Theragatha · 6.14

Sabbakāmi

Sabbakāmi — The Book of the Sixes · Chapter One · Poem 14 of 14

Setting
General teaching on sensual danger, closing this book's single chapter
Speaker
Sabbakāmi, on the danger of sensual pleasures
Form
Six four-line verses, followed by this book's own closing structure
Length
under 1 minute to read
Northern parallel
This reading guide does not assert a specific matching text for this poem in other Buddhist literatures.
Difficulty
★☆☆☆☆ — plain vocabulary, exceptional structural weight

Why this text

‘This two-legged body is dirty and stinking... but still it is cherished!’ Sabbakāmi opens, before three vivid similes for how ordinary people are trapped by sensual pleasure — a deer by a trick, a fish by a hook, a langur by tar. His poem closes not only this chapter, but the entire Book of the Sixes: fourteen poems, now complete, with a closing tally that for the first time in this collection matches its own content exactly.

Reading guide

A body cherished despite its own description

The opening verse doesn't merely describe the body as impure — ‘dirty and stinking, full of different carcasses, oozing all over the place’ — it closes on the contradiction directly: ‘but still it is cherished!’ The poem's force rests on this gap between what the body plainly is and how it continues to be valued.

A langur trapped by tar, echoing this book's fifth poem

The second verse's three similes — a deer lured by a trick, a fish caught by a hook, a langur (vānara) trapped by tar — return to the same animal invoked in Thag 6.5 (Māluṅkyaputta), where a langur greedy for fruit represented the restless, craving mind. Sujato's comment on this verse cites the identical source, Ja 57, used for that earlier poem — the same technical note appearing near the start and at the very close of this book's chapter.

Sensual stimulation located specifically in a woman's body

The third verse names the five kinds of sensual stimulation — sights, sounds, tastes, smells, and touches — and states they are ‘seen in a woman's body (itthirūpasmi)’. This reading guide notes the verse's own framing without further comment; readers may find its address specifically to a male, presumably monastic audience worth registering as a feature of the text rather than a universal claim.

Self-naming and a book closed with no separate chapter marker

The Pali closes with ‘… Sabbakāmitthero …’, the poem's own self-naming device, immediately followed by ‘Chakkanipāto niṭṭhito’, ‘the Book of the Sixes is concluded’ — with no separate chapter-closing marker, matching the pattern already seen in the Threes, Fours, and Fives, each a single chapter.

A tally that finally adds up exactly

The closing Tatruddāna states ‘gāthāyo caturāsīti, therā cettha catuddasāti’, ‘eighty-four verses, fourteen elders here’. Fourteen poems of six verses each is exactly eighty-four — matching precisely, for the first time in this collection, after the Book of the Fours' mismatch (52 stated against 48 actual) and the Book of the Fives' mismatch (65 stated against roughly 60 actual). The uddāna itself adds a single epithet, ‘thero’ (elder), to Tekicchakāri's name alone, placed second in the list rather than last — a fifth distinct epithet-placement pattern across this collection's six books so far.

Key terms

dvipādako asuci — “this two-legged body is dirty” — the poem's opening description.
vānaraṅ viya lepena — “like a langur by tar” — the third simile of the second verse, echoing Thag 6.5's own langur image.
… Sabbakāmitthero … — the poem's closing self-naming device, immediately preceding the book's own closing marker.
Chakkanipāto niṭṭhito — “the Book of the Sixes is concluded” — this book's sole closing marker, with no separate chapter-level marker preceding it.
gāthāyo caturāsīti — “eighty-four verses” — a count that, for the first time in this collection, matches the book's own content exactly.

The text

The text in full: six verses, with no separate attribution line in this chapter. Translation: Bhikkhu Sujato (CC0, SuttaCentral).

§1This two-legged body is dirty and stinking, full of different carcasses, and oozing all over the place—but still it is cherished!

§2Like a lurking deer by a trick, like a fish by a hook, like a langur by tar—they trap an ordinary person.

§3Sights, sounds, tastes, smells, and touches so delightful: these five kinds of sensual stimulation are seen in a woman’s body.

§4Those ordinary people, their minds full of lust, who pursue those women: they swell the horrors of the charnel ground, piling up future lives.

§5One who, being mindful, avoids them like a snake’s head with their foot, gets over clinging to the world.

§6Seeing the danger in sensual pleasures, seeing renunciation as sanctuary, I’ve escaped all sensual pleasures, and attained the ending of defilements.

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Self-check quiz

Ten questions. Click an answer to see immediate feedback. No score is recorded — this is for your own checking.

Question 1 of 10
What contradiction does the opening verse state directly?
Correct: B. The poem's force rests on this gap between description and valuation.
Question 2 of 10
What three similes does the second verse use for how people are trapped?
Correct: C. The langur image echoes Thag 6.5's own use of the same animal.
Question 3 of 10
What does Sujato's comment on the langur-and-tar simile cite?
Correct: D. The same technical note appearing near the start and at the very close of this book's chapter.
Question 4 of 10
Where does the third verse locate the five kinds of sensual stimulation?
Correct: A. A feature of the text this reading guide notes without further comment, given its presumed monastic audience.
Question 5 of 10
What immediately follows the poem's self-naming device in the Pali?
Correct: B. Matching the pattern already seen in the Threes, Fours, and Fives, each a single chapter.
Question 6 of 10
What does this book's closing tally state, and how does it compare to the book's actual content?
Correct: C. Fourteen poems of six verses each is exactly eighty-four, unlike the mismatches in the Fours and Fives.
Question 7 of 10
Where does the closing uddāna place its single epithet, 'thero'?
Correct: D. A fifth distinct epithet-placement pattern across this collection's six books so far.
Question 8 of 10
What is the running total of poems completed on this site after this poem, out of 264?
Correct: A. 209 + 14 poems in the Book of the Sixes.
Question 9 of 10
How does this book's closing tally compare to the Book of the Fours' and Book of the Fives' closing tallies?
Correct: B. A notable first for this collection's closing-tally pattern.
Question 10 of 10
What is the next book in the Theragātha, following this one?
Correct: C. Its own structure and conventions still need a fresh check before work continues.
Answered 0 of 10 · Correct 0