Cibei Shuichan Fa
The Repentance of Compassionate Samādhi Water《慈悲水懺法》
A three-fascicle repentance rite traditionally attributed to the Tang-dynasty National Master Wuda — not a sūtra or a treatise, but words meant to be bowed to and chanted aloud, walking a penitent step by step through confession of every obstruction that afflicts body, speech, and mind, to a final vow shared with all beings.
- Chinese
- 《慈悲水懺法》, also widely known as 《慈悲三昧水懺》 or simply 《水懺》 — "the Water Repentance."
- Attribution
- Traditionally ascribed to Wuda (悟達), personal name Zhixuan (知玄), a National Master (國師) of the Tang dynasty who served at the court of Emperor Yizong (r. 859–873). The text itself carries no colophon naming its author; the attribution comes down through the two prefaces translated below, the earlier of which already treats it as settled tradition.
- Genre
- A repentance liturgy (懺法, chanfa) — a ritual script meant to be bowed to and recited aloud before an image of the Buddha, not a narrative or a doctrinal argument. This is the first liturgy of its kind collected on this site, and the description below is written with that difference in mind rather than presented as another sūtra or śāstra.
- Structure
- Three fascicles, built around confession of "the three obstructions" (三障): the obstruction of affliction (煩惱障, Fascicle 1), the obstruction of karma (業障, Fascicle 2), and the obstruction of retribution (報障, Fascicle 3) — opening with refuge in the Three Jewels and closing with a dedication of merit shared with all beings.
- Prefaces
- The Taishō edition carries two prefaces, both translated in full below: an imperial preface dated 1416, and an earlier, undated preface that tells the legend of a human-faced sore and the waters of samādhi — the story from which the text takes its popular name.
- Commentary
- No classical line-by-line commentary on this liturgy turned up in preparing this translation. The reading notes accompanying each section are Ru-Yi's own.
- Difficulty
- ★★★☆☆ to read straight through — the language itself is direct, but the text is long, formulaic by design, and repeats set litanies of Buddha-names and enumerated categories of fault in full at every occurrence, exactly as a chanted rite requires.
About This Liturgy
Everything else translated on this site so far has been a sūtra, a treatise, or a collection of stories — something to be read and understood. The Cibei Shuichan Fa is different in kind: it is a script for a rite, composed to be performed rather than merely studied, in which a practitioner (or an assembly of practitioners, standing in for "the disciple," rendered throughout this translation as "we") bows before an image of the Buddha and works through confession one obstruction at a time. Read silently, its repetitions and formulas can look like padding. Chanted aloud, kneeling, they are the entire point — each recurring litany of Buddha-names and each long enumerated list of faults is a device for holding attention on one act of confession long enough for it to mean something, not a place to skim.
The text organizes its confession around "the three obstructions" (三障): the obstruction of affliction (煩惱障) — the mental poisons of greed, hatred, and delusion that give rise to wrongdoing in the first place; the obstruction of karma (業障) — the actual deeds of body, speech, and the six sense-faculties that those afflictions produce; and the obstruction of retribution (報障) — the suffering that such karma eventually ripens into, described here in unflinching detail across the hells, the animal and hungry-ghost realms, and the lesser miseries of human and heavenly life. Fascicle 1 confesses the first obstruction, opening with refuge in the Three Jewels and a sevenfold framework of mental attitudes — shame, dread, revulsion, and so on — that the text argues must be cultivated before confession can do any good at all. Fascicle 2 confesses the second, moving through the three deeds of the body, the four of speech, and the six sense-faculties in turn. Fascicle 3 confesses the third, describing the retributions of the hells and the lower destinies before closing with a single sustained dedication of merit, extended to all beings without exception.
A note on the Buddha-name litanies and enumerated lists
A short roll call of sixteen Buddhas and bodhisattvas — opening with Vairocana and closing with Avalokiteśvara — recurs many times through all three fascicles, marking the close of one section of confession and the opening of the next. This translation gives it in full every time it appears, exactly as the original does, rather than abbreviating it after the first occurrence. The same holds for the text's long enumerated lists of categories of affliction (three poisons, four floods, five hindrances, and so on, climbing as high as the hundred and eight afflictions) and its litanies of named hells in Fascicle 3: these are not padding to be condensed but the doctrinal content itself, arranged in the numerical lists characteristic of Abhidharma-influenced Chinese Buddhist literature, and every item is translated rather than summarized with "and so forth."
The Legend of the Human-Faced Sore
The Taishō edition of this text carries two prefaces ahead of the liturgy itself, and both are translated here in full — including the famous story of the human-faced sore, which does appear in the source text used for this translation, as the second preface below, rather than being a later legend added on top of it. Neither preface is part of the ritual text that a practitioner recites; both are later framing material bundled with it in the printed editions that have come down to us.
An Imperial Preface, 1416
The first preface is explicitly titled "an imperial preface" (御製) and speaks throughout in the first person as "We" (朕), the pronoun reserved for an emperor; it is dated to the first day of the seventh month in the fourteenth year of the Yongle era of the Ming dynasty — 1416 CE, during the reign of the Yongle Emperor. It says nothing about the legend behind the text and instead offers a short meditation on what "samādhi" means and why repentance works.
夫三昧水懺者,因唐悟達國師知玄,遇迦諾迦尊者,以三昧水為濯積世怨讐,知玄遂演大覺之旨述為懺文,普利將來甚盛心也,其為福德莫可涯涘。所謂三昧者,正受之名也。不受諸受乃為正受,真空寂定此心不動,其要使人求之於己而已。蓋人之生於世也,自非上智之資,豈能無故作誤為之愆,或宿世冤業之繞。如來廣慈悲之念、啟懺悔之門,苟能精白一心懺悔為善,則積累罪業一旦氷釋。譬諸水也,身之煩而濯之無不清,衣之污而澣之無不潔,器之穢而溉之無不淨,其幾不踰於方寸之間而已矣。故曰心者身之神明,所為善則善應、所為惡則惡應,若影之隨形、響之隨聲,其效驗之捷速不爽毫髮。此三昧水懺之作,所以利於人也,其功博哉。恒惟知玄以十世高僧尚負宿報,矧常人乎!昔孫皓穢犯金像,陰遭譴罰,懺悔自陳,禍即消釋。法佐交車議師,不慎幽獨,師重加責,以懺獲免。若此者固多。凡人揆之于心,豈能無愧?匪由懺悔,曷以滌除?端能趨進善塗、一絲惡念不萌於心,則菑禍潛消、福德增長,若雨潤群卉,生息繁茂。目雖不覩,而陰受其滋益者多矣。然則三昧者,其惟在於人心,而不必他求也。朕遂書此以冠于篇,并以鋟梓作方便利益,是為汲大海之三昧以遍周沙界灌濯塵劫者也。觀於斯者,尚慎其所趨向哉。
永樂十四年七月初一日
This Repentance of Samādhi Water came about because the Tang-dynasty National Master Wuda, Zhixuan, encountered the Venerable Kanaka, and was washed clean with the water of samādhi of grievances and enmities accumulated across many lifetimes. Zhixuan then set forth the essential meaning of great awakening and composed it as a text of repentance, meant to benefit all who came after — a truly great-hearted work, whose merit and virtue can have no bound or shore. What is called "samādhi" here is another name for "right reception." Not being carried away by any of the sensations — this is right reception: a true emptiness, a still concentration, in which the mind does not stir. Its essential point is simply that one seek it in oneself, and nothing more. For when a person is born into this world, unless he is of the very highest wisdom, how could he fail to commit some fault by mistake, or else find himself bound by karmic enmities from past lives? The Tathāgata, extending his vast thought of compassion, opened the gate of repentance — so that if one can, with a pure and undivided mind, repent and turn toward good, the crimes accumulated over lifetimes may melt away in a single morning, like ice. Compare it to water: a body that is soiled, once washed, cannot fail to become clean; clothing that is stained, once laundered, cannot fail to become pure; a vessel that is filthy, once rinsed, cannot fail to become clear — and the whole mechanism of it does not exceed the space of one's own heart. Hence it is said: the mind is the numinous intelligence of the body. What it does as good is answered by good; what it does as evil is answered by evil, following it as a shadow follows a form, as an echo follows a sound — and the speed of that effect never misses by so much as a hair's breadth. This is why the making of this Repentance of Samādhi Water benefits people so greatly — its merit is broad indeed. Consider: if Zhixuan, though a monk of high virtue across ten lifetimes, still bore an unpaid karmic debt from the past, how much more so an ordinary person! Long ago, Sun Hao defiled a golden image and secretly incurred punishment for it; when he confessed and repented, the disaster at once dissolved. The Vinaya master Fazuo, careless even in solitude, was severely reproached by his own teacher, and through repentance won release. Cases like these are, in truth, many. How could any ordinary person, examining his own heart, be without some cause for shame? Apart from repentance, how else could such stains be washed away? If one can truly advance along the good path, and let not a single thread of an evil thought sprout in the mind, then calamity will quietly dissolve and merit will grow — like rain nourishing the many plants, so that their life and growth flourish. Though the eye cannot see it, many receive its benefit in secret and prosper. Samādhi, then, lies only in the human mind, and need not be sought anywhere else. We have therefore written this to place at the head of this text, and had it carved into printing blocks as a further convenient benefit to others — a drawing-up of the samādhi of the great ocean, to pervade and wash through the dust-laden kalpas throughout realms as numerous as the sands of the river. Let those who look upon this still take care in which direction they turn. The first day of the seventh month, in the fourteenth year of the Yongle era. [1416 CE]
Preface: The Water Repentance of the Hall of Compassion
The second preface carries no date and no signed author, and is the one that tells the story from which the text takes its popular name. It refers in passing to a record kept "in our own Song dynasty," so it was almost certainly written no earlier than the Song, well after Wuda's own Tang-dynasty lifetime, and is best read as the traditional account attached to the liturgy rather than as an eyewitness record contemporary with the events it describes.
竊謂聖教經律論藏譯席所翻之外,爾後群賢製作,未有無所感而為之者乎。若條陳枚舉品別而言,未易紀極。即此靈文而曰水懺者,請言其由。昔唐懿宗朝有悟達國師知玄者,未顯時嘗與一僧邂逅於京師,忘其所寓之地。其僧乃患迦摩羅疾,眾皆惡之。而知玄與之為隣,時時顧問,略無厭色。因分袂,其僧感其風義,祝之曰:「子向後有難,可往西蜀彭州茶隴山相尋,其山有二松為誌。」後悟達國師居安國寺,道德昭著,懿宗親臨法席,賜沈香為法座,恩渥甚厚。自爾忽生人面瘡於膝上,眉目口齒俱備,每以飲食餧之,則開口吞啖與人無異。遍召名醫,皆拱手默默。因記昔日同住僧之語,竟入山相尋。值天色已晚,彷徨四顧,乃見二松於煙雲間,信期約之不誣,即趨其所。崇樓廣殿金碧交輝,其僧立於門首,顧接甚歡。因留宿,遂以所苦告之。彼云:「無傷也。巖下有泉,明旦濯之即愈。」黎明,童子引至泉所,方掬水間,其人面瘡遂大呼:「未可洗。公識達深遠、考究古今,曾讀《西漢書.袁盎晁錯傳》否?」曰:「曾讀。」「既曾讀之,寧不知袁盎殺晁錯乎?公即袁盎,吾即晁錯也。錯腰斬東市,其冤為何如哉。累世求報於公,而公十世為高僧,戒律精嚴,報不得其便。今汝受人主寵遇過奢,名利心起,於德有損,故能害之。今蒙迦諾迦尊者洗我以三昧法水,自此以往不復與汝為冤矣。」悟達聞之凜然,魂不住體,連忙掬水洗之。其痛徹髓,絕而復甦,覺來其瘡不見。乃知聖賢混跡,非凡情所測。再欲瞻敬回顧,寺宇不可復見。因卓菴其所,遂成招提。迨我宋朝至道年中,賜名至德禪寺,有高僧信師古作記,紀其事甚詳。悟達當時感其殊異,深思積世之冤,非遇聖人何由得釋。因述為懺法,朝夕禮誦,後傳播天下。今之懺文三卷者,乃斯文也。蓋取三昧水洗冤業為義,命名曰水懺。此悟達感迦諾迦之異,應正名立義報本而為之云耳。今輒敘夫故實、標顯先猷,庶幾開卷若禮若誦者,知前賢事跡之有端由,歷劫果因之不昧也。
It is my humble view that, beyond what was translated at the assemblies for rendering the sacred teachings — sūtra, vinaya, and abhidharma — the works composed afterward by the many worthies were never made without some cause that moved their authors to it. Were one to set these apart and list them item by item, it would not be easy to record them all to their limit. As for this numinous text called the Water Repentance, allow me to explain its origin. Long ago, in the court of Emperor Yizong of the Tang, there was the National Master Wuda, Zhixuan. Before he had risen to fame, he once chanced to meet a monk in the capital — the place where the monk was lodging has been forgotten. This monk suffered from a disease of kāmalā, and everyone loathed him. But Zhixuan, lodging beside him, called on him again and again, without the least sign of disgust. When at last they parted ways, the monk, moved by Zhixuan's noble bearing, gave him this blessing: "Should you meet with difficulty in time to come, seek me out at Mount Chalong, in Pengzhou, in the western region of Shu — two pine trees will mark the spot." Afterward, National Master Wuda came to reside at Anguo Monastery, his virtue and the Way shining brightly, so that Emperor Yizong himself attended his Dharma seat and bestowed on him a throne of aloeswood — the emperor's favor was exceedingly generous. From that time, a human-faced sore suddenly grew on his knee, complete with eyebrows, eyes, mouth, and teeth; whenever it was fed, it would open its mouth and swallow the food exactly as a person does. He summoned physicians of every renown, but all of them stood by in silence, at a loss. Remembering the words of the monk he had once lodged beside, he finally went into the mountains to seek him out. By the time he arrived the sky had already grown dark; wandering and looking about on every side, he at last caught sight of two pines rising among the mist and clouds — the appointed sign had proven true — and he hurried toward the place. There stood lofty towers and broad halls, gold and blue-green glinting against one another, and the monk stood at the gate to receive him with great joy. He was invited to stay the night, and told the monk of his suffering. The monk said: "There is no harm in it. Beneath the cliff there is a spring — wash in it tomorrow morning, and you will be healed at once." At dawn, a boy attendant led him to the spring. Just as he was about to scoop up the water, the human-faced sore suddenly cried out: "Not yet may you wash! Your understanding reaches far and deep, and you have studied both past and present — have you ever read the account of Yuan Ang and Chao Cuo in the History of the Former Han?" He answered: "I have read it." "Since you have read it, surely you know that Yuan Ang had Chao Cuo put to death? You are Yuan Ang, and I am Chao Cuo. Chao Cuo was cut in two at the waist in the eastern marketplace — how great was that injustice! Life after life I have sought vengeance upon you, but for ten lifetimes you were a monk of high virtue, strict and pure in the precepts, and I could find no opening for my revenge. Now that you have received excessive favor and honor from the ruler of men, and thoughts of fame and gain have arisen in you, your virtue has suffered loss — and so I have finally been able to harm you. Now, through the kindness of the Venerable Kanaka, who has washed me with the Dharma-water of samādhi, from this time on I will no longer hold this enmity against you." Hearing this, Wuda was struck with dread, his spirit hardly able to stay within his body; he hurried to scoop up the water and wash the sore. The pain went through to the marrow, and he fainted and then revived; when he came to himself again, the sore had vanished. He then knew that a sage had mingled among ordinary traces, in a manner no worldly feeling could have fathomed. When he turned to look back in reverence once more, the monastery buildings could no longer be seen at all. He therefore built a hermitage on that very spot, which in time grew into a monastery. By the Zhidao era of our own Song dynasty, it was granted the name Zhide Chan Monastery, and the eminent monk Xin Shigu wrote a record of the matter in great detail. Wuda, moved at the time by this extraordinary encounter, reflected deeply that an enmity carried across so many lifetimes could never have been resolved except by meeting a sage. He therefore composed this as a rite of repentance, reciting it morning and evening, and it was later transmitted throughout the world. The text of repentance in three fascicles that exists today is this very work. Since it takes as its meaning the washing away of karmic enmity with the water of samādhi, it was named the Water Repentance. This, then, is simply Wuda's response to his extraordinary encounter with the Venerable Kanaka — rightly naming the work and establishing its meaning in gratitude for its source. I have here ventured to set down this true account and make plain what came before it, so that whoever opens this text to bow before it or recite it may know the origin from which the deeds of these earlier worthies arose, and see clearly the causes and effects that run unobscured across many kalpas.
This story is one of the most widely retold origin-legends in Chinese Buddhism, and it is worth being precise about what is and is not being claimed here. The legend is not part of the liturgy a practitioner actually recites — it appears only in this second preface, bundled with the ritual text in the printed editions that survive, including the Taishō edition this translation was made from. Whether the events it describes happened as told is a question this translation does not attempt to settle; what can be said with confidence is that the legend was already circulating as accepted background by the time this preface was written, was still being retold when the 1416 imperial preface was added without needing to repeat it, and has shaped how this liturgy has been read and titled ever since. "Kāmalā" (迦摩羅), left untranslated above, names a disfiguring skin disease in classical Chinese medical and Buddhist usage, sometimes rendered "leprosy" in English retellings; the text does not specify more than that everyone found the monk's condition repulsive.
How to Read This Collection
Each fascicle below opens with the same short invocation and roll call of Buddha-names that begins every session of this rite in the original, then moves through its confession in the numbered sections given below — sections marked out by this translation for readability, since the Chinese text itself runs as continuous prose without internal headings. Read straight through, fascicle by fascicle, the three obstructions unfold as a single argument: first the mental poisons that give rise to wrongdoing, then the actual deeds those poisons produce, then the suffering such deeds eventually bring — closing with a dedication of whatever merit the whole rite generates, given away to every being without exception.
The Fascicles
Resources
- T1910 · CBETA XML source — the digital edition of the Taishō text this translation was made from.
- 慈悲三昧水懺 · Wikisource — a further public-domain digital edition of the same text.
- Wuda, Zhixuan (悟達國師知玄, 9th c. CE) — the National Master to whom this liturgy is traditionally attributed.
Chinese source: Taishō T1910, public domain. English translation and reading guide written for Ru-Yi Meditation Center. See also this site's note on translation method.