Theragatha · 14.2

Godatta

Godatta — The Book of the Fourteens · Chapter One · Poem 2 of 2

Setting
General teaching on equanimity and value, closing this book's single chapter
Speaker
Godatta, cataloguing a run of paradoxical value-comparisons
Form
Fourteen four-line verses, moving from similes of steadiness to a sustained series of gnomic couplets
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★☆☆☆ — plain vocabulary, a distinctive run of paradoxical comparisons

Why this text

‘Righteous non-gain is better than unrighteous gain... disrepute among the wise is better than fame among fools’ — Godatta's poem builds toward a sustained series of five paradoxical value-inversions, each one declaring the ordinarily undesirable option actually superior, closing on the starkest of them all: ‘righteous death is better than unrighteous life’.

Reading guide

An overburdened draft-ox, opening the poem

The first verse compares someone crushed by excess to a fine thoroughbred ox so overloaded it can't manage its yoke — an image of capacity exceeded, setting up the poem's larger concern with what a person can bear without breaking.

Unmoved as a boundary post, untouched as a water-drop

Verses five through seven build two images of equanimity in quick succession: the wise stand ‘like a boundary post’ (indakhīla), neither raised by success nor lowered by failure, and remain untouched everywhere, ‘like a drop of water on a lotus leaf’ — unaffected by gain or loss, fame or disrepute, praise or blame, pleasure or pain, listed as five explicit pairs in the sixth verse alone.

A sustained run of paradoxical value-inversions

Verses eight through twelve depart from simile entirely into five consecutive gnomic couplets, each declaring an ordinarily undesirable option actually superior: righteous non-gain over unrighteous gain; disrepute among the wise over fame among fools; censure from the wise over praise from fools; the pain of seclusion over sensual pleasure; and, most starkly, righteous death over unrighteous life. Few passages anywhere in this collection sustain this specific rhetorical form — not simile, not narrative, but flat paradoxical assertion — across so many consecutive verses.

Value relocated from outcome to conduct

Each of the five inversions performs the same underlying move: replacing an evaluation based on result (gain, fame, praise, pleasure, life itself) with one based on how that result was reached or what accompanies it (righteousness, wisdom's judgment, seclusion's discomfort). The poem's paradoxes only hold because they've already redefined what counts as a genuinely good outcome in the first place.

A closing formula shared with this book's opening poem

The final verse names the awakening factors, the faculties, and the powers before ‘attaining ultimate peace’ and full quenching — a doctrinal checklist echoing, without quoting directly, the closing register of Thag 14.1's own final verses in the same chapter.

Closing the Book of the Fourteens, a familiar collective epithet

This single-chapter book closes, like every book since the Threes, moving directly from Godatta's own self-naming to ‘Cuddasakanipāto niṭṭhito’, ‘the Book of the Fourteens is concluded’, with no separate chapter marker. The Tatruddāna names both elders under the identical collective epithet already used to close Book 12: ‘therā dve te mahiddhikā’, ‘these two elders, of great psychic power’ — the same exact phrase recurring across two non-adjacent books. The stated tally, ‘twenty-eight verses’, matches two poems of fourteen verses each exactly, a seventh consecutive book with a closing count that adds up cleanly.

Key terms

dhure yutto dhurassaho — “yoked to the shafts, bearing the load” — the draft-ox image opening the poem.
indakhīlova — “like a boundary post” — the fifth verse's image for a mind unmoved by high or low fortune.
udabinduva pokkhare — “like a drop of water on a lotus leaf” — the image for being untouched everywhere, in the seventh verse.
alābho dhammiko seyyo — “righteous non-gain is better” — the first of five consecutive paradoxical value-inversions.
maraṇaṅ dhammikaṅ seyyo — “righteous death is better [than unrighteous life]” — the starkest and final of the five inversions.

The text

The text in full: fourteen verses, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Just as a fine thoroughbred, yoked to a carriage, endures the load. Though oppressed by the heavy burden, it doesn’t shake off the yoke.

§2So too, those who are as full of wisdom as the ocean is with water, don’t look down on others; this is the teaching of the noble ones for living creatures.

§3People who fall under the sway of time, the sway of rebirth in this or that state, undergo suffering, and those young men grieve in this life.

§4Elated by things that bring happiness, downcast by things that bring suffering: this pair destroys the fool who doesn’t see things as they are.

§5But those who in suffering, and in happiness, and in the middle have overcome the weaver—they stand like Indra’s pillar, neither elated nor downcast.

§6Not to gain nor loss, not to fame nor reputation, not to criticism nor praise, not to suffering nor happiness—

§7the wise cling to nothing, like a droplet on a lotus-leaf. They are happy everywhere, and victorious everywhere.

§8There’s legitimate loss, and there’s illegitimate gain. Legitimate loss is better than illegitimate gain.

§9There’s the fame of the unintelligent, and there’s the disrepute of the discerning. The disrepute of the discerning is better than the fame of the unintelligent.

§10There’s praise by simpletons, and there’s criticism by the discerning. Criticism by the discerning is better than praise by fools.

§11There’s the happiness of sensual pleasures, and there’s the suffering of seclusion. The suffering of seclusion is better than the happiness of sensual pleasures.

§12There’s life without principles, and there’s death with principles. Death with principles is better than life without principles.

§13Those who’ve given up desire and anger, their minds at peace regarding rebirth in this or that state, wander in the world unattached, for them nothing is beloved or unloved.

§14Having developed the awakening factors, the faculties and the powers, having arrived at ultimate peace, the undefiled become fully quenched.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What image opens this poem?
Correct: B. An image of capacity exceeded, setting up the poem's concern with what can be borne without breaking.
Question 2 of 10
What five explicit pairs does the sixth verse list, all failing to move the wise?
Correct: C. Building toward the image of being untouched everywhere, like a drop of water on a lotus leaf.
Question 3 of 10
What rhetorical form do verses eight through twelve depart into?
Correct: D. Not simile, not narrative, but flat paradoxical assertion — few passages in this collection sustain this form so long.
Question 4 of 10
What is the first of the five paradoxical inversions?
Correct: A. 'Alābho dhammiko seyyo, yañce lābho adhammiko.'
Question 5 of 10
What is the final and starkest of the five inversions?
Correct: B. 'Maraṇaṁ dhammikaṁ seyyo, yañce jīve adhammikaṁ.'
Question 6 of 10
What underlying move does each of the five inversions share, per this reading guide?
Correct: C. The paradoxes hold only because they've already redefined what counts as a genuinely good outcome.
Question 7 of 10
What does the closing verse name before 'attaining ultimate peace'?
Correct: D. A doctrinal checklist echoing, without quoting directly, Thag 14.1's own closing register.
Question 8 of 10
What marks this book's transition from Godatta's own poem to the book's close?
Correct: A. Matching the pattern established in every single-chapter book since the Threes.
Question 9 of 10
What epithet does the closing uddāna give both elders of this book?
Correct: B. The same exact phrase recurring across two non-adjacent books.
Question 10 of 10
What is the running total of poems completed on this site after this poem, out of 264?
Correct: C. 243 + 2 poems in the Book of the Fourteens.
Answered 0 of 10 · Correct 0