Aṅguttara Nikāya · Discourse 5.194

With Kāraṇapālī

Kāraṇapālīsutta — Brāhmaṇavagga — the twentieth chapter of the Fives

Setting
Vesālī, at the Great Wood, in the hall with the peaked roof
Speakers
Two brahmins, Kāraṇapālī and Piṅgiyānī, in dialogue
Form
a question deflected, then five similes, then a threefold homage
Length
~4 minutes to read
Northern parallel
not identified in this collection
Difficulty
★★☆☆☆ — vivid and emotionally direct

Why this discourse

One of this collection's most lyrical discourses: a brahmin asks a colleague what he thinks of the Buddha's wisdom, and receives, instead of a direct answer, five unforgettable similes for what it's like to actually hear the Buddha teach.

Reading guide

A question, deflected

Kāraṇapālī asks Piṅgiyānī, returning from the Buddha, whether he thinks Gotama is astute. Piṅgiyānī deflects, in a pattern already seen twice at AN 5.169–170: ‘who am I to judge’ — you'd have to be on the Buddha's own level to judge his wisdom.

Five similes for hearing the teaching

Pressed further, Piṅgiyānī answers with five images: being so satisfied by the best food that lesser tastes hold no appeal; a starving person finding a honey-cake, sweet wherever they taste it; smelling fragrant sandalwood, delightful at root, middle, or tip; a good doctor curing an illness on the spot; and a weary, thirsty traveler plunging into a cool, clean lotus pond.

Each simile names a distinct effect

Read closely, the five similes aren't simply repeating the same praise: satisfaction that displaces interest elsewhere, sweetness found everywhere in the teaching, joy found everywhere in it, an end to sorrow and distress, and relief from exhaustion — five genuinely different effects, not one image restated five times.

Kāraṇapālī's spontaneous homage

Moved by this, Kāraṇapālī rises, arranges his robe, kneels, and utters ‘Homage to him, the blessed one, the perfected one, the fully awakened Buddha!’ three times over — an unscripted, emotionally direct response to hearing the teaching praised, not to hearing it directly himself.

Praised at one remove

Notice what's happening structurally: Kāraṇapālī is moved to homage without ever hearing the Buddha teach in this discourse at all — only by hearing a fellow brahmin's account of what it's like. The teaching's power, as this discourse presents it, travels even at second hand.

What follows

AN 5.195 continues directly from this same setting, with Piṅgiyānī himself now moved to spontaneous verse in the Buddha's actual presence.

Key terms

paññāveyyattiya — “lucidity of wisdom” — the quality Kāraṇapālī asks Piṅgiyānī to assess in the Buddha.
aggarasaparititto — “completely satisfied by the best tasting food” — the first simile's image, displacing interest in lesser things.
madhupiṇḍikā — “a honey-cake” — the second simile's image, sweet wherever tasted.
udāna — “a heartfelt utterance” — the form Kāraṇapālī's threefold homage to the Buddha takes.
cakkhumanto rūpāni dakkhanti — “people with clear eyes can see what's there” — part of the Buddha's own closing praise of Piṅgiyānī's clarity.

The text

The discourse in full: a question deflected, five similes, and a spontaneous homage. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

Kāraṇapālī asks about the Buddha's wisdom

§1“So, Piṅgiyānī, where are you coming from in the middle of the day?” “I’m coming, mister, from the presence of the ascetic Gotama.” “What do you think of the ascetic Gotama’s lucidity of wisdom? Do you think he’s astute?” “Mister, who am I to judge the ascetic Gotama’s lucidity of wisdom? You’d really have to be on the same level to judge his lucidity of wisdom.” “Mister Piṅgiyānī praises the ascetic Gotama with high praise indeed.” “Who am I to praise the ascetic Gotama? He is praised by the praised as the first among gods and humans.” “But for what reason are you so devoted to the ascetic Gotama?”

Five similes for hearing the teaching

§2“Suppose a person was completely satisfied by the best tasting food. They wouldn’t be attracted to anything that tasted inferior. In the same way, when you hear the worthy Gotama’s teaching—whatever it may be, whether statements, mixed prose & verse, discussions, or amazing stories—then you’re not attracted to the doctrines of the various ascetics and brahmins. Suppose a person who was weak with hunger was to obtain a honey-cake. Wherever they taste it, they would enjoy a sweet, delectable flavor. In the same way, when you hear the worthy Gotama’s teaching—whatever it may be, whether statements, mixed prose & verse, discussions, or amazing stories—then you get a sense of uplift, a confidence of the heart. Suppose a person were to obtain a piece of sandalwood, whether yellow or red. Wherever they smelled it—whether at the root, the middle, or the top—they’d enjoy an delectable fragrance. In the same way, when you hear the worthy Gotama’s teaching—whatever it may be, whether statements, mixed prose & verse, discussions, or amazing stories—then you become filled with joy and happiness. Suppose there was a person who was sick, suffering, gravely ill. A good doctor would cure them on the spot. In the same way, when you hear the worthy Gotama’s teaching—whatever it may be, whether statements, mixed prose & verse, discussions, or amazing stories—then you make an end of sorrow, lamentation, pain, sadness, and distress. Suppose there was a lotus pond with clear, sweet, cool water, clean, with smooth banks, delightful. Then along comes a person struggling in the oppressive heat, weary, thirsty, and parched. They’d plunge into the lotus pond to bathe and drink. And all their stress, weariness, and heat exhaustion would die down. In the same way, when you hear the worthy Gotama’s teaching—whatever it may be, whether statements, mixed prose & verse, discussions, or amazing stories—then all your stress, weariness, and exhaustion die down.”

Kāraṇapālī's threefold homage

§3When this was said, the brahmin Kāraṇapālī got up from his seat, arranged his robe over one shoulder, knelt on his right knee, raised his cupped palms toward the Buddha, and expressed this heartfelt sentiment three times: “Homage to him, the blessed one, the perfected one, the fully awakened Buddha! Homage to him, the blessed one, the perfected one, the fully awakened Buddha! Homage to him, the blessed one, the perfected one, the fully awakened Buddha!

The Buddha's praise, and taking refuge

§4Excellent, worthy Piṅgiyānī! Excellent! As if he were righting the overturned, or revealing the hidden, or pointing out the path to the lost, or lighting a lamp in the dark so people with clear eyes can see what’s there, the worthy Piṅgiyānī has made the teaching clear in many ways. I go for refuge to the worthy Gotama, to the teaching, and to the mendicant Saṅgha. From this day forth, may the worthy Piṅgiyānī remember me as a lay follower who has gone for refuge for life.”

· · ·

Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does Kāraṇapālī initially ask Piṅgiyānī?
Correct: A. A direct question about the Buddha's wisdom.
Question 2 of 10
How does Piṅgiyānī initially respond to this question?
Correct: A. A pattern already seen at AN 5.169-170.
Question 3 of 10
What does the honey-cake simile illustrate?
Correct: A. One of five distinct similes for hearing the teaching.
Question 4 of 10
What does the lotus-pond simile illustrate?
Correct: A. The fifth of the five similes.
Question 5 of 10
Are these five similes simply restating the same praise five times?
Correct: A. Satisfaction, sweetness, joy, an end to sorrow, and relief from exhaustion.
Question 6 of 10
What does Kāraṇapālī do after hearing these similes?
Correct: A. An unscripted, emotionally direct response.
Question 7 of 10
What is structurally notable about Kāraṇapālī's homage?
Correct: A. The teaching's power travels even at second hand, as this discourse presents it.
Question 8 of 10
What does 'aggarasaparititto' describe?
Correct: A. The first simile's image.
Question 9 of 10
What discourse follows, continuing from this same setting?
Correct: A. Piṅgiyānī himself moved to spontaneous verse in the Buddha's presence.
Question 10 of 10
What does Kāraṇapālī do at the very end of this discourse?
Correct: A. Following the same pattern as Doṇa and Saṅgārava earlier in this chapter.
Answered 0 of 10 · Correct 0