Posture, Emptiness, and Clouds Before the Sun
The second reason for beginning with the sun turns out to be diagnostic rather than devotional: this practice is designed to reveal, in visible form, the practitioner's own karmic obstructions — as colored clouds obscuring the sun's own light — and to demand an immediate, urgent response the moment they appear.
Posture, and Dissolving the Body's Four Elements
「二者欲令眾生識知自業障有輕重。云何得知?由教住心觀日。初欲住心時,教令跏趺正坐,右脚著左髀上與外齊,左足安右髀上與外齊,左手安右手上,令身正直,合口齒勿相近,舌柱上㗁為令咽喉及鼻中氣道宣通故。又令觀身四大,內外俱空,都無一物。身之地大,皮肉筋骨等,心想散向西方,盡西方際,乃至不見一塵之相。又想身之水大,血汗津淚等,心想散向北方,盡北方際,乃至不見一塵之相。又想身之風大,散向東方,盡東方際,乃至不見一塵之相。又想身之火大,散向南方,盡南方際,乃至不見一塵之相。又想身之空大,即與十方虛空一合,乃至不見一塵不空之相。
又想身之五大皆空,唯有識大湛然凝住,猶如圓鏡,內外明照,朗然清淨。作此想時,亂想得除,心漸凝定,然後徐徐轉心諦觀於日。其利根者,一坐即見明相現前。當境現時,或如錢大,或如鏡面大。於此明上,即自見業障輕重之相。
"The second reason is that he wished sentient beings to come to recognize the lightness or heaviness of their own karmic obstructions. How is this recognized? Through this very teaching of settling the mind and contemplating the sun. When one first wishes to settle the mind, one is taught to sit cross-legged, upright, placing the right foot upon the left thigh, level with its outer edge, and the left foot upon the right thigh, likewise level with its outer edge; placing the left hand upon the right hand; keeping the body perfectly upright; closing the mouth, with the teeth not quite touching; and pressing the tongue against the roof of the mouth, so as to open the passage of breath through the throat and nasal cavity. One is further taught to contemplate the body's own four great elements, both inwardly and outwardly, as entirely empty, with not a single thing remaining. As for the body's own element of earth — the skin, flesh, sinews, bones, and the rest — one lets the mind's own thought disperse toward the West, all the way to the very limit of the West, until not even the trace of a single mote of dust remains visible. Further, one contemplates the body's own element of water — the blood, sweat, and bodily fluids and tears — letting the mind's own thought disperse toward the North, all the way to the very limit of the North, until not even the trace of a single mote of dust remains visible. Further, one contemplates the body's own element of wind, dispersing it toward the East, all the way to the very limit of the East, until not even the trace of a single mote of dust remains visible. Further, one contemplates the body's own element of fire, dispersing it toward the South, all the way to the very limit of the South, until not even the trace of a single mote of dust remains visible. Further, one contemplates the body's own element of space, uniting it entirely with the empty space of the ten directions, until not even the trace of a single mote of dust that is not itself empty remains.
"Further, one contemplates that, the body's own five great elements all having become empty, only the element of consciousness remains, settled and unmoving, like a perfectly round mirror, illuminating both within and without, radiantly bright and pure. As this contemplative thought is formed, confused thoughts are thereby removed, and the mind gradually settles and grows still — and only then does one slowly turn the mind to gaze steadily upon the sun itself. Those of sharp faculties behold this bright form appearing before them in a single sitting. When this object appears, it may be the size of a coin, or the size of the face of a mirror. Within this very brightness, one comes to behold directly the mark of the lightness or heaviness of one's own karmic obstructions."
The four-elements visualization Shandao describes — earth dispersed west, water dispersed north, wind dispersed east, fire dispersed south, space merged with space in every direction — systematically empties the body of everything that could be mistaken for a fixed self, element by element, before the practitioner ever turns to look at the sun itself. What remains afterward, "only the element of consciousness... like a perfectly round mirror," is offered as the actual instrument of contemplation: not the eye, but a mind already cleared of its own habitual sense of embodiment. Only once this clearing is accomplished does the text describe turning "slowly" to observe the sun — a sequence in which technique and self-emptying are inseparable steps of the same single practice.
Three Colors of Cloud, and an Urgent Repentance
一者黑障,猶如黑雲障日。二者黃障,又如黃雲障日。三者白障,如似白雲障日。此日猶雲障故,不得朗然顯照。眾生業障亦如是。障蔽淨心之境,不能令心明照。行者若見此相,即須嚴飾道場安置佛像,清淨洗浴著淨衣,又燒名香,表白諸佛一切賢聖。向佛形像,現在一生,懺悔無始已來,乃身口意業所造十惡五逆、四重謗法、闡提等罪。極須悲涕雨淚,深生慚愧,內徹心髓,切骨自責。懺悔已,還如前坐法,安心取境。境若現時,如前三障盡除,所觀淨境朗然明淨。此名頓滅障也。或一懺即盡者,名利根人也。或一懺但除黑障,或一懺得除黃白等障,或一懺但除白障,此名漸除,不名頓滅也。既自識業相如是,唯須勤心懺悔,日夜三時六時等但憶得即懺者,最是上根上行人也。譬如湯火燒身一覺即却,豈容徒待時、待處、待緣、待人方始除也。
The first is a black obstruction, resembling a black cloud obscuring the sun. The second is a yellow obstruction, resembling a yellow cloud obscuring the sun. The third is a white obstruction, resembling a white cloud obscuring the sun. Just as the sun, obscured by such clouds, cannot shine forth with radiant clarity, so too is it with sentient beings' own karmic obstructions — they obscure and block the very object of the pure mind, and prevent that mind from shining forth in clarity. Should a practitioner behold this mark, they must then solemnly adorn a place of practice, install an image of the Buddha there, bathe themselves in purity and put on clean garments, and further burn fragrant incense, formally declaring themselves before every buddha and every sage. Facing the Buddha's own image, they must, for this present life, repent of every offense committed since beginningless time through the karma of body, speech, and mind — the ten evils, the five heinous transgressions, the four grave offenses of slandering the Dharma, the offenses of an icchantika, and all the rest. They must, with the utmost grief, let their tears fall like rain, giving rise to the deepest shame, penetrating to the very marrow of their own heart, reproaching themselves to the very bone. Having repented in this way, they should then return to the same posture as before, settle their own mind, and take up the object once more. Should that object then appear, with the three obstructions described above entirely removed, the pure realm being contemplated shall appear radiantly bright and clear. This is called the sudden extinguishing of obstruction. One who extinguishes it entirely through a single repentance is called a person of sharp faculties. Some, through a single repentance, remove only the black obstruction; some, through a single repentance, succeed in removing the yellow and white obstructions; some, through a single repentance, remove only the white obstruction — this is called gradual removal, not sudden extinguishing. Having thus come to recognize the marks of one's own karma in this way, one need only diligently and wholeheartedly repent — whether at the three watches of day and night, or the six, simply repenting the very moment one recalls an offense — and this is the very best practitioner, of the very highest faculties. It is like a body scalded by boiling water or scorched by fire: the instant one becomes aware of it, one withdraws at once — how, then, could one possibly consent to wait idly for some particular time, some particular place, some particular condition, or some particular person, before finally removing it?
Shandao's closing image — a body scalded by boiling water withdrawing "the instant one becomes aware of it" — reframes everything just described as a matter of reflex rather than scheduled devotion. The entire elaborate apparatus of formal repentance, the adorned place of practice, the bathing, the incense, the naming of specific offense categories, exists to be available the very moment an obstruction becomes visible, not deferred to some more convenient occasion. His taxonomy of black, yellow, and white obstructions, and of sudden versus gradual removal, is not merely descriptive: it gives the practitioner a diagnostic vocabulary for their own progress, so that partial success (clearing only the black obstruction, say) is recognizable as real progress rather than failure, while still leaving clear what work remains.
Part 30 Complete
This closes Part 30. Part 31 completes the sun contemplation in full: the third reason for beginning with the sun — that its radiance serves as a graspable stand-in for the far greater splendor of Amitābha's own land — followed by the instruction for achieving the vision itself, and the formal close of this first of the sixteen contemplations.
Continue to Part 31 — Closing the Sun Contemplation →