Theragatha · 14.1

Revata of the Acacia Wood

Khadiravaniya — The Book of the Fourteens · Chapter One · Poem 1 of 2

Setting
General reflection on his own practice, without further attribution
Speaker
Revata of the Acacia Wood, the same elder already met in this site's Thag 1.42
Form
Fourteen four-line verses, the eleventh partly abbreviated in the Pali source
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★☆☆☆ — plain vocabulary, extensive material shared with another poem in this collection

Why this text

‘Since I've gone forth from the lay life to homelessness, I've not been aware of any thought that is ignoble and hateful,’ Revata opens — the same elder this site already met in Thag 1.42, addressing his sisters Cālā, Upacālā, and Sīsupacālā. This longer poem shares extensive material verbatim with this collection's own Thag 11.1 (Saṅkicca), including its celebrated closing image: ‘I await my time, like a worker waiting for their wages.’

Reading guide

The same elder, a second poem in a later book

This site's own Thag 1.42 already gives Revata of the Acacia Wood a single verse, addressing his three sisters Cālā, Upacālā, and Sīsupacālā directly: ‘meditate mindfully! I've come to you like a hair-splitter’. The identical specific epithet, ‘Khadiravaniya’, ‘of the Acacia Wood’, attached to both poems marks this as the same individual rather than a namesake, unlike the ordinal-disambiguated repeated names (Sopāka, Sumana, Gotama) found elsewhere in this collection — a single elder given both a short utterance in the Book of the Ones and a fuller testimony here.

Three lines shared verbatim with Thag 11.1

The second verse — ‘May these beings be killed! May they be slaughtered! May they suffer! I've not been aware of any such thought’ — matches Thag 11.1 (Saṅkicca)'s seventh verse word for word across three full lines, differing only in its closing phrase (‘in all this long while’ here, against ‘ignoble, hateful’ there).

A famous closing image, shared entirely, abbreviation and all

The tenth and eleventh verses reproduce Thag 11.1's closing couplet-pair in full: ‘I don't long for death; I don't long for life; I await my time, like a worker waiting for their wages’, then repeated with only its final phrase changed. Remarkably, the eleventh verse's Pali source abbreviates itself with ‘… pe …’, exactly as Thag 7.1 (Sundarasamudda) did — the second case in this collection of a poem's own manuscript relying on peyyāla shorthand rather than spelling out a repeated formula. Between these two poems, this specific closing image is now this collection's most extensively duplicated passage: two full verses, shared twice over, with the identical textual convention marking the repetition both times.

A hairsbreadth of evil, seen as a stormcloud

The eighth verse's image stands out for its psychological precision: to someone genuinely seeking purity, ‘even a hair-tip of evil seems as big as a stormcloud’. This isn't a claim about objective severity but about a scrupulous mind's own scale of perception, where moral sensitivity makes small lapses loom disproportionately large.

Loving-kindness as sustained, technical practice

Verses three through five describe mettā not as a passing sentiment but as cultivated technique: ‘limitless and well-developed... gradually consolidated as it was taught by the Buddha’, named explicitly as one of the brahmavihāras (‘divine meditations’) ‘which reprobates do not cultivate’ — friendliness treated with the same systematic seriousness this collection elsewhere gives to insight practice.

Key terms

Khadiravaniya — “of the Acacia Wood” — the specific epithet shared by this poem and this site's Thag 1.42, marking them as the same individual.
brahmavihāraṁ — “divine meditation” — the technical term for loving-kindness practice, named directly in the fifth verse.
vālaggamattaṁ pāpassa — “even a hair-tip of evil” — the eighth verse's image for a scrupulous mind's heightened sensitivity to small lapses.
peyyāla — the Pali convention of abbreviating a repeated passage as ‘… pe …’ — used in this poem's eleventh verse, as in Thag 7.1, rather than spelling out the formula in full.
nibbisaṁ bhatako yathā — “like a worker waiting for their wages” — the closing image shared in full with Thag 11.1.

The text

The text in full: fourteen verses, the eleventh partly abbreviated in the Pali source, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Since I’ve gone forth from the lay life to homelessness, I’ve not been aware of any thought that is ignoble and hateful.

§2“May these beings be killed! May they be slaughtered! May they suffer!”—I’ve not been aware of any such thought in all this long while.

§3I have been aware of loving-kindness, limitless and well-developed; gradually consolidated as it was taught by the Buddha.

§4I’m friend and comrade to all, sympathetic for all beings! I develop a mind of love, always delighting in harmlessness.

§5The unfaltering, the unshakable: I gladden that mind. I develop a divine meditation, which reprobates do not cultivate.

§6When in a meditation free of placing the mind, a disciple of the Buddha is at that moment blessed with noble silence.

§7As a rocky mountain is unwavering and well grounded, so when delusion ends, a monk, like a mountain, doesn’t tremble.

§8To the man who has not a blemish who is always seeking purity, even a hair-tip of evil seems as big as a stormcloud.

§9As a frontier city is guarded inside and out, so you should ward yourselves—don’t let the moment pass you by.

§10I don’t long for death; I don’t long for life; I await my time, like a worker waiting for their wages.

§11I don’t long for death; I don’t long for life; I await my time, aware and mindful.

§12I’ve served the teacher and fulfilled the Buddha’s instructions. The heavy burden is laid down, the leash to existence is eradicated.

§13I’ve attained the goal for the sake of which I went forth from the lay life to homelessness—the ending of all fetters.

§14Persist with diligence: this is my instruction. Come, I’ll be fully quenched—I’m liberated in every way.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
How does this poem's speaker relate to this site's Thag 1.42?
Correct: A. A single elder given both a short utterance in the Book of the Ones and a fuller testimony here.
Question 2 of 10
What does the second verse share with Thag 11.1 (Saṅkicca)?
Correct: B. Differing only in the closing phrase: 'in all this long while' here, against 'ignoble, hateful' there.
Question 3 of 10
What do the tenth and eleventh verses share with Thag 11.1?
Correct: C. This collection's most extensively duplicated passage — two full verses, shared twice over.
Question 4 of 10
What textual convention does the eleventh verse's Pali source use, matching Thag 7.1?
Correct: D. The second case in this collection of a poem's own manuscript abbreviating itself this way.
Question 5 of 10
What image does the eighth verse use for a scrupulous person's perception of small faults?
Correct: A. A claim about a scrupulous mind's own scale of perception, not about objective severity.
Question 6 of 10
How do verses three through five describe loving-kindness practice?
Correct: B. Named explicitly as one of the brahmavihāras, 'which reprobates do not cultivate.'
Question 7 of 10
What simile does the seventh verse use for a monk whose delusion has ended?
Correct: C. 'Evaṁ mohakkhayā bhikkhu, pabbatova na vedhati.'
Question 8 of 10
What does the ninth verse compare careful self-guarding to?
Correct: D. 'Nagaraṁ yathā paccantaṁ, guttaṁ santarabāhiraṁ.'
Question 9 of 10
What closes this poem's final verse?
Correct: A. 'Handāhaṁ parinibbissaṁ, vippamuttomhi sabbadhī.'
Question 10 of 10
What instruction does the fourteenth verse's opening line give?
Correct: B. 'Sampādethappamādena, esā me anusāsanī.'
Answered 0 of 10 · Correct 0