Theragatha · 5.11

Soṇa of the Sharp Ears

Soṇa of the Sharp Ears — The Book of the Fives · Chapter One · Poem 11 of 12

Setting
The Buddha's dwelling at nightfall, without a translated attribution
Speaker
Soṇa, narrating largely in the third person
Form
Five four-line verses — ordination declared, the Buddha settling for the night, a recitation given, and future attainment foreseen
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★☆☆☆☆ — plain vocabulary, an unusually narrative register

Why this text

After a brief first-person opening, this poem shifts into narration: the Buddha spending much of the night in the open before settling ‘like a lion in a rocky cave’, and then ‘Soṇa, a disciple of the Buddha’, reciting the true teaching ‘with lovely enunciation... before the best of Buddhas’.

Reading guide

A poem that narrates more than it declares

Only the first verse speaks in the unambiguous first person: ‘I've received ordination; I am liberated’. From the second verse onward, the poem shifts to narrating a scene — the Buddha settling for the night, ‘Gotama made his bed... like a lion in a rocky cave’ — and names its own speaker in the third person, ‘Soṇa... recited the true teaching’, even closing on a future-tense prediction about himself: ‘he'll be fully quenched’. This joins Thag 4.6 (Senaka) and Thag 5.6 (Nadīkassapa) among this collection's poems that step back from direct first-person declaration, but goes further than either in sustaining a narrated scene across most of its length.

A recitation this site can independently confirm

This site's own Ud 5.6 (With Soṇa) tells of a monk asking his mentor Mahākaccāna three times for ordination, waiting years for a monastic quorum, then traveling to recite an entire chapter of scripture from memory before the Buddha in person. This poem's ‘lovely enunciation’ (kalyāṇavākkaraṇo) recited ‘before the best of Buddhas’ matches that account's central detail closely enough that this reading guide treats the two as very plausibly the same monk, celebrated in both texts for the same skill.

The Buddha, described in formulaic epithets

The third verse's description of the Buddha resting — ‘like a lion in a rocky cave, with fear and dread given up’ — uses standing, formulaic language for the Buddha's fearlessness rather than an image unique to this poem, the kind of conventional epithet this collection has met before in poems of praise.

Key terms

upasampadā — “ordination” — declared received in the poem's opening, first-person line.
sīho selaguhāyaṁva — “like a lion in a rocky cave” — the formulaic image for the Buddha settling for the night.
kalyāṇavākkaraṇo — “with lovely enunciation” — the skill this poem and Ud 5.6 both associate with this same Soṇa.
saddhammaṁ — “the true teaching” — what is recited before the Buddha, in the fourth verse.
pañcakkhandhe pariññāya — “completely understood the five aggregates” — opening the poem's closing, future-tense prediction.

The text

The text in full: five verses, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1I’ve received ordination; I am liberated, without defilements; I’ve seen the Blessed One myself, and even stayed together with him.

§2The Blessed One, the teacher, spent much of the night in the open; then he, who is so skilled in meditation, entered his dwelling.

§3Spreading his outer robe, Gotama made his bed, like a lion in a rocky cave, with fear and dread given up.

§4Then, with lovely enunciation, Soṇa, a disciple of the Buddha, recited the true teaching before the best of Buddhas.

§5When he has completely understood the five aggregates, developed the direct route, and arrived at ultimate peace, undefiled, he’ll be fully quenched.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What does the first verse declare, in clear first person?
Correct: C. Upasampadā ca me laddhā, vimutto camhi anāsavo.
Question 2 of 10
How does the poem's voice shift from the second verse onward?
Correct: D. Sustaining a narrated scene further than Thag 4.6 or Thag 5.6.
Question 3 of 10
What does the third verse describe the Buddha doing?
Correct: C. Formulaic language for the Buddha's fearlessness at rest.
Question 4 of 10
What does the fourth verse say Soṇa did before the Buddha?
Correct: D. Kalyāṇavākkaraṇo, buddhaseṭṭhassa sammukhā.
Question 5 of 10
What already-translated poem on this site may feature the same Soṇa?
Correct: A. A monk who traveled to recite an entire chapter of scripture from memory before the Buddha.
Question 6 of 10
What detail connects this poem to Ud 5.6 specifically?
Correct: B. The same central detail, celebrated in both texts.
Question 7 of 10
What tense does the poem's closing verse use to describe Soṇa's future attainment?
Correct: B. Parinibbissatyanāsavo, closing the poem's narrated, third-person register.
Question 8 of 10
What does 'sīho selaguhāyaṁva' mean?
Correct: A. Formulaic imagery for the Buddha's fearlessness.
Question 9 of 10
What does the fifth verse say has been developed, alongside understanding the five aggregates?
Correct: A. Bhāvayitvāna añjasaṁ.
Question 10 of 10
Where does this poem fall in the Book of the Fives?
Correct: D. Following Rājadatta through Yasadatta.
Answered 0 of 10 · Correct 0