he will be reborn in the fine-material or immaterial sphere," it is an exalted object. At the time of knowing, "he will develop the path, he will realize the fruit," it is a measureless object. At the time of knowing simply, "he will develop the path," it is a path-object. This knowledge, however, is by rule always a future object as well.
Herein, although the knowledge of penetrating minds also takes a future object, still, its object is only a mind that is future within the following seven days — for it does not know any other aggregate, or anything bound up with the aggregates. For the knowledge of the future, in the manner already stated for the knowledge of recollecting past lives, there is nothing in the future that is not its object. At the time of knowing, "I shall be reborn in such a place," it is an internal object. At the time of knowing, "such-and-such a person will be reborn in such a place," it is an external object. And by the method of, "in the future, the Blessed One Metteyya will arise; a brahmin named Subrahmā will be his father; a brahmin woman named Brahmavatī will be his mother," and so on, at the time of knowing name and clan, it is, in exactly the manner already stated for the knowledge of recollecting past lives, an inexpressible object. Thus should the occurrence of the knowledge of the future among its eight objects be understood.
The knowledge of faring according to deeds occurs by way of five objects: limited, exalted, past, internal, and external. How? At the time of knowing a sense-sphere deed, it is a limited object. At the time of knowing a fine-material or immaterial-sphere deed, it is an exalted object. Since it knows only what is past, it is a past object. At the time of knowing one's own deed, it is an internal object. At the time of knowing another's deed, it is an external object. Thus should the occurrence of the knowledge of faring according to deeds among its five objects be understood. And where it is said here to be both an internal object and an external object, this means that, at times knowing internally and at times knowing externally, it does indeed also become an internal-and-external object.
Thus, in the Path of Purification, composed for the joy of good people,
the discussion called "The Discussion of the Direct Knowledges"
constitutes the thirteenth chapter.
The near-perfect mirror-symmetry between the knowledge of the future and the knowledge of recollecting past lives — same eight object-categories, same seven-day restriction shared with mind-reading, same inexpressible category needed for names not yet borne by anyone — suggests these two knowledges are conceived as genuinely twin faculties, one looking backward and one forward along the identical axis of time, sharing every structural feature except the direction of their gaze.
Ending this long, technically demanding chapter on the narrowest-ranging knowledge of all seven — faring according to deeds, confined to just five object-categories, entirely past-bound and lacking even the seven-day forward window granted to mind-reading and future-knowledge — is a fitting close: after the chapter's vast excursions into world-destroying fire and multi-aeon cosmology, the final knowledge discussed brings the reader firmly back to the plainest and most immediately practical of all these powers, simply seeing which specific past deed produced which specific present result.
Metteyya (Sanskrit: Maitreya) — the future Buddha, whose eventual arising, parentage, and name are cited here as the paradigm example of a "future, inexpressible object" known through the knowledge of the future.
an internal-and-external object — the closing technical clarification that a knowledge classified as capable of taking either an internal or an external object can, across different occasions of its exercise, genuinely be both, without contradiction.
"The Discussion of the Direct Knowledges" — the formal title of this thirteenth chapter, fixed in its own closing colophon; abhiññā (direct/higher knowledge) + niddesa (exposition, discussion).
Abhiññāniddesa Complete
With the knowledge of faring according to deeds classified last, the thirteenth chapter of the Visuddhimagga comes to its close, and with it, the treatise's full two-chapter treatment of the direct knowledges available to one who has mastered concentration. Beginning where chapter twelve left off — the divine ear developed by systematic gross-to-subtle sound discrimination, mind-reading developed through the literal color of another's heart-blood, and recollection of past lives developed by the long, disciplined backward journey through one's own present life and beyond — the chapter then opened into its longest and most ambitious excursion: a complete narrative account of the universe's own destruction and re-formation by fire, water, and wind, tracing every stage from the first warning drought through the seven suns, the settling of the primordial waters, the loss of self-luminescence, the naming of the sun and moon, and the slow, cumulative descent from mind-made radiant beings to ordinary human society, property, kingship, and caste. It closed by completing the divine eye's own development, its genuine dangers for the unenlightened, and a rigorous final survey mapping all seven direct knowledges onto the Abhidhamma's own object-classification scheme.
The fourteenth chapter, the Khandhaniddesa ("Discussion of the Aggregates"), verified from the Visuddhimagga's own table of contents, now opens the treatise's second great division in earnest — paññā, wisdom — turning from the fruits of mastered concentration to the direct analytical understanding of mind and matter itself, beginning with the five aggregates that constitute the entirety of what a being actually is.