Saṃyutta Nikāya · Discourse 4.13

A Splinter

Sakalikasutta

Setting
Near Rājagaha, in the Maddakucchi deer park
Speakers
The Buddha, physically wounded, and Māra the Wicked
Form
A real physical injury endured, a mocking taunt, and an extended, emotionally rich answering verse
Length
~2.5 minutes to read
Northern parallel
A rough counterpart may exist in the Chinese Saṃyukta-āgama (T99), though this reading guide does not assert a specific matching sutra number
Difficulty
★★★★☆ — the most emotionally weighted discourse in this vagga so far

Why this discourse

Unlike every prior confrontation, this one begins with a real physical wound: the Buddha's foot has been cut by a wooden splinter, causing him harrowing, sharp, severe pain, which he endures with mindfulness before lying down deliberately in the lion's posture. Māra mocks this as feebleness or self-indulgence — are you drunk on poetry, sleepyhead? — and receives one of this vagga's most moving replies: not a claim of immunity to pain, but of lying down ‘full of sympathy for all living creatures’, at ease precisely because the dart of craving, unlike the physical splinter, has already been drawn out.

Reading guide

Genuine injury, not illusion or metaphor

Every earlier confrontation in this vagga involved Māra's manifestations or claims; here the provoking circumstance is entirely real — an actual wound, described with unusual clinical precision as ‘painful, sharp, severe, acute, unpleasant, and disagreeable’ — grounding this discourse in genuine physical suffering rather than a contest of images.

Mockery aimed at weakness, not doctrine or bondage

Māra's taunt targets something almost petty given the circumstances: not the Buddha's teaching or his claimed freedom, but the simple fact of lying down, questioning whether it signals feebleness, self-indulgent poetry, or unsatisfied ambition — kicking at someone already in pain.

Two kinds of dart, distinguished precisely

The verse's central image separates physical pain from existential suffering with unusual clarity: even those with an actual dart piercing their heart moment by moment can still find some sleep, so why not the Buddha, whose dart — craving, not the literal splinter — has already been drawn out entirely?

Sympathy as the stated reason for rest, not merely its result

The verse does not simply claim the Buddha rests despite pain; it names sympathy for all living creatures as the actual content of what fills his mind while lying down, turning what could read as private endurance into something outward-facing and compassionate.

No decline seen, days and nights undisturbing

The verse's closing claim — seeing ‘no decline for myself in the world’ — answers this vagga's earlier temptations around lifespan and impermanence (SN 4.9, SN 4.10) from a different angle: not denying that decline exists, but describing a state in which decline no longer registers as personal loss.

Key terms

sakalikā — “splinter” — the wooden fragment that wounds the Buddha's foot, giving this discourse its title.
sīhaseyya — “the lion's posture” — the same deliberate resting position adopted at SN 4.7, here taken up while genuinely wounded.
kaṇṭaka — “dart” — the verse's central image, distinguishing physical pain from the dart of craving already drawn out.
sabbabhūtānukampī — “full of sympathy for all living creatures” — the stated content of the Buddha's mind while lying down, named twice in the verse.
parihāniṁ — “decline” — what the Buddha says he sees none of for himself, closing the verse's final stanza.

The text

The discourse in full: the genuine injury endured mindfully, Māra's mocking taunt, and the extended, emotionally rich reply. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1So I have heard. At one time the Buddha was staying near Rājagaha in the Maddakucchi deer park. Now at that time the Buddha’s foot had been cut by a wooden splinter. The Buddha was stricken by harrowing pains; physical feelings that were painful, sharp, severe, acute, unpleasant, and disagreeable. But he endured unbothered, with mindfulness and situational awareness. And then he spread out his outer robe folded in four and laid down in the lion’s posture—on the right side, placing one foot on top of the other—mindful and aware. Then Māra the Wicked went up to the Buddha and addressed him in verse:

§2“Are you feeble that you lie down? Or are you drunk on poetry? Are your goals not amply satisfied? Alone in a secluded lodging, why this sleeping, sleepyhead?”

§3“I’m not feeble that I lie down, nor am I drunk on poetry. Having reached the goal, I’m rid of sorrow. Alone in a secluded lodging, I lie down full of sympathy for all living creatures.

§4Even those with a dart stuck in the breast, piercing the heart moment by moment, are able to get some sleep. So why not I, whose dart is drawn out?

§5I don’t lie awake tense, nor do I fear to sleep. The days and nights don’t disturb me, as I see no decline for myself in the world. That’s why I lie down full of sympathy for all living creatures.”

§6Then Māra the Wicked, thinking, “The Buddha knows me! The Holy One knows me!” miserable and sad, vanished right there.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What circumstance opens this discourse, unlike earlier confrontations in this vagga?
Correct: A. Real pain, described with unusual clinical precision, rather than a contest of images.
Question 2 of 10
What does the Buddha do despite this real pain?
Correct: A. A composed, deliberate response to genuine suffering.
Question 3 of 10
What does Māra's taunt target?
Correct: A. A petty target given the circumstances, kicking at someone already in pain.
Question 4 of 10
How does the verse distinguish physical pain from existential suffering?
Correct: A. The verse's central image, separating the physical splinter from the deeper dart of craving.
Question 5 of 10
What does the verse name as the actual content of the Buddha's mind while resting?
Correct: A. Turning private endurance into something outward-facing and compassionate.
Question 6 of 10
What does the verse's closing claim about decline mean?
Correct: A. Answering this vagga's earlier temptations around lifespan and impermanence from a new angle.
Question 7 of 10
Where is this discourse set?
Correct: A. A specific location distinct from this vagga's earlier settings.
Question 8 of 10
How does this discourse's emotional register compare to most others in this vagga?
Correct: A. The reading guide's assessment given the real injury at its center.
Question 9 of 10
What specific words does Māra use to mock the Buddha?
Correct: A. A series of dismissive, almost petty jabs given the circumstances.
Question 10 of 10
How does this discourse's posture detail compare to SN 4.7's?
Correct: A. The identical deliberate resting position, now given added weight by real physical pain.
Answered 0 of 10 · Correct 0