Aṅguttara Nikāya · Discourse 5.193

With Saṅgārava

Saṅgāravasutta — Brāhmaṇavagga — the twentieth chapter of the Fives

Setting
None stated; the discourse continues from AN 5.1, whose setting at Sāvatthī in Jeta’s Grove is understood to hold
Speakers
The Buddha, in dialogue with the brahmin Saṅgārava
Form
a question, then five paired similes for five mental obstructions
Length
~6 minutes to read
Northern parallel
not identified in this collection
Difficulty
★★★☆☆ — long, but built from five vivid, memorable images

Why this discourse

A brahmin scholar asks a genuinely practical question — why does memory sometimes fail, and sometimes work better than expected? — and the Buddha answers with what may be this collection's single most memorable set of similes: five mental hindrances, each pictured as water in a bowl, clouded in a different way.

Reading guide

A brahmin's practical question

Saṅgārava asks why sometimes even long-rehearsed hymns won't come to mind, while other times even unrehearsed material spontaneously surfaces — a question about memory and mental clarity, not doctrine, put to the Buddha by someone from an entirely different religious tradition.

Five hindrances, five clouded reflections

The Buddha's answer names the five hindrances (nīvaraṇa): sensual desire, ill will, dullness and drowsiness, restlessness and remorse, and doubt. Each is pictured as a bowl of water in a specific, vivid state — mixed with dye, boiling, covered in moss, stirred by wind, or murky and hidden in darkness — in which even a clear-eyed person checking their own reflection couldn't truly see it.

Freed from the hindrances, five clear reflections

The mirror image for each: undyed water, unboiled water, moss-free water, undisturbed water, and water that's transparent and brought into the light — in each case, a clear-eyed person's reflection is immediately, effortlessly visible.

Memory as a symptom, not the real subject

Though framed around a scholar's concern with hymn recitation, this discourse's real subject is broader: the five hindrances don't only block memory, but block seeing ‘what is good for yourself, good for another, or good for both’ — clarity in general, of which memory is simply one visible symptom.

A teaching translated for its audience

This is a genuinely cross-traditional move: rather than framing the five hindrances doctrinally, the Buddha meets Saṅgārava's own concern — Vedic hymn recitation — directly, using it as the entry point for a teaching that applies far beyond memorization.

A convert, like the brahmins before him

As with Doṇa at AN 5.192 and Kāraṇapālī later in this chapter, Saṅgārava closes by taking lifelong refuge — another instance of this chapter's recurring pattern: a brahmin, approaching with a genuine question, leaving as a lay follower.

Key terms

nīvaraṇa — “hindrance” — the five mental obstructions this discourse names, each illustrated by its own water-bowl simile.
kāmarāga, byāpāda, thīnamiddha, uddhaccakukkucca, vicikicchā — sensual desire, ill will, dullness and drowsiness, restlessness and remorse, and doubt — the five hindrances in their traditional order.
mukhanimitta — “one's own reflection” — what a clear-eyed person checks for in each of this discourse's water-bowl similes.
yathābhūtaṁ pajānāti passati — “truly knows and sees” — the clarity this discourse describes as blocked by the hindrances, restored once they're absent.
mantā paṭibhanti — “hymns spring to mind” — Saṅgārava's original, specific concern, used as the entry point for this broader teaching.

The text

The discourse in full: the five hindrances, clouded and clear, in five water-bowl similes. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

Five hindrances, five clouded reflections

§1“Brahmin, there’s a time when your heart is overcome and mired in sensual desire and you don’t truly understand the escape from sensual desire that has arisen. At that time you don’t truly know or see what is good for yourself, good for another, or good for both. Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Suppose there was a bowl of water that was mixed with dye such as red lac, turmeric, indigo, or rose madder. Even a person with clear eyes checking their own reflection wouldn’t truly know it or see it. In the same way, when your heart is overcome and mired in sensual desire … Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Furthermore, when your heart is overcome and mired in ill will … Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Suppose there was a bowl of water that was heated by fire, boiling and bubbling. Even a person with clear eyes checking their own reflection wouldn’t truly know it or see it. In the same way, when your heart is overcome and mired in ill will … Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Furthermore, when your heart is overcome and mired in dullness and drowsiness … Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Suppose there was a bowl of water overgrown with moss and aquatic plants. Even a person with clear eyes checking their own reflection wouldn’t truly know it or see it. In the same way, when your heart is overcome and mired in dullness and drowsiness … Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Furthermore, when your heart is overcome and mired in restlessness and remorse … Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Suppose there was a bowl of water stirred by the wind, churning, swirling, and rippling. Even a person with clear eyes checking their own reflection wouldn’t truly know it or see it. In the same way, when your heart is overcome and mired in restlessness and remorse … Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Furthermore, when your heart is overcome and mired in doubt … Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. Suppose there was a bowl of water that was cloudy, murky, and muddy, hidden in the darkness. Even a person with clear eyes checking their own reflection wouldn’t truly know it or see it. In the same way, there’s a time when your heart is overcome and mired in doubt and you don’t truly understand the escape from doubt that has arisen. At that time you don’t truly know or see what is good for yourself, good for another, or good for both. Even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed.

Freed from the hindrances, five clear reflections

§2There’s a time when your heart is not overcome and mired in sensual desire and you truly understand the escape from sensual desire that has arisen. At that time you truly know and see what is good for yourself, good for another, and good for both. Even hymns that are long-unrehearsed spring to mind, let alone those that are rehearsed. Suppose there was a bowl of water that was not mixed with dye such as red lac, turmeric, indigo, or rose madder. A person with clear eyes checking their own reflection would truly know it and see it. In the same way, when your heart is not overcome and mired in sensual desire … Even hymns that are long-unpracticed spring to mind, let alone those that are practiced. Furthermore, when your heart is not overcome and mired in ill will … Even hymns that are long-unpracticed spring to mind, let alone those that are practiced. Suppose there was a bowl of water that’s not heated by a fire, boiling and bubbling. A person with clear eyes checking their own reflection would truly know it and see it. In the same way, when your heart is not overcome and mired in ill will … Even hymns that are long-unpracticed spring to mind, let alone those that are practiced. Furthermore, when your heart is not overcome and mired in dullness and drowsiness … Even hymns that are long-unpracticed spring to mind, let alone those that are practiced. Suppose there was a bowl of water that’s not overgrown with moss and aquatic plants. A person with clear eyes checking their own reflection would truly know it and see it. In the same way, when your heart is not overcome and mired in dullness and drowsiness … Even hymns that are long-unpracticed spring to mind, let alone those that are practiced. Furthermore, when your heart is not overcome and mired in restlessness and remorse … Even hymns that are long-unpracticed spring to mind, let alone those that are practiced. Suppose there was a bowl of water that’s not stirred by the wind, churning, swirling, and rippling. A person with clear eyes checking their own reflection would truly know it and see it. In the same way, when your heart is not overcome and mired in restlessness and remorse … Even hymns that are long-unpracticed spring to mind, let alone those that are practiced. Furthermore, when your heart is not overcome and mired in doubt … Even hymns that are long-unrehearsed spring to mind, let alone those that are rehearsed. Suppose there was a bowl of water that’s transparent, clear, and unclouded, brought into the light. A person with clear eyes checking their own reflection would truly know it and see it. In the same way, there’s a time when your heart is not overcome and mired in doubt and you truly understand the escape from doubt that has arisen. At that time you truly know and see what is good for yourself, good for another, and good for both. Even hymns that are long-unrehearsed spring to mind, let alone those that are rehearsed.

Conclusion

§3This is the cause, brahmin, this is the reason why sometimes even hymns that are long-rehearsed don’t spring to mind, let alone those that are not rehearsed. And this is why sometimes even hymns that are long-unrehearsed spring to mind, let alone those that are rehearsed.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What question does Saṅgārava ask the Buddha?
Correct: A. A practical question about memory and mental clarity.
Question 2 of 10
What five hindrances does the Buddha name in his answer?
Correct: A. The five nīvaraṇa, each illustrated with its own water-bowl simile.
Question 3 of 10
What does the sensual-desire simile picture?
Correct: A. One of five distinct clouded-water images.
Question 4 of 10
What does the ill-will simile picture?
Correct: A. Another of the five clouded-water images.
Question 5 of 10
What does the dullness-and-drowsiness simile picture?
Correct: A. A third distinct image among the five.
Question 6 of 10
What is this discourse's real subject, beyond hymn memorization specifically?
Correct: A. Memory is simply one visible symptom of a broader clarity or its absence.
Question 7 of 10
What is notable about how the Buddha frames this teaching for Saṅgārava?
Correct: A. A genuinely cross-traditional teaching approach.
Question 8 of 10
What does Saṅgārava do at the end of this discourse?
Correct: A. Matching the pattern of Doṇa at AN 5.192 and Kāraṇapālī later in this chapter.
Question 9 of 10
What does 'mukhanimitta' mean?
Correct: A. What a clear-eyed person checks for in each water-bowl simile.
Question 10 of 10
What clarity does freedom from the hindrances restore, according to this discourse?
Correct: A. A general clarity of mind, not only memory for hymns specifically.
Answered 0 of 10 · Correct 0