Saṃyutta Nikāya · Discourse 7.17

The Builder

Navakammikasutta

Setting
A forest grove in the Kosalan lands, at the root of a sal tree
Speakers
The brahmin Navakammika Bhāradvāja ("Bhāradvāja the Builder") and the Buddha
Form
A question about labor, answered through a deliberate wordplay on "jungle"
Length
~2 minutes to read
Northern parallel
A rough counterpart may exist in the Chinese Saṃyukta-āgama (T99), though this reading guide does not assert a specific matching sutra number
Difficulty
★★★☆☆ — compact, built around a wordplay easy to miss in translation

Why this discourse

This discourse's brahmin is doing exactly what his epithet says: overseeing construction work in a forest clearing. Spotting the Buddha meditating nearby, he wonders, reasonably enough, what kind of ‘work’ a mendicant does alone in the wilderness, and asks directly. The Buddha's answer builds its entire meaning around a single Pali wordplay: vana can mean both the literal forest around him and, in a distinct but closely related sense, the tangled ‘jungle’ of craving and entanglement within the mind. There's no work left to do in the literal forest, the Buddha says, because his inner jungle has already been cut down to the root.

Reading guide

A question rooted in the questioner's own occupation

The brahmin's curiosity isn't abstract; he's genuinely engaged in supervising construction work at that moment, and his question about the Buddha's own ‘work’ grows naturally out of his own activity rather than any hostility or philosophical agenda.

A wordplay carrying the entire answer

The Pali word vana names both the literal forest surrounding them and, in related usage found elsewhere in the canon, the tangled inner jungle of craving and attachment; the Buddha's reply depends on this double meaning, a nuance easy to lose entirely in translation.

Withered rather than merely cut

The verse doesn't just say the inner jungle has been cut down; it specifies the root itself is severed and the whole thing has withered away — a completed, irreversible process rather than an ongoing act of maintenance.

Freedom described through the absence of obstruction

‘Free of snarls and thorns’ continues the same forest imagery from the opposite direction, describing liberation not as a positive achievement to list but as the simple absence of what used to catch and wound.

Solitude and contentment named as the direct result

The verse's closing line ties this uprooted inner jungle directly to present enjoyment — solitude, with discontent given up — making clear that the wordplay isn't decorative; it's describing exactly why this particular kind of aloneness feels like ease rather than isolation.

Key terms

kammantaṁ kārāpento ramāmi — “I enjoy having this building work done” — the brahmin's own stated occupation, prompting his question.
ke nu kammantā karīyanti — “what kind of works are done by you” — the brahmin's direct question to the meditating Buddha.
na me vanasmiṁ karaṇīyamatthi — “there's nothing I need do in the jungle” — the Buddha's opening line, playing on ‘vana’ as both literal forest and inner entanglement.
ucchinnamūlaṁ me vanaṁ visūkaṁ — “my jungle's cut at the root, it's withered away” — the pun's core, a completed and irreversible process.
nibbanatho visallo — “free of snarls and thorns” — freedom described as the absence of what used to catch and wound.

The text

The discourse in full. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1At one time the Buddha was staying in the land of the Kosalans in a certain forest grove. Now at that time the brahmin Bhāradvāja the Builder was having some building work done in that jungle thicket. He saw the Buddha sitting down cross-legged at the root of a certain sal tree, his body set straight, and mindfulness brought to the present. Seeing this, it occurred to him, “I enjoy having this building work done here in the jungle. I wonder what the ascetic Gotama enjoys having done?” Then Bhāradvāja the Builder went up to the Buddha and addressed him in verse:

§2“What kind of works are done by you, a mendicant in the sal jungle? How do you find enjoyment alone in the wilderness, Gotama?”

§3“There’s nothing I need do in the jungle; my jungle’s cut at the root, it’s withered away. Free of snarls and thorns in the jungle, I enjoy solitude, having given up discontent.”

§4When he had spoken, the brahmin Bhāradvāja the Builder said to the Buddha, “Excellent, worthy Gotama … From this day forth, may the worthy Gotama remember me as a lay follower who has gone for refuge for life.”

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What is the brahmin doing when he encounters the Buddha?
Correct: A. His question about the Buddha's own "work" grows naturally out of his own activity.
Question 2 of 10
What question does the brahmin ask the Buddha?
Correct: A. A reasonable, non-hostile question growing from the brahmin's own occupation.
Question 3 of 10
What Pali wordplay structures the Buddha's answer?
Correct: A. A nuance easy to lose entirely in translation.
Question 4 of 10
How does the verse describe the state of the Buddha's inner "jungle"?
Correct: A. A completed, irreversible process rather than ongoing maintenance.
Question 5 of 10
What does "free of snarls and thorns" describe?
Correct: A. Continuing the forest imagery from the angle of absence rather than achievement.
Question 6 of 10
What does the verse's closing line connect to the uprooted inner jungle?
Correct: A. Making clear why this particular solitude feels like ease rather than isolation.
Question 7 of 10
How does the brahmin's question compare in tone to earlier confrontations in this saṃyutta?
Correct: A. Growing naturally from the brahmin's own occupation, without hostility.
Question 8 of 10
What outcome does the brahmin reach after this exchange?
Correct: A. Continuing this vagga's established pattern of lay conversion.
Question 9 of 10
What is the brahmin's name in this discourse?
Correct: A. A name matching his stated occupation directly.
Question 10 of 10
Where does this discourse take place?
Correct: A. The same general setting as several other discourses in this vagga.
Answered 0 of 10 · Correct 0