Theragatha · 4.1

Nāgasamāla

Nāgasamāla — The Book of the Fours · Chapter One · Poem 1 of 12

Setting
The main street, glimpsed while on almsround, without a translated attribution
Speaker
Nāgasamāla, recalling a moment of sudden insight
Form
Four four-line verses — a dancer described, the danger seen, disillusionment, and freedom
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★☆☆☆☆ — plain narrative, a vivid central image

Why this text

Nāgasamāla opens this new book with a scene from the almsround: a dancer, adorned and dressed up, glimpsed along the main street — and then the same description turns ominous: ‘set up like a snare of death’. Realization dawns, disillusionment settles in, and the mind is freed.

Reading guide

A new book, four verses to a poem

This poem opens the Book of the Fours (Catukkanipāta), this collection's fourth structural division, following the Book of the Ones (120 poems), the Book of the Twos (49 poems), and the Book of the Threes (16 poems). Every poem here runs to four verses of four lines each — hence its name — and, like the Book of the Threes, this entire book turns out to hold only one chapter of twelve poems, confirmed fresh rather than assumed. No comment survives for any poem in this chapter.

The same description, twice, turned ominous

The poem's opening line describing the dancer — ‘adorned with jewelry and all dressed up’ — is repeated almost verbatim in the second verse, but now completed differently: ‘set up like a snare of death’. The same sight, described twice, shifts from simple observation to recognized danger.

A closing pair of verses, shared word for word twice more

This poem's third and fourth verses — the realization dawning, disillusionment settling in, the mind freed, the three knowledges attained — are word for word identical to the closing two verses of Thag 4.2 (Bhagu) and Thag 4.9 (Candana), both later in this same chapter. All three poems tell entirely different opening stories — a dancer here, a fall during walking meditation at Thag 4.2, an encounter with one's own wife and child at Thag 4.9 — but all three converge on this same eight-line ending, a shared template for how the realization completes itself.

Key terms

alaṅkatā suvasanā — “adorned with jewelry and all dressed up” — the dancer's description, repeated and recompleted in the second verse.
maccupāsaṁva oḍḍitaṁ — “set up like a snare of death” — the poem's central, ominous turn.
yoniso manāsīkāro — “the realization... came upon me” — opening this poem's shared closing pair of verses.
nibbidā — “disillusionment” — what settles in, following the realization.
tisso vijjā anuppattā, kataṁ buddhassa sāsanaṁ — “I've attained the three knowledges and fulfilled the Buddha's instructions” — the closing formula shared with Thag 4.2 and Thag 4.9.

The text

The text in full: four verses, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1Adorned with jewelry and all dressed up, with garlands, and sandalwood makeup piled on, along the main street is a lady—a dancer dancing as the music plays.

§2I entered for alms, and while walking along I glanced at her, adorned with jewelry and all dressed up, set up like a snare of death.

§3Then the realization came upon me—the danger became clear, and I grew firmly disillusioned.

§4Then my mind was freed—behold the clear rightness of the teaching! I’ve attained the three knowledges and fulfilled the Buddha’s instructions.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does the poem describe in its first verse?
Correct: A. Glimpsed while Nāgasamāla was out on almsround.
Question 2 of 10
How does the second verse recomplete the dancer's description?
Correct: D. The same sight, now recognized as danger.
Question 3 of 10
How many verses does every poem in the Book of the Fours carry, by the book's own name?
Correct: C. Catukkanipāta — the Book of the Fours.
Question 4 of 10
How does the Book of the Fours' chapter structure compare to the Book of the Threes'?
Correct: B. Confirmed fresh, not assumed from the Book of the Threes.
Question 5 of 10
What do this poem's third and fourth verses share with two later poems in this chapter?
Correct: C. A shared eight-line template, despite three entirely different opening stories.
Question 6 of 10
What different opening stories do Thag 4.2 and Thag 4.9 tell, compared to this poem's dancer?
Correct: A. Three different openings, one shared ending.
Question 7 of 10
How many poems does this book comprise, in a single chapter?
Correct: D. This collection's fourth book-length division.
Question 8 of 10
Does any comment survive for this chapter's poems?
Correct: B. This chapter relies entirely on internal textual analysis and cross-references.
Question 9 of 10
What does 'nibbidā' mean?
Correct: A. What settles in, following the realization.
Question 10 of 10
Where does this poem fall in this collection's overall structure?
Correct: D. This collection's fourth book-length division, following the Book of the Threes.
Answered 0 of 10 · Correct 0