Cariyapitaka · Story 21

Yudhañjaya’s Conduct

Yudhañjaya Cariyā — The Chapter With Yudhañjaya · The Perfection of Renunciation (1st of 5)

Setting
No external narrative frame; the Buddha speaks in the first person about his past life as Prince Yudhañjaya
Speaker
The Buddha, recounting his life as Yudhañjaya
Form
Six four-line verses of first-person narration
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this story in other Buddhist literatures.
Difficulty
★☆☆☆☆ — short and direct, opening the collection's third and final chapter

Why this text

This story opens the Cariyapitaka's third and final chapter, gathering the remaining perfections — renunciation, resolve, truth, love, and equanimity — across its final fifteen stories. It opens on the smallest possible trigger: a single dewdrop, evaporating in the heat of the sun, is enough to move a prince to give up an entire kingdom.

Reading guide

A third chapter, five more themes

After ten stories on giving and ten on ethics, this final chapter covers five different perfections across its fifteen stories: renunciation (five stories), resolve (one), truth (six), love (two), and equanimity (one) — opening here with renunciation.

A single dewdrop as the trigger

Nothing dramatic precipitates Yudhañjaya's decision: seeing a dewdrop fall and vanish in the sun's heat is enough to stir him with saṃvega, the same sudden sense of urgency named directly in Kp 5 of the Khuddakapatha and Cp 7's Prince Candana — here triggered by nothing more than ordinary weather.

A kingdom offered back, and refused

As Yudhañjaya prepares to leave, the citizens themselves beg him to stay and rule — the kingdom is not lost or threatened, it is actively being offered, making his refusal a clean renunciation rather than an escape from difficulty.

The same denial-then-reason closing

As in many stories across this collection, the ending states plainly what the renunciation was not about: ‘I had no dislike of my parents, nor did I dislike the great fame. But because omniscience is precious to me, that is why I forsook kingship.’

Key terms

nekkhamma — “renunciation” — the perfection this story illustrates, opening this chapter's five stories on the theme.
saṃvega — a sudden “sense of urgency” — the same reaction named in Kp 5 and Cp 7, here triggered by the sight of a single evaporating dewdrop.
Yudhañjaya-vagga — “the Chapter With Yudhañjaya” — the traditional name of this third and final chapter, taken from this opening story.
cariyā — “conduct” — this collection's title, and the word used for each of its thirty-five stories, this one its twenty-first.
pabbajjā — “going forth” — the formal act of renunciation Yudhañjaya requests permission for from his parents.

The text

The text in full: six verses, opening the Cariyapitaka's third chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1“When I was Prince Yudhañjaya of infinite fame, I was stirred with urgency on seeing a fallen dewdrop in the heat of the sun.

§2Taking that to be of prime importance, I fostered that urgency. I bowed to my mother and father, and begged permission to go forth.

§3With cupped palms, along with the citizens of town and country, they asked, ‘This very day, rule this great land, so successful and prosperous.’

§4The King and the Queens, with the citizens of town and country, cried pitifully, as I forsook unconcerned.

§5Kingship over the entire earth, family, retinue, and fame—I gave them up without a second thought, because it was solely for awakening.

§6I had no dislike of my parents, nor did I dislike the great fame. But because omniscience is precious to me, that is why I forsook kingship.”

· · ·

Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What triggers Yudhañjaya's decision to renounce his kingdom?
Correct: B. Nothing dramatic — an ordinary moment of weather.
Question 2 of 10
What perfection does this story open, and how many stories does this final chapter cover in total across five themes?
Correct: B. Renunciation (five stories), resolve (one), truth (six), love (two), and equanimity (one).
Question 3 of 10
How do the citizens respond to Yudhañjaya's decision to leave?
Correct: B. Making his refusal a clean renunciation, not an escape from a lost kingdom.
Question 4 of 10
What term names the sudden reaction that moves Yudhañjaya to act?
Correct: B. The same term used in Kp 5 of the Khuddakapatha and Cp 7's Prince Candana.
Question 5 of 10
What does Yudhañjaya explicitly deny as his reason for leaving?
Correct: A. The same denial-then-reason structure used throughout this collection.
Question 6 of 10
What is the traditional name of this third and final chapter, taken from this story?
Correct: C. Named for its opening story, as the first two chapters were.
Question 7 of 10
What formal act does Yudhañjaya request permission for from his parents?
Correct: B. Bowing to them before departing.
Question 8 of 10
What perfection did the second chapter of the Cariyapitaka cover?
Correct: B. Cp 11 through Cp 20, now followed by this final chapter's five themes.
Question 9 of 10
How does this story's structure compare to Cp 7's Prince Candana?
Correct: B. A sudden sense of urgency, shared across otherwise very different stories.
Question 10 of 10
What perfection does this story illustrate?
Correct: A. Opening the third chapter's first theme.
Answered 0 of 10 · Correct 0