Grief in the Palace (I)
The poem cuts back to Kapilavastu, where Chandaka makes his grief-stricken eight-day journey home leading a riderless horse. His arrival tells the whole city everything before he speaks a word, and the chapter becomes a sequence of laments — the crowd's, then Mahāprajāpatī Gautamī's, who raised the prince as her own son and now recites, one by one, every mark of beauty on him that ascetic life will now destroy, and finally Yaśodharā's, whose grief turns first to bitter anger at the horse and the charioteer who carried her husband away.
Chandaka's Return, and the City in Mourning
佛所行讚合宮憂悲品第八
車匿牽馬還, 望絕心悲塞,
隨路號泣行, 不能自開割。
先與太子俱, 一宿之徑路,
今捨太子還, 生奪天蔭故。
徘徊心顧戀, 八日乃至城,
良馬素體駿, 奮迅有威相。
躑躅顧瞻仰, 不覩太子形,
流淚四體垂, 憔悴失光澤。
旋轉慟悲鳴, 日夜忘水草,
遺失救世主, 還歸迦毘羅。
國土悉廓然, 如入空聚落,
如日隱須彌, 舉世悉曛冥。
泉池不澄清, 華果不榮茂,
巷路諸士女, 憂慼失歡容。
車匿與白馬, 悵怏行不前,
問事不能答, 遲遲若尸行。
眾見車匿還, 不見釋王子,
舉聲大號泣, 如棄羅摩還。
有人來路傍, 傾身問車匿:
「王子世所愛, 舉國人之命。
汝輙盜將去, 今為何所在?」
車匿抑悲心, 而答眾人言:
「我眷戀追逐, 不捨於王子,
王子捐棄我, 并捨俗威儀,
剃頭被法服, 遂入苦行林。」
眾人聞出家, 驚起奇特想,
嗚咽而啼泣, 涕淚交流下,
各各相告語, 我等作何計?
眾人咸議言: 「悉當追隨去,
如人命根壞, 身死形神離。
王子是我命, 失命我豈生?
此邑成丘林, 彼林城郭邑,
此城失威德, 如殺毘梨多。」
城內諸士女, 虛傳王子還,
奔馳出路上, 唯見馬空歸,
莫知其存亡, 悲泣種種聲。
車匿步牽馬, 歔欷垂淚還,
失太子憂悲, 加增怖懼心,
如戰士破敵, 執怨送王前。
入門淚雨下, 滿目無所見,
仰天大啼哭, 白馬亦悲鳴,
宮中雜鳥獸, 內廐諸群馬,
聞白馬悲鳴, 長鳴而應之,
謂呼太子還, 不見而絕聲。
後宮諸婇女, 聞馬鳥獸鳴,
亂髮面萎黃, 形瘦脣口乾。
弊衣不浣濯, 垢穢不浴身,
悉捨莊嚴具, 毀悴不鮮明。
舉體無光耀, 猶如細小星,
衣裳壞繿縷, 狀如被賊形。
見車匿白馬, 涕泣絕望歸,
感結而號咷, 猶如新喪親,
狂亂而搔擾, 如牛失其道。
Buddhacarita, Chapter Eight: Grief in the Palace
Leading the horse back alone, all hope now gone, his heart choked with grief, Chandaka wept and wailed the whole way, unable to master his own sorrow.
The road he had traveled with the prince only the night before, he now traveled alone, having left the prince behind — as though heaven's own shade had suddenly been snatched away from him.
Wandering on, his heart full of longing, it took him eight days to reach the city again — the fine horse, pale and swift of body, still carrying himself with a certain majestic bearing.
Yet he too hesitated and looked about, searching in vain for the prince's form; tears streamed from him and his whole body sagged, worn and haggard, his former luster gone.
He turned this way and that, crying out in mournful whinnies, forgetting water and grass alike, day and night, as they made their way back to Kapilavastu, having lost their world's own savior.
The whole kingdom seemed suddenly hollow and empty, as though one had wandered into an abandoned settlement — as when the sun itself sinks behind Mount Sumeru, and the whole world falls into darkness and gloom.
The springs and pools no longer ran clear, the flowers and fruit no longer flourished, and the men and women in every street and lane wore faces stripped of all joy.
Chandaka and the white horse, disconsolate, could hardly bring themselves to go on; when asked what had happened, neither could give any answer, moving on slowly as though already among the dead.
When the crowd saw Chandaka return without the Śākya prince, they cried out together in loud lamentation, as when Sumantra once returned to Ayodhyā having left Rāma behind.
Someone came up along the road and, leaning in, asked Chandaka: "The prince, whom the whole world loves, on whom the very life of this entire kingdom depends —
you have gone and stolen him away — where is he now?"
Chandaka, holding back his own grief, answered the crowd: "I clung to him and followed after him, unwilling ever to leave the prince's side; but the prince abandoned me, casting aside as well every mark of worldly majesty, shaved his own head, put on the robe of the Dharma, and so entered the forest of ascetic practice."
Hearing that he had gone forth, the crowd rose up in astonishment, sobbing and weeping, tears streaming down mingled together, each one saying to the other: what are we now to do?
The whole crowd deliberated together, saying: "We ought all to go after him at once — for it is as when a person's very life-force fails, and body, spirit, and form are sundered apart from one another.
The prince is our very life — how could we go on living, having lost our own life itself?
Let this town become nothing but wild forest, and that forest become our town and city instead — for this city, having lost him, has lost its very majesty and virtue, as though its guardian deity had been slain."
The men and women throughout the city, hearing the false rumor that the prince had returned, rushed out onto the road, only to see the horse coming back alone; not knowing whether he was alive or dead, they wept aloud in every manner of grief.
Chandaka walked on, leading the horse by foot, sighing and weeping as he went; his grief at losing the prince now compounded by a rising dread — like a soldier who, having been defeated by the enemy, must still bring the captured foe before his own king.
As he entered the gate, tears poured down like rain, and his eyes could take in nothing before him; he lifted his face to heaven and wept aloud, and the white horse too cried out in mournful whinnies. Every bird and beast within the palace, and every horse in the stables, hearing the white horse's mournful cry, answered back with their own long calls, thinking the prince himself had returned — only to fall silent again on finding he was nowhere to be seen.
The women of the inner palace, hearing the cries of the horse and every beast and bird, let their hair fall disheveled, their faces turned sallow and wan, their bodies gaunt, their lips parched and dry.
They wore soiled robes left unwashed, their bodies caked with grime and left unbathed; every ornament was cast aside, and they appeared worn and haggard, their former brightness entirely gone.
Their whole bodies had lost every trace of radiance, as dim now as the faintest of stars; their garments hung torn and ragged, as though they had all been set upon by bandits.
Seeing Chandaka and the white horse return in this way, all hope gone, they wept and cried aloud, their grief welling up into loud lamentation, as though they had just lost their own kin; they moved about in wild, distracted confusion, like cattle that have lost their way.
Mahāprajāpatī's Lament
大愛瞿曇彌, 聞太子不還,
竦身自投地, 四體悉傷壞,
猶如狂風摧, 金色芭蕉樹。
又聞子出家, 長歎增悲感:
「右旋細軟髮, 一孔一髮生。
黑淨鮮光澤, 平住而灑地,
何意合天冠? 剃著草土中。
傭臂師子步, 脩廣牛王目,
身光黃金炎, 方臆梵音聲。
持是上妙相, 入於苦行林,
世間何薄福, 失斯聖地主?
妙網柔軟足, 清淨蓮花色,
土石刺棘林, 云何而可蹈?
生長於深宮, 溫衣細軟服,
沐浴以香湯, 末香以塗身。
今則置風露, 寒暑安可堪?
華族大丈夫, 標挺勝多聞,
德備名稱高, 常施無所求,
云何忽一朝, 乞食以活身?
清淨寶床臥, 奏樂以覺惽,
豈能山樹間, 草土以籍身?」
念子心悲痛, 悶絕而躄地,
侍人扶令起, 為拭其目淚。
其餘諸夫人, 憂苦四體垂,
內感心慘結, 不動如畫人。
Mahāprajāpatī Gautamī, hearing that the prince would not return, threw herself convulsively to the ground, her whole body bruised and broken, like a golden plantain tree shattered by a wild wind.
And hearing, further, that her son had gone forth, she let out a long sigh, her grief deepening still further: "His fine, soft hair, curling to the right, grew one strand from every single pore.
Black and pure, fresh and lustrous, it lay smooth and even, sweeping down toward the ground — how could this hair, once fit to be crowned with a royal diadem, now be shaved off and cast down among grass and dirt?
His rounded arms, his lion's own gait, his long, wide eyes like a king among oxen, his body radiant as blazing gold, his square chest, his voice like Brahmā's own —
bearing marks as supremely wondrous as these, he has now entered the forest of ascetic practice. How meager, then, is this world's own fortune, to lose so holy a lord of the earth!
His feet, webbed like a fine net, soft and tender, pure in color as the lotus flower — how could they possibly walk over earth and stone, over briar and thorn?
He was born and raised in the depths of the palace, clothed always in warm and delicate garments, bathed always in scented water, his body always anointed with fragrant powders.
How, then, could he possibly endure the wind and dew, the cold and the heat, out there now?
A great man of a most flowering lineage, distinguished above all in learning, his virtue complete and his renown supreme, ever giving to others and seeking nothing in return — how could he possibly, in a single morning, come now to begging for food to sustain his own body?
He who once lay upon a pure, bejeweled couch, roused each morning by the sound of music — how could he possibly now make his bed on grass and dirt, there among the mountain trees?"
Thinking of her son, her heart overwhelmed with grief, she fainted and collapsed to the ground; her attendants raised her up again, and wiped the tears from her eyes.
Every one of the other royal wives, too, sagged with grief in every limb, their hearts choked with an inward sorrow, as still and motionless as painted figures.
Yaśodharā's Grief
時耶輸陀羅, 深責車匿言:
「生亡我所欽, 今為在何所?
人馬三共行, 今唯二來歸,
我心極惶怖, 戰慄不自安。
終是不正人, 不昵非善友,
不吉縱強暴, 應笑用啼為?
將去而啼還, 反覆不相應。
愛念自在伴, 隨欲恣心作,
故使聖王子, 一去不復歸。
汝今應大喜, 作惡已果成。
寧近智慧怨, 不習愚癡友,
假名為良朋, 內實懷怨結。
今此勝王家, 一旦悉破壞,
此諸貴夫人, 憂悴毀形好,
涕泣氣息絕, 雨淚橫流下。
At that time Yaśodharā spoke to Chandaka in bitter reproach: "He whom I hold dear, living or dead, where is he now?
Three of you set out together — man, horse, and prince — and now only two return; my own heart is seized with terror, trembling, unable to find any peace.
You have proven, in the end, no man of integrity, no companion truly worth keeping close; ill-omened and reckless as you are, is this a moment for laughter, that you should instead be weeping now?
You went off with him laughing, and now come back weeping — such a complete reversal makes no sense at all.
You must have doted on him as a companion who could do whatever he pleased, indulging his every wish and whim — and it is for this that you let the holy prince go, never to return.
You ought to be overjoyed now — the evil you have done has borne its very fruit.
Better to keep close a wise enemy than to take up with a foolish friend — one who bears the false name of a good companion, while harboring resentment and treachery within.
Now this whole excellent royal house lies utterly shattered in a single day; every one of these noble wives lies wasted with grief, their beauty destroyed, weeping until their very breath fails them, tears streaming down without end."
Part 10 Complete
This closes Part 10: Chandaka's grief-stricken homecoming, a city plunged into mourning, Mahāprajāpatī's lament over every mark of beauty the forest will now undo, and the opening of Yaśodharā's own bitter reproach. Part 11 continues the same chapter: Chandaka's defense that the gods themselves compelled him, Yaśodharā's grief turning to regret that she was not allowed to go with her husband, and King Śuddhodana's own extended lament before he finally agrees to send ministers in search of his son.
Continue to Part 11 — Grief in the Palace (II) →