Theragatha · 15.2

Udāyī

Udāyī — The Book of the Sixteens · Chapter One · Poem 2 of 2

Setting
Sustained third-person praise of the Buddha, closing this book's single chapter
Speaker
Udāyī, describing the Buddha entirely in the third person
Form
Sixteen four-line verses, built almost entirely from extended similes
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★★☆☆☆ — plain vocabulary, an unusually elaborate extended metaphor

Why this text

‘I shall extol the giant for you, for he does nothing monstrous’ — Udāyī's poem contains no autobiographical content at all, unlike almost every other poem in this collection. Instead, across sixteen verses, it maps the Buddha's own qualities onto the body of an elephant, part by part, before closing on the lotus and fire similes already told on this site elsewhere.

Reading guide

A poem with no first-person testimony at all

Unlike nearly every other poem in this collection, Udāyī's verse contains no account of his own crisis, ordination, or attainment. Every verse describes the Buddha in the third person; the speaker's own experience never enters the poem directly, a structural choice shared with relatively few other poems here (among them Thag 10.5, Kappa's pure body-contemplation poem, though there the subject is the body rather than a specific person).

An elephant's body, mapped onto spiritual qualities part by part

Verses five through nine build the poem's central conceit in careful anatomical sequence: gentleness and harmlessness as the elephant's two front feet, mindfulness and awareness as its two hind feet, faith as its trunk, equanimity as its white tusks, mindfulness again as its neck, wisdom as its head, investigation and reflection on principles, the Dhamma as its belly — ‘the sacred hearth’ — and seclusion as its tail. Few extended metaphors anywhere in this collection sustain this much specific, part-by-part correspondence.

A great giant among all things called giant

The fourth verse plays on nāga's double meaning — elephant, and more broadly anything of towering size or stature: ‘that giant outshines all, like the Himalaya beside other mountains. Of all those named “giant”, he is truly named, supreme’. The word itself becomes an argument: many things are called nāga, but only one deserves the name without qualification.

The lotus unstained by water, already told on this site

The twelfth and thirteenth verses give one of early Buddhism's best-known images: ‘a white lotus... sprouts in water and grows there, but the water doesn't cling to it. Just so the Buddha is born in the world, and lives in the world, but the world doesn't stick to him’. This site's own AN 4.36, Doṇa, already gives this identical simile in the Buddha's own words, describing himself directly rather than being described by a disciple.

Fire going out for lack of fuel: the classic image for nibbāna

The fourteenth verse gives the equally well-known complementary image: ‘a great blazing fire dies down when the fuel runs out. And when the coals have gone out it's said to be “quenched”’ — not extinguished by force, but settling naturally once nothing remains to sustain it, the root sense of nibbāna itself.

Closing the Book of the Sixteens, an eighth consecutive tally

This single-chapter book closes, like every book since the Threes, moving directly from Udāyī's own self-naming to ‘Soḷasakanipāto niṭṭhito’, ‘the Book of the Sixteens is concluded’, with no separate chapter marker. The Tatruddāna names both elders — Koṇḍañña and Udāyī — under the identical collective epithet already used to close Books 12 and 14: ‘therā dve te mahiddhikā’. The stated tally, ‘thirty-two verses’, matches two poems of sixteen verses each exactly, an eighth consecutive book with a closing count that adds up cleanly.

Key terms

nāga — “giant”, “elephant” — the poem's central image, used both literally and as an honorific for towering spiritual stature.
soraccaṁ avihiṁsā ca — “gentleness and harmlessness” — the elephant's two front feet, in the poem's extended allegory.
dhammakucchisamāvāso — “the sacred hearth of the Dhamma” — the elephant's belly, in the same extended allegory.
Nopalippati toyena — “the water doesn't cling to it” — the lotus simile, matching this site's own AN 4.36.
nibbutoti pavuccati — “it's said to be ‘quenched’” — the fire simile for nibbāna, closing the fourteenth verse.

The text

The text in full: sixteen verses, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Awakened as a human being, self-tamed and immersed in samādhi, following the spiritual path, he loves peace of mind.

§2Revered by people, gone beyond all things, even the gods revere him; so I’ve heard from the perfected one.

§3He has transcended all fetters, and escaped from entanglements. Delighting to renounce sensual pleasures, he’s freed like lustrous gold from stone.

§4That giant outshines all, like the Himalaya beside other mountains. Of all those named “giant”, he is truly named, supreme.

§5I shall extol the giant for you, for he does nothing monstrous. gentleness and harmlessness are two feet of the giant.

§6Mindfulness and awareness are his two other feet. Faith is the giant’s trunk, and equanimity his white tusks.

§7Mindfulness is his neck, his head is wisdom—investigation and thinking about principles. His belly is the sacred hearth of the Dhamma, and his tail is seclusion.

§8Practicing absorption, enjoying the breath, he is serene within. The giant is serene when walking, the giant is serene when standing,

§9the giant is serene when lying down, and when sitting, the giant is serene. The giant is restrained everywhere: this is the accomplishment of the giant.

§10He eats blameless things, he doesn’t eat blameworthy things. When he gets food and clothes, he avoids storing them up.

§11Having severed all bonds, fetters large and small, wherever he goes, he goes without concern.

§12A white lotus, fragrant and delightful, sprouts in water and grows there, but the water doesn’t cling to it.

§13Just so the Buddha is born in the world, and lives in the world, but the world doesn’t stick to him, as water does not stick to the lotus.

§14A great blazing fire dies down when the fuel runs out. And when the coals have gone out it’s said to be “quenched”.

§15This simile is taught by the discerning to express the meaning clearly. Great giants will understand what the giant taught the giant.

§16Free of greed, free of hate, free of delusion, undefiled; the giant, giving up his body, undefiled, will be fully quenched.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
How does this poem differ structurally from nearly every other poem in this collection?
Correct: B. The speaker's own experience never enters the poem directly.
Question 2 of 10
What extended conceit do verses five through nine build?
Correct: C. Gentleness and harmlessness as feet, faith as trunk, equanimity as tusks, wisdom as head, seclusion as tail.
Question 3 of 10
What does the fourth verse's wordplay on 'nāga' argue?
Correct: D. 'Sabbesaṁ nāganāmānaṁ, saccanāmo anuttaro.'
Question 4 of 10
What simile do the twelfth and thirteenth verses give?
Correct: A. Already told in the Buddha's own words on this site's AN 4.36, Doṇa.
Question 5 of 10
Where is this same lotus simile already found on this site?
Correct: B. This poem gives it from a disciple's perspective; AN 4.36 gives it in the Buddha's own words.
Question 6 of 10
What image does the fourteenth verse use for nibbāna?
Correct: C. Not extinguished by force, but settling naturally — the root sense of nibbāna itself.
Question 7 of 10
What does the fifteenth verse say about who will understand this simile?
Correct: D. 'Viññissanti mahānāgā, nāgaṁ nāgena desitaṁ.'
Question 8 of 10
What marks this book's transition from Udāyī's own poem to the book's close?
Correct: A. Matching the pattern established in every single-chapter book since the Threes.
Question 9 of 10
What epithet does the closing uddāna give both elders of this book?
Correct: B. The identical exact phrase recurring across three non-adjacent books now.
Question 10 of 10
What is the running total of poems completed on this site after this poem, out of 264?
Correct: C. 245 + 2 poems in this book.
Answered 0 of 10 · Correct 0